The Uncanny Halloween Horror Fest

The Uncanny (1977)

Horror anthology time again now – and though this isn’t Amicus, that company’s Milton Subostky is co-producer.  In The Uncanny, a writer (Peter Cushing) is discussing his new book with his publisher (Ray Milland).  This latest work promotes the concept that cats – ordinary household moggies – are in fact evil.

The writer elaborates on three of his examples.  In the first, an elderly widow leaves all of her wealth to her cats in her will.  She’s killed by her maid, who’s trying to scupper this plan.  The cats then exact a nasty revenge… 

In the second segment, an orphan girl goes to live with her mean relatives, her cat being her only companion.  The girl and her pet receive some pretty bad treatment, until she uses a book of witchcraft to settle the score.

Finally, Donald Pleasence pops up as a dodgy actor in 1930s Hollywood, who bumps off his wife to install his young mistress in her place.  Of course, the cat of the dead ex decides to avenge her death.

All in all, very silly.  Household felines being exposed as malicious masterminds, intent on revenge and controlling the human world?  Utterly ridiculous, of course.  But the film managed to entertain me, despite the dubious premise – largely due to the presence of some fine actors.  The Uncanny is worth exploring if this kind of portmanteau tale intrigues you.

Now – must dash, got to feed the cat.

7/10

Scream and Scream Halloween Horror Fest

Scream and Scream Again (1970)

Now this is a strange little film.  Another Amicus production, though not an anthology this time, Scream and Scream Again is a baffling amalgam of sci-fi, horror, and at least three plots that seem totally unrelated at first.  So in a way, it almost is like a portmanteau horror, bizarrely.

Here we have a vampire killer in London, draining his victims of blood.  There’s also another thread relating to a dictatorship in an obscure European country.  Plus, someone is removing limbs – one by one – from hospital patients.  All very odd and with no connection at all, the audience may assume at first. 

The plot strands eventually come together by the end, but most viewers will be confused beyond caring if they get that far.

Scream and Scream Again proudly proclaims that it stars Vincent Price, Peter Cushing and Christopher Lee all in the same film.  However, Cushing is only in one scene (with neither of the other two stars).  Lee and Price both pop up in cameo roles, having only one scene together.

The film does have it’s moments, however.  There’s an extended chase scene as the police pursue the serial killer which is actually quite exciting, despite being dragged out.  And Alfred Marks as the detective in charge puts in an admirable effort.

So yes, a strange little film, and not one with much to recommend it.  Unless, like me, you’re fairly obsessed with British horror films from this time – in which case Scream and Scream Again is worth ticking off your list.

6/10

Halloween Horror Fest’s Lot

Salem’s Lot (1979)

Next up for Halloween Horror Fest 2018, an absolute horror classic!  Based on the book by horror master Stephen King, directed by the great Tobe Hooper, Salem’s Lot really is a fantastic piece of spine chilling story telling.

Originally a TV mini series, Salem’s Lot manages to cram in a great deal of the detail from King’s exceptional novel.  Although it’s been released as an edited version, it was the full 3 hour plus version that I indulged in. 

Ben Mears (David Soul), a slightly successful writer, returns to his home town of Salem’s Lot.  There he intends to write his next work, inspired by the local haunted house.  That particular building has recently been bought by newcomers to Salem’s Lot, antique dealing duo Mr Barlow and Mr Straker (James Mason).

Before long, the town is plagued by disappearances and then deaths, as the populace become victims of a tide of – vampirism!   Can Ben and his cohorts destroy the menace before it’s too late?

Salem’s Lot is a definite favourite of mine.  I first saw a short segment when I was a kid, only to have my mum switch the TV off in shock when confronted by a particularly startling moment!  I don’t think I slept for several nights afterwards. Years later I managed to make it all the way through, though Salem’s Lot still has an almost uncanny power to chill.

Seeing the entire movie, I was also inspired to read King’s novel – it became the first volume of his that I’d read.  It’s still my favourite.

Both James Mason and David Soul are excellent in their roles.  Mason you know will be top class; watching Soul the viewer realise how good an actor he really is.  Both are ably supported by a talented cast who create some of the huge tapestry of small town life that’s integral to both book and film.

Tobe Hooper weaves all this together with incredible skill, resulting in a film which although made for TV, still has plenty of chills.  Hooper can’t rely on gore or any shocks that would have been allowed in the cinema.  He’s forced to use other tricks to create an air of suspense – or outright horror – and Salem’s Lot is all the better for it.

All these years later, Salem’s Lot is still spectacularly entertaining – and very, very frightening.  I still don’t sleep with the curtains open.  Do you?

10/10

Halloween Horror Fest 2018

Yes, it’s that time of year again!  The nights are getting shorter, the wind is howling and strange things are afoot.  Halloween is almost upon us – so what better than watching a load of old scary movies to creep you out of an evening?  Yes, it’s time for another Halloween Horror Fest!

I’m starting a bit late this year, but once again I’ll be watching some fantastic (or not so fantastic) horror movies and writing bite-sized reviews.

Let’s start with…

Tales from the Crypt (1972)

Classic British horror of the seventies, but from Amicus Productions, not Hammer – this film stars many a great actor in another anthology movie.  The concept is basically a film version of some of the stories featured in the old EC horror comics of the same name (though only a couple are actually from that title).

Five strangers encounter The Crypt Keeper (Ralph Richardson), deep in the catacombs of a tourist attraction.  The Crypt Keeper then reveals a story for each of the protagonists.   

The first segment features a very lovely Joan Collins, as a housewife who murders her husband on Christmas Eve.  However a homicidal maniac is on the loose, which complicates Joanie’s plan to dispose of her deadly doings.  Despite the festive setting, this is a good start to proceedings.  I may dig this one out again to watch with the family at Christmas – it’ll make a change from Home Alone.

Up next is what I considered the weakest of the stories, though I can imagine it working better in comic book form.  Ian Hendry leaves his wife and family to take off with his bit on the side.  A dream premonition and nasty car crash result in a change of plans.

Peter Cushing pops up in the third tale, putting in a brilliant performance as a kindly old widower.  His snobbish neighbours decide to grind the old gent down so they can get rid of him – but revenge is on the cards.  Although Cushing’s casting is no surprise at all, he does a superb job in this role.

The fourth story is a chilling warning to be careful what you wish for; a ruthless business man (Richard Greene) comes a cropper in what is the most gruesome tale of the five.

Finally, a repugnant ex-army Major gets his comeuppance, after mistreating the inhabitants of the hoe for the blind that he’s supposed to be in charge of.  His fate is grim but well deserved!

Tales from the Crypt offers only mild innovation from the usual Amicus product, but is remarkably well done.  Freddie Francis directs and puts together a highly entertaining film that has spine chilling horror and genuinely repulsive moments.  Although a little dated, there’s still plenty to recommend this movie.

8/10 

MCM Birmingham Comic Con 2017 – Part 1

NEC Birmingham

18/19 November 2017

And yes, it’s a long awaited return to the fantastic Comic Con that is MCM Birmingham!  Held every March and November at the NEC, this event is huge – and one of my favourites.  All Comic Cons are fun, but MCM Birmingham has a feel and flavour all of it’s own.

Part of that reputation is down to the pure spectacle of size.  The events halls in the NEC that house this function are truly huge – like aircraft hangers.  They seem big enough to hold the S.H.I.E.L.D. Heli-carrier, never mind an Avengers quinjet.

But the main reason that MCM Birmingham is so much fun is the people – specifically, the amazing, talented cosplayers that travel from far and wide to show their genius costumes.

Whether it’s little kids in store-bought superhero outfits or full fledged cosplay supremos spending months perfecting their craft, the whole extravaganza is awesome.

When you add in the myriad replica film props, models and paraphernalia, it all adds up to a thrilling day out.

The scale of this event seems to ramp up every time I visit it.  There a vast number of stalls, as previous, selling all manner of items.  This years hot pieces appeared to be pocket watches (want) and Funko Pops.

I resisted the joy of Funkos for a long time.  Now I wish I hadn’t, as I’ve missed several that I would’ve loved.  I started collecting them earlier this year, have a few cool ones, and want so many more.  Funko Pops seemed to be everywhere at this years Comic Con.  Which makes me happy.

There were also loads of interesting guests to meet, though due to budgetary issues I didn’t get any autographs this time.  In particular, I wanted to add the signature of Pauline Peart, who appeared in The Satanic Rites of Dracula, to my Hammer Glamour book.

Never mind, hopefully we’ll cross paths again.

We arrived early at the event, having early bird tickets.  This allowed us early entry, and it was a little quieter to begin with.

It was also a bit quieter on the Cosplay front till later that morning.  I guess that makes sense; if you’re a cosplay afficianado, you’re more likely to be perfecting your stunning costume rather than getting in line early doors.

 

So it was a bit slow on the photo front at first, things soon got going though!  There were costumed characters of every possible description literally all over the place by midday.  I got some great pictures of as many as I could – you can see the results on this page.

As I always state, I’m by no means a professional photographer.  Luckily the camera seemed to be on form on this day (not sure I was) so I captured some pretty good images.

The results are to the credit of the cosplay enthusiasts however, not any photographic skills on my part.  My thanks to everyone of you that posed graciously for me, I hope these photos do some justice to your creative skills.  All of you were friendly and enthusiastic, my respect to you all.

And with that, we’ll conclude part 1 of this MCM Birmingham blog.  Part 2 soon – with more photos – plus anything else I can remember about the day!

Chester Comic Con – The Director’s Cut

Chester Comic Con

Sunday 24th September 2017

OK – so remember when I wrote my blog post about Chester Comic Con a while ago?  I ran out of memory space on my WordPress site and couldn’t post all of the photos I had taken.  Almost all made it, but not quite.

Then came Halloween Horror Fest, and although the space issue was solved I didn’t get chance to complete the images taken from Chester.

Until now.

Here, in true George Lucas style, I have re-visited the event and present for your enjoyment, the missing shots taken on that day.

Most of the these bonus pics simply weren’t used due to lack of space; some here are alternative versions of shots used.

Either way, I hope you enjoy.

As well as fantastic Cosplay costumes and various stalls selling all manner of wonders, there were also a few vehicles on display…

As I mentioned in the previous Chester Comic Con blog, I saw a great Q&A session with Martine Beswicke, Caroline Munro and Madeline Smith.  Best thing of the day!

Well done everyone at Chester Comic Con – it was a fab day!  Looking forward to next year.

Halloween Horror Fest Has Risen from the Grave (again)

Beetlejuice (1988)

Time for a change of pace for this year’s Halloween Horror Fest.  Tim Burton’s Beetlejuice is a spooky comedy horror, showcasing more of the Director’s trademark bizarre imagination. 

Adam (Alec Baldwin) and Barbara (Geena Davis) are a happily married couple, living in their dream house.  They wind up dead, due to an unfortunate accident, and haunting their old home.

When a new family move in, who turn out to be less than ideal inhabitants, Adam and Barbara attempt to scare the new householders away.  After all their attempts fail, they’re left with no other choice than to recruit Beetlegeuse (Michael Keaton) to do the job for them.

Keaton is manically brilliant as sleazoid Beetlegeuse; a deranged, disreputable “bio-exorcist” with a seedy demeanour.

Burton manages to keep the film entertaining and lighthearted in his own goofy way.  Beetlejuice never becomes morbid or grim, instead it’s a fun (though dark) fantasy that oozes creativity.

8/10

Dracula Has Risen from the Grave (1968)

In which good old Christopher Lee returns as Dracula, in his third outing as the Count for Hammer. 

This time around, Drac is out for revenge when is castle is exorcised by the Monsignor (Rupert Davies).  Not having anywhere to hang out, the Count is somewhat peeved and decides to enact his vengeance on the Monsignor’s virginal niece, played by lovely Veronica Carlson.

Hammer courageously attempt to avoid re-treading the same old formula in this film, though in reality the blueprint is never cast too far away.  The actors all do a fine job, including Davies, Carlson and Barry Andrews as Paul, the token heroic figure.

Lee is fantastic of course, with commanding presence and evil red eyes creating a powerful Lord of Vampires.  And the sets look great, like Kiss of the Vampire, bigger and more realistic than earlier efforts.

Dracula Has Risen from the Grave isn’t a completely successful entry in the series, but it’s a professionally produced and entertaining film in the Gothic Hammer horror tradition.  Well worth a look.

7/10

The Abominable Halloween Horror Fest

The Babadook (2014)

I had heard that this film was good, and The Babadook didn’t disappoint.  This Australian movie was very impressive.

Centred around a widowed mother and her young son, the film is original and different right from the start.  The young boy, Samuel (Noah Wiseman), is having a troubled time; even more so when he encounters a book about Mr Babadook.  Suddenly, his fears of what hides in his room at night become more fraught. 

The mother, Amelia (Essie Davis), eventually becomes embroiled in the uncanny happenings as the Babadook seems to materialise.  Slowly, their relationship – and their existence –  becomes warped by the strange Babadook creature, until their reality threatens to fall apart.

The Babadook is both chilling and innovative; full of suspense and yet also a sharp psychological thriller.  How much are we experiencing for real, and how much is imagination?  This film very cleverly avoids cliche, whilst creating a forbidding atmosphere and genuine tension.

It’s also thought provoking and will stay with you for days afterwards.  Brilliant and highly recommended.

9/10 

The Abominable Dr. Phibes (1971)

Horror legend Vincent Price stars in this cult classic about an esteemed doctor (and organist), in a terrible tale of revenge and murder.

Phibes’ beloved wife died tragically on the operating table, and he is now driven to kill the medical team he deems responsible.  There follows a series of grisly murders based on the biblical plagues of Egypt, each intricately designed by Phibes. 

There are plenty of moments of dark humour as the police officers attempt to put the clues together and trap the murderer, but Phibes is always one step ahead.

The Abominable Dr. Phibes is a great film, plenty of gruesome scenes and Vincent Price on top form.  An imaginative soundtrack and beautiful Art Deco set design create a fantasy that is wonderful to watch.  Seriously, the sets are fantastic.

Of course, as a big fan of punk/goth rock veterans The Damned, I was thrilled to put together the connection between this film and “13th Floor Vendetta” on the bands “Black Album”.  Just one of many reasons I thoroughly endorse this quirky little gem of a movie.

Oh, and did I mention that my favourite horror movie beauty Caroline Munro appears as Phibes’ wife (if only in photos)?

8/10

Bride of Halloween Horror Fest (Revisited)

Bride of Frankenstein (1935)

It was an absolute pleasure to re-watch this total classic of a monster movie.  Bride of Frankenstein features not one, but two iconic Universal creatures; in a multi faceted story directed by James Whale.

As the original movie had been such a success, this sequel shines with a commitment to match it and create something even better – which it does.

Henry Frankenstein (Colin Clive) has survived the events of the first film, and vows never to return to his ghastly experiments.  The creature (a fantastic Boris Karloff) has also survived, and begins to explore his surroundings and grow in experience.  Of course, these adventures inevitably lead to mayhem.

An old tutor of Frankenstein, Dr Pretorius – played with a camp menace by Ernest Thesiger – has a proposition for Henry.  Together, they can combine their skill to create a new monster, a mate for the first.  Events transpire to force Frankenstein to enter into this hell bound, yet inevitable partnership. 

Universal obviously invested heavily in this second Frankenstein movie, the sets are more grand and the special effects really surprisingly good for the time.  Whale is on fine form and the whole film is a real spectacle – I remember being thrilled to see this revered movie for the first time.

Performance wise, Clive is melodramatic in the extreme and his acting appears somewhat dated.  The rest of the cast are magnificent though, Thesiger is delightfully wicked and Elsa Lanchester is unforgettable as the monster’s bride.

The best though is the legendary Karloff, here given much more to do (even being allowed to develop speech, a little like the novel).  His ability to convey emotion and make the audience empathise with a giant, re-animated corpse is astounding.

All in all, Bride of Frankenstein is a classic of the genre.

10/10

Halloween Horror Fest 2017

Here we go with another month of as many horror films as I can fit in, on the run up to Halloween.  Both myself and Mrs Platinum Al take turns top pick a spooky movie to entertain us; I then write these here mini movie reviews.

Sound OK to you?  Let’s crack on, then.

It (1990)

Recently Mrs Platinum Al and I went to see the new version of It in the cinema.  I was familiar with the story but wasn’t really expecting anything really exciting.  How wrong I was: the remake of It is superb fun from start to finish.

So it’s a bit of a no-brainer that the first film of this years Halloween Horror Fest would be the original 1990 version.  But how would it stack up compared to the revised film?

It is based on a Stephen king novel, in which a nondescript North American town is plagued by a series of child murders.  A gang of misfit kids, labelling themselves the Loser’s Club, find themselves terrorised by the evil entity that is responsible.  Preying on their deepest fears, It threatens to kill them all, until the Losers can unite and defeat the creature. 

Years later, the grown up gang are brought back together when it becomes obvious that It has returned.  This time they must destroy it once and for all…

The old film (actually a TV mini series, if you want to be picky) stands up surprisingly well against the new.  The new film is superb, and resplendent with the latest in special effects technology.  However the more primitive effects don’t harm the original at all, it still works thanks to great performances from all.  The 1990 movie succeeds because, like the later film, it brings the characters to the fore.  The Losers Club – whether kids or adults – are all interesting people that the audience can root for.

Of course the star of the show is the phenomenal Tim Curry, as Pennywise the clown.  Creepy and sinister one minute, Curry transforms into unhinged malevolence with startling ease.  Pennywise is evil incarnate and brilliantly portrayed here.

But who is the best?  Tim Curry or the new film’s Pennywise, played by Bill Skarsgard?  I’ll leave that for you to decide…

8/10