Singles Night at the Virtual Hot Tub #43

Ah yes, the seven inch single. These small discs of joy were the cornerstone of the pop charts for years, weekly sales adding up to thousands and thousands in their heyday. Nowadays it’s streaming that appears to power music sales. But many of us still have mucho love for the 45rpm record.

Many such as myself – I’ve got a huge pile of them, and it’s only slowly going down. What I do, you see, is spend a night playing 7″ vinyl – A side and B side – and going on a musical journey that can take me all over the place.

Sometimes that journey is a bit weird, or even disappointing – but it’s never dull. Pour yourself a drink and let’s have a look at the latest Singles night playlist…

  1. The D4 – “Come On!” / “Santa Claus”
  2. The D4 – “Get Loose” / “John Rock”
  3. Roberto Mann Orchestra & Chorus – “Love Theme From Witchfinder General” / “Both Sides Now”
  4. Adam & The Ants – “Kings of the Wild Frontier” / “Press Darlings”
  5. Jo Boxers – “Boxerbeat” / “Let’s Talk About Love”
  6. Brian Spence – “Back Door” / Chris Sutton – “Know It All” / Velvet Underground “Stephanie Says” / Smiley Culture – “Here Comes the Style”
  7. Bow Wow Wow – “Louis Quatorze” / “Blue Soldier”
  8. Sam Brown – “Stop!” / “Blue Soldier”
  9. Big Country – “King of Emotion” / “The Travellers”
  10. The B-52s – “Good Stuff” / “Bad Influence”
  11. The Beatles – “Long Tall Sally” / “I Call Your Name” / “Slow Down” / “Matchbox”
  12. The Barron Knights – “Merry Gentle Pops Part 1” / “Merry Gentle Pops Part 2”
  13. L7 – “Pretend We’re Dead” / “Shitlist”
  14. Rainmakers – “Let My People Go-Go” / “Nobody Knows”
  15. Wax – “Building a Bridge to Your Heart” / “Heaven in Her Bed”
  16. AC/DC – “Highway to Hell” / “If You Want Blood (You’ve Got It)”
  17. AC/DC – “You Shook Me All Night Long” / “Have a Drink On Me”
  18. The Stylistics – “Can’t Give You Anything (but My Love)” / “I’d Rather Be Hurt By You (Than Loved By Somebody Else)”
  19. Kipp Lennon – “Song From ‘Buck Rogers’ (Suspension)” / “Something Kinda Funky”
  20. Girlschool – “Hit & Run” / “Tonight”

See what I mean? That was a great night of music – well, for the most part! The only dud amongst the bunch was the horrendous Barron Knights single. I remember that group in the late 70s and early 80s, and thought they were funny. These two songs, both from earlier in the career, haven’t stood the test of time.

Other than that, an awesome mix of rock, punk, alternative, pop, disco and even a couple of wild soundtrack items. In contrast to the Barron Knights, I was pleasantly surprised by Rainmakers and I’d forgotten how great that Wax song is.

That’s all for this time, groove hunters – more soon.

Notes:

The D4 were a great rock band from New Zealand, fast and punky in a similar vein to The Hives. I saw them around 2001 supporting Fu Manchu, they were rad. Picked these singles up a while ago as I can’t find their excellent album anywhere.

There are two soundtrack songs in this latest playlist. I was very lucky to find the song from Witchfinder General for mere pence in a charity shop – as a big Horror and Vincent Price fan, it’s a cool curio to own. Also, yes – that is the classic theme tune from the Buck Rogers TV show of the early 80s. Even better, the B side is from when Buck is trying to teach the 25th century squares how to be groovy.

Always loved that Jo Boxers song since I heard it on Tiswas. Finally got the single.

Disc 6 is a Sounds magazine/Polydor sampler that I picked up super cheap, purely for the Velvet Underground song. The first two tracks ar eprety bland.

The L7 single is a numbered, limited edition single on red vinyl.

The two AC/DC songs need no introduction. My favourite Bon Scott song and my favourite Brian Johnson song on consecutive records in my list.

Classic Albums

The first in an ongoing series, where I will be discussing some of the best records ever made.  These are the “classics” of my record collection, that no-one should be without.

1. The Cult – “Love”

Released in 1985, The Cult’s album Love still sounds fantastic to this day.  It’s a potent cocktail of resurrected blues-rock riffs, screaming psychedelia and murky atmosphere that transcended music of the time.  Listening to it now, it seems unbelievable that the record was created in the mid eighties.  And yet it has enough power – and melodic charm – to still sound great.

In late 1988 I had become obsessed with Electric, the full-on rock monster that the Cult had released a year earlier.  A friend lent me a copy of Love, promising that the songs contained therein were the best the band had recorded.  cult-love

At this point I had explored some rock, metal and punk.  Love was to be a bridge between these genres in many ways.  Happily it was (what would become) “alternative” rock – though it worshipped at the altar of Hendrix, The Doors and Led Zeppelin, it was birthed from the fire of punk rock.

Opening track “Nirvana” kicks things off in blazing style.  It has a fast pace and contains a euphoric instrumental section.  Both “Big Neon Glitter” and the title track “Love” offer up the Big Zep riffs and allow guitarist Billy Duffy to add a psychedelic shimmer.  Then “Brother Wolf, Sister Moon” provides a quieter moment.  If the earlier tracks were ideal for blasting out the windows of a 1970 Dodge Challenger, this track is more singer Ian Astbury sitting on a pony surveying the prairie.  As the song ends, rumbling clouds herald the next track: “Rain”.  One of the best songs the Cult have ever recorded, “Rain” has a truly classic riff that is instantly recognisable and never forgotten.

Side Two (!) opens with “Phoenix”.  This track, unashamedly adorned with Hendrix inspired acid rock guitar, hints at the heavier sounds to come in later chapters of the bands story.  “Hollow Man” provides more driving bass (Jamie Stewart) and a simpler, melodic lead guitar.  Astbury has the chance to really shine on ballad “Revolution”, with a calmer moment that harks back to the bands Goth post-punk phase.

Next we have the mother of all Cult songs – “She Sells Sanctuary”.  A vaguely Eastern sounding intro leads into a stomping rhythm as the song grabs the listener and drags them along for the sheer hell of it.  This song became an instant favourite and still has an impact all these years later.  Final track, “Black Angel”, is a sombre Velvet Underground do Spaghetti Western affair that again adds some darkness to the proceedings.

The band received a lot of criticism for having a somewhat “hippie-ish” element to their sound, and look, on this album.  There are a few moments where the “peace and love” vibe wear a bit thin (see “Revolution”), however the overall sound of the record retains a dark edge to it – more decadent than naive.

The Cult would go on to fully embrace their heavy rock interests with Electric.  But for a kid who had never heard Zeppelin or Hendrix, Love was a monumental discovery.  Put it on and listen to it now, this record has a magic that is of it’s time and yet speaks of the past and future.

The Cult – Love

  1. Nirvana
  2. Big Neon Glitter
  3. Love
  4. Brother Wolf, Sister Moon
  5. Rain
  6. Phoenix
  7. Hollow Man
  8. Revolution
  9. She Sells Sanctuary
  10. Black Angel

Best tracks: Rain, She Sells Sanctuary, Nirvana, Brother Wolf, Sister Moon

Other cool points: great cover!

Buy this Classic Album here.