Bring Your Own Vinyl Night #2

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 29th May 2015

OK, you know the drill – it’s Bring Your Own Vinyl Night at the Queen’s Head pub in Mold.  It’s the same great deal as last time – everyone gets a fifteen minute slot to play whatever they want, as long as it’s vinyl.  Old or new, obvious or strange – any genre you like, bring along those wax platters and give them a spin.

As previous, it was a welcoming atmosphere in the pub, and it was great to hear the music played.  There’s always some old favourites, as well as a few that make you scratch your head, then go away determined to explore that sound more.

We missed the last Vinyl Night, the gang and me, but this time we came fully stocked and prepared.  So after a few beers, here’s what my set-list looked like:

Nirvana – Do You Love Me

This is a cover by the Seattle Grunge mega lords of a KISS tune, found on the Hard to Believe tribute album.  This record featured several then-underground, independent punk rock groups covering KISS songs.  Also on this disc you’ll hear such bands as the Melvins, All and the Hard-Ons (I love ’em all) – but it’s Kurt Cobain’s crew that are the novelty factor here.  Pre-dating Nevermind, this isn’t the best Nirvana song (not by a long way) but it’s kinda cool to hear them cover some classic glam rock.  I picked this up fairly recently at a Manchester jumble sale; I played it ‘cos it’s rare (apparently) and unexpected (very).

Butthole Surfers – The Wooden Song

No, I didn’t play this song because of the shock/comedy nature of the band’s name.  I played because the album Independent Worm Saloon, which birthed this tune, is a work of under-appreciated genius.  The album roams from full-on punk noise; to psychedelic eruptions; to folky, melodious charm.  The Wooden Song   fits in the last category, with a nice added dose of weird.

Jimi Hendrix Experience – The Stars That Play with Laughing Sam’s Dice

Taken from the Smash Hits album which I picked up on reissue around 1990.  This song was always a favourite, I chose to play it as it’s a different (and better) mix than the one found on the South Saturn Delta CD.  I love how the song’s funky little riff rolls on, as Jimi’s voice and a wall of guitar noise threaten to throw the whole thing overboard.  Beautiful chaos.

Black Sabbath – Planet Caravan

This is one of my late at night, chill-out jams.  You can find this track on Paranoid.  I chose it to showcase just how great Black Sabbath were, the variety and depth of composition going far beyond what the trendy elite give them credit for.  A mellow jazz trip into outer space, this song elegantly portrays the grandeur of the mighty Sabbath.  ALL HAIL SABBATH.

So that was it from me.  I thoroughly enjoyed myself, hope others liked it too.  I was more confident this time with the turntables and felt that the whole experience was a step up from my previous effort.

Next up was Adam, with some gems from his ever expanding vinyl collection.  It was Adam’s first tenure on the decks, he mastered it like a pro:

  • Guns’n’Roses – Bad Obsession
  • Prodigy – Poison
  • Beach Boys – God Only Knows

The final member of our crew was Ben the Swede, who travelled from far off Chester with his lady Janice to play some vinyl.  Ben went for a Ritchie Blackmore theme with his choices, and damn fine they were:

  • Rainbow – Jealous Lover
  • Glen Hughes and Chad Smith – Maybe I’m a Leo
  • Deep Purple – You Can’t Do It Right By The One You Love

Thank you and good night – till the next Bring Your Own Vinyl Night!

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all the songs played on the night.

The Halcyon Dreams Facebook page is herevinyl3

Saltwater Injection Single Release

Saltwater Injection 

“Vinegar”/”Cuntryfile” (Antipop Records)

 

The new single from Saltwater Injection, “Vinegar”/”Cuntryfile”, succeeds in capturing their live ferocity and innate ability to smuggle a tune in with the noise. Like Henry Rollins wrestling an angry grizzly bear – for a laugh – this two-piece hurl out lead track “Vinegar” and drag, rather than invite, the audience along. Pounding, dirty bass; vicious drums and urgent vocals give the listener a couple of minutes of aggression that you can’t help but nod along to.

There is a school of thought that says times of austerity and right wing governments create the ideal environment for the best anti-establishment punk rock. Saltwater Injection’s “Cuntryfile” certainly upholds that premise. Just over a minutes worth of furious, filthy mouthed fun – this tune is ridiculously infectious. I defy you to not sing along!

For fans of Black Flag, the Melvins, and 1980’s cross over punk-thrash who also like a bit of tuneful Nirvana in their musical diet.

Out 30.03.2015

Available from iTunes, Amazon and Spotify 

http://www.saltwater-injection.com

saltwaterinjection@gmail.com

https://www.facebook.com/pages/Saltwater-Injection/134989273346640

https://soundcloud.com/saltwaterinjection

https://twitter.com/SaltWaterInject SWI1

Classic Albums

I was aiming to do one of these Classic Album posts every month.  This is February’s…  These posts are dedicated to the timeless, irreplaceable classics of my music collection.

2. Sex Pistols – “Never Mind the Bollocks, Here’s the Sex Pistols”

By 1988 I was looking for something new, music wise.  I had trawled through loads of heavy metal, thrash metal and hardcore, and a lot of it was getting somewhat stale.  The next step to explore was looking like Motley Crue and WASP.  Luckily, something else came along instead.

I’d heard a Sex Pistols song on a late night rock show on the radio.  I’ve never been one to listen to the radio much.  However, when I heard “Anarchy in the UK”, I thought – that sounds great!  Guitars right up front screaming in your face and tons of energy.  The song stayed in my head and I considered saving up a few quid and making the Sex Pistols album my next purchase.  It would be quite a departure from a great deal of my other music; but with punk rock all over Thrasher magazine and skateboarding generally, it seemed the obvious choice. 136184.jpg SP

So I went into Penny Lane Records in Chester a couple of weeks later, and I bought the cassette.  The cassette!  Unbelievable.  One advantage was I had my Sony Walkman with me and could listen to it straight away.  What should I expect though?  My research had yielded a huge amount of scorn for the group – they couldn’t play, couldn’t sing, they were offensive.  Would the tape just be a horrid cacophony of unlistenable noise?  I pressed play.

I heard the jackboot march intro of first track “Holidays in the Sun” and then the music began.  Far from the despicable noise I’d been warned about, I found (much like “Anarchy…”) a sound that was thrilling, exciting, new.  It was rock music, but it was fast and intense and I knew this was what I had been looking for.

“Bodies” followed, and that song is even more exhilarating than the first.  A few rude words though, so don’t play this without headphones.  “God Save the Queen” was a total revelation – anti-establishment hatred wrapped up in the greatest rock riff ever.  Pure genius.  I’d never heard sentiments like that expressed in any form of popular culture before, and I loved it.  “Pretty Vacant” was actually very catchy, not in the least bit talentless noise.  And “Submission” was a change of pace – showing again that the Pistols were not one trick conmen.

Not all of “Never Mind the Bollocks…” is perfect.  I’ve never been a huge fan of “Seventeen”, for example.  Still that song is better than most bands manage in an entire career.

The music doesn’t sound shocking in this day and age, but lyrically we’re dealing with some raw stuff.  What a joy to behold in a Simon Cowell possessed world.

I ended up getting rid of the cassette and buying the album on vinyl later on.  I’ve still got it.  Of course, I then had the CD also.  I listened to it recently on my iPod and it still sounds fantastic.  Quite simply, every home should have a copy of this record.  “Never Mind the Bollocks…” is still, quite possibly, my favourite album of all time.  It opened my eyes (as well as ears) to something different.  It taught me that exploring music, even music that you might be concerned isn’t for you, will provide great results.

Don’t be afraid, try something new.  And listen to the Sex Pistols with the sound cranked up.  Because we still need to think differently, develop our own opinions, and be open minded.  That, ladies and gentlemen, is punk rock.

Sex Pistols – Never Mind the Bollocks, Here’s the Sex Pistols

  1. Holidays in the Sun
  2. Bodies
  3. No Feelings
  4. Liar
  5. God Save the Queen
  6. Problems
  7. Seventeen
  8. Anarchy in the UK
  9. Submission
  10. Pretty Vacant
  11. New York
  12. EMI

Best tracks: God Save the Queen, Pretty Vacant, Holidays in the Sun, Bodies, Submission, Anarchy in the UK

Other cool points: one of the most iconic album covers of all time.

Buy this classic album here.

Happy Birthday Johnny Cash

Today I’m commemorating the birth of Johnny Cash, born 26th February 1932.

Below is a picture of some of my Cash memorabilia.  This includes vinyl albums, CDs, books and t-shirts.  That’s quite a few pieces I’ve collected over the years.  The music is timeless and will last longer than the items shown, however.

One more point: the black record sleeve you can make out at the bottom right of the photo is my first Cash album.  It was my grandmother’s originally, and became mine when she passed away – so it has a special place in my vinyl collection.  It’s a great record and introduced me to Johnny Cash’s music.  Cash1782131_10152355579718714_1063450036_n

Check out: JohnnyCash.com