Halloween Horror Fest of the Dead

The Wolfman (2010)

Lawrence Talbot (Benicio Del Toro) returns to his ancestral home of Blackmoor in order to investigate the disappearance of his brother.  Reunited with this estranged father (Anthony Hopkins), it soon becomes apparent that something wild is stalking with the full moon.  When Lawrence is attacked by the werewolf, he too falls victim to the curse – destined to become the Wolfman when the moon is full… wolfman2

This remake of the classic Universal monster movie is something of an under rated treasure.  It was never going to have the charm of the Lon Chaney Jr original, but there’s a lot of craft and reverence gone into this movie.  The Gothic atmosphere is absolutely top notch and there’s enough blood and shocks to aid the spectacle.  It takes a while for our hero to get to his transformation, but it’s worth the wait.

My only criticism really is the werewolf versus werewolf showdown at the end.  Silly and unnecessary, at least this scene isn’t dragged out too long.

Otherwise The Wolfman is a great horror film in the classic tradition.  It really should have been much more successful.  The film is a much better revisit to the Universal vaults than the disastrous Van Helsing.  The only things they got wrong with this movie was not setting it in Wales, unlike the original.  Especially when you have the magnificent Anthony Hopkins in the cast!

8/10  

Halloween Horror Fest Circus

Vampire Circus (1972)

Yes it’s Hammer time at the Virtual Hot Tub, with this macabre classic from the legendary British studio!

A remote village, quarantined due to a strange plague, becomes the host to a travelling circus.  The circus entertain the villagers and distract them from their everyday woes; though they hide another motive.  That secret agenda involves a vanquished vampire count, and a despicable plot for revenge!

There’s no Cushing or Lee in this early seventies curiosity, yet Hammer are able to create a new spin on their Gothic tales with this unusual and striking film.  The boobs and gore identify the seventies vintage of this film, yet there’s plenty of atmosphere to embellish the tale.  Vampire Circus is a novel idea, and proves what the studio could do even without relying on the big names (stars or monsters).

Sadly this isn’t a feat that Hammer would replicate often in their twilight years.  Never the less, Vampire Circus is much more hit than miss.  The viewer will witness some real spectacle, some real frights – and the dark atmosphere of Hammer horror at it’s best.  Recommended.

8/10 vampire circus

From Hell (2001)

The crimes of Jack the Ripper are given a fictionalised re-telling in this 2001 Hughes brothers film.  It’s based – very loosely – on the Alan Moore graphic novel; relying heavily on conspiracy theory, a dash of clairvoyance and Johnny Depp as Inspector Abberline. from hell

The conspiracy at the heart of the story is, of course, absolute nonsense, but then the original source novel didn’t set out to identify the culprit.  Rather, From Hell was a dense tome covering the mythology and occult roots of London and it’s citizens.

The film version goes for a more straightforward dramatic approach, as we follow the case and slowly unravel the mystery of the killer’s identity.  If you can suspend disbelief, forget the ridiculousness of it all and enjoy the ride, it’s a great film.  Fantastic sets give From Hell a very genuine feel, along with some decent performances (though not all) and enough shadows and murder to make it an effective thriller.

Go and read the book – it’s an incredible work.  But I’ll happily state that despite the clichés and the total fudging of fact and fiction – let alone disregard for the source material – the film From Hell is definitely worth a watch.

8/10

Dead Halloween Horror Fest 2

Ghost Ship (2002)

Right: so this salvage crew led by Gabriel Byrne and Julianna Margulies take on a job to find a mysterious, lost ship out at sea.  Turns out that some nefarious deeds had taken place on the vessel long ago, and things are about to get spooky.  And deadly.  Will anyone make it back alive? ghost ship

There’s not much love for this film, though I find it hard to see why.  I’ve seen a lot worse.  The cast do a reasonable job, the sets are pretty good and there’s plenty of jumpy frights, helped along with dollops of gore.  Plus Ghost Ship also has a different and interesting concept, which should have delivered more to the finished product.

But the film suffers from too many ideas being thrown into the pot, some of which are beyond far fetched and sail into silly waters (even for this genre).  Although not a classic, I would definitely say that I enjoyed Ghost Ship – it’s almost a great film.  Worth renting or picking up cheap!

7/10

Dead Snow 2: Red vs Dead (2014)

Speaking of worse films that I’ve seen…

This sequel to the superb Dead Snow (2009) was nowhere near as good as the first film.  It picks up where the last film left off, with lone survivor Martin finding his way back to civilisation.  It’s not long however till Martin again crosses paths with the Nazi zombies, and he’s on a mission to thwart their evil plans.

Whereas the original film had plenty of shocks along with a moderately tongue in cheek approach, this second film is all out comedy.  Which is fine, but it’s a jarring change in tone.  There’s very little in the way of frights; there are some gross out scenes but it’s all for laughs.  Dead Snow 2-AGI-DVD-OCard-UK&Eire EAGLE.indd

Some of the elements work, some are just pure silly.  Herzog’s zombies have now reacquired their stolen loot, and are on a mission to do something evil to a town somewhere.  This all feels a bit forced, only more so when the Red Army zombies are resurrected – one assumes just as a contractual fulfilment with regard to the title.

Add in a group of annoying American stereotypes as zombie hunters and it all equals disappointment.  Dead Snow was such a cool film, I really wanted this to be as good.  There’s hardly even any snow after the first ten minutes…

Dead Snow 2 is indeed entertaining, don’t get me wrong – but don’t go in with your expectations as high as I did.

6/10

Here’s a handy link to my review of the first Dead Snow: click me.

Halloween Horror Fest from the Black Lagoon

Yes, you guessed it – more mini reviews of scary movies for the month of October.  As always Halloween is a big deal at the Virtual Hot Tub; we’ve started watching horror films already.  And why not?  Seeing as there’s already Christmas stuff in the shops, I want to (in the words of Alice Cooper) keep Halloween alive…

The Fog (1980)

The town of Antonio Bay is about to celebrate the one hundred year anniversary of its founding.  Yet the towns folk don’t know that their home was built with gold stolen from a ship that was deliberately wrecked.  The fog rolls in and the ghostly crew return, to seek revenge against those who conspired against them all those years ago.

John Carpenter created another horror classic with this film.  Although knocking on a bit, this movie still has some jumps, some gore and oodles of atmosphere.  The concept itself is great, and executed superbly as the fog – and the gruesome undead – take over the small town.

 fog

There’s not much character development or background, but decent performances from Jamie Lee Curtis and her mum, Janet Leigh.  Not to mention Adrienne Barbeau as honey voiced DJ Stevie; watching helplessly from a lighthouse as the mist creeps in towards her home in the distance, her young son waiting…

I hadn’t seen this film for a few years, and forgotten a lot of the detail.  It was refreshing to view it again and appreciate just how good it is.  Not quite up there with The Thing or Halloween, but definitely another cracker from Carpenter.  The Fog is worth your time.

8/10

Creature from the Black Lagoon (1954)

Universal unleashed their last classic monster on the silver screen with this gem.  Originally filmed as a 3D feature, Creature from the Black Lagoon gives us the first appearance of the iconic Gill Man.  This genuine old school monochrome piece of art has it all – adventure, mystery, murder and mayhem.

A team of scientists in the Amazon discover some strange fossils, and explore a remote lagoon to learn more.  There they encounter the Creature of the title, a long lost evolutionary throw back – a fish man from another time.  The expedition’s encounter leads to an attempt to capture the Gill Man, who has developed a crush on the sole female in their team (Julie Adams).  The scientific interlopers are bumped off one by one, the tables are turned and the Gill Man claims his prize…

cfbl

This movie really is a blast from the past.  The story is gripping and retains the viewers attention throughout.  Some of the sequences are still very creepy, in particular when the Creature is gliding through the water, observing but unseen by the swimming girl above.  It’s these scenes where the humans are out of their natural element, and in the domain of their nemesis, that still hold the most power.

If you’re a fan of monster movies, like me, then you must see this film (if you haven’t already).  The Creature from the Black Lagoon has cool photography, is well written, and has that brilliant creature design.  It’s B-movie heaven.

8/10

30 Days of Hallowe’en Horror Fest

OK: so I know Hallowe’en is all over.  It’s November.

And I also know that there are 31 days in October.

But I’ve still got a few short’n’sweet Horror movie reviews for you, which due to scheduling issues I haven’t had chance to write up till now.  So here we go!

30 Days of Night (2007)

The Alaskan town of Barrow is a remote place, and about to become more isolated once the month long night commences.  As the town readies itself, a number of bizarre occurrences foreshadow an unimaginable horror.  For the town will be besieged by a group of blood thirsty vampires, allowed free reign due to the towns people’s disbelief and the ongoing dark. 30-days-of-night-poster-1_6599

This film hauls vampire folklore into the 21st century and breathes life into the (undead) corpse.  The vampires are brutal, savage and powerful.  Their leader, played chillingly by Danny Huston brings an unrelenting nightmare to the people of Barrow.  This is how vampires are supposed to be – the portrayal of the undead in this film is like the re-imagining of the zombies in 28 Days Later.  Suddenly, we are confronted by vampires who are genuinely threatening.

The human leads – Josh Hartnett and lovely Melissa George – also give sympathetic performances.  The audience are presented with characters we can empathise with, and share their fear.

The bleak, snowy landscape creates a hopeless and claustrophobic atmosphere.  The premise of 30 Days of Night is ingenious, and the film delivers admirably.  Recommended viewing, if only to see how ancient vampire myth can be made relevant – and frightening – for today’s audience.

9/10

Carry On Screaming (1966)

Yes, it’s the Carry On gang in a homage of sorts to that other British film institution – Hammer.  Although the plot manages to mix up elements of House of Wax, Jekyll and Hyde, Frankenstein and the Addams Family, it still manages to make some sense and entertain along the way. Carry_on_screaming_(film)

Sid James is MIA, replaced in this film by Harry H. Corbett of Steptoe and Son fame.  Corbett does an impeccable job as Detective Sergeant Sidney Bung.  Also along are many of the usual faces, including Kenneth Williams, Jim Dale, Joan Simms and Charles Hawtrey.

The creepy show is stolen though by uber vamp Fenella Fielding as Valeria, in her tight red dress; who manages to smoulder like Lily Munster or (Carolyn Jones) Morticia.  Utterly gorgeous!

It’s one of the better Carry On films in my opinion, and manages to get a few good gags in along with the usual double entendres.  The monsters – Oddbod and Oddbod Junior – scared me to death when I was eight.

Carry On Screaming is great for a bit of light relief from other, truly scary films.  And it manages to create a spooky Gothic vibe, too.

7/10

The Woman in Black (2012)

Hammer studios really got back in the game with this film.  Starring Daniel Radcliffe (yes, Harry Potter) as a young lawyer sent to work in a remote old house, this film manages to inject some real frights. womaninblack

Arthur Kipps (Radcliffe) travels from London to his assignment in the North at spooky old Eel Marsh House.  He’s there to examine papers of the deceased owner, but soon finds himself caught between the superstitious (and downright unfriendly) locals and whatever the presence is up at the house.

The Woman in Black was only certified as a 12 in the UK.  Hammer (quite uncharacteristically) shed blood, gore, sex and violence and instead concentrate on a film that has an overdose of jumpy frights.  The film is a classic ghost story, featuring a lonely haunted house that leaves the viewer truly unnerved.  Brilliant!

9/10

And there we have it – the end of another Hallowe’en Horror Fest.  Thank you to anyone who has taken the time to read these reviews.  I hope you had a chillingHalloween!

Hallowe’en Horror Fest Strippers

Zombie Strippers (2008)

A covert group of military commandos are summoned to deal with a chemical outbreak that is turning people into zombies.  It’s a tough job, and one zombie manages to escape.  To hide out in a nearby illegal, underground strip club, in case you didn’t guess.

In the strip club, the expected bitchiness escalates to new levels when one of the dancers is attacked, and becomes a zombie herself.  The insane appreciation of the customers persuades more girls to succumb to the undead, until eventually the inevitable surge of zombies threatens to destroy all… Zombie_strippers

This sounds ridiculous, right?  I mean, the title says it all: Zombie Strippers.

And yet this film is very entertaining, although not particularly ground breaking.  There are quite a few laughs, and tons of gore.  Zombie Strippers is totally over the top, and decides to deliver as many thrills as possible.  Having said that, there are enough wry winks at the camera (and pseudo philosophy) to show that the film makers at least tried to give this movie some substance.

On the whole the performances are excellent.  Robert Englund (yes, him) is great as the utter scum bag club owner, and seems to be having lots of fun with tongue wedged in cheek.  Jenna Jameson also does a commendable job, showing her glamorous skills  and really getting her teeth into her part.  You can tell that Jenna also knows this film is mental, but damn it she puts on a great show.

And let’s face it, the titillation is always going to be a big draw for this movie.  The girls are gorgeous indeed, but not for long.  Soon all hell breaks loose and any sexiness is right out the window.

So keep your mind open and you might be pleasantly surprised by Zombie Strippers.  It’s far better than you might fear.  But if it’s cheesy, over the top blood and gore you’re after, you’re gonna love it.

8/10

28 Hallowe’en Horror Fests Later

28 Weeks Later (2007)

Six months after the original outbreak of the Rage virus, the UK is a devastated wasteland in quarantine.  Slowly, re-population of the City of London begins – in restricted zones under the guardianship of US led UN forces.

This sequel to 28 Days Later takes the initial premise further, and doesn’t waste time in exploring further the horror of the Infected.  The opening scenes in particular are designed to make the heart race, as we’re thrust back into the nightmare of the scenario for the first film.  In a short while though, the audience finds itself in a precarious new society as the military attempt to reintroduce life to the dead city. 28weekslater

Both Danny Boyle and Alex Garland, who created the original movie – act as Executive Producers on 28 Weeks Later.  Director Juan Carlos Fresnadillo manages to take over the reigns and deliver a solid sequel.

28 Weeks Later does not have the shock value of it’s predecessor; although a  quality cast – including Robert Carlyle, Jeremy Renner, the lovely Rose Byrne and Idris Elba – ensure this is a film worth investing your time in.

I still rate the original 28 Days Later as one of the most intense, disturbing cinematic experiences I’ve ever had.  Sequels very rarely match up to the first film.  28 Weeks Later has a pretty bloody good go, though.

8/10

PS – you can read my write up of 28 Days Later here.

Hallowe’en Horror Fest of Wolves

Paranormal Xperience (2011)

A group of students travel to a deserted town to investigate the apparent paranormal activity witnessed there.  The story goes that the town doctor went mad, tortured and killed several inhabitants.  As the group conduct their exploration, the supernatural begins to manifest itself – but who is the focus?

This Spanish (subtitled) film offers a cliched cast of characters, and can’t decide if it wants to be a dramatised version of Most Haunted or Saw.  At first it’s a fairly clumsy mutation of the two, but stay with it and the actual story is worth experiencing.

Not essential viewing, but the twist is interesting (I didn’t see it coming, anyway).

7/10

The Company of Wolves (1984)

“Never stray from the path, never eat a windfall apple and never trust a man whose eyebrows meet in the middle.”

Neil Jordan’s dreamlike film is often explained as an updating of the Little Red Riding Hood tale.  But there’s so much more to it than that.  coofwolves

Rosaleen (Sarah Patterson) hears tales of strange men with eyebrows that meet in the middle from her grandmother (Angela Lansbury).  There are several elements of werewolf folklore, wrapped up in dreams and myths that provide a warning to young maidens – illustrating how people in years gone by were wary of the forest at night, the full moon and the howling wolves.

Although the effects are dated somewhat, the transformations from man into wolf are quite ingenious.  However this isn’t really a horror movie, it ‘s a film heavy with symbolism that explores the loss of innocence and the onset of sexual maturity.  There’s plenty to enjoy with the rich, surreal vision we are presented with, but far more to think about.

Great cameo by Terence Stamp, too.

8/10

Hallowe’en Horror Fest AD 1972

Dracula AD 1972 (1972)

1872: Count Dracula is locked in mortal combat with arch enemy, Lawrence Van Helsing.  The Count (Christopher Lee) is destroyed, though Van Helsing (Peter Cushing) also perishes from his wounds.  A disciple of the vampire collects some of the ashes, and Dracula’s ring; burying them at the site of a church.

1972: A group of young London groovers are persuaded to take part in a satanic mass “for kicks”.  Amongst the group is Jessica Van Helsing (Stephanie Beacham), grand daughter of Lorrimer Van Helsing (Cushing again) and descendent of the original vampire slayer.  Little do they know that one member of the group, Johnny Alucard (Christopher Neame), is himself a disciple of Dracula – and intends to resurrect the Count.  dracula_ad_1972_poster_06

Following a bloody ritual in a deconsecrated church, Dracula (Lee) is revived, and he begins to plan his revenge against the House of Van Helsing…

With this film Hammer attempted to drag their Gothic horror films into the modern era.  So in Dracula AD 1972, we’re presented with a Dracula in (then) modern day swinging London, complete with cars, rock’n’roll bands and hip young kids out for a good time.  It’s for this reason that the film is most often derided as silly, if not damn near sacrilegious.

The young hippies are given a look and slang that most surely must have been out of place by 1972.  Viewed now, the dialogue is sometimes hilarious.

Despite the harsh opinions held by many about Dracula AD 1972, I love it.  As a confirmed fan of all things from the seventies, I find it outrageously good fun to see Dracula in this anachronistic setting.  What we lose with the lack of traditional Gothic period setting, we gain in a campy, retro London with funky Blaxploitation style music and cool sets.Yes, the kids’ dialogue is ridiculous, but it’s also great fun if the audience just accepts it.

Draculaad1972

My VHS and DVD copies

As a glimpse of an imaginary 1970’s London, I find this film really enjoyable.  Part Hammer and part The Sweeney, if you will.  That it was an inspiration for Tim Burton on Dark Shadows is well documented, and hopefully means that Dracula AD 1972 is finally getting some recognition for it’s attempt to inject new blood (haha!) into the Count.

There are some bloody moments, but nothing too shocking for a modern audience.  What we do get is a great performance by Peter Cushing, who really embodies his role as occult expert with authority.  Lee, too, is imposing and majestic as Dracula, truly menacing and physically powerful.  It would’ve been great though to see the Count stalking around London for victims at night more, certainly a missed opportunity.

The youngsters give it a good go despite the atrocious (or funny) lines – Beacham and Neame are both great.  Plus Michael Coles as the Inspector gives us a character that is actually believable.

My personal favourite element of this film though is the wonderful, bewitching Caroline Munro.  Here Ms Munro appears in one of her most iconic roles as Laura Bellows, and she has never looked lovelier.  Good performance too, though it would’ve been great to see Caroline resurrected as a Bride of Dracula.

So despite some utter ridiculousness and a couple of wasted opportunities, I can only recommend Dracula AD 1972 as not only one of my favourite Hammer films, but one of my favourite films ever.  Cool soundtrack, too.

“Dig the music, kids!”

10/10 for me

9/10 for everyone else

Dark Shadows Playlist

Dark Shadows Soundtrack – Playlist

Recently I posted my Hallowe’en Horror Fest mini-review of the film Dark Shadows.  It’s a great film from Tim Burton, in my opinion.  One of the best things about that movie is the soundtrack.

The film is set in 1972, so the soundtrack consists of songs from that era.  Contrasting heavy rock, pop and a bit of soul, there are a few cuts that fit the Gothic mood; and others that are just cool.

I put together this playlist – utilising songs from my collection – meaning I didn’t need to buy the soundtrack album…

1. The Moody Blues – “Nights in White Satin”

This classic soundtracks the opening of Dark Shadows, chronicling Victoria’s journey to Collinwood Manor.  Sets up a moody(!) atmosphere.

2. Iggy Pop & The Stooges – “I’m Sick Of You”

I love it when Iggy gets some respect.  Cool tune, as heard in Carolyn’s room.

3. Donovan – “Season of the Witch”

Carolyn Stoddard plays this on vinyl.  Wish I had this on wax.  A Hallowe’en necessity.

4. Deep Purple – “Highway Star”

I can’t remember where this song appears in the movie.  It’s in there though, apparently.  One of the must-have Deep Purple tracks, find it on “Machine Head”.  Or any “Best of”, for that matter.

5. Curtis Mayfield – “Superfly”

Barnabas takes a walk through Collinsport, soundtracked with this mighty slab of Mayfield funk.  Not an obvious vampire tune, but so right for the era.

6. The Carpenters – “Top of the World”

“Reveal yourself, tiny songstress!”

7. Elton John – “Crocodile Rock”

Off to the pub we go, we might bump into Christopher Lee…

8. Black Sabbath – “Paranoid”

It’s the early 70’s.  It’s a dark film.  It needs, no – demands – Sabbath.  Timeless genius from the originators of all that is dark and heavy.  On “Paranoid”, of course.

9. Barry White – “You’re the First, the Last, My Everything”

The Love Machine’s tune is an apt choice for the scene it appears in.  What a song!

10. T.Rex – “Get It On”

So evocative of the time, a welcome airing for this track in the movie.

11. Alice Cooper – “No More Mr Nice Guy”

12. Alice Cooper – “The Ballad of Dwight Fry”

A special mention here for Alice Cooper, who has a cameo role as himself in 1972.  Two classic Coop songs are on this soundtrack.  “The Ballad of Dwight Fry” is possibly my favourite song ever from Alice, so it was great to hear it in the movie.

There you go, twelve songs and 54 minutes of music.  If Tim Burton chose these songs, he has great taste.  Except for that awful Killers song on the end credits.

I guess I’m a bit obsessed with this this film…

You can read my review here.