Scorpion Child – Gig Review

Scorpion Child + Jared James Nichols + The Bad Flowers

Tuesday 1st November 2016

The Live Rooms, Chester

Almost a year to the day since I last saw the mighty Scorpion Child rocking out, and in the same venue too.  This time the crowd numbers are down, but hell – it was a bleak Tuesday evening.  No excuse though – people should have been at the Live Rooms for this gig.

I just managed to catch the end of the first set, by UK band The Bad Flowers.  This three piece were all power and chunky riffs – think Motorhead menace with some ZZ Top rock in there.  Very appetising and well worth keeping an eye on.

Next up was Jared James Nichols, with his two bandmates, bringing us our second three piece of the night.  This American band play a fine blend of bluesy hard rock, delivered with a confident, killer attack.  Mountain were a fair comparison – they rocked out a crunching “Mississippi Queen” just to prove it.  Quality entertainment with a boogie groove!

The last time I saw Scorpion Child, they were here on tour with Crobot (another superb band).  Now with their second album – the extremely brilliant Acid Roulette – firmly under their belt, I was keen to witness these new rock’n’roll superstars-to-be again.

Scorpion Child deliver music that is well schooled in the classics of the past – Zeppelin, Sabbath, Purple.  And like those bands they’re able to deliver monster rockers like “Liqour” and “She Sings, I Kill” along with some superbly epic moments that build beautifully (“Survives” and “Acid Roulette”).

There’s also a thinly disguised darkness about the bands sound, not exactly doomy but much more in the vein of 80’s bands like the Mission and the Sisters of Mercy.  At their most bombastic, Scorpion Child are reminiscent of The Cult (from whence they claimed their name).  Apologies for endless musical comparisons – but this band really have some classic style that merits a bigger fan base.  Throw in some Danzig and Soundgarden and you’ve got a list of some of my favourite bands.

A great deal of the set is from the new album, showing justified confidence on the bands part.  Songs like “My Woman in Black” and “I Might Be Your Man” are thundering hard rock compositions that are classics in the making.

A great gig, shame about the low attendance (and the lack of merch!) – but brilliantly infectious modern hard rock.  I’m off for fish’n’chips.

The Scorpion Child website is here.

You can find Scorpion Child, Jared James Nichols and the Bad Flowers on Facebook.

The Live Rooms website is here.

 scorpion-child

Classic Albums

The first in an ongoing series, where I will be discussing some of the best records ever made.  These are the “classics” of my record collection, that no-one should be without.

1. The Cult – “Love”

Released in 1985, The Cult’s album Love still sounds fantastic to this day.  It’s a potent cocktail of resurrected blues-rock riffs, screaming psychedelia and murky atmosphere that transcended music of the time.  Listening to it now, it seems unbelievable that the record was created in the mid eighties.  And yet it has enough power – and melodic charm – to still sound great.

In late 1988 I had become obsessed with Electric, the full-on rock monster that the Cult had released a year earlier.  A friend lent me a copy of Love, promising that the songs contained therein were the best the band had recorded.  cult-love

At this point I had explored some rock, metal and punk.  Love was to be a bridge between these genres in many ways.  Happily it was (what would become) “alternative” rock – though it worshipped at the altar of Hendrix, The Doors and Led Zeppelin, it was birthed from the fire of punk rock.

Opening track “Nirvana” kicks things off in blazing style.  It has a fast pace and contains a euphoric instrumental section.  Both “Big Neon Glitter” and the title track “Love” offer up the Big Zep riffs and allow guitarist Billy Duffy to add a psychedelic shimmer.  Then “Brother Wolf, Sister Moon” provides a quieter moment.  If the earlier tracks were ideal for blasting out the windows of a 1970 Dodge Challenger, this track is more singer Ian Astbury sitting on a pony surveying the prairie.  As the song ends, rumbling clouds herald the next track: “Rain”.  One of the best songs the Cult have ever recorded, “Rain” has a truly classic riff that is instantly recognisable and never forgotten.

Side Two (!) opens with “Phoenix”.  This track, unashamedly adorned with Hendrix inspired acid rock guitar, hints at the heavier sounds to come in later chapters of the bands story.  “Hollow Man” provides more driving bass (Jamie Stewart) and a simpler, melodic lead guitar.  Astbury has the chance to really shine on ballad “Revolution”, with a calmer moment that harks back to the bands Goth post-punk phase.

Next we have the mother of all Cult songs – “She Sells Sanctuary”.  A vaguely Eastern sounding intro leads into a stomping rhythm as the song grabs the listener and drags them along for the sheer hell of it.  This song became an instant favourite and still has an impact all these years later.  Final track, “Black Angel”, is a sombre Velvet Underground do Spaghetti Western affair that again adds some darkness to the proceedings.

The band received a lot of criticism for having a somewhat “hippie-ish” element to their sound, and look, on this album.  There are a few moments where the “peace and love” vibe wear a bit thin (see “Revolution”), however the overall sound of the record retains a dark edge to it – more decadent than naive.

The Cult would go on to fully embrace their heavy rock interests with Electric.  But for a kid who had never heard Zeppelin or Hendrix, Love was a monumental discovery.  Put it on and listen to it now, this record has a magic that is of it’s time and yet speaks of the past and future.

The Cult – Love

  1. Nirvana
  2. Big Neon Glitter
  3. Love
  4. Brother Wolf, Sister Moon
  5. Rain
  6. Phoenix
  7. Hollow Man
  8. Revolution
  9. She Sells Sanctuary
  10. Black Angel

Best tracks: Rain, She Sells Sanctuary, Nirvana, Brother Wolf, Sister Moon

Other cool points: great cover!

Buy this Classic Album here.