Monthly Archives: November 2025

N.E.W. Metal Productions All Dayer – Nov 2025

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N.E.W. Metal Productions All Dayer

22nd November 2025

Mcleans Pub, Pentre, Deeside North Wales

Saturday night, and I was off to another Leo Sayer (that’s an All Dayer) at Mcleans Pub In Pentre, Deeside. North East Wales Metal Productions have been getting pretty regular hosting these events recently, and I didn’t want to miss this one. Seven bands of the Rock/Metal variety were on the bill, only one had played this venue before, so things were looking promising.

I wanted to get to Mcleans from the start to see the first band, Onion Mash. Intrigued by the name, I wasn’t sure if they were a comedy band or experimental nutters. They were neither. Onion Mash were a very capable Hard Rock five piece, and not silly at all! Solid musicianship and excellent female vocals provided a thoroughly enjoyable set. Onion Mash seemed a little concerned they weren’t “Heavy” enough – no need to worry, they added further variety to a stacked bill.

Onion Mash

Another somewhat different band name was on the stage next: Napierdalać. That may be Polish, it certainly stands out and is very cool. As a band described as “Symphonic, Blackened Death Metal” these guys shouldn’t have been able to set my church on fire, but I actually really enjoyed them. More old school Venom than I’d anticipated, Napierdalać played an outstanding set with their cheeky, confident stage presence and quality playing. Thoroughly evil and thoroughly good at the same time.

Napierdalać

Rattlesnakes are a young band with their feet firmly in the traditional metal of Iron Maiden, Judas Priest, Saxon and the like. Their early 80s sound was phenomenal, every note, every chord, every crash of the drums was perfect and played with an obvious joy and real talent. Then you have the voice: female vocals again this evening, and OH MY GOD this woman has the skills beyond skills! A sneaky Dio cover was irrefutable proof. Rattlesnakes live were an event – everyone loved them and if they don’t go far, this world is a disgrace.

Rattlesnakes

I’m hit and miss with Metalcore, but if Gnawing Hunger are a Metalcore band, then I’m a convert. These brawlers from Brum have enough classic metal riffs to get the blood flowing, melded to tight rhythms and a Hardcore intensity. With a new drummer and guitarist in place, they were all the same pretty damn tight. Ferocious fun, but sadly the crowd was too thin for a mosh pit! Hopefully Gnawing Hunger will return.

Gnawing Hunger

The only band on the bill that I was familiar with was Omega Throne, who played Pentre Fest in 2024. Very impressive previously, I thought I knew what t o expect from this band, but Omega Throne have developed nicely since then. Still brutal and uncompromising, they’ve developed some groove along with their Thrash/Death/Black Metal and are all the better for it – there are even more textures to their lethal sound. Performed with clear emotion and conviction, this set was unmissable.

Omega Throne

The Machinist are well loved by Ever Metal (Dark Juan, take a bow) but they were a new listen for yours truly. I was looking forward to hearing what all the fuss was about, and these guys pretty much ambushed me and kicked my ribs in. Black/Death Metal dragged through a filthy factory of Industrial tension, The Machinist are a law unto themselves. There’s even glimpses of melody amongst the dense noise. I think they threatened to physically harm me if this review wasn’t positive, but no worries there: honestly, a tour de force set.

The Machinist

The initial surprise I had at first sight of the final act, Foul Body Autopsy, didn’t last long. As the headliner, I wasn’t expecting a one man show – but this was far from Extreme Metal karaoke. The guy has serious chops! Perfectly in sync with backing tracks, the lead guitar was ridiculously technical – but more importantly, Foul Body Autopsy has RIFFS! Riff after stinking, fat, nasty riff, to be precise. An illuminating and impressive one man show, Foul Body Autopsy brought the evening to a triumphant end.

Foul Body Autopsy

And that’s it for November at Mcleans. but I’ll be back soon for more. And if you can get there, please do: N.E.W. Metal Productions work really hard to put these gigs on, and bands travel from all over the country – so if you can support them, please do. Ten quid for seven bands of this variety and quality? You’d be crazy not to.

Brown Acid: The Twentieth Trip – Album Review

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Various Artists – Brown Acid: The Twentieth Trip 

RidingEasy Records 

Release date: 20/04/2025 

Running time: 

Review by: Alun Jones 

8/10 

Aw, man!  Another deadline missed.  What’s this album?  The latest Brown Acid comp from RidingEasy Records, OK.  And when was it released?  The twentieth of April??!!  Oh right, yeah.  Released on 4/20, of course.  Very apt.  Now I don’t even smoke the Devil’s Lettuce, but maybe I can use that as an excuse for my tardiness?  Whaddya think?  Sounds better than “the dog ate the review” or “I fell off my skateboard”.  Yeah, that’s it.  I must’ve been higher than Godzilla’s toupee and forgot to write this thing. 

Let’s crack on.  The Brown Acid series are compilations of sadly long lost and forgotten songs from the late 60’s and 70’s, each the less successful step sibling of the major rock acts of the time.  The songs are garage rock, proto heavy metal would-be classics that fell through the cracks.  Until, that is, RidingEasy Records unearthed them and saved from obscurity. 

So what’s up first on this latest release?  It’s Afterflash with the psychedelic fuzz of ‘Cookbook’, where the band implore us to “feed our mind”.  Good fun of the sort you can imagine Scooby Doo and the gang listening to in their van, but not the strongest song on this comp.  Polvo are next with ‘Have You Ever Been There?” – I haven’t but I’d like to, it’s great early Hard Rock with a killer lead guitar solo.  ‘Darkened Passage’ is gifted to us by Hot Candy, a Zeppelin-like rocker that has a feel of ‘Communication Breakdown’.  A highlight of the album and a genuine righteous moment. 

The Brown Acid template widens again with Banana Bros ‘Suck You in’, a winning song with a super infectious funk driven rhythm.  Side One concludes with ‘Thank You For The Ride’ from another familiarly monikered troupe, The Jordan Brothers.  This romping number is definitely the ear-worm of the set, with a chorus that’ll stick in your head for days. 

Side Two opens with the crashing drums of Osage Lute.  Their track ‘Watch ‘Em Shine’ has an electrifying sound not dissimilar to Mountain, catchy riff and mind-expanding mellow section included.  Sandy Torano & The Nimo Spliff have the wildest name on this selection, and a wild fuzz guitar intro on their song ‘A Year Ago Today’.   

Lazy Day employ some skronky organ a la early Purple or Steppenwolf on ‘Don’t Dance In My Song’, but you’ll be hard pressed to stay still here!  No idea what a ‘Hot and Tot Woman’ is, but Flavor do – and they throw in a Stooges-ish proto metal riff that you could proto-headbang to!  Bringing things to a close this time around is Frozen Sun, with the funky, desert rock of ‘Jamm Part 1’.  Ideal for watching the sun set whilst you definitely don’t inhale any of the herb. 

The Twentieth Trip has managed to offer a little more variety yet again, as the Brown Acid series goes from strength to strength.  A genuinely good time listen and very worthwhile exploring for any retro heads out there.  Plus, listeners can gain kudos points for being familiar with ultra rare, underground rock that their friends won’t have a clue about! 

Visit the RidingEasy Records website here.

This review is presented by Platinum Al in association with Ever Metal.

King Kraken – March of the Gods Album Review

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King Kraken – March of the Gods 

Self-released 

Release date: 18/04/2025 

Running time: 40 mins approx 

Review by: Alun Jones 

9.75/10 

Ahoy there, shipmates!  Look lively with that cargo, we’re ready to set sail on these treacherous seas.  Be wary, for there are many tales in these waters of fearsome beasties, rising from the depths to swipe a man from the deck and carry him to a watery grave.  Here are ten such omens from the murky waves, tales of King Kraken! 

Sorry folks, I got a little carried away there.  We’re taking a considered view of the latest album from the mighty band known as King Kraken, though this is pretty exciting news.  Their last album, MCLXXX, was a bona fide banger, and I’ve been looking forward to hooking this new release for quite a while.   

From the opening track, it’s anchors away as the boys unleash ten tracks of compelling rock/metal that’s loaded with powerful riffs and greater depth than before.  ‘Scream’ blazes out of the speakers and it’s obvious right away that the Kraken boys have been focussed on creating adrenaline spiking music, wasting not a second of listening time.  ‘El Giganto’ is another sonic smasher, big sing-along choruses and relentless, skyscraper crushing enegy. 

The guitars of Pete Rose and Adam Healey are constantly ingenious, throwing out titanic riff and lethal lead like they’ve discovered a sunken treasure chest of hidden invention.  See ‘Berzerker’ as a prime example.  Title track ‘March of the Gods’ deals out more mayhem, this time with a galloping, martial feel.  Get in step and march along, or be bowled out of the way! 

The track ‘Hero’ adds different textures to the Kraken sound, with bluesy leads embellishing a plaintive atmosphere.  Mark Donoghue’s astounding vocals shine thoughout this album, but never more so than here.  It ain’t exactly a ballad, it’s too damn heavy – but ‘Hero’ is an excellent emotional counterpoint. 

After that, ‘Vigilante’ steers us into more familiar, Clutch-like waters: it’s a proper groove rocker with a crunchy middle section.  ‘Preacher’ resonates on a grinding, Alice in Chains style rhythm, whilst ‘Magnum Opus’ ups the pace with a full-on, diesel-powered Mad Max urgency.  Both tracks demonstrate the feel and sheer talent of the rhythm section, Karl Meyer on bass and Richard Lee Mears on drums. 

‘Chainsaw Saviour’ is another stand out track, with a menacing, pummelling riff.  No prizes for guessing who inspired that lyric!  The final song, ‘Under the Sun’, has yet another pulverising pace, tempered with mellower verses that remind me of the epic song writing of classic Soundgarden. 

So is it any good, then??!!  Well yeah – “March of the Gods” promised a huge amount and it delivers in spades.  King Kraken have obviously worked hard here, striving to push their musicianship and their song writing to a higher level than ever before.  It’s a gripping listen, with new ideas and dynamics aplenty.  We’re only a third of the way through the year, and we could have a contender for Best Album of 2025. 

But don’t just heed this old seadog’s tall tales, go and catch this monster yourself. 

Visit King Kraken here. You can also check them out on Facebook, Instagram, Twitter, Spotify and YouTube.

This review is brought to you by Platinum Al in association with Ever Metal.

N.E.W. Metal Productions All Dayer Oct 25

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N.E.W. Metal Productions All Dayer

18th October 2025

Mcleans Pub, Pentre, Deeside North Wales

Halloween is over, so time for yours truly to get back to being the legendary Rock Journo that I was born to be. Spooky month is a big deal chez moi, so we’re taking a trip back a couple of weeks here for a fairly recent All Dayer at Mcleans, Pentre, which was organised by our good friends North East Wales Metal Productions.

As usual, there was a great selection of bands playing throughout the late afternoon and evening, though sadly there’s always some last minute shuffling of the line up where someone can’t make it. No matter, there was more than enough to get your fangs stuck into.

First up, all the way from North Yorkshire way, were Alt Rock trio Kath and The Kicks. I was most excited to see this band, as they’d been unable to make a previous appearance here. A really solid, professional set with a machine-like drummer, powerhouse bass and Kath herself on super compelling guitar and voice. A bit like Joan Jett fronting Soundgarden but much more fun, it was loud, intense and grungy and a great start to the day. I loved them, and hope they come back soon!

Kath and The Kicks

Syntara were next, a young group who took to the stage with supreme confidence. Their music is best described as “Modern Metalcore”, which is not really my scene, man – but their performance was captivating. They owned the stage like they’d been born behind the drum kit. My only advice would be they need a live bass player to fill out the sound. Oh, and they need to get rid of the utterly vile looking, funny shaped, headless guitars. Other than that, very impressive.

Syntara

Travelling up to Pentre from Leicester, Voidwalker brought the Technical Death Metal along with them to bedazzle us all. Another ultra confident band, Voidwalker unleashed a Tsunami of sonic venom, a dual guitar attack driven by a relentless rhythm section. Their front man prowled the room and growled and roared above the thunder. Powerful and performed with obvious fervour, Voidwalker’s set was brutal but unmissable.

Voidwalker

When a bloke stands on stage wielding a huge medieval broad sword, you kinda sit up and take notice. This was how Hiraeth began their set, and though the sword soon disappeared I stuck around anyway, ‘cos they were great. Playing black metal inspired by Welsh folklore, history and culture, the band are excellent performers and obviously have a passionate message to get across. They’re also a lovely bunch of people. BENDIGEDIG!

Hiraeth

Deified were our final band of the evening, and they were very worthy headliners. A five piece band from Merseyside, they’ve been around a few years now and have developed a confident presence to deliver their mighty Metal. They didn’t bring any merch, but they did bring a set of huge, aggressive and uncompromising Metal that devastated the entire building. Here’s hoping we get a new Deified album soon.

Deified

And that’s your lot, kids! Another successful N.E.W. Metal Productions event showcasing some fine musical talent. More soon!