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Bizarre Magazine Playlist

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The most recent issue of that misfit of British publications, Bizarre magazine, was sadly the last.

Over the years, Bizarre magazine featured articles that astounded, amazed, and entertained as it explored the fringes of popular culture.  Sometimes gross, sometimes weird, always entertaining – each issue offered content that would never be published elsewhere. Biz

Amongst the counter culture oddness and thought provoking investigations, I found many an interesting film to track down in their review pages.

Bizarre also covered many musicians/bands that strayed from the familiar paths.  Whether in the regular monthly review section or in the excellent “Bizarre Albums” features, I found a few favourites and some new treasures.

This playlist is comprised of just some of the bands featured in the magazine over the years, in some form or other.  As a sort of tribute (hell, I’ve even got the first issue lurking around in the garage…).

Bizarre Magazine Playlist

  1. Christopher Lee – “The Impossible Dream (The Quest)”
  2. Fantomas – “One Step Beyond”
  3. The Moog Cookbook – “Basket Case”
  4. Mr Bungle – “Chemical Marriage”
  5. Jean Jacques Perry – “E.V.A.”
  6. Lord Sitar – “I Can See For Miles”
  7. Alice In Chains – “Heaven Beside You”
  8. Yma Sumac – “Malambo #1”
  9. Spike Jones – “Power House”
  10. Hanna-Barbera – “Tra La La Song (Banana Splits Theme)”
  11. Christopher Lee – “Act V: Starlight”
  12. Zombina and the Skeletones – “Punk Rock Vampires Destroy!”
  13. Electric Eel Shock – “Goodbye Peach”
  14. Ween – “Spinal Meningitis (Got Me Down)”
  15. Nick Cave & The Bad Seeds – “Stagger Lee”

There are tons more bands I could add to this list.  Many more covered by the magazine can be found in the catacombs of my iPod.  But this will do nicely for now.

Thanks and goodbye Bizarre magazine.  In particular for the wonder of Christopher Lee’s albums; not to mention Zombina and the Skeletones and Electric Eel Shock – two of the best live bands I’ve ever seen!

Wayne Hussey – Gig Review

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Wayne Hussey 

Friday 10th October 2014

The Tivoli, Buckley

Seems like I’m at the Tiv every other week these days…  This time, it was to see Wayne Hussey, he of The Mission, performing a solo acoustic set.  Somehow I’ve never managed to see The Mission live, so this was a nice tick in the box. fly_waynehussey

The gig starts late, due to Wayne being stuck in traffic on the M56.  No matter, there’s no support band, just Wayne and his tech guy tonight.  When we get in the venue, the familiar lay out is augmented by a few tables and chairs down the front.  I’ve never seen anything like that in the Tivoli before.  It’s a nice indication of how the gig will be.  We didn’t manage to scrounge any seats though, so we stood near the front.

The set consists of some Mission songs and some covers, with Wayne solo on guitar or keyboard, and some backing track/drums.  We get a magnificent “Black Mountain Mist” and covers including All About Eve’s “Martha’s Harbour”.

Some may expect a gloomy goth vibe, but there’s none of that – Wayne is relaxed and in good spirits, adding some stories and humour between songs.  It’s a great way to experience an artists music – an intimate atmosphere where the songs are allowed to shine.

I would’ve liked some more songs from the Children and Carved in Sand albums, but there’s no complaints.  Wayne Hussey seems to enjoy himself, and it’s a treat for the audience to see an artist up close and personal.

I can’t remember much more as the Stella in the Tiv made me loopy.  Great night.

Hallowe’en Horror Fest of Blood

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Theatre of Blood (1973)

Vincent Price plays Edward Lionheart, Shakespearean actor presumed dead – now returned to seek revenge on the theatre critics who mocked him.  One by one, the tormentors are killed in gruesome ways based on the bard’s work.  Twisted by Obsession, Lionheart creates elaborate methods to slay the critics in the pursuit of an award he felt was rightly his.  theatre-of-blood-poster

This film features a great performance by Price, not to mention a superb cast of British actors not afraid to embrace the camp yet grisly feel of it all.  We see Arthur Lowe, Michael Hordern, Diana Rigg, Ian Hendry, Jack Hawkins and more.  Oh, and the impossibly pretty Madeline Smith gets some screen time too.

The plot is not the most original of ideas – it’s very similar to The Abominable Dr Phibes (also starring Price).  However, several of the murders are actually quite ghastly – as well as bizarre – and the actors’ performances keep the pace rolling along.  There are surprises and chills aplenty, making Theatre of Blood a film I heartily recommend.

8/10

The Rocky Horror Picture Show (1975)

Well it’s basically inspired by old B-movies and horror/sci-fi flicks, so The Rocky Horror Picture Show is in this years Hallowe’en Horror Fest!

I’m not a huge fan though, sorry.  Mrs Platinum Al loves this old nonsense though, and made me promise not to write a bad review.  So to ensure I don’t end up like Eddy, I’ll list the things I enjoyed about this film and not mention the negatives.

  • It’s a musical, but has nothing to do with that Lloyd-Webber tit.
  • A couple of the songs are actually quite good – Science Fiction Double Feature is a great tune with cool lyrics in tribute to some classic films.
  • Charles Gray is MAGNIFICENT.
  • Susan Sarandon has a great rack.
  • Magenta would also get a portion (nice French maid outfit).

It’s actually quite good, campy fun for the most part, though I lost interest for the last twenty minutes.  I won’t be dressing up in stockings and suspenders for a late night showing of The Rocky Horror Picture Show any time soon.

4/10

Hallowe’en Horror Fest Must Die!

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Outpost (2007)

A group of mercenaries are hired to escort a business man into a remote area of war torn Eastern Europe.  Their mission leads them to a mysterious bunker, once the secret base of Nazis in World War II.  Suddenly under attack, the group find themselves in the midst of forces they cannot comprehend…

Nazi zombies!  Brilliant!  This film is well produced and thoroughly well acted.  The sense of paranoia grows through out the movie.  Using clever lighting and a small set, the feeling of claustrophobia builds within both cast and audience alike. outpost-2008-uk-horror

However, despite the gritty look and disturbing atmosphere, the last twenty minutes fell a bit flat.  I had held this movie in high esteem following my initial viewing a few years back.  Watching it again, I felt as disorientated as the characters at the end – but not in the way the Director would have wanted.  A great premise was lost in the final few minutes.

Maybe I’ve confused this film with the far better Dead Snow as years have gone by.  Either way, a bit more Nazi zombie would have been a good thing.  Never the less, I’d recommend Outpost as one to watch.

7/10

Karma to Burn – Live Review

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Karma to Burn + Desert Storm + Bad Earth

Thursday 28th August 2014

The Live Rooms, Chester

Another gig at the Live Rooms in Chester – and tonight it’s a night of stoner rock!

The first band on are Bad Earth.  Unfortunately (and as per usual, looking back at my previous gig reviews!) I missed the start of the set.  I saw most of their performance, however – and Bad Earth deliver a great selection of thunderous tunes in a Kyuss vein.  Awesome quality for an opening band, we are definitely not in the Kansas dust bowl of amateurs tonight.  These guys are professional and they rock.  I’ll ensure I catch the full set next time.

Up next are Oxford based Desert Storm.  Any punter would be expecting more of the same, but this band roar off in another direction.  Their sound is more riff based and reminds me of Clutch.  I love Clutch.  Their singer looks like Shaggy from Scooby Doo, and when he opens his mouth I first detected what I thought was a Death Metal bellow.  This instantly warped into a honey and bourbon drenched growl that was more Howlin’ Wolf than Napalm Death.  Astonishing.

I thoroughly enjoyed Desert Storm, and happily recommend them to anyone who loves chunky, funky guitar riffs with a bluesy, earthy voice whirling around it.  Wish I’d bought the CD. Karma-To-Burn-UK-Tour-2014

The unusual aspect tonight is that I have never listened to any of the bands before, not even the headliners.  I had heard of Karma to Burn, but not actually listened to them.  Now what the smart 21st century kids do is check out a few tunes first on YouTube or Spotify, to see if the band in question appeals.  But that’s not very stoner rock, is it?  We’re talking about bands forged in the fires of Master of Reality and Volume 4, not the digital age.  Also, it’s more of an adventure to take a chance!

Karma to Burn are from West Virginia, USA.  They play a set that is instrumental.  That’s without vocals, kids!  Not an easy task to pull off – without vocals the listener doesn’t have as many clues to song structure.  However there are less distractions from the mighty attack of guitar/bass/drums and the atmosphere that Karma to Burn are able to create.

With barely a breather between tracks, the riffs are constantly washing over the audience relentlessly.  The band create a psychedelic assault, as if in a Grand Canyon watched over by an Olympian Billy Gibbons.  It is indeed incredible, and unlike anything I’ve witnessed before.

The moral of this story is, take a chance on live music, you never know what you’re going to find.  Whilst it’s always a buzz to see a band you’re already a fan of, sometimes a little adventure is what we need.

Good night, and God bless.

The Live Rooms web page is here.

Karma to Burn’s website is here.

Desert Storm and Bad Earth both appear to have Facebook pages, check ’em out.

Rewind Festival

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Rewind – The 80’s Festival

16th – 18th August 2013

It’s a stag do, and as such promises a weekend of laughter and mirth.  Though some readers may be wondering what I was doing at a festival featuring pop bands from the 1980’s, there was actually quite a lot of music to savour.  Plus the banter was to be unmissable.  Besides, I’ve never been to Download or Castle Donington or whatever it is and it’s probably too late for me now.  Rewind festival is go!

The first day is drive down, queue for two hours to get into the festival (at least we had beers) and then put the tents up.  In the evening there’s a chance to explore the festival village, catch some live music and eat.  And drink more ale.  We drank quite a lot of beer and/or cider and got into the spirit quite nicely.  The mood in the festival village was uplifting, everyone excited for the fun ahead.

One of the main acts I actually wanted to see over the weekend was Doctor & the Medics (don’t ask, I loved “Spirit in the Sky” years ago).  Unfortunately a lack of information meant that I turned up for the last thirty seconds of that penultimate song, not something I was happy about.  They did AC/DC’s “Whole Lotta Rosie” for an encore which kind of eased the pain.  A teensy bit.

Blind drunk and weeping at having missed Doctor & the Medics, it was then time to sit around our tents till ridiculous o’clock and drink even more.  I have to say that despite my inebriated state, I contributed many intellectual musings to the conversation, elevating my status as a raconteur and thinker by some degree.

Saturday’s music begins with the Sugarhill Gang, not an obvious choice for an 80’s festival but one I was looking forward to.  Hip hop gained international exposure in the 80’s so this was a different, yet very apt act.  Their set includes a run through of hip hop classics (some not their own) that gets the party started in good style.  It’s a raucous start to the day – if Sugarhill Gang are the openers, then we’re in for a treat.

The Blow Monkeys are next – and they do indeed blow the good vibe set by their predecessors.  Insipid eighties pop of the worst kind, their music is forgettable – and should be forgotten.  They leave with a petulant comment about Chesney Hawkes.  At least he had one good song, Blow Monkeys – you have none.

Steve Harley & Cockney Rebel‘s set is peppered with irony – or is it just bad luck?  We get the Beatles’ “Here Comes the Sun” despite the looming rain clouds.  And a song that Steve promises audiences sing along to all over the world – that no-one’s ever heard.  Still, “Mr Soft” and the glorious “Make Me Smile (Come Up and See Me)” offer more highlights.  Let’s just forget that Harley is a 1970’s act.

For some bizarre reason, Billy Ocean is on in the late afternoon.  He could’ve headlined the night.  Hit after hit, performed perfectly with a voice that sounds fresh and energetic.  Billy knows his craft and leads the audience through sing-a-longs one after the other.  It’s amazing how much quality material he has.  As one of my festival buddies commented, previously I would’ve worn a Billy Ocean t-shirt with a hint of irony – now I’d wear one with pride.  Awesome.

Then it was time to go back to the tent for a few cheap cans of lager, which meant that I missed Then Jericho (“A trainwreck” was how one pal described it).  No loss there.  Expensive festival booze encouraged us to enjoy more of our beer stash so I also missed Chesney Hawkes, though we could hear THAT song at the tent – and it was great.

Flying Pickets were also unfortunately ignored, unlike Ches I couldn’t hear them at all.  On the walk back to the festival arena I heard the Journey bloke singing the one good song in their repertoire.

It should be said that the atmosphere at Rewind was great.  The fun of it all was most obviously demonstrated by the fancy dress outfits that were worn by brave festival goers.  Some of my favourites were security guards with Hannibal Lecter (Lecter was a puppet); aliens from “V”; He-Man and the Honey Monster.

Back in the thick of it, and it was time for Heaven 17.  I’ve seen them before and knew they could do a solid job.  Amazing to think that I’ve now seen Heaven 17 more than I’ve seen Metallica.  Great 80’s pop that is, essentially, anthemic dance music.  “Temptation” is another obvious highlight of the day.

Nik Kershaw was my cue to go get some food.  But before I left, I checked out a few of Nik’s songs.  He looks like a healthier Charles Bukowski and delivers a set that is actually really good, loaded with more hits than I remembered.  Great stuff – made me regret leaving early to get a burrito.

Happily fed and with a new bottle of beer, it’s off to see Kim Wilde.  WOW.  Again, I’m surprised just how many great songs Kim has.  I thought she would be good, but Kim really impresses.  What’s more, she’s gorgeous – all twelve of our stag do party falling in love with her.  “Kids in America” is a delight in a set of real gems.

Finally we have the B-52s, a band I actually consider myself quite a fan of.  At least, I know most of their songs tonight.  Starting with “Planet Claire” we are off to the strange sci-fi New Wave world of the B-52s, with a mid set appearance for (my favourite) “Roam”.  Awesome vocals from Kate Pierson and Cindy Wilson lift this and many other songs, till we reach our destination with “Love Shack” and finally “Rock Lobster”.  There’s even some dude head to toe in a foam rubber lobster outfit down the front.  Crazy.

That’s it.  We hang around and enjoy the festival atmos, watching Camp Cooks (hilarious) and the rodeo bull ride (er…).  Then it’s back to the campsite for another night’s chatting utter comedy gold around the tents.  A great days entertainment, the only odd thing about the Saturday line up is the running order.  Billy Ocean should’ve been top of the bill, with Kim Wilde and the B-52s on before him.

That was to be the end of my Rewind adventure, as due to family commitments I had to return home the next morning (thanks for lift, Adam) and miss all the Sunday fun.  Which meant that I missed Go West, the Pointer Sisters, ABC and Belinda Carlisle…

Perhaps not seeing Belinda Carlisle isn’t the disaster it first appeared to be.  Can you imagine the consequences of Belinda and myself actually being in the same place at the same time?  And the obvious chemistry that would’ve brought us together?  No, better to leave it without our meeting.  There are families involved, there are children to consider.  It would have been a catastrophe in the making.

http://www.rewindfestival.com/