Singles Night at the Virtual Hot Tub #31

Gather ye round, Hot Tubbers! Tis time once again to dip our toes into the warm waters and enjoy another Singles Night.

What am I babbling about? Regular readers will know that Platinum Al likes to spend an evening playing through my collection of 7″ singles, both sides, one after the other. I have a large unplayed pile of 45 rpm records that need spinning, so sometimes I like to blitz through ’em, accompanied with a few drinks (or several).

Why? Because it makes a fun evening! You never know what’s crept in to the “play me” pile: old or new, good or bad. And when the night is over, these discs can be safely added to my collection.

Let’s check out what I played this time:

  1. Boney M. – “I’m Born Again” / “Bahama Mama”
  2. Sounds EP: The Perfect Disaster – “55 Miles” / “Mega City Four – “What We’ve Got” / Cerebral Fix – “Eternal Winter” / Killdozer – “New Pants & Shirt” / Pussy Galore – “SM57”
  3. Men Without Hats – “The Safety Dance” / “Security”
  4. Third World – “Now That We’ve Found Love” / “Night Heat”
  5. Bomb the Bass – “Beat Dis” / “Beat Dis (Dub)”
  6. Phil Collins – “Against All Odds (Take a Look at Me Now)” / Mike Rutherford – “Making a Big Mistake”
  7. Hale & Pace and the Stonkers – “The Stonk” / Victoria Wood – “The Smile Song”
  8. Bob Geldof – “Love or Something” / “Out of Order”
  9. The Whispers – “And the Beat Goes On” / “Can You Do The Boogie”
  10. Queen – “It’s a Hard Life” / “Is This the World We Created…?”
  11. Bob Marley & The Wailers – “Jamming” / “Punky Reggae Party”
  12. Sweet – “The Six Teens” / “Burn On The Flame”
  13. Belinda Carlisle – “La Luna” / “Whatever It Takes”
  14. Baccara – “Yes Sir, I Can Boogie” / “Cara Mia”
  15. The Stranglers – “Bear Cage” / “Sha Sha a Go Go”
  16. Bucks Fizz – “One of Those Nights” / “Always Thinking of You”
  17. Rod Stewart – “How Long” / “Jealous”
  18. Ghost – “Kiss the Go-Goat” / “Mary On a Cross”
  19. The Beach Boys – “Darlin'” / “Here Today”
  20. ZZ Top – “Gimme All Your Lovin'” / “If I could Only Flag Her Down”

A mixed bag, as always – with a few left overs from my “100 singles for a fiver” car boot sale purchase. But this is what Singles Night is all about – you take the rough with the smooth, learn to appreciate stuff that you might’ve previously written off.

There are a couple of stinkers in that list, but surprisingly the Comic Relief single ” The Stonk” isn’t one of them. Daft it may be, but it features Brian May, Tony Iommi, Dave Gilmour, Cozy Powell and Roger Taylor in a Quo-esque rock boogie that I quite enjoyed.

I love the Boney M. single, as the B-side reminds me of being on holiday in Greece. “Safety Dance” is brilliant, Bomb The Bass is class, and I even enjoyed the Phil Collins song!

Obvious highlights in this set came from Queen, Bob Marley, Sweet, The Stranglers, Beach Boys and ZZ Top. Always wanted to hear that Bob Marley B-side, as he name checks several punk bands such as The Damned, The Jam and The Clash.

I was a surprisingly cool dad, thanks to the Ghost single (coloured vinyl, nice). Apparently the B-side is a social media craze, so my daughter was impressed!

Great tunes, fun times exploring music – that’s Singles Night. More soon!

The Gates of Slumber – Album Review

The Gates of Slumber – Live at Tempe Arizona

Self-Released (Against PR)

Release date: 28/02/2020

Running time: 37 minutes

Review by: Alun Jones

8/10

Right then, who’s up for some big, fat riffs played at a crawling, slow pace?  You know I am.  Never more ready.  So let’s plunge in and have a listen of this live opus from The Gates of Slumber!  I can promise you that TGOS not only have one of the best band names ever invented – they also do magnificently heavy, Sabbath influenced doom.

This gig was recorded live at the Clubhouse, in Tempe, Arizona – back in 2011, supporting the mighty Orange Goblin.  You can almost feel the heat and smell the beer at the venue on this recording.

Starting out with “Bastards Born”, the riff is slow and menacing, with mournful vocals.  Second track “Ice Worm” ups the tempo a little, with a chugging groove.  The highlight of the album is possibly the gloomy “Day of Farwell”, which is allowed to breathe and sprawl, featuring some spellbinding guitar.  “Coven of Cain” rocks out, before the band slow down to a monolithic pace for “The Wretch”.  Moving those stones from South Wales to Salisbury to create Stonehenge was probably faster.  Finally, the band are at their most Sabbath with the crunching “The Jury”.

Audience reaction is very low in the mix, and the sound is very clear, with no studio or soundboard trickery.  What the listener is left with is a very honest representation of Gates of Slumber – those guitars and drums are free to go straight for the jugular.  It might not be the sort of album that will blow the mind of the casual listener, but for anyone who’s schooled in the melancholy beauty of Saint Vitus and The Obsessed, this is a short but sweet treat.

Will that do for the review, guys?  I’m knackered myself after last night.  I wasn’t partying with Ozzy and Slash again, honest.  I was up all night with Brian May, going on about his bloody astronomy.  “Really Brian?  That is fascinating.  You don’t say?  Yawn.”  Didn’t get a wink of sleep.

You can check out The Gates of Slumber on Bandcamp, Spotify and YouTube.

Also, witness their social media mastery on Facebook, Instagram and Twitter.

This review has been brought to you by Platinum Al in association with Ever Metal.