Lordi Gig Review

Lordi + Hollywood Groupies + Dirty Passion

Friday 3rd April 2015

The Live Rooms, Chester

One thing’s for sure: when the Live Rooms say “doors open at 7pm”, make sure you get in there on time.  I was having a cheeky pint in Kash up the road, so missed the start of the first set tonight.  I arrived about 7.20pm and the first band were already on.

Dirty Passion were that first band, and I’m happy to report that they were pretty damn good.  Hailing from Sweden, this gang of greasy deviants sounded somewhere between Motorhead and Sonic Temple-era Cult.  A confident start to the night.

Next up on our international smorgasbord of rock was Hollywood Groupies, all the way from Italy.  The fact that there were two females in the band (one on vocals, one guitar) is one reason why this band stood out.  Female equality is all very good, and not a novelty in this case – the whole band threw out a quality set.  Again it’s straight up rock’n’roll, and I sensed a slight Danzig influence with big, sing along choruses in abundance.  Nice work. LORDI_on_Tour_Force_One_2015_Masters_of_Rock_CZ

Finally, our main course tonight is a Finnish dish – the Eurovision slaying Monsters of Rock known as Lordi.  I’ll never forget watching the Eurovision song contest in 2006, and the moment when Finland’s entry appeared on stage.  Fully kitted out in monster outifts, the band made jaws drop across the world and rightfully stole the event.

Tonight at the Live Rooms isn’t much different – Lordi appear on stage and drag the audience in to their bizarre horror rock world.  Complete with lights, foam guns, confetti, additional (monster mask wearing) dancers and more, it’s an unrelenting show that is pure, spectacular fun.

I have a couple of Lordi albums, but know only about a quarter of the songs played tonight.  No matter – I was quite surprised even the songs I wasn’t familiar with were listenable, catchy, enjoyable.  “Hard Rock Hallelujah” is played third song in, but there’s no indication of Lordi giving away their ace card too soon, there’s plenty of thrills to be served up.

Like seeing Alice Cooper, there’s a sense of theatrics with Lordi’s show.  It all adds up to a visual treat as well as a musical one.  Highly entertaining, and very hard rocking.  Hallelujah!!!

The Live Rooms website is here.  Keep an eye open for more great gigs coming soon!

The Lordi website is here.

Corrosion of Conformity Gig Review

Corrosion of Conformity

Saturday 7th March 2015

Manchester Academy 2

I’ve been a Corrosion of Conformity fan for a long time.  Starting with a cassette copy of their hardcore punk/thrash crossover Eye For An Eye back in my early skateboarding days; through their major label success as a stoner metal band; and on.  Never seen them live, though.  Ridiculous, no?

All that was about to change: I decided to get my act together and go see the band in Manchester for their latest tour.  The fact that vocalist/guitarist Pepper Keenan was back fronting the band, completing their Deliverance era line-up, was a nice little sweetener too.

The afternoon got off to a great start when, mere seconds from arriving in the car park next to the Academy, I spotted bass player Mike Dean walking along the road.  I greeted him and wished the band well in a brief, pleasant conversation.  I think I managed to remain cool and not look like a total weirdo.

A few beers were had in the early evening, before we made our way to the venue.  Unfortunately we were in Manchester Academy 2, not the nice big main Academy building.  The Academy 2 is the size of a sports hall and was too small for this band.  People were crammed in tighter than a glam rockers spandex pants; it was not cool.

I only caught the end of the support bands slot, so I will pass judgement on Hang the Bastard at this time. COC

When Corrosion of Conformity hit the stage, there’s a genuine sense of excitement in the (tiny) room.  They open with instrumental “These Shrouded Temples” from the Blind album, before charging into “Senor Limpio” and “King of the Rotten”.  There’s hardly a breather between songs, and minimal banter – it seems COC are on a mission to destroy.  Pepper leads the band confidently, like he’s never been away; whilst Woody throws down a barrage of guitar.

In keeping with the tour theme, there’s a healthy chunk of tracks from the devastating Deliverance album.  This is fine with me.  My sad fanboy credentials mean I love all their output, but Deliverance is the cream of the crop as far as I’m concerned.  A genuine metal/punk/stoner/doom/whatever classic, rated in the same bracket as Volume 4 and Master of Puppets.  “Albatross” and “My Grain” are highlights amongst a head crushing set, though the slower pace of “Seven Days” is my favourite from that era of the evening – forgot how great that song is.

There’s a pinch of tracks from across several albums, with “Long Whip/Big America” shining from Wiseblood.  “Thirteen Angels” (America’s Volume Dealer) and “Paranoid Opioid” (In the Arms of God) also stand out in a set filled with gems.  The band are well rehearsed – Reed’s drums and Mike’s bass sound tight and locked in.

COC return for their encore with “Broken Man”, before launching into the inevitable “Vote With a Bullet”.  This song is still an absolute monster, and is welcomed heartily by the audience.  “Clean My Wounds”, another Deliverance era stormer, finishes the night off with it’s awesome riff.

Despite being crowded in the tiny Manchester Academy 2, it’s a great night.  Corrosion of Conformity perform a powerful set, which I only wish could have been longer.  I got to tick a band off my “must see” list tonight, and I retire with obligatory tour t-shirt a very happy punter.

Dead Wolf Club and Saltwater Injection Gig Review

Dead Wolf Club + Saltwater Injection

Thursday 26th February 2015

The Compass, Chester

Back to the Compass in Chester for some more rock’n’roll!  I was able to catch local band Saltwater Injection again, plus new discovery Dead Wolf Club.

Saltwater Injection makes a reliably noisy racket with just a bass guitar and a drum kit.  The bass stirs a sludgy broth of Melvins style aggressive punk, while the drums thrash away relentlessly.  It’s not all noise – beneath the cacophony, the audience can define melodies as well as crushing riffs. Catchy, sing along melodies, even!

The set gives us original songs in this vein, plus a Beatles tribute infused with a punk Monty Python spirit.  Add in a song written on the spot, following a title suggestion from the audience; and genuinely funny, self deprecating stage banter and you’ve got a concoction that is quite infectious.  Great band and one to catch!

Up next are head liners Dead Wolf Club, a four piece with a similar punk rock approach but different delivery.  This band offers an intense, swirling sound that develops from a Joy Formidable accessibility to a crushing Joy Division cinematic scope.

It’s post hardcore performed with an admirable earnestness and honesty.  Dead Wolf Club’s songs – part Steve Albini, part Fugazi, part grungey indie – build and build, showing a sense of scale and ambition.  Unfortunately it’s over too soon, and everything suddenly seems far too quiet…

Another blinding night at the Compass, which has grown into an intimate venue for in-your-face rock music.  Good beer, friendly staff and a fantastic AC/DC pinball machine don’t hurt either!

The Compass website is here.

The Saltwater Injection website is here.

The Dead Wolf Club website is here.

Stipe – R.E.M. Tribute Gig Review

Stipe

Saturday 24th January 2015

The Live Rooms, Chester

The great thing about tribute bands is the ability to witness music by defunct groups that you wouldn’t otherwise get to hear. Unfortunately REM have ceased to exist, so an evening with Stipe goes some way to filling a void. As the premier REM tribute band, they offer up authentic, exciting versions of songs that, nowadays, you can only hear on your music player of choice.

I’ve seen Stipe a few times before, always at Alexander’s in Chester, which is a much smaller and intimate venue. So it was going to be interesting to see how they fared in a larger venue like the Live Rooms. There was no need to worry: Stipe performed brilliantly, bringing their versions of classic alt rock tunes to an eager audience.

The set was split into two sections, enabling the band to delve into the REM back catalogue and dig out gems from across their career. It says a lot that Stipe are able to entertain both the more casual fan and the die-hard aficionado like my mate; he sang along with every single line, no matter how obscure. Stipe1

Where this band succeeds is in the accuracy of the sound. Though the lead singer certainly looks the part, his voice is a fairly uncanny likeness of Michael Stipe’s. He may have the moves down to an impressive level, but the voice is what really works, especially on “Orange Crush” (with megaphone prop!) and “What’s the Frequency, Kenneth?” Stipe2

The other musicians also manage to create a brilliant rendition of the songs, fully convincing and delivered with confidence and enthusiasm. When they bring out a mandolin for “Losing My Religion”, it’s like welcoming an old friend who isn’t even on Facebook.

Any minus points?   Well “Shiny Happy People” has never been a favourite of mine, and it gets a rare turn in the spotlight tonight.   To be fair though, it’s a faithful version and I enjoyed it!  It would also be nice to see a live keyboard player added to the line up again, so we’ll get to hear classics like “Nightswimming”.

All in all, it’s another success for the Live Rooms. No disrespect to other venues, but it’s nice to see Stipe doing so well in this larger environment. Stipe did not fail to deliver: they can be relied on to accurately recreate the sound of REM and entertain an audience. Close your eyes, and it could almost be the real thing. And that’s how a tribute band should be, right?

Let’s hope they’re back soon.

Stipe’s Facebook page is here.

Stipe’s website is here.

The Live Rooms website is here.

Live Wire – AC/DC Tribute Gig Review

Live Wire

Friday 17th October 2014

The Tivoli, Buckley

Cast your minds back to mid-October.  I took a brief break from my Hallowe’en Horror Fest movie reviews and paid another visit to the Tivoli in Buckley for another night of rock’n’roll.

Performing this night were Live Wire – an AC/DC tribute band.  I’ve witnessed the real thing a few years back (at Milton Keynes Bowl on their Stiff Upper Lip tour, fact fans), but only the once.  Tickets for the real AC/DC are like centaur shit these days, so I was very happy to check out a tribute to the greatest rock’n’roll band in the world instead.

The thing with tribute bands is, they either sound like who they’re meant to be, or they look like their idols.  Not both.  Or in the case of bad tribute bands, they try to sound or look like the originals, and fail on both counts.

I am very happy to report however that Live Wire have got the full wish list sewn up.  Sewn up neatly on a denim jacket with all the patches on.

The act is split into two halves: first we see the Bon Scott years.  The set list includes classics from the era like “Dirty Deeds Done Dirt Cheap”, “Riff Raff”, “Touch Too Much” and “Whole Lotta Rosie”.  It’s my all time fave “Highway to Hell”, though, that makes me grow horns and a tail and punch the air like a little metal demon.  Magic. livewire1

The Bon Scott-a-like is uncannily impressive in his role as the late, great hell raiser.  The voice is spot on.  The sound overall is impeccable, plus every song is a gem.

Next up we have the Brian Johnson years, which thunders in with “Rock’n’Roll Train” and simply does not stop.  Live Wire’s Brian not only possess the same forged-in-fire vocal chords, he moves the same too.  Wearing the trademark flat cap, Brian stalks the stage in typical hunched up form and belts out the rock.

The rock that is belted out includes “Back in Black”, “You Shook Me All Night Long” plus an absolutely dynamite version of “Thunderstruck”.

So the singers perform admirably.  The band, too, are top notch.   Though Live Wire’s Angus Young looks a lot taller, he’s got all the moves dialled – right down to mooning the audience.  Malcolm also looks perfect – strumming away, head nodding.  I couldn’t see the other guys though, sorry.

It was a truly electric night in the Tiv.  The place was packed tighter than Rosie’s bra and the punters loved it.  The encore saw Bon and Brian unite for “Let There Be Rock”.  Finally, Brian led the band through a raging “For Those About to Rock…”, complete with cannon fire.

Absolutely great fun.  I’d happily see Live Wire again any time.  High voltage rock’n’roll, indeed.

Visit Live Wire’s web page here.

Visit the Tivoli’s web page here.

Wayne Hussey – Gig Review

Wayne Hussey 

Friday 10th October 2014

The Tivoli, Buckley

Seems like I’m at the Tiv every other week these days…  This time, it was to see Wayne Hussey, he of The Mission, performing a solo acoustic set.  Somehow I’ve never managed to see The Mission live, so this was a nice tick in the box. fly_waynehussey

The gig starts late, due to Wayne being stuck in traffic on the M56.  No matter, there’s no support band, just Wayne and his tech guy tonight.  When we get in the venue, the familiar lay out is augmented by a few tables and chairs down the front.  I’ve never seen anything like that in the Tivoli before.  It’s a nice indication of how the gig will be.  We didn’t manage to scrounge any seats though, so we stood near the front.

The set consists of some Mission songs and some covers, with Wayne solo on guitar or keyboard, and some backing track/drums.  We get a magnificent “Black Mountain Mist” and covers including All About Eve’s “Martha’s Harbour”.

Some may expect a gloomy goth vibe, but there’s none of that – Wayne is relaxed and in good spirits, adding some stories and humour between songs.  It’s a great way to experience an artists music – an intimate atmosphere where the songs are allowed to shine.

I would’ve liked some more songs from the Children and Carved in Sand albums, but there’s no complaints.  Wayne Hussey seems to enjoy himself, and it’s a treat for the audience to see an artist up close and personal.

I can’t remember much more as the Stella in the Tiv made me loopy.  Great night.

Toyah – Live Review

Toyah

Saturday 27th August 2014

The Tivoli, Buckley

It was Saturday night, live music on at the Tiv from alternative 80’s legend Toyah – where was everybody?  The place was mostly empty!

Yes, it’s another live music review at Platinum Al’s Virtual Hot Tub – and this time we’re back to that old favourite, The Tivoli in Buckley.

I remember seeing Toyah Wilcox on Tiswas one Saturday morning, when I was about eight.  I thought she was cool (and a bit cute).  I’ve also seen Toyah live before at the Tiv, in the early 90’s when she appeared there with Girlschool.  So I got to hear a few of Toyah’s hits in a rocked up style, along with some Girlschool tunes and some covers (I remember a bit of Zeppelin in the set).

And many of my Virtual Hot Tub pals will also be aware of the time last year at Birmingham NEC Memorabilia, where I met the star in question.  She signed my old Official Toyah Annual and I grabbed a sneaky photo.

You can probably imagine that I was quite stoked to hear that Toyah would be performing just up the road in Buckley.

The date for the gig had been changed previously, so maybe this re-scheduling was to blame for the low turn out.  The Tiv was about a quarter full, prompting Toyah herself to declare “It’s like playing a private party!” – she was far from disheartened.  Toyah was in fine voice and full of energy, bouncing around on the stage.  Between songs, there’s a brief introduction which really does make the whole gig a very intimate experience.

Obviously we get the established songs: “It’s a Mystery”, “I Want to be Free”, “Be Proud Be Loud Be Heard” and many more.  Plus there are some welcome covers such as “Rebel Yell” and “These Boots Are Made for Walking”, which fit in really well with the more expected numbers.  The band are also very impressive and the whole performance is professional, but down to earth.

It’s over far too soon.  Despite a small audience, it was a great gig with a relaxed atmosphere.

Karma to Burn – Live Review

Karma to Burn + Desert Storm + Bad Earth

Thursday 28th August 2014

The Live Rooms, Chester

Another gig at the Live Rooms in Chester – and tonight it’s a night of stoner rock!

The first band on are Bad Earth.  Unfortunately (and as per usual, looking back at my previous gig reviews!) I missed the start of the set.  I saw most of their performance, however – and Bad Earth deliver a great selection of thunderous tunes in a Kyuss vein.  Awesome quality for an opening band, we are definitely not in the Kansas dust bowl of amateurs tonight.  These guys are professional and they rock.  I’ll ensure I catch the full set next time.

Up next are Oxford based Desert Storm.  Any punter would be expecting more of the same, but this band roar off in another direction.  Their sound is more riff based and reminds me of Clutch.  I love Clutch.  Their singer looks like Shaggy from Scooby Doo, and when he opens his mouth I first detected what I thought was a Death Metal bellow.  This instantly warped into a honey and bourbon drenched growl that was more Howlin’ Wolf than Napalm Death.  Astonishing.

I thoroughly enjoyed Desert Storm, and happily recommend them to anyone who loves chunky, funky guitar riffs with a bluesy, earthy voice whirling around it.  Wish I’d bought the CD. Karma-To-Burn-UK-Tour-2014

The unusual aspect tonight is that I have never listened to any of the bands before, not even the headliners.  I had heard of Karma to Burn, but not actually listened to them.  Now what the smart 21st century kids do is check out a few tunes first on YouTube or Spotify, to see if the band in question appeals.  But that’s not very stoner rock, is it?  We’re talking about bands forged in the fires of Master of Reality and Volume 4, not the digital age.  Also, it’s more of an adventure to take a chance!

Karma to Burn are from West Virginia, USA.  They play a set that is instrumental.  That’s without vocals, kids!  Not an easy task to pull off – without vocals the listener doesn’t have as many clues to song structure.  However there are less distractions from the mighty attack of guitar/bass/drums and the atmosphere that Karma to Burn are able to create.

With barely a breather between tracks, the riffs are constantly washing over the audience relentlessly.  The band create a psychedelic assault, as if in a Grand Canyon watched over by an Olympian Billy Gibbons.  It is indeed incredible, and unlike anything I’ve witnessed before.

The moral of this story is, take a chance on live music, you never know what you’re going to find.  Whilst it’s always a buzz to see a band you’re already a fan of, sometimes a little adventure is what we need.

Good night, and God bless.

The Live Rooms web page is here.

Karma to Burn’s website is here.

Desert Storm and Bad Earth both appear to have Facebook pages, check ’em out.

Chester Rocks 2014

Chester Rocks

Saturday 7th June 2014

Chester Racecourse

I went to the first Chester Rocks festival at the Racecourse back in 2011.  The main reason for this was to see the living legend, Godfather of Punk, Iggy Pop.  With the Stooges, no less.  Performing songs from (one of the greatest albums of all time) “Raw Power”!  That was not to be missed, not when Sir Iggy and pals were playing so close to home.  Also playing on the day were attractions such as Feeder and Leftfield – so a bargain of a day out right on my doorstep.

That was the “rock” (as in “Chester Rocks”) day.  The previous day had seen a pop theme with McFly, The Saturdays, Sugababes and some geezer called Taio Cruz (is that how you spell it?  How the flip do you say it??!).  Our rock day saw glorious weather and a fun day out, and the consensus was that this event would be a great annual fixture, should we see more of the same in the future.

Alas, Chester is a city (small C) with no culture.  No cinema, no theatre, few options for live music.  Culture, in Chester, is thousands of drunken, vomiting Hollyoaks wannabes watching horses run round a field.  And so, alas, Chester opted to jettison the “rock” for the far more lucrative teeny bopper pop market.  Chasing the dollar won out, though Rocks was retained as a (somewhat inappropriate) name. CR1

This year, I was lucky enough to be offered a couple of free tickets for the Saturday, and happily snapped them up.  Although none of the bands were favourites, it was a chance to enjoy a day out and see some live music.  So why not?

The featured acts – three big name bands, plus local support – were all on the big main stage on the field.  Quite an impressive place for the smaller bands to play.  The only negative was looking to be the weather – a thunder storm that morning with more forecast for that evening.

The first band I caught were local Chester band The Suns.  I’d never seen them before, but had heard some good words in advance.  I was expecting some friendly, straight forward Indie, but they were very different.  Taking to the stage in black suits, with a vocalist with a massive beard, they actually sounded more like a rockabilly band.  Oh wait – I get it!  Sun Records – The Suns?  Bloody marvellous!  The rumours are true, The Suns are fantastic.  Full of swagger and charm, they’re like The Hives if they’d been formed in 1956 by Elvis, Cash and Perkins.  Catch them soon.  Band of the day and no mistake.

Next up were The Fallows, another local band.  Coincidently, I had seen this band before at my previous visit to Chester Rocks.  Back in 2011, Shaun Ryder had disgraced himself with an incompetent, puked-up set of utter shit.  I wandered off to see a Battle of the Bands in another area, where I found The Fallows making Ryder look like a lager chimp.  Four years later and The Fallows are on this huge main stage.  They’re still great.  The singer has obviously been to Indie School, where he majored in Richard Ashcroft; but fair does he’s got the balls to superstar it up, way up there.  There are hints of U2 and The Verve, and the rumbling bass helps make this set another success. CR2

Purge are next.  Never heard of ’em, but they had to be on soon, judging by the number of punters wearing their t-shirts.  They brought the whole fan club.  Hailing from Manchester,   these guys are more of an early RHCP/Primus hybrid.  Bring the funk!  Good fun, these boys have tons of confidence and are worth keeping an eye on.

Before Purge’s set began, we had a fine example of the type of punter Chester Rocks attracts.  Purge fans were waving a huge, home made blanket banner – and a group behind who had their view obscured were unhappy.  So riled were they, they barged in and grabbed the banner down and made off with it, in an eruption of petulant self-righteousness.  Obviously they don’t go to gigs much.  Can’t see?  Move.  It’s a big fucking field.

The main bands of the evening were The Hoosiers, The Feeling and Razorlight.  Can’t say I’m familiar with any of them.  It’s light weight, inoffensive Indie pop – though it all seems to blur into one another.  A couple of songs I recognised from DFS adverts.  They’re all enjoyable and nice enough.  I don’t really want to say a bad word about any of the bands, as despite the rain, it’s a jolly day.  I won’t be buying their music, but for a free evenings entertainment I ain’t complaining.

Just think how cool it could have been though.  From Iggy Pop to Hollyoaks.  Where next?

Electric Eel Shock – Gig Review

Electric Eel Shock + Saltwater Injection

Thursday 1st May 2014

The Compass, Chester

Finally – Chester is building up a few venues to see some live music.  Forget the joke that is Chester Rocks (LOLZ! etc), there is a light at the end of the tunnel.  On a quiet Thursday night at the start of May, that light was Electric Eel Shock.

The Compass is an older pub/venue just outside the City centre, now reborn with a new name.  I paid a measly £9 to get in and see three bands.  Have a few drinks, rock out on a school night.  What could be better?

The first band up were a local band in a pop punk vein.  I have loads of Descendents and SNFU albums, but that whole Sum 41 thing ain’t my scene.  The kids could play, but not on my shift.

Next up, we have another local band – Saltwater Injection.  A two piece, you may be fooled into thinking White Stripes, before the noise starts.  No chance – think more early Bleach-era Nirvana spitting out Black Flag covers, you’ll be more on the map.  A great set, these guys are worth keeping an eye out for – Hardcore punk and a nice line in political scorn as well!

Funny thing about The Compass – upstairs is pretty small.  And on this night at least, the back half of the room is closed off.  So when Electric Eel Shock erupt onto the stage, it’s like having three tiny Japanese Metal demons go bananas in your living room.  EES rock the place like they’re headlining Wembley Stadium – standing on monitors, waving the mic stands at the audience for sing alongs, throwing the horns.  And the drummer is naked except for a sock to cover the family jewels. EES

Musically, it’s Hard Rock/Heavy Metal in the traditional sense – some Maiden, some Lizzy, some AC/DC, a little G’n’R; with a liberal dash of punk energy.  It’s all the classic rock bands you love in a new, crazy head-banging package.  The only song I’m familiar with (“Goodbye Peach”) is nowhere to be heard, but no matter – there’s plenty of new rocking anthems to meet and greet.

The set includes a few covers: Electric Eel Shock’s takes on “Paranoid” and The Halen’s “Hot For Teacher”; plus The Wurzels’ classic “I am a Cider Drinker”!  What the living fuck??!!  Believe me, this song works!

Electric Eel Shock deliver one of the most bonkers – and fun – gigs I’ve seen in a long time.  It’s full-on good time rock’n’roll.  The audience love it, the band love it.  Check out EES if you can, and if you’re in Chester – The Compass needs to be on your list of places to visit.

The Compass website is here.

Follow Electric Eel Shock on Facebook or follow them on Twitter: @eel_shock

And follow Saltwater Injection on Twitter: @SaltWaterInject