Tag Archives: Hammer

Halloween Horror Fest 2016

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Welcome to this year’s Halloween Horror Fest!  All through the month of October, I’ll be watching horror movies, monster flicks and general B-movie nonsense, and then sharing a short revue on this here blog.  Hope you enjoy!

First off this year it’s…

Countess Dracula (1971)

Loosely based on the true story of Countess Bathory, who bathed in the blood of virgins, this Hammer tale is suitably lurid and macabre.  It deals in all the classic (or stereotypical, if you prefer) Hammer traits, with gore and a dash of nudity – not to mention horse drawn carriages in the woods, castles and intrigue. countess

Here the widowed Countess is played by the legendary Ingrid Pitt, who makes a startling transformation from ancient crone to voluptuous young beauty when she discovers the restorative powers of virgin’s blood.  With this knowledge, the Countess embarks on a mission to ensnare her younger lover and keep the supply of comely wenches flowing.

There’s also plenty of plotting within the castle walls, leading to some duplicitous goings on and dastardly actions.  Chief amongst these scoundrels is Nigel Green as Dobi, keen to take the place of the Countess’s suitor (Sandor Eles).

Countess Dracula is one of the great Hammer films I remember seeing years ago, inded it was one of the first I ever bought – on VHS – for my collection!  It’s an entertaining film, aided by the deceitful twists and turns of the characters, that stops the film from becoming too run of the mill.

Unlike the real Countess Bathory story, and with this being Hammer, there is of course a supernatural element to the proceedings.  The Countess is magically rejuvenated; Ingrid Pitt at first made up to look old becomes miraculously young and seductive.  But this isn’t a historical docu-drama, it’s Hammer horror – and it’s all about entertainment.

Great fun and a worthy start to this years Halloween Horror Fest!

8/10 ingrid

Halloween Horror Fest Hollow

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Halloween is over, but as ever, I’m behind with reviewing the films I’ve watched this October.  So here we go…

Bigfoot Wars (2014)

Now I’m a big fan of Bigfoot movies.  The Legend of Boggy Creek is, in my book, a total classic.  So I was intrigued by Bigfoot Wars and definitely wasn’t put off by the obvious low budget, straight to video fest that I was letting myself in for. bigfoot

The story, in a nutshell, is this: a small town (named Boggy Creek, interestingly enough) has a problem with marauding Bigfoot abducting the local females.

Unfortunately it is all a bit cheap, at least as far as the script goes.  The sasquatch look pretty scary and manage to introduce a good dose of tension to the proceedings.  However the story is fairly lame and obvious, with rather poor acting and dialogue.  Some guy called C Thomas Howell is the token ex-big name slumming it; but his performance is unintelligible.

As a fan of Bigfoot movies, there was enough here for me to enjoy.  However I couldn’t really recommend Bigfoot Wars to anyone else.

5/10

Sleepy Hollow (1999)

Tim Burton directed this version of the Washington Irving story, and it really is superb.  The design and cinematography are spell binding; the story rattles along at a great pace, and the cast is rammed with an unbelievable level of talent. Sleepy

Our old mate Johnny Depp plays Ichabod Crane, who in this version is a detective, sent to the remote town of Sleepy Hollow to investigate some hideous murders.  It appears that the locals are being decapitated by a  Headless Horseman, though why is a mystery.  Crane must use his rational, scientific sensibilities to put a stop to the carnage – though it appears that the events may be of supernatural origin after all…

Apparently this film is Tim Burton’s tribute to Hammer horror; it’s easy to see why with the scenes of stage coaches rolling through gloomy forests.  A cameo from the late, great Christopher Lee further exaggerates the point.  Lashings of blood also help to underscore the tribute to sixties horror.

Sleep Hollow is exceptionally well made – it looks incredible and the story is riveting.  Whilst the motivations are a little convoluted, it all comes together in the end.  Highly recommended for some blood thirsty thrills, and worthy of repeated viewings.

9/10

Halloween Horror Fest: Prince of Darkness

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Dracula: Prince of Darkness (1966)

I couldn’t have another Halloween Horror Fest without honouring the wonderful Sir Christopher Lee, who sadly died earlier this year.  So it’s time for another Hammer horror classic with Dracula: Prince of Darkness!

This was the first time that Lee reprised the role of the Count since his performance in the legendary Dracula (or Horror of Dracula in the US) in 1958.  Bizarrely, this time Dracula is silent throughout – not uttering a single word – as Lee claimed he refused to speak the atrocious dialogue.

Following on from the previous film some years later, we encounter four British travellers who wind up at Castle Dracula, despite warnings against going there.  The travellers face some strange goings on, leading ultimately to the true purpose of their welcome at the castle – being used as sacrifice to resurrect the Count.

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It takes a while to get to the key scene of murder and resurrection, though there are several creepy elements in the lead up to it.  This revival of Dracula is quite a blood thirsty and shocking scene, even now.

The rest of the movie sees our heroes trying to evade the vampire whilst finding refuge at a monastery, where Father Sandor (a superb Andrew Keir) steadfastly defends against the Count.

Lee’s Dracula still manages to menace despite the lack of speech, exuding power and malevolence.  Barbara Shelley also gives a fine performance, switching from peevish Helen to deadly yet alluring vampiress.

Dracula: Prince of Darkness is not without it’s faults, but it does posses some witty ideas and a few sly winks to the original source novel.  Add in some terrific performances and the result is Hammer horror defined; it’s worth seeing to witness these traits before they became a cliché.  All the great elements of the famous studio are here – including the greatest Dracula of them all.

8/10

You can read my full tribute to Sir Christopher Lee here.

Halloween Horror Fest – Vampire Hunter

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Captain Kronos – Vampire Hunter (1974)

I remember being about nine or ten years old, and my Dad telling me he’d stayed up late watching a vampire film the night before.  In it, the vampire hunters buried toads in the ground as a way to detect the undead.  Fast forward to my late teens, and I saw this very scene was part of Captain Kronos – Vampire Hunter.  That was pretty exciting, in a very nerdy way!

This film from Hammer studios was something of a departure, as they investigated ways to breathe new life into their usual formula.  Brian Clemens of television’s Avengers fame took on writing and directing duties; adding numerous flourishes to refresh the vampire mythology. Kronos

Captain Kronos (Horst Janson) is the hero of the piece, roaming Europe with his companion Professor Grost (John Cater) and beautiful Carla (Caroline Munro) to rid the land of the undead.  They receive a call for help from old friend Dr Marcus (John Carson), whose village is plagued by a strange form of vampirism.  There follows a hybrid of classic Gothic Hammer horror and swashbuckling adventure, that is full to the brim with novel ideas and variations on traditional vampire folklore.

Originally planned as the first in a series, unfortunately this was not to be.  Changing tastes in horror films led to a decline in the traditional Hammer approach; the studios waning success meant that Kronos was a one-off.  It’s a great shame, as the new approach really pays off.  It’s almost a prototype for Blade (or even the disastrous Van Helsing).

One of my favourite Hammer films, Captain Kronos – Vampire Hunter has everything you could want.  The level of detail with regard to vampire lore and the new twist on the familiar are just some of the films strengths.  This film is a true classic and should be enjoyed by all!

Furthermore, I usually hate sequels and remakes – but Captain Kronos would be a great franchise to rise from the dead.  Apparently Tarantino is a fan.  Now that would be interesting…

10/10

Did I mention that the stunning Caroline Munro appears in this film?  Here’s some proof…

Halloween Horror Fest Circus

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Vampire Circus (1972)

Yes it’s Hammer time at the Virtual Hot Tub, with this macabre classic from the legendary British studio!

A remote village, quarantined due to a strange plague, becomes the host to a travelling circus.  The circus entertain the villagers and distract them from their everyday woes; though they hide another motive.  That secret agenda involves a vanquished vampire count, and a despicable plot for revenge!

There’s no Cushing or Lee in this early seventies curiosity, yet Hammer are able to create a new spin on their Gothic tales with this unusual and striking film.  The boobs and gore identify the seventies vintage of this film, yet there’s plenty of atmosphere to embellish the tale.  Vampire Circus is a novel idea, and proves what the studio could do even without relying on the big names (stars or monsters).

Sadly this isn’t a feat that Hammer would replicate often in their twilight years.  Never the less, Vampire Circus is much more hit than miss.  The viewer will witness some real spectacle, some real frights – and the dark atmosphere of Hammer horror at it’s best.  Recommended.

8/10 vampire circus

From Hell (2001)

The crimes of Jack the Ripper are given a fictionalised re-telling in this 2001 Hughes brothers film.  It’s based – very loosely – on the Alan Moore graphic novel; relying heavily on conspiracy theory, a dash of clairvoyance and Johnny Depp as Inspector Abberline. from hell

The conspiracy at the heart of the story is, of course, absolute nonsense, but then the original source novel didn’t set out to identify the culprit.  Rather, From Hell was a dense tome covering the mythology and occult roots of London and it’s citizens.

The film version goes for a more straightforward dramatic approach, as we follow the case and slowly unravel the mystery of the killer’s identity.  If you can suspend disbelief, forget the ridiculousness of it all and enjoy the ride, it’s a great film.  Fantastic sets give From Hell a very genuine feel, along with some decent performances (though not all) and enough shadows and murder to make it an effective thriller.

Go and read the book – it’s an incredible work.  But I’ll happily state that despite the clichés and the total fudging of fact and fiction – let alone disregard for the source material – the film From Hell is definitely worth a watch.

8/10

Horror Top Trumps

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Dracula vs Fu Manchu!  The Creature from the Black Lagoon vs Godzilla!  The Wolfman vs Man Eating Plant!  Just a few of the fun confrontations that can occur with this classic Horror Top Trumps game!

Top Trumps is a card game, where the statistics of one card are pitted against another.  Surely you’ve played it?  The most usual sets were cars, aeroplanes or football teams.  There were occasionally sets that were a little more unusual, such as these Horror themed cards.

There were two Horror packs to collect.  Each card featured a different monster and broke down their stats to Physical Strength, Fear Factor, Killing Power and Horror Rating.  All the legendary monsters were present, plus a few others that were more obscure.  So in addition to the characters mentioned above, there were also the Mummy, Frankenstein’s monster, King Kong, the Thing and more. P_20140505_185808

As a monster obsessed kid, it was a great way to feed my obsessive thirst for knowledge.  I didn’t just play these cards repeatedly, I also studied each one.  For the majority of monsters, I had no idea what film there were from.  Over the years, and thanks to some old horror books I’ve collected, I’ve recognised the characters from published film stills.

Interestingly, though, the character names are quite random.  For example, the card named “Phantom of the Opera” is actually a picture of Dr Phibes.  Similarly, “The Freak” is actually the Reptile from the Hammer movie of the same name.

The artwork on the cards was often quite gruesome also.  There was a rumour I heard for many years that the Horror cards were banned in the early 80’s due to the graphic images.  I doubt that was the case, though illustrations for cards such as The Fiend and Venusian Death Cell were quite bloody.

I’m lucky enough to have collected both Horror Top Trump packs when I was a kid, and I’ve still got them.  They’re not mint condition, and I only have the title card for the second pack.  Never the less, they’re still played with, and bring a gory thrill…

Hallowe’en Horror Fest AD 1972

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Dracula AD 1972 (1972)

1872: Count Dracula is locked in mortal combat with arch enemy, Lawrence Van Helsing.  The Count (Christopher Lee) is destroyed, though Van Helsing (Peter Cushing) also perishes from his wounds.  A disciple of the vampire collects some of the ashes, and Dracula’s ring; burying them at the site of a church.

1972: A group of young London groovers are persuaded to take part in a satanic mass “for kicks”.  Amongst the group is Jessica Van Helsing (Stephanie Beacham), grand daughter of Lorrimer Van Helsing (Cushing again) and descendent of the original vampire slayer.  Little do they know that one member of the group, Johnny Alucard (Christopher Neame), is himself a disciple of Dracula – and intends to resurrect the Count.  dracula_ad_1972_poster_06

Following a bloody ritual in a deconsecrated church, Dracula (Lee) is revived, and he begins to plan his revenge against the House of Van Helsing…

With this film Hammer attempted to drag their Gothic horror films into the modern era.  So in Dracula AD 1972, we’re presented with a Dracula in (then) modern day swinging London, complete with cars, rock’n’roll bands and hip young kids out for a good time.  It’s for this reason that the film is most often derided as silly, if not damn near sacrilegious.

The young hippies are given a look and slang that most surely must have been out of place by 1972.  Viewed now, the dialogue is sometimes hilarious.

Despite the harsh opinions held by many about Dracula AD 1972, I love it.  As a confirmed fan of all things from the seventies, I find it outrageously good fun to see Dracula in this anachronistic setting.  What we lose with the lack of traditional Gothic period setting, we gain in a campy, retro London with funky Blaxploitation style music and cool sets.Yes, the kids’ dialogue is ridiculous, but it’s also great fun if the audience just accepts it.

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My VHS and DVD copies

As a glimpse of an imaginary 1970’s London, I find this film really enjoyable.  Part Hammer and part The Sweeney, if you will.  That it was an inspiration for Tim Burton on Dark Shadows is well documented, and hopefully means that Dracula AD 1972 is finally getting some recognition for it’s attempt to inject new blood (haha!) into the Count.

There are some bloody moments, but nothing too shocking for a modern audience.  What we do get is a great performance by Peter Cushing, who really embodies his role as occult expert with authority.  Lee, too, is imposing and majestic as Dracula, truly menacing and physically powerful.  It would’ve been great though to see the Count stalking around London for victims at night more, certainly a missed opportunity.

The youngsters give it a good go despite the atrocious (or funny) lines – Beacham and Neame are both great.  Plus Michael Coles as the Inspector gives us a character that is actually believable.

My personal favourite element of this film though is the wonderful, bewitching Caroline Munro.  Here Ms Munro appears in one of her most iconic roles as Laura Bellows, and she has never looked lovelier.  Good performance too, though it would’ve been great to see Caroline resurrected as a Bride of Dracula.

So despite some utter ridiculousness and a couple of wasted opportunities, I can only recommend Dracula AD 1972 as not only one of my favourite Hammer films, but one of my favourite films ever.  Cool soundtrack, too.

“Dig the music, kids!”

10/10 for me

9/10 for everyone else

Hammer Glamour

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Through out its illustrious career, the Hammer film studio became synonymous with two things: horror and sex.  The studio’s reputation encompassed both the lurid Technicolor gore; and the heaving cleavages of its female stars.

To say that’s all Hammer movies were does them a great disservice, yet the two key elements of horror and glamour have become the trademarks for which the company was known.  Alongside the great Peter Cushing and Christopher Lee, numerous beauties also  graced these fine films. raquel-welch-one-million-years-de

There’s a great book, “Hammer Glamour” by Marcus Hearn (Titan Books, 2009).  If this topic is of interest to you, I recommend you pick it up.  I’ve been lucky to meet some of the female stars of classic Hammer movies at fan events, and they’ve been kind enough to autograph my copy of the book for me.

It’s no easy task, but here are my favourite ten Hammer actresses.  It’s been a pain-staking process analysing the contribution of each of these ladies, but my selection is below.

10. Martine Beswicke

Appearing in three Hammer movies (One Million Years BC, Prehistoric Women and Dr Jekyll & Sister Hyde), Martine Beswicke’s career with Hammer covered both gothic horror and dinosaur movies.  Dr Jekyll & Sister Hyde is her greatest contribution, where in a novel twist on the traditional tale, she plays the evil “sister” transformed from Dr Jekyll (Ralph Bates).  She also appeared in two Bond movies – From Russia with Love and Thunderball. I’ve met Martine and she happily signed my copy of “Hammer Glamour”.

9. Barbara Shelley

The lovely Barbara Shelley appeared in more Hammer movies than anyone else on this list.  Her films include The Gorgon, Rasputin the Mad Monk and Quatermass & the Pit.  Barbara’s best role, however, was in Dracula Prince of Darkness, where she is transformed from Victorian lady to vampiric creature of the night.  She also appeared in the great Village of the Damned.  Again, Ms Shelley has signed the book, I’m very happy to say – she was extremely nice, for a vampire.

8. Stephanie Beacham

I remember Stephanie Beacham from numerous television appearances growing up, notably Dynasty.  She appears in Dracula AD 1972 as Jessica Van Helsing, granddaughter of Peter Cushing’s Professor.  A great camp classic, this is one of my favourites, and Stephanie looks ravishing.  I’ve yet to meet Stephanie to ask her to sign the book, I’ve got my fingers crossed.

7. Veronica Carlson

Starring in three Hammer horror films, Veronica holds the distinction of having starred alongside two different Baron Frankensteins: Peter Cushing (in Frankenstein Must Be Destroyed) and Ralph Bates (The Horror of Frankenstein).  She also appeared in Dracula Has Risen From the Grave – all great films.  Ms Carlson was lovely when I met her not too long ago. proxy

6. Valerie Leon

Although she appeared in just one Hammer film, Blood From the Mummy’s Tomb, Valerie Leon makes a fantastic impression in it.  A great film and a beautiful actress.  She also appeared in Carry On and Bond movies, making her a true 70’s film sensation.  You can read more here.  Very charming and another welcome signature for the book. Countess-Dracula

5. Ingrid Pitt

No-one encapsulates Hammer Glamour more than Ingrid Pitt.  She seems synonymous with horror movies.  Classic films she starred in include the brilliant The Vampire Lovers and Countess Dracula, alluring as the evil Countess.  She also starred in genre classics for other studios, such as The House That Dripped Blood and The Wicker Man.  Sadly, Ingrid passed away in 2010.  A true legend. HAMMER GLAMOUR CARLSON OMARA 10

4. Kate O’Mara

Gorgeous Kate O’Mara appeared in The Vampire Lovers and Horror of Frankenstein.  Prim in the former and sexy in the latter, Kate’s contribution to Hammer is excellent.  Her exotic looks have been a regular on-screen ever since, I remember her well in Dynasty.  I’ve not met Kate, but would love her to sign my Hammer Glamour book.

3. Madeline Smith

madeline-smith-hammer-horrorAppearing very briefly in Taste the Blood of Dracula, Madeline Smith looks absolutely dazzling in The Vampire Lovers and Frankenstein and the Monster From Hell.  She also appeared briefly in Theatre of Blood and was a Bond girl in Live and Let Die, as well as numerous other film and TV credits.  Ms Smith has signed the book and was very nice too.

2. Raquel Welch

Possibly the most beautiful woman to ever walk the planet, Raquel Welch became a screen icon when she appeared in One Million Years BC.  Unfortunately, she never appeared in any more Hammer movies (hence she only reaches number two in this list).  Raquel has made many other great films in a pretty fabulous career, since her debut in that “silly dinosaur movie” (her words, not mine!). caroline-munro-dracula-a-d-1972-publicity-shot

1. Caroline Munro

The stunning Caroline Munro appeared in two of my favourite Hammer films, Captain Kronos: Vampire Hunter and Dracula AD 1972.  She’s also appeared in many other cult classics – try At the Earth’s Core and Starcrash, for starters.  Ms Munro is probably most famous for her role as Naomi in The Spy Who Loved Me.  With her beautiful, long brunette hair, I’ve been smitten with Caroline for a long time.  She’s also a very lovely person with plenty of time for her fans, as I found out when I met her.  Caroline Munro is a Queen of classic cult cinema, and top of the Hammer Glamour list!

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Meeting Caroline Munro at NEC Memorabilia

A special mention should be made to some of the lovely ladies who didn’t make the top ten, including Joanna Lumley (Satanic Rites of Dracula); Catherina Von Schell (Moon Zero Two); Julie Ege (The Legend of the 7 Golden Vampires) and Ursula Andress (She).  There are many more, of course.

If you’d like to buy a copy of “Hammer Glamour”, you can find it here.

www.hammerfilms.com

The Bride of Hallowe’en Horror Fest

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The Vampire Lovers (1970) THE-VAMPIRE-LOVERS

It’s Hammer time!  And though it might not be a popular opinion to express, this film is, for me, classic Hammer.  With the dawn of the 1970’s the studio started to put out films that featured more explicit gore and nudity.  In The Vampire Lovers, there are some fairly gruesome decapitations and some totally gratuitous nakedness.  Brilliant.

Based on Sheridan Le Fanu’s novel Carmilla, The Vampire Lovers stars the late, great Ingrid Pitt as Mircalla/Carmilla.  She charms her way into the houses of well-to-do families and seduces their daughters with her vampiric powers.  Peter Cushing – total hero – makes a cameo appearance and we even get to see George (Minder) Cole in a substantial role.  vampirelovers2

The sets are quite lush and the atmosphere is archetypal Hammer Gothic fare.  But the real stars here are the lovely ladies – Ingrid, plus Kate O’Mara and one of my all time favourites, the beautiful Madeline Smith.  Maddy looks wonderful in this film and plays the doe-eyed innocent perfectly.

The Vampire Lovers ticks all the Hammer boxes.  And with a line-up that includes Pitt, Smith and O’Mara, offers possibly the greatest Hammer Glamour cast for a single film of all.

9/10

Alien (1979)

“Alien isn’t a horror film – it’s science fiction!”  Nonsense.  Despite the sci-fi setting, this film is pure horror – and one of the all time greats.  It still has the power to shock all these years later, not to mention some very gruesome scenes.  Gripping and shit-your-shoes off scary.

The design is faultless – both H. R. Giger’s creature and the lived in space ship sets.  The film looks great and the viewer is totally immersed in the world on-screen.  I don’t need to add more, just watch it and be mesmerised.

9/10

Taste the Blood of Hallowe’en Horror Fest

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Taste the Blood of Dracula (1970)

Time for more Hammer for Hallowe’en Horror Fest.  This film sees Christopher Lee star as Dracula in an unusual twist on typical vampire sequels.  

Three well-to-do Victorian gentlemen leave their family homes once a month to carry out some charity work in the less desirable parts of town.  Although it turns out that they’re actually a group of depraved hedonists, hell bent on enjoying whatever illicit thrills they can.  Enter Lord Courtley (Ralph Bates), a society satanist, who encourages the revellers to partake in a gruesome evil ritual.  A ritual that involves relics of the vanquished Count – including his powdered blood.  The three refuse to drink the blood mixture, and resort to killing Courtley.  Once dead, he is regenerated as Dracula, who vows to destroy those who killed his loyal servant. taste-the-blood-of-dracula-1-1024

Taste the Blood of Dracula offers a novel spin on the rejuvenation of Count Dracula.  We also see a different plot in that Dracula engineers a revenge against his servant’s enemies and their families.  It’s a good idea and executed well in the typical Gothic Hammer fashion.  This variation on the normal themes creates a sequel that’s well worth checking out.

7/10