Return of the Living Halloween Horror Fest

Two horror reviews for you this time, friends! Read on, if you dare…

The Revenge of Frankenstein (1958)

The second instalment in a series of Frankenstein films produced by Hammer, The Revenge of Frankenstein followed hot on the heels of its predecessor. The Curse of Frankenstein had been released the previous year, and was such a hit that a sequel was demanded. Despite, of course, the fact that the evil Baron had been executed at the finale last time.

No matter, Baron Victor Frankenstein (Peter Cushing, of course) is saved from death with a fairly sneaky twist, and is soon practicing medicine in a far off town. Going by the name of Doctor Stein (no one’s gonna figure that out, right?), the doc sets up a successful practice for wealthy patients, whilst also looking after the poor at a hospital.

Joined by a younger doctor, Hans Kleve (Francis Matthews) – who learns Dr Stein’s true identity and wants to learn from him – Frankenstein is soon up to his old tricks. This time around, his creation (Michael Gwynn) at least looks normal, if only at first. It isn’t long before the inevitable happens and everything goes downhill, big time.

The production looks quality and performances are great, in particular Cushing who brilliantly darts between menace and a steely charm. Some gory surgery provides the bloody horror required and The Revenge of Frankenstein admirably fulfils its role as gruesome entertainment. We just know that another sequel will be along soon!

8/10

The Return of the Living Dead (1985)

So this is the film that establishes the concept of zombies eating brains, yeah? OK. One thing is for sure, this comedy-horror is not a sequel to Romero’s brilliant Night of the Living Dead. The Return of The living Dead is a very different beast, though still in a cult league of its own as a horror punk classic.

At a medical supply warehouse, two employees accidentally release a load of toxic gas which reanimates a cadaver and causes all kinds of health and safety high jinks. The morgue over the road has a crematorium, which seems ideal for permanently destroying the undead evidence. Until the escaping gas contaminates the clouds above, and rainfall on the nearby cemetery causes the dead to rise…

Oh, did I mention the gang of punks in the cemetery, waiting for their friend to finish work at the medical supply place? No? Well they are, and you can guess the rest.

This mid eighties movie is not something I’d usually watch. In fact, the main reason I wanted to watch this film is because of the legendary soundtrack, which features a load of awesome horror related punk bands like The Cramps, The Damned and TSOL. A vinyl copy has been on my shopping list for a long time, but I wanted to see the film first so I didn’t feel like too much of a fraud.

The film is pretty good fun, though. It’s fairly dumb and only occasionally does the black humour raise a smile, but The Return of the Living Dead was certainly worth a watch. It’s over the top – unapologetically so – but that’s part of it’s success. Disengage brain and go for it. The soundtrack is bloody great, by the way. I’ve got it on clear with red blood splattered vinyl. AT LAST!!!

7.5/10

The Invisible Halloween Horror Fest

The Invisible Man (2020)

This latest retelling of the classic HG Wells tale focusses on the terrible experiences of Cecelia (Elisabeth Moss). She escapes the home of her wealthy but abusive partner, and hides out with friends, starting to rebuild her life.

Cecelia then hears that her ex-partner has died, and she has inherited a massive fortune. Yet there are a number of strange occurrences that lead Cecelia to believe that she is, in fact, being stalked by her ex – but no one can see him. As the paranoia mounts, and the odd events become more deadly, can Cecelia convince anyone that she’s not crazy?

This modern day version of The Invisible Man updates the central idea well, and does a good job of creating atmosphere and tension. However, I personally find the concept of an invisible villain fairly ridiculous (despite whatever science can be dreamt up to explain it) – and ultimately disengaging.

A nice try, but vampires and werewolves, please.

7/10

The Curse of Frankenstein (1957)

Now this is more like it! Peter Cushing, Christopher Lee, the very first of Hammer’s colour Gothic horror films – it’s an absolute classic!

Mary Shelley’s original story is mutated here somewhat, with Victor Frankenstein’s (Cushing) obsession verging on the nefarious. The central narrative remains the same, with the Baron creating his monster from dead bodies and bringing it back to life.

However, it’s the creator, not the creature’s story here. Lee puts in a good performance as a mute and grim monster, but it’s the Baron’s scheming and grisly work that the film concentrates on.

Directed by Terence Fisher, the film looks beautiful: the sumptuous sets not betraying the shoestring budget. It’s fast and pacey, with dollops of technicolour gore and a wonderful James Bernard score. I love this film, The Curse of Frankenstein is Hammer horror at it’s best.

9.5/10