Tag Archives: Nirvana

Electric Eel Shock – Gig Review

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Electric Eel Shock + Saltwater Injection

Thursday 1st May 2014

The Compass, Chester

Finally – Chester is building up a few venues to see some live music.  Forget the joke that is Chester Rocks (LOLZ! etc), there is a light at the end of the tunnel.  On a quiet Thursday night at the start of May, that light was Electric Eel Shock.

The Compass is an older pub/venue just outside the City centre, now reborn with a new name.  I paid a measly £9 to get in and see three bands.  Have a few drinks, rock out on a school night.  What could be better?

The first band up were a local band in a pop punk vein.  I have loads of Descendents and SNFU albums, but that whole Sum 41 thing ain’t my scene.  The kids could play, but not on my shift.

Next up, we have another local band – Saltwater Injection.  A two piece, you may be fooled into thinking White Stripes, before the noise starts.  No chance – think more early Bleach-era Nirvana spitting out Black Flag covers, you’ll be more on the map.  A great set, these guys are worth keeping an eye out for – Hardcore punk and a nice line in political scorn as well!

Funny thing about The Compass – upstairs is pretty small.  And on this night at least, the back half of the room is closed off.  So when Electric Eel Shock erupt onto the stage, it’s like having three tiny Japanese Metal demons go bananas in your living room.  EES rock the place like they’re headlining Wembley Stadium – standing on monitors, waving the mic stands at the audience for sing alongs, throwing the horns.  And the drummer is naked except for a sock to cover the family jewels. EES

Musically, it’s Hard Rock/Heavy Metal in the traditional sense – some Maiden, some Lizzy, some AC/DC, a little G’n’R; with a liberal dash of punk energy.  It’s all the classic rock bands you love in a new, crazy head-banging package.  The only song I’m familiar with (“Goodbye Peach”) is nowhere to be heard, but no matter – there’s plenty of new rocking anthems to meet and greet.

The set includes a few covers: Electric Eel Shock’s takes on “Paranoid” and The Halen’s “Hot For Teacher”; plus The Wurzels’ classic “I am a Cider Drinker”!  What the living fuck??!!  Believe me, this song works!

Electric Eel Shock deliver one of the most bonkers – and fun – gigs I’ve seen in a long time.  It’s full-on good time rock’n’roll.  The audience love it, the band love it.  Check out EES if you can, and if you’re in Chester – The Compass needs to be on your list of places to visit.

The Compass website is here.

Follow Electric Eel Shock on Facebook or follow them on Twitter: @eel_shock

And follow Saltwater Injection on Twitter: @SaltWaterInject

Essential Tracks – Nirvana

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“Essential Tracks” is a new Music section at the Virtual Hot Tub.  In this ongoing series, I’ll be picking my favourite tracks from a particular artist.  Here’s the very first instalment.

Nirvana – the Top 20 Songs

Sadly, 5th April marks twenty years since the death of Kurt Cobain.  It seems somewhat unreal that so much time has passed.  I remember buying Nevermind as soon as it came out in 1991.  I remember hearing about Kurt’s death when it was announced.  Such a great artist and unique, complex music.  This is a list of my favourite Nirvana songs.

20. Come As You Are

A great song, over familiarity has probably knocked this track down the table.  Find it on Nevermind.  As a point of interest, my old band used to cover this.  We performed it live on the second anniversary of Kurt’s death; it received a warm response.  At that point (in the pre-internet) we hadn’t realised the significance of the date, it had been a coincidence.

19. You Know You’re Right

From the Nirvana compilation.  Awesome song – classic Nirvana soft/heavy dynamic.

18. Been A Son

My version of this song is from the Incesticide album.  Fast paced, a catchy melody – and lyrics worth the time to listen to.

17. Lithium

One of the classic Nevermind songs, this has a fantastic sing a long chorus that shows Kurt’s ear for a fine tune.

16. Serve the Servants

Opening track from the superb In Utero album, I’ve surprised myself that I haven’t placed this song higher in my own list.  Love it.  “Teenage angst has paid off well, now I’m bored and old”.

15. Negative Creep

Absolutely brutal riff.  One of the heaviest, punkiest songs in the Nirvana catalogue.  Perhaps something of an early Melvins influence here, probably some Black Flag too.  You can find it on Bleach.

14. Molly’s Lips

Out-standing cover version of a Vaselines song, on the Incesticide album.  Unbelievably  poppy despite buzzing guitars, it’s a blueprint that Cobain adopted and mastered.

13. Territorial Pissings

Another hardcore punk attack, though Territorial Pissings still retains a melody despite the speed and fury.  Awesome instrumental break and reliably quotable lyrics.  Nevermind again.

12. On A Plain

It’s really hard to select the best songs from an album as indispensible as Nevermind, but I remember this track always stood out for me.

11. All Apologies

This gem doesn’t get in the Top Ten?  I know, ridiculous, right?  It’s on In Utero and there’s a pretty cool version on the MTV Unplugged set, too.

10. Sliver

We start the Top Ten with a great pop tune that, incredibly, wasn’t on the major releases.  You can pick it up though, on Incesticide – and I suggest you do.

9. Something In The Way

This song and Polly offer some quieter, haunting moments on Nevermind.  When we get to the chorus and the cello comes in, it’s heart break time.

8. Pennyroyal Tea

Like quite a few of Kurt’s songs, Pennyroyal Tea sneaks in quietly before launching into different territory.  Brilliant song from In Utero that demonstrates perfectly the melding of melody and mayhem in the best Nirvana tunes.

7. About A Girl

An early hint of Kurt Cobain’s ability to create a beautiful pop song; it’s no surprise that he was a huge Beatles fan.  Find it on Bleach, there’s also a killer version on MTV Unplugged.

6. Francis Farmer Will Have Her Revenge on Seattle

“I miss the comfort in being sad”, quiet/loud/quiet/loud; great riff.  Wonderful track from In Utero, complete with scathing lyrics.

5. Scentless Apprentice

Dun-dun-der-der! D-der der d-der d-der!  Do I really need to say more?  So heavy.  It must have scared the Indie scenesters to death.  Run for the hills, Indie scenesters!

4. Where Did You Sleep Last Night

A cover of the Leadbelly song, found on the MTV Unplugged album.  Kurt sounds truly agonised on this exceptional song, though it retains it’s beauty.

3. Dive

Apparently written as a Soundgarden style song, in an effort to appeal to their label Sub Pop and get signed.  It should come as no surprise, however, that Kurt – a huge Black Sabbath fan – would be able to create a riff as heavy as this.  Heavy like a brontosaurus breaking rocks.  With a big fucking hammer.

2. Smells Like Teen Spirit

This is the big one.  Iconic, revolutionary – but Nirvana’s best song?  I don’t think so.  Not to deny it’s power, maybe I’ve just heard it a little too much.  Still great though.  It’s on Nevermind, but you knew that, right?

1. Heart Shaped Box

Allegedly, Courtney Love heard Kurt writing this song, loved the immortal riff, and asked if he would donate it to her.  Kurt declined, and apparently locked himself in a cupboard to finish it off.  The quintessential quiet/loud dynamic.  Utterly unforgettable.  This, for me, is Nirvana’s best song.

So there you go – my Top 20 Essential Nirvana songs.  And I didn’t mention the word “grunge” once.

Compiling this list was much more difficult than I anticipated.  I was forced to leave out some absolutely classic songs; like In Bloom, Rape Me, Aneurysm and Nirvana’s amazing cover of David Bowie’s The Man Who Sold The World.  There are others, too.

I reserve the right, in all Essential Tracks posts, to revise my thoughts at a later date.  Already, I’m thinking that Scentless Apprentice should’ve been number 1.

Dun-dun-der-der! D-der der d-der d-der!

New Year – New Playlist: Part 2

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Remember the alphabetical musical playlist game?  Part One was posted a few weeks back, here’s Part Two.

The idea was to take turns playing a song from my iTunes collection, in alphabetical order by artist.  You can read the first instalment here.

Below is the next session, N to U.  The final few are still to be chosen…

  • Al: Nick Cave & the Bad Seeds – “Straight to You”
  • Ness: Nirvana – “Heart Shaped Box”
  • Al: Ozzy Osbourne – “No More Tears”
  • Ness: The Offspring – “Pretty Fly (For a White Guy)”
  • Al: Public Enemy – “Harder Than You Think”
  • Ness: Pearl Jam – “Alive”
  • Al: Queens of the Stone Age – “Make It Wit Chu”
  • Ness: Queen – “Who Wants to Live Forever”
  • Al: Ramones – “I Believe in Miracles”
  • Ness: R.E.M. – “Nightswimming”
  • Al: Senseless Things – “Homophobic Asshole”
  • Ness: System of a Down – “Chop Suey!”
  • Al: Turbonegro – “The Age of Pamparius”
  • Ness: Tenacious D – “Tribute”
  • Al: Urge Overkill – “Jaywalkin'”
  • Ness: U2 – “One”

So I know it’s not New Year any more, but this list needs finishing off.  Final part soon…

Classic Albums

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The first in an ongoing series, where I will be discussing some of the best records ever made.  These are the “classics” of my record collection, that no-one should be without.

1. The Cult – “Love”

Released in 1985, The Cult’s album Love still sounds fantastic to this day.  It’s a potent cocktail of resurrected blues-rock riffs, screaming psychedelia and murky atmosphere that transcended music of the time.  Listening to it now, it seems unbelievable that the record was created in the mid eighties.  And yet it has enough power – and melodic charm – to still sound great.

In late 1988 I had become obsessed with Electric, the full-on rock monster that the Cult had released a year earlier.  A friend lent me a copy of Love, promising that the songs contained therein were the best the band had recorded.  cult-love

At this point I had explored some rock, metal and punk.  Love was to be a bridge between these genres in many ways.  Happily it was (what would become) “alternative” rock – though it worshipped at the altar of Hendrix, The Doors and Led Zeppelin, it was birthed from the fire of punk rock.

Opening track “Nirvana” kicks things off in blazing style.  It has a fast pace and contains a euphoric instrumental section.  Both “Big Neon Glitter” and the title track “Love” offer up the Big Zep riffs and allow guitarist Billy Duffy to add a psychedelic shimmer.  Then “Brother Wolf, Sister Moon” provides a quieter moment.  If the earlier tracks were ideal for blasting out the windows of a 1970 Dodge Challenger, this track is more singer Ian Astbury sitting on a pony surveying the prairie.  As the song ends, rumbling clouds herald the next track: “Rain”.  One of the best songs the Cult have ever recorded, “Rain” has a truly classic riff that is instantly recognisable and never forgotten.

Side Two (!) opens with “Phoenix”.  This track, unashamedly adorned with Hendrix inspired acid rock guitar, hints at the heavier sounds to come in later chapters of the bands story.  “Hollow Man” provides more driving bass (Jamie Stewart) and a simpler, melodic lead guitar.  Astbury has the chance to really shine on ballad “Revolution”, with a calmer moment that harks back to the bands Goth post-punk phase.

Next we have the mother of all Cult songs – “She Sells Sanctuary”.  A vaguely Eastern sounding intro leads into a stomping rhythm as the song grabs the listener and drags them along for the sheer hell of it.  This song became an instant favourite and still has an impact all these years later.  Final track, “Black Angel”, is a sombre Velvet Underground do Spaghetti Western affair that again adds some darkness to the proceedings.

The band received a lot of criticism for having a somewhat “hippie-ish” element to their sound, and look, on this album.  There are a few moments where the “peace and love” vibe wear a bit thin (see “Revolution”), however the overall sound of the record retains a dark edge to it – more decadent than naive.

The Cult would go on to fully embrace their heavy rock interests with Electric.  But for a kid who had never heard Zeppelin or Hendrix, Love was a monumental discovery.  Put it on and listen to it now, this record has a magic that is of it’s time and yet speaks of the past and future.

The Cult – Love

  1. Nirvana
  2. Big Neon Glitter
  3. Love
  4. Brother Wolf, Sister Moon
  5. Rain
  6. Phoenix
  7. Hollow Man
  8. Revolution
  9. She Sells Sanctuary
  10. Black Angel

Best tracks: Rain, She Sells Sanctuary, Nirvana, Brother Wolf, Sister Moon

Other cool points: great cover!

Buy this Classic Album here.

Random Bike Ride Playlist

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First bike ride of the year this afternoon.  Just a short one to check the gear still works.  Whilst out on my bicycle, I hit shuffle on the ipod and this is what I got:

  1. Red Hot Chili Peppers – “Police Station”
  2. The Damned – “She”
  3. Deep Purple – “Hey Joe”
  4. Johnny Cash – “Send a Picture of Mother”
  5. Zombina & the Skeletones – “The Fragile Heart”
  6. Tommy James & the Shondells – “I Think We’re Alone Now”
  7. UK Subs – “Teenage”
  8. Nashville Pussy – “Nutbush City Limits”
  9. DJ Format – “2,3.. scrape”
  10. Iggy Pop – “Starry Night”
  11. The Cult – “Tiger in the Sun”
  12. Flogging Molly – “The Rare Ould Times”
  13. Nirvana – “Been a Son”

With apologies to Matt Barnes – ripping you off a bit here, but I did warn you.

Bike riding t-shirt option for today – Motorhead