Tag Archives: gig review

Dead Wolf Club and Saltwater Injection Gig Review

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Dead Wolf Club + Saltwater Injection

Thursday 26th February 2015

The Compass, Chester

Back to the Compass in Chester for some more rock’n’roll!  I was able to catch local band Saltwater Injection again, plus new discovery Dead Wolf Club.

Saltwater Injection makes a reliably noisy racket with just a bass guitar and a drum kit.  The bass stirs a sludgy broth of Melvins style aggressive punk, while the drums thrash away relentlessly.  It’s not all noise – beneath the cacophony, the audience can define melodies as well as crushing riffs. Catchy, sing along melodies, even!

The set gives us original songs in this vein, plus a Beatles tribute infused with a punk Monty Python spirit.  Add in a song written on the spot, following a title suggestion from the audience; and genuinely funny, self deprecating stage banter and you’ve got a concoction that is quite infectious.  Great band and one to catch!

Up next are head liners Dead Wolf Club, a four piece with a similar punk rock approach but different delivery.  This band offers an intense, swirling sound that develops from a Joy Formidable accessibility to a crushing Joy Division cinematic scope.

It’s post hardcore performed with an admirable earnestness and honesty.  Dead Wolf Club’s songs – part Steve Albini, part Fugazi, part grungey indie – build and build, showing a sense of scale and ambition.  Unfortunately it’s over too soon, and everything suddenly seems far too quiet…

Another blinding night at the Compass, which has grown into an intimate venue for in-your-face rock music.  Good beer, friendly staff and a fantastic AC/DC pinball machine don’t hurt either!

The Compass website is here.

The Saltwater Injection website is here.

The Dead Wolf Club website is here.

Saltwater Injection
Dead Wolf Club

Stipe – R.E.M. Tribute Gig Review

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Stipe

Saturday 24th January 2015

The Live Rooms, Chester

The great thing about tribute bands is the ability to witness music by defunct groups that you wouldn’t otherwise get to hear. Unfortunately REM have ceased to exist, so an evening with Stipe goes some way to filling a void. As the premier REM tribute band, they offer up authentic, exciting versions of songs that, nowadays, you can only hear on your music player of choice.

I’ve seen Stipe a few times before, always at Alexander’s in Chester, which is a much smaller and intimate venue. So it was going to be interesting to see how they fared in a larger venue like the Live Rooms. There was no need to worry: Stipe performed brilliantly, bringing their versions of classic alt rock tunes to an eager audience.

The set was split into two sections, enabling the band to delve into the REM back catalogue and dig out gems from across their career. It says a lot that Stipe are able to entertain both the more casual fan and the die-hard aficionado like my mate; he sang along with every single line, no matter how obscure. Stipe1

Where this band succeeds is in the accuracy of the sound. Though the lead singer certainly looks the part, his voice is a fairly uncanny likeness of Michael Stipe’s. He may have the moves down to an impressive level, but the voice is what really works, especially on “Orange Crush” (with megaphone prop!) and “What’s the Frequency, Kenneth?” Stipe2

The other musicians also manage to create a brilliant rendition of the songs, fully convincing and delivered with confidence and enthusiasm. When they bring out a mandolin for “Losing My Religion”, it’s like welcoming an old friend who isn’t even on Facebook.

Any minus points?   Well “Shiny Happy People” has never been a favourite of mine, and it gets a rare turn in the spotlight tonight.   To be fair though, it’s a faithful version and I enjoyed it!  It would also be nice to see a live keyboard player added to the line up again, so we’ll get to hear classics like “Nightswimming”.

All in all, it’s another success for the Live Rooms. No disrespect to other venues, but it’s nice to see Stipe doing so well in this larger environment. Stipe did not fail to deliver: they can be relied on to accurately recreate the sound of REM and entertain an audience. Close your eyes, and it could almost be the real thing. And that’s how a tribute band should be, right?

Let’s hope they’re back soon.

Stipe’s Facebook page is here.

Stipe’s website is here.

The Live Rooms website is here.

Live Wire – AC/DC Tribute Gig Review

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Live Wire

Friday 17th October 2014

The Tivoli, Buckley

Cast your minds back to mid-October.  I took a brief break from my Hallowe’en Horror Fest movie reviews and paid another visit to the Tivoli in Buckley for another night of rock’n’roll.

Performing this night were Live Wire – an AC/DC tribute band.  I’ve witnessed the real thing a few years back (at Milton Keynes Bowl on their Stiff Upper Lip tour, fact fans), but only the once.  Tickets for the real AC/DC are like centaur shit these days, so I was very happy to check out a tribute to the greatest rock’n’roll band in the world instead.

The thing with tribute bands is, they either sound like who they’re meant to be, or they look like their idols.  Not both.  Or in the case of bad tribute bands, they try to sound or look like the originals, and fail on both counts.

I am very happy to report however that Live Wire have got the full wish list sewn up.  Sewn up neatly on a denim jacket with all the patches on.

The act is split into two halves: first we see the Bon Scott years.  The set list includes classics from the era like “Dirty Deeds Done Dirt Cheap”, “Riff Raff”, “Touch Too Much” and “Whole Lotta Rosie”.  It’s my all time fave “Highway to Hell”, though, that makes me grow horns and a tail and punch the air like a little metal demon.  Magic. livewire1

The Bon Scott-a-like is uncannily impressive in his role as the late, great hell raiser.  The voice is spot on.  The sound overall is impeccable, plus every song is a gem.

Next up we have the Brian Johnson years, which thunders in with “Rock’n’Roll Train” and simply does not stop.  Live Wire’s Brian not only possess the same forged-in-fire vocal chords, he moves the same too.  Wearing the trademark flat cap, Brian stalks the stage in typical hunched up form and belts out the rock.

The rock that is belted out includes “Back in Black”, “You Shook Me All Night Long” plus an absolutely dynamite version of “Thunderstruck”.

So the singers perform admirably.  The band, too, are top notch.   Though Live Wire’s Angus Young looks a lot taller, he’s got all the moves dialled – right down to mooning the audience.  Malcolm also looks perfect – strumming away, head nodding.  I couldn’t see the other guys though, sorry.

It was a truly electric night in the Tiv.  The place was packed tighter than Rosie’s bra and the punters loved it.  The encore saw Bon and Brian unite for “Let There Be Rock”.  Finally, Brian led the band through a raging “For Those About to Rock…”, complete with cannon fire.

Absolutely great fun.  I’d happily see Live Wire again any time.  High voltage rock’n’roll, indeed.

Visit Live Wire’s web page here.

Visit the Tivoli’s web page here.

Wayne Hussey – Gig Review

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Wayne Hussey 

Friday 10th October 2014

The Tivoli, Buckley

Seems like I’m at the Tiv every other week these days…  This time, it was to see Wayne Hussey, he of The Mission, performing a solo acoustic set.  Somehow I’ve never managed to see The Mission live, so this was a nice tick in the box. fly_waynehussey

The gig starts late, due to Wayne being stuck in traffic on the M56.  No matter, there’s no support band, just Wayne and his tech guy tonight.  When we get in the venue, the familiar lay out is augmented by a few tables and chairs down the front.  I’ve never seen anything like that in the Tivoli before.  It’s a nice indication of how the gig will be.  We didn’t manage to scrounge any seats though, so we stood near the front.

The set consists of some Mission songs and some covers, with Wayne solo on guitar or keyboard, and some backing track/drums.  We get a magnificent “Black Mountain Mist” and covers including All About Eve’s “Martha’s Harbour”.

Some may expect a gloomy goth vibe, but there’s none of that – Wayne is relaxed and in good spirits, adding some stories and humour between songs.  It’s a great way to experience an artists music – an intimate atmosphere where the songs are allowed to shine.

I would’ve liked some more songs from the Children and Carved in Sand albums, but there’s no complaints.  Wayne Hussey seems to enjoy himself, and it’s a treat for the audience to see an artist up close and personal.

I can’t remember much more as the Stella in the Tiv made me loopy.  Great night.

Toyah – Live Review

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Toyah

Saturday 27th August 2014

The Tivoli, Buckley

It was Saturday night, live music on at the Tiv from alternative 80’s legend Toyah – where was everybody?  The place was mostly empty!

Yes, it’s another live music review at Platinum Al’s Virtual Hot Tub – and this time we’re back to that old favourite, The Tivoli in Buckley.

I remember seeing Toyah Wilcox on Tiswas one Saturday morning, when I was about eight.  I thought she was cool (and a bit cute).  I’ve also seen Toyah live before at the Tiv, in the early 90’s when she appeared there with Girlschool.  So I got to hear a few of Toyah’s hits in a rocked up style, along with some Girlschool tunes and some covers (I remember a bit of Zeppelin in the set).

And many of my Virtual Hot Tub pals will also be aware of the time last year at Birmingham NEC Memorabilia, where I met the star in question.  She signed my old Official Toyah Annual and I grabbed a sneaky photo.

You can probably imagine that I was quite stoked to hear that Toyah would be performing just up the road in Buckley.

The date for the gig had been changed previously, so maybe this re-scheduling was to blame for the low turn out.  The Tiv was about a quarter full, prompting Toyah herself to declare “It’s like playing a private party!” – she was far from disheartened.  Toyah was in fine voice and full of energy, bouncing around on the stage.  Between songs, there’s a brief introduction which really does make the whole gig a very intimate experience.

Meeting Toyah at NEC Memorabilia Nov 13
Toyah annual – autographed!

Obviously we get the established songs: “It’s a Mystery”, “I Want to be Free”, “Be Proud Be Loud Be Heard” and many more.  Plus there are some welcome covers such as “Rebel Yell” and “These Boots Are Made for Walking”, which fit in really well with the more expected numbers.  The band are also very impressive and the whole performance is professional, but down to earth.

It’s over far too soon.  Despite a small audience, it was a great gig with a relaxed atmosphere.

Karma to Burn – Live Review

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Karma to Burn + Desert Storm + Bad Earth

Thursday 28th August 2014

The Live Rooms, Chester

Another gig at the Live Rooms in Chester – and tonight it’s a night of stoner rock!

The first band on are Bad Earth.  Unfortunately (and as per usual, looking back at my previous gig reviews!) I missed the start of the set.  I saw most of their performance, however – and Bad Earth deliver a great selection of thunderous tunes in a Kyuss vein.  Awesome quality for an opening band, we are definitely not in the Kansas dust bowl of amateurs tonight.  These guys are professional and they rock.  I’ll ensure I catch the full set next time.

Up next are Oxford based Desert Storm.  Any punter would be expecting more of the same, but this band roar off in another direction.  Their sound is more riff based and reminds me of Clutch.  I love Clutch.  Their singer looks like Shaggy from Scooby Doo, and when he opens his mouth I first detected what I thought was a Death Metal bellow.  This instantly warped into a honey and bourbon drenched growl that was more Howlin’ Wolf than Napalm Death.  Astonishing.

I thoroughly enjoyed Desert Storm, and happily recommend them to anyone who loves chunky, funky guitar riffs with a bluesy, earthy voice whirling around it.  Wish I’d bought the CD. Karma-To-Burn-UK-Tour-2014

The unusual aspect tonight is that I have never listened to any of the bands before, not even the headliners.  I had heard of Karma to Burn, but not actually listened to them.  Now what the smart 21st century kids do is check out a few tunes first on YouTube or Spotify, to see if the band in question appeals.  But that’s not very stoner rock, is it?  We’re talking about bands forged in the fires of Master of Reality and Volume 4, not the digital age.  Also, it’s more of an adventure to take a chance!

Karma to Burn are from West Virginia, USA.  They play a set that is instrumental.  That’s without vocals, kids!  Not an easy task to pull off – without vocals the listener doesn’t have as many clues to song structure.  However there are less distractions from the mighty attack of guitar/bass/drums and the atmosphere that Karma to Burn are able to create.

With barely a breather between tracks, the riffs are constantly washing over the audience relentlessly.  The band create a psychedelic assault, as if in a Grand Canyon watched over by an Olympian Billy Gibbons.  It is indeed incredible, and unlike anything I’ve witnessed before.

The moral of this story is, take a chance on live music, you never know what you’re going to find.  Whilst it’s always a buzz to see a band you’re already a fan of, sometimes a little adventure is what we need.

Good night, and God bless.

The Live Rooms web page is here.

Karma to Burn’s website is here.

Desert Storm and Bad Earth both appear to have Facebook pages, check ’em out.

Chester Rocks 2014

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Chester Rocks

Saturday 7th June 2014

Chester Racecourse

I went to the first Chester Rocks festival at the Racecourse back in 2011.  The main reason for this was to see the living legend, Godfather of Punk, Iggy Pop.  With the Stooges, no less.  Performing songs from (one of the greatest albums of all time) “Raw Power”!  That was not to be missed, not when Sir Iggy and pals were playing so close to home.  Also playing on the day were attractions such as Feeder and Leftfield – so a bargain of a day out right on my doorstep.

That was the “rock” (as in “Chester Rocks”) day.  The previous day had seen a pop theme with McFly, The Saturdays, Sugababes and some geezer called Taio Cruz (is that how you spell it?  How the flip do you say it??!).  Our rock day saw glorious weather and a fun day out, and the consensus was that this event would be a great annual fixture, should we see more of the same in the future.

Alas, Chester is a city (small C) with no culture.  No cinema, no theatre, few options for live music.  Culture, in Chester, is thousands of drunken, vomiting Hollyoaks wannabes watching horses run round a field.  And so, alas, Chester opted to jettison the “rock” for the far more lucrative teeny bopper pop market.  Chasing the dollar won out, though Rocks was retained as a (somewhat inappropriate) name. CR1

This year, I was lucky enough to be offered a couple of free tickets for the Saturday, and happily snapped them up.  Although none of the bands were favourites, it was a chance to enjoy a day out and see some live music.  So why not?

The featured acts – three big name bands, plus local support – were all on the big main stage on the field.  Quite an impressive place for the smaller bands to play.  The only negative was looking to be the weather – a thunder storm that morning with more forecast for that evening.

The first band I caught were local Chester band The Suns.  I’d never seen them before, but had heard some good words in advance.  I was expecting some friendly, straight forward Indie, but they were very different.  Taking to the stage in black suits, with a vocalist with a massive beard, they actually sounded more like a rockabilly band.  Oh wait – I get it!  Sun Records – The Suns?  Bloody marvellous!  The rumours are true, The Suns are fantastic.  Full of swagger and charm, they’re like The Hives if they’d been formed in 1956 by Elvis, Cash and Perkins.  Catch them soon.  Band of the day and no mistake.

Next up were The Fallows, another local band.  Coincidently, I had seen this band before at my previous visit to Chester Rocks.  Back in 2011, Shaun Ryder had disgraced himself with an incompetent, puked-up set of utter shit.  I wandered off to see a Battle of the Bands in another area, where I found The Fallows making Ryder look like a lager chimp.  Four years later and The Fallows are on this huge main stage.  They’re still great.  The singer has obviously been to Indie School, where he majored in Richard Ashcroft; but fair does he’s got the balls to superstar it up, way up there.  There are hints of U2 and The Verve, and the rumbling bass helps make this set another success. CR2

Purge are next.  Never heard of ’em, but they had to be on soon, judging by the number of punters wearing their t-shirts.  They brought the whole fan club.  Hailing from Manchester,   these guys are more of an early RHCP/Primus hybrid.  Bring the funk!  Good fun, these boys have tons of confidence and are worth keeping an eye on.

Before Purge’s set began, we had a fine example of the type of punter Chester Rocks attracts.  Purge fans were waving a huge, home made blanket banner – and a group behind who had their view obscured were unhappy.  So riled were they, they barged in and grabbed the banner down and made off with it, in an eruption of petulant self-righteousness.  Obviously they don’t go to gigs much.  Can’t see?  Move.  It’s a big fucking field.

The main bands of the evening were The Hoosiers, The Feeling and Razorlight.  Can’t say I’m familiar with any of them.  It’s light weight, inoffensive Indie pop – though it all seems to blur into one another.  A couple of songs I recognised from DFS adverts.  They’re all enjoyable and nice enough.  I don’t really want to say a bad word about any of the bands, as despite the rain, it’s a jolly day.  I won’t be buying their music, but for a free evenings entertainment I ain’t complaining.

Just think how cool it could have been though.  From Iggy Pop to Hollyoaks.  Where next?

Electric Eel Shock – Gig Review

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Electric Eel Shock + Saltwater Injection

Thursday 1st May 2014

The Compass, Chester

Finally – Chester is building up a few venues to see some live music.  Forget the joke that is Chester Rocks (LOLZ! etc), there is a light at the end of the tunnel.  On a quiet Thursday night at the start of May, that light was Electric Eel Shock.

The Compass is an older pub/venue just outside the City centre, now reborn with a new name.  I paid a measly £9 to get in and see three bands.  Have a few drinks, rock out on a school night.  What could be better?

The first band up were a local band in a pop punk vein.  I have loads of Descendents and SNFU albums, but that whole Sum 41 thing ain’t my scene.  The kids could play, but not on my shift.

Next up, we have another local band – Saltwater Injection.  A two piece, you may be fooled into thinking White Stripes, before the noise starts.  No chance – think more early Bleach-era Nirvana spitting out Black Flag covers, you’ll be more on the map.  A great set, these guys are worth keeping an eye out for – Hardcore punk and a nice line in political scorn as well!

Funny thing about The Compass – upstairs is pretty small.  And on this night at least, the back half of the room is closed off.  So when Electric Eel Shock erupt onto the stage, it’s like having three tiny Japanese Metal demons go bananas in your living room.  EES rock the place like they’re headlining Wembley Stadium – standing on monitors, waving the mic stands at the audience for sing alongs, throwing the horns.  And the drummer is naked except for a sock to cover the family jewels. EES

Musically, it’s Hard Rock/Heavy Metal in the traditional sense – some Maiden, some Lizzy, some AC/DC, a little G’n’R; with a liberal dash of punk energy.  It’s all the classic rock bands you love in a new, crazy head-banging package.  The only song I’m familiar with (“Goodbye Peach”) is nowhere to be heard, but no matter – there’s plenty of new rocking anthems to meet and greet.

The set includes a few covers: Electric Eel Shock’s takes on “Paranoid” and The Halen’s “Hot For Teacher”; plus The Wurzels’ classic “I am a Cider Drinker”!  What the living fuck??!!  Believe me, this song works!

Electric Eel Shock deliver one of the most bonkers – and fun – gigs I’ve seen in a long time.  It’s full-on good time rock’n’roll.  The audience love it, the band love it.  Check out EES if you can, and if you’re in Chester – The Compass needs to be on your list of places to visit.

The Compass website is here.

Follow Electric Eel Shock on Facebook or follow them on Twitter: @eel_shock

And follow Saltwater Injection on Twitter: @SaltWaterInject

The Damned – Gig Review

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The Damned + The Ruts DC

Sunday 1st December 2013

Buckley Tivoli

It’s Sunday night, and far from milk and cookies and watching Songs of Praise, Mrs Platinum and I are off to see The Damned.  At the Tivoli in Buckley, no less.  A venue I’ve been to many times (remind me to tell you about my 21st birthday sometime) and a place I’d hoped this lot would play for years.

Support tonight is from The Ruts DC, and blimey they’re good.  I’d have gone to see them headline their own gig – with The Damned to follow this is unmissable.  A great set that swings from ska-reggae boppers to punk rock seven inch masterpieces.  Highlights include “It Was Cold”, “West One (Shine On Me)” and of course “Staring at the Rude Boys” and “Babylon’s Burning”.  They sound exciting, contemporary and confident.  Final song “In a Rut” put the lid on a support set that could have been a headliner.

I might as well own up and admit that the Damned are probably my favourite band of all time.  To see them in my “local” venue is a real delight.  As I hinted earlier, I’ve had many adventures at the Ballrooms over the years and always wanted to see this band here.

The Damned are the band that I’ve seen more than any other.  Tonight though, they play an astounding set that both entertains and surprises.  How do they do that?  Well, they play many songs I’ve never heard them play live before.  First song “Sanctum Santorum” is an interesting choice – atmospheric rather than bludgeoning.  The song worked really well live and served to create a sense of theatre from the start.

From that point on, The Damned kept me guessing.  “Don’t Cry Wolf”?  Yes, please!  “Sick of Being Sick”?  Don’t mind if I do!  Following “Wait for the Blackout” with the songs that followed it on The Black Album is a stroke of almost genius.  “Lively Arts” and “Silly Kids Games”?  Why sirs, with these gems you are truly spoiling us!

“Ignite” and then “Generals”?  They won’t play the third track off Strawberries though.  But they do!  “Stranger on the Town” is probably my favourite Damned tune, and one I never thought I’d hear live.  Brass section, you see.  Yet there it is, and Platinum Al can’t help but sing along.  Thank you, Damned!

And so it goes.  Later in the set we get the classic singles: “Neat Neat Neat”; “New Rose”; “Love Song”; “I Just Can’t Be Happy Today”.  “Eloise” sounds great.  More first time airings (for me) of “The Eighth Day” and “Ballroom Blitz” put the marzipan on the cake before a glorious “Smash It Up” finale.

Any criticisms?  The sound wavers a few times, unusually for the Tiv – some of the early set doesn’t sound as “full” as it should. A minor comment as this didn’t spoil my enjoyment.  Beyond that, it would have been nice to hear more of the recent material (no “Thrill KIll”??!)  – we don’t hear anything off the So, Who’s Paranoid? album.

Though as I’ve been treated to so many new live gems tonight, a full fourteen minute version of “Dark Asteroid” is probably a bit too much to ask.  Maybe next time.

So thank you The Damned, The Ruts DC and Buckley Tivoli.  It was a great night.  Work in the morning.

http://www.officialdamned.com/

http://www.theruts.co.uk/

http://www.tivolivenue.com/index.htm

Volbeat – Gig Review

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Volbeat + Support

Friday 18th October 2013

Manchester Academy

OK, so I should’ve posted this gig review a while ago – Hallowe’en Horror Fest got in the way.  I apologise.  Better late than never.

My buddies and I went to the magical land of Manchester, to see Volbeat.  The weather was terrible – non stop rain – as befits Mancunia.  It always rains there.  Every time I’ve been, ever.

I missed the first support band, but arrived just as Iced Earth were beginning their set.  I’d heard of the band, but never listened to them – so wasn’t sure what to expect.  I thought they were death metal, I was wrong.  I thought they were European, they’re American.  They were better than I expected, more trad metal (Iron Maiden, Judas Priest) with some 80’s thrash (Testament, Megadeth) along for the ride.  Another comparison I can make is Black Label Society.  Overall, I was impressed with their crunching attack and will look out to purchase some recorded material.

Before Volbeat take the stage at the Academy, they treat us to some Motorhead.  An apt intro tape, as much like Lemmy’s crew, we are dealing with a heavy band who make no secret of their love for good old rock’n’roll.  “Born to Raise Hell” thunders from the PA until Volbeat erupt into live action – and we’re off.

Volbeat are an interesting concept.  Undeniably they are a heavy rock/metal band, yet they embrace the past unlike many others.  Thus we are given a cheeky rendition of “Ring of Fire” and a rocked up “I Only Want to be With You”, to garnish the rockabilly twangs of their original  material.  To be honest, it’s nothing that Glenn Danzig hasn’t already done, but there’s something great about hearing current metal’s DNA being exposed that makes this band thoroughly enjoyable.

In the audience, you can spot the odd dude with a quiff alongside the usual metal uniforms, not to mention a couple of girls in Bettie Page styled attire.  Very cool.  And definite visual evidence that here, rock has come full circle.

My only problem with this gig is that I don’t know the music well enough.  I have three albums by Volbeat, and they’re great – but to really get the benefit of this gig I should have done more homework.  Not that the songs don’t work if you’re not familiar with them – I just wish I’d taken more time to get under their skin.  Then this would’ve been a legendary gig, not just a great one.