Tag Archives: Manchester Academy

Joan Jett & The Blackhearts – Gig Review

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Joan Jett & The Blackhearts + The Meffs

Saturday 4th July 2026

Manchester Academy

Another busy weekend for Daughtertron and I – last week Metallica in Cardiff, this week a shorter trip to Manchester to see Joan Jett & The Blackhearts. We’re both big fans of this Rock’n’Roll icon, and as this was the band’s first headline tour of the UK for many a year, the decision to attend didn’t take much mulling over.

Our support band tonight were The Meffs, and the Academy seemed fairly lively and busy for their slot. I’ve head of The Meffs, but knew nothing else – I was to learn that they’re from Essex and they’re a two piece band (vocals/guitar and drums) – all of which was news to me. I was aware that they are highly regarded though, and their short but energetic set was ample proof of that. Covers of ‘Breathe’ by The Prodigy and ‘Identity’ by X-Ray Spex nestled comfortably next to their own raucous tracks like ‘Stamp It Out’ and ‘Deathwish’. Great noisy fun, plenty of attitude and something to say – a superb set.

July 4th being Independence Day in the once mighty realm of the Orange Chimp had slipped my mind, but I guess Joan and her band probably weren’t bothered either. Instead the massive audience were amped up and ready to rock out with a genuine icon, celebrating 45 years since the release of Joan’s earliest solo recordings. Starting things off with the rowdy ‘Victim of Circumstance’ followed with a very welcome rendition of The Runaways’ ‘Cherry Bomb’ was a confident, bouncy, sing-along success.

After that, we got ‘Do You Wanna Touch Me (Oh Yeah)’ – a Gary Glitter cover that left me confused and a bit queasy. I know Joan’s been covering this song for years, but it still seems surprisingly tone deaf. I don’t even want to type that guy’s name in this review! We were soon back on track though with ‘You Drive Me Wild’ (another Runaways number), ‘The French Song’ and ‘Fake Friends’ – all diamonds that are often overlooked by the casual listener.

More recent output was showcased with ‘(Make The Music Go) Boom’ and ‘If You’re Blue’ the former being a real highlight. Predictably, it’s the final run of mega hits that lights up the entire performance. From ‘Everyday People’ the energy in the room rises, then explodes for the legendary anthem ‘I Love Rock’n’Roll’. But that’s not all, kids! With ‘Crimson and Clover’ (Daughtertron’s favourite), ‘I Hate Myself For Loving You’ and ‘Bad Reputation’, Joan Jett & The Blackhearts unleash a tsunami of powerful, unforgettable Rock that lifts spirits and moves the bodies of all those gathered.

The sound was also very impressive throughout: Joan’s rapport with the audience and unmistakeable voice, along with the band’s instruments – never seemed to waver. It was a solid performance, expertly put together by a bunch of total professionals. Joan Jett & The Blackhearts’ music was all the fireworks and all the party we needed in Manchester tonight. A legendary artist and a classic gig!

Corrosion of Conformity Gig Review

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Corrosion of Conformity

Saturday 7th March 2015

Manchester Academy 2

I’ve been a Corrosion of Conformity fan for a long time.  Starting with a cassette copy of their hardcore punk/thrash crossover Eye For An Eye back in my early skateboarding days; through their major label success as a stoner metal band; and on.  Never seen them live, though.  Ridiculous, no?

All that was about to change: I decided to get my act together and go see the band in Manchester for their latest tour.  The fact that vocalist/guitarist Pepper Keenan was back fronting the band, completing their Deliverance era line-up, was a nice little sweetener too.

The afternoon got off to a great start when, mere seconds from arriving in the car park next to the Academy, I spotted bass player Mike Dean walking along the road.  I greeted him and wished the band well in a brief, pleasant conversation.  I think I managed to remain cool and not look like a total weirdo.

A few beers were had in the early evening, before we made our way to the venue.  Unfortunately we were in Manchester Academy 2, not the nice big main Academy building.  The Academy 2 is the size of a sports hall and was too small for this band.  People were crammed in tighter than a glam rockers spandex pants; it was not cool.

I only caught the end of the support bands slot, so I will pass judgement on Hang the Bastard at this time. COC

When Corrosion of Conformity hit the stage, there’s a genuine sense of excitement in the (tiny) room.  They open with instrumental “These Shrouded Temples” from the Blind album, before charging into “Senor Limpio” and “King of the Rotten”.  There’s hardly a breather between songs, and minimal banter – it seems COC are on a mission to destroy.  Pepper leads the band confidently, like he’s never been away; whilst Woody throws down a barrage of guitar.

In keeping with the tour theme, there’s a healthy chunk of tracks from the devastating Deliverance album.  This is fine with me.  My sad fanboy credentials mean I love all their output, but Deliverance is the cream of the crop as far as I’m concerned.  A genuine metal/punk/stoner/doom/whatever classic, rated in the same bracket as Volume 4 and Master of Puppets.  “Albatross” and “My Grain” are highlights amongst a head crushing set, though the slower pace of “Seven Days” is my favourite from that era of the evening – forgot how great that song is.

There’s a pinch of tracks from across several albums, with “Long Whip/Big America” shining from Wiseblood.  “Thirteen Angels” (America’s Volume Dealer) and “Paranoid Opioid” (In the Arms of God) also stand out in a set filled with gems.  The band are well rehearsed – Reed’s drums and Mike’s bass sound tight and locked in.

COC return for their encore with “Broken Man”, before launching into the inevitable “Vote With a Bullet”.  This song is still an absolute monster, and is welcomed heartily by the audience.  “Clean My Wounds”, another Deliverance era stormer, finishes the night off with it’s awesome riff.

Despite being crowded in the tiny Manchester Academy 2, it’s a great night.  Corrosion of Conformity perform a powerful set, which I only wish could have been longer.  I got to tick a band off my “must see” list tonight, and I retire with obligatory tour t-shirt a very happy punter.

Volbeat – Gig Review

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Volbeat + Support

Friday 18th October 2013

Manchester Academy

OK, so I should’ve posted this gig review a while ago – Hallowe’en Horror Fest got in the way.  I apologise.  Better late than never.

My buddies and I went to the magical land of Manchester, to see Volbeat.  The weather was terrible – non stop rain – as befits Mancunia.  It always rains there.  Every time I’ve been, ever.

I missed the first support band, but arrived just as Iced Earth were beginning their set.  I’d heard of the band, but never listened to them – so wasn’t sure what to expect.  I thought they were death metal, I was wrong.  I thought they were European, they’re American.  They were better than I expected, more trad metal (Iron Maiden, Judas Priest) with some 80’s thrash (Testament, Megadeth) along for the ride.  Another comparison I can make is Black Label Society.  Overall, I was impressed with their crunching attack and will look out to purchase some recorded material.

Before Volbeat take the stage at the Academy, they treat us to some Motorhead.  An apt intro tape, as much like Lemmy’s crew, we are dealing with a heavy band who make no secret of their love for good old rock’n’roll.  “Born to Raise Hell” thunders from the PA until Volbeat erupt into live action – and we’re off.

Volbeat are an interesting concept.  Undeniably they are a heavy rock/metal band, yet they embrace the past unlike many others.  Thus we are given a cheeky rendition of “Ring of Fire” and a rocked up “I Only Want to be With You”, to garnish the rockabilly twangs of their original  material.  To be honest, it’s nothing that Glenn Danzig hasn’t already done, but there’s something great about hearing current metal’s DNA being exposed that makes this band thoroughly enjoyable.

In the audience, you can spot the odd dude with a quiff alongside the usual metal uniforms, not to mention a couple of girls in Bettie Page styled attire.  Very cool.  And definite visual evidence that here, rock has come full circle.

My only problem with this gig is that I don’t know the music well enough.  I have three albums by Volbeat, and they’re great – but to really get the benefit of this gig I should have done more homework.  Not that the songs don’t work if you’re not familiar with them – I just wish I’d taken more time to get under their skin.  Then this would’ve been a legendary gig, not just a great one.