Berlin Wall: A Piece of History?

Tat or treasure? That’s what we’re investigating in this edition of the Tat section, here at Platinum Al’s Virtual Hot Tub. We have an item that could be a genuine piece of history, or it could just be pure junk.

The item in question is a piece of the Berlin Wall. Or at least, it claims to be.

Sometime in October 1990, I was on a school trip to Berlin. The wall separating East and West Germany had come down the year before, a momentous event that heralded the end of the Cold War and huge changes in Europe. Studying the Rise of Fascism in Europe as part of my History A Level, a trip to the once and future German capital was an appropriate field trip.

Most of that visit involved my friends and I drinking lots of German beer rather than any serious historical study, but whatever.

Of course, on trips like these, it was customary to take souvenirs home. And what better souvenir than an actual piece of the Berlin wall? At a stall near the Reichstag building and mere feet away from the wall, I bought the small, plastic box shown here, containing brightly coloured fragments of the infamous construct.

I’ve heard since that visit, that the only way to be sure of owning an actual piece of the wall was to hack some of it off yourself. Pick axes were available to hire at the site for that purpose, and indeed some of my friends tried that approach (with little luck).

So the question remains: although bought at the site, is this an actual piece of Berlin wall – or did some unscrupulous Capitalist scumbag spray some random concrete in lurid colours and pass it off to me as the genuine article?

What do you think?

Firewind Album Review

Firewind – Firewind

AFM Records

Release date: 15/05/2020

Running time: 48 mins

Review by: Alun Jones

7.5/10

 

We all make mistakes.  Some of us blunder all the time, and the consequence of those slip-ups can be catastrophic.  And some of us don’t like to admit when we’re wrong.

Confession time: I volunteered to review this Firewind album because I got them mixed up with another band with “fire” in the name (or possibly a couple).  I was slightly mortified when I realised that this band weren’t what I was expecting: none of the sludgy comfort blanket that I usually wrap my ears in.

Firewind are – Zeus help me – a melodic, power metal band.  Not a corner of metal that I’m particularly well versed in, or a fan of.  I fucking hate Helloween, for a start.  And Queensryche.  And fucking Europe.  This was going to be a challenge.

Yet your old pal Al is nothing if not a trooper.  They’re (partially) Greek, which intrigued me being a huge fan of the country.  I plunged into this assignment with an open mind – and do you know what?  This isn’t bad at all.  In fact, I quite enjoyed it.

Opening track “Welcome to the Empire” begins with some fine acoustic guitar before erupting into a big, bombastic rock monster.  It is, like most of the album, totally over the top – but also loads of fist pumping fun.  This ain’t pop music.  It’s fast and powerful (see “Devour”), and while not quite as brutal as my usual preferences, packs a mighty whallop.

The musicianship is exemplary.  Guitar genius Gus G has plenty of flair, but can throw out some crushing, crunchy riffs when required: “Rising Fire” and “Space Cowboy” being a two great examples.  Fast, flashy solos ain’t my scene, but there’s plenty of chugging metal to keep me interested.

The rhythm section – Petros Christo (bass) and Jo Nunez (drums) go beyond textbook and play excellently throughout the album.  Give “Orbitual Sunrise” and “Overdrive” a go for evidence.

Vocals provided by new singer Herbie Langhans are dramatic, in a typically Teutonic fashion.  This guy is straight out of a Wagnerian epic; despite being somewhat more operatic than I’m used to, he can certainly belt it out.  On every single song.

Sorry to disappoint any readers who thought they might actually read a less than positive review from yours truly.  Firewind isn’t my usual cup of absinthe with opium chaser, but I found it very easy to appreciate.  This album is well played, well written, well produced and delivered with some love and pride – all of which manages to steer this album away from trite cliche.

Metal wearing its heart on its sleeve and with a refreshing honesty, I just couldn’t bring myself to hate Firewind.   If I can dig it, then fans of this genre will love it.

Read more like this review on the Ever Metal website.

Find out more about Firewind on their official website, Facebook and YouTube.

And you can visit AFM records here.

Lordi Gig Review

Lordi + Hollywood Groupies + Dirty Passion

Friday 3rd April 2015

The Live Rooms, Chester

One thing’s for sure: when the Live Rooms say “doors open at 7pm”, make sure you get in there on time.  I was having a cheeky pint in Kash up the road, so missed the start of the first set tonight.  I arrived about 7.20pm and the first band were already on.

Dirty Passion were that first band, and I’m happy to report that they were pretty damn good.  Hailing from Sweden, this gang of greasy deviants sounded somewhere between Motorhead and Sonic Temple-era Cult.  A confident start to the night.

Next up on our international smorgasbord of rock was Hollywood Groupies, all the way from Italy.  The fact that there were two females in the band (one on vocals, one guitar) is one reason why this band stood out.  Female equality is all very good, and not a novelty in this case – the whole band threw out a quality set.  Again it’s straight up rock’n’roll, and I sensed a slight Danzig influence with big, sing along choruses in abundance.  Nice work. LORDI_on_Tour_Force_One_2015_Masters_of_Rock_CZ

Finally, our main course tonight is a Finnish dish – the Eurovision slaying Monsters of Rock known as Lordi.  I’ll never forget watching the Eurovision song contest in 2006, and the moment when Finland’s entry appeared on stage.  Fully kitted out in monster outifts, the band made jaws drop across the world and rightfully stole the event.

Tonight at the Live Rooms isn’t much different – Lordi appear on stage and drag the audience in to their bizarre horror rock world.  Complete with lights, foam guns, confetti, additional (monster mask wearing) dancers and more, it’s an unrelenting show that is pure, spectacular fun.

I have a couple of Lordi albums, but know only about a quarter of the songs played tonight.  No matter – I was quite surprised even the songs I wasn’t familiar with were listenable, catchy, enjoyable.  “Hard Rock Hallelujah” is played third song in, but there’s no indication of Lordi giving away their ace card too soon, there’s plenty of thrills to be served up.

Like seeing Alice Cooper, there’s a sense of theatrics with Lordi’s show.  It all adds up to a visual treat as well as a musical one.  Highly entertaining, and very hard rocking.  Hallelujah!!!

The Live Rooms website is here.  Keep an eye open for more great gigs coming soon!

The Lordi website is here.

Why the United Kingdom doesn’t win Eurovision

A short opinion piece concerning the UK’s lack of success in the international song contest

The Eurovision song contest – that cacophony of the beautiful, the unusual, and the downright bizarre.  Where reactions go from “This is pleasant,” to “What just happened?  Did I really hear that?” in the space of a few minutes.  Sometimes in the same song.  It’s all in the name of entertainment, and often the strange moments are the best.

The United Kingdom has had it’s share of winners over the years, and in contrast to most people’s opinion has been very successful.  These days, however, we constantly hear the public decrying the contest and complaining about the mutual voting of  sympathetic countries.  “That’s why we don’t win anymore,” the voices say, “all those countries voting for each other.”

Other reasons commonly championed as to why the UK hasn’t been successful include “No-one in Europe likes us”; and theories about the change in rules regarding singing in the national language.

So how is it possible that the nation that gave the world The Beatles, the Rolling Stones, Pink Floyd, Led Zeppelin, Bowie, the Clash (and on and on) – don’t win this contest hands down every year?

It’s because we don’t take it seriously.

I don’t mean we don’t take it seriously in a tongue-in-cheek, this is crap but what the hell post modern kind of way.  That’s fine.  Be ironic, have a laugh at the strange sounds and mangling of English phrases – that’s part of the fun.

No, by not taking it seriously I refer to the artists above.  We don’t win Eurovision because every year the rest of Europe wants to see the UK field a superstar.  A living legend like Bowie or Sir Paul, to lend their talents to the Greatest Music Competition in the World.  They want to see some of the musical geniuses that have sprung from these shores show the rest of Europe what pop music is all about.

We know that’s never going to happen.  Great fun as Eurovision is, it doesn’t have the cultural importance to tempt the like of Elton or Mick Jagger.  Not going to happen.

But just imagine if we did?  Imagine, if you will, a gleaming supergroup with Brian May on guitar, Roger Taylor on drums, Sir Paul on bass.  Elt on the old joanna, and vocals from some one like Jessie J, or Adele, or Tom Jones.  That’s what Europe want to see, and that’s what we need to win.

There was a rumour a few years ago (and I think it was just a rumour), of Morrissey being the United Kingdom’s entry for Eurovision.  Now I’m no Morrissey fan, but maybe that would do the job?  In the meantime, we have Bonnie Tyler to represent the country this year.  A woman with considerable fame and success across Europe, not to mention her undoubted talent.  Let’s see if she can do it.

Whoever wins, ignore the nay sayers and the whingers who complain because the UK doesn’t win.  Enjoy the fun and the spectacle, whoever the winner is.