Tag Archives: vampire

Halloween Horror Fest’s Lot

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Salem’s Lot (1979)

Next up for Halloween Horror Fest 2018, an absolute horror classic!  Based on the book by horror master Stephen King, directed by the great Tobe Hooper, Salem’s Lot really is a fantastic piece of spine chilling story telling.

Originally a TV mini series, Salem’s Lot manages to cram in a great deal of the detail from King’s exceptional novel.  Although it’s been released as an edited version, it was the full 3 hour plus version that I indulged in. 

Ben Mears (David Soul), a slightly successful writer, returns to his home town of Salem’s Lot.  There he intends to write his next work, inspired by the local haunted house.  That particular building has recently been bought by newcomers to Salem’s Lot, antique dealing duo Mr Barlow and Mr Straker (James Mason).

Before long, the town is plagued by disappearances and then deaths, as the populace become victims of a tide of – vampirism!   Can Ben and his cohorts destroy the menace before it’s too late?

Salem’s Lot is a definite favourite of mine.  I first saw a short segment when I was a kid, only to have my mum switch the TV off in shock when confronted by a particularly startling moment!  I don’t think I slept for several nights afterwards. Years later I managed to make it all the way through, though Salem’s Lot still has an almost uncanny power to chill.

Seeing the entire movie, I was also inspired to read King’s novel – it became the first volume of his that I’d read.  It’s still my favourite.

Both James Mason and David Soul are excellent in their roles.  Mason you know will be top class; watching Soul the viewer realise how good an actor he really is.  Both are ably supported by a talented cast who create some of the huge tapestry of small town life that’s integral to both book and film.

Tobe Hooper weaves all this together with incredible skill, resulting in a film which although made for TV, still has plenty of chills.  Hooper can’t rely on gore or any shocks that would have been allowed in the cinema.  He’s forced to use other tricks to create an air of suspense – or outright horror – and Salem’s Lot is all the better for it.

All these years later, Salem’s Lot is still spectacularly entertaining – and very, very frightening.  I still don’t sleep with the curtains open.  Do you?

10/10

Halloween Horror Fest Has Risen from the Grave (again)

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Beetlejuice (1988)

Time for a change of pace for this year’s Halloween Horror Fest.  Tim Burton’s Beetlejuice is a spooky comedy horror, showcasing more of the Director’s trademark bizarre imagination. 

Adam (Alec Baldwin) and Barbara (Geena Davis) are a happily married couple, living in their dream house.  They wind up dead, due to an unfortunate accident, and haunting their old home.

When a new family move in, who turn out to be less than ideal inhabitants, Adam and Barbara attempt to scare the new householders away.  After all their attempts fail, they’re left with no other choice than to recruit Beetlegeuse (Michael Keaton) to do the job for them.

Keaton is manically brilliant as sleazoid Beetlegeuse; a deranged, disreputable “bio-exorcist” with a seedy demeanour.

Burton manages to keep the film entertaining and lighthearted in his own goofy way.  Beetlejuice never becomes morbid or grim, instead it’s a fun (though dark) fantasy that oozes creativity.

8/10

Dracula Has Risen from the Grave (1968)

In which good old Christopher Lee returns as Dracula, in his third outing as the Count for Hammer. 

This time around, Drac is out for revenge when is castle is exorcised by the Monsignor (Rupert Davies).  Not having anywhere to hang out, the Count is somewhat peeved and decides to enact his vengeance on the Monsignor’s virginal niece, played by lovely Veronica Carlson.

Hammer courageously attempt to avoid re-treading the same old formula in this film, though in reality the blueprint is never cast too far away.  The actors all do a fine job, including Davies, Carlson and Barry Andrews as Paul, the token heroic figure.

Lee is fantastic of course, with commanding presence and evil red eyes creating a powerful Lord of Vampires.  And the sets look great, like Kiss of the Vampire, bigger and more realistic than earlier efforts.

Dracula Has Risen from the Grave isn’t a completely successful entry in the series, but it’s a professionally produced and entertaining film in the Gothic Hammer horror tradition.  Well worth a look.

7/10

The Kiss of Halloween Horror Fest

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The Kiss of the Vampire (1963)

Do you know what I like best about watching loads of horror movies for Halloween?  I like re-watching the old classics, like this little beauty from Hammer.

Kiss of the Vampire follows a British couple – Gerald and Marianne Harcourt (Edward De Souza and Jennifer Daniel) – on honeymoon somewhere in Europe, around the early years of the twentieth century.  Their car breaks down, and they seek refuge in a nearby hotel.  It’s quite clear, however, that all is not as it seems. 

The couple are invited to dine at the local castle with Dr Ravna (Noel Willman) and his family.  Although Ravna is in fact the undead leader of a vampire cult, hell bent on initiating Marianne into their group.

It’s perhaps not the most original plot, and there’s no Christopher Lee or Peter Cushing in this movie.  Kiss of the Vampire is however a really good film, featuring convincing performances and excellent sets.  The production looks high quality, with intricate, detailed sets that appear more lavish than usual.

Although it takes a while to get moving – this is no roller coaster ride, rather a slow burner –  the quality of the acting and production keeps things entertaining.  Not one for the adrenaline junkies, but a nice master class in old fashioned horror.

7/10

Halloween Horror Fest

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Yes, it’s October – which means it’s time once again for Halloween Horror Fest!  Throughout the month on the run up to Halloween, Mrs Platinum Al and I watch some of the horror movies from our creepy collection, and I write a brief review of each for your evil entertainment.

It’s always out and out horror – so long as there’s a general spooky or paranormal element – or monsters! – then the movie is up for consideration.

This is the fifth year running we have attempted this mammoth task.  To keep everyone up to speed, here’s a list of the films that have been viewed over the last few years.

All are listed in alphabetical order.

28 Days Later
28 Weeks Later
30 Days of Night
The Addams Family
Alien
An American Werewolf in London
Big Tits Zombie
Bigfoot Wars
Blacula
Blood from the Mummy’s Tomb
Blood on Satan’s Claw
Bram Stoker’s Dracula
Captain Kronos – Vampire Hunter
Carrie
Carry on Screaming
Company of Wolves
The Corpse Bride
Countess Dracula
Creature from the Black Lagoon
Dark Shadows
Day of the Dead
Dead Snow
Dead Snow 2
The Devil Rides Out
Dracula AD 1972
Dracula Prince of Darkness
Ed Wood
Elvira, Mistress of the Dark
Evil Dead
The Fog
Frankenstein Meets the Wolfman
Friday the 13th
From Dusk Till Dawn
From Hell
Ghost Ship
Ghostbusters
Halloween
The House That Dripped Blood
Lost Boys
Night Watch
Oupost
Para Norman
Paranormal Activity
Paranormal Xperience
Pet Sematary
Pride and Prejudice and Zombies
The Raven
Rocky Horror Picture Show
Scream
Shadow of the Vampire
Shaun of the Dead
Silence of the Lambs
Sleepy Hollow
Taste the Blood of Dracula
Theatre of Blood
The Thing (1982)
Vampire Circus
The Vampire Lovers
The Wicker Man
The Wolfman (2010)
The Woman in Black
Zombie Strippers

The Halloween Horror Fest That Dripped Blood

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The House That Dripped Blood (1971)

First off, The House That Dripped Blood is not a Hammer film.  It was, in fact, produced by rivals Amicus – though the film does share some familiar faces.  This is an anthology film, comprising of four short stories, wrapped up in to an overall narrative, concerning the spooky abandoned house of the title. thtdb

The first segment sees Denholm Elliott portray a writer, who slowly begins to lose his sanity whilst staying in the house.  Elliott gives a solid performance as he starts to crumble under the fear that his murderous creation has come to life.

Next up we have the story of two men – the always fantastic Peter Cushing and Joss Ackland – both obsessed with a waxwork dummy that resembles a lost love.  Both actors are great to watch, in a tale that seems fairly unbelievable but is probably the most gruesome of the four.

In the third instalment, the house is occupied by the legend that is Christopher Lee.  He lives with his young daughter and hired teacher (Nyree Dawn Porter).  The father’s strange, strict manner masks his daughter’s true heritage, and interest in witchcraft.  This is probably the best of the stories, with a stern Lee beginning to let fear get the better of him.  Genuinely creepy.

Finally, we have Jon Pertwee as a somewhat pompous horror movie actor, who acquires a cloak that bestows him with vampiric powers.  There’s a touch of comedy with this segment, plus some divine glamour in the form of Ingrid Pitt.  It’s all very enjoyable, and helps conclude the overall narrative in a suitably scary manner. ip

The House That Dripped Blood features a great cast and a fine writer in Robert Bloch, creator of Psycho.  On viewing, it’s surprisingly lacking in blood – however there are enough chills in each story to provide some frightful entertainment.  One of the best Amicus anthology movies, and well worth watching.

8/10.

Halloween Horror Fest the 13th

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Blacula (1972)

Blacula updates the legend of Dracula, placing it’s protagonist in early 70’s California.  African Prince Mamuwalde (William Marshall) is visiting said Lord of the Undead, who curses him to become a vampire, known as Blacula.  After being entombed for a couple of hundred years, Mamuwalde is revived when his coffin is transported and opened in modern day USA. blacula

It’s a fun film, transposing many of the myths we’re familiar with from Hammer movies into a different setting.  As in other versions of the tale, Blacula is transfixed by Tina, who he sees as the reincarnation of his lost love.  Tina, played by the beautiful Vonetta McGee (dead ringer for Beyonce) falls for his deadly charms; whilst her friends attempt to stop the plague of vampirism from spreading.

Whilst undeniably dated, and wallowing in numerous stereotypes that are somewhat non-pc by today’s standards, Blacula offers some great entertainment.  There are a few scares, some incredibly groovy costumes and settings, and a cool funky score.  It’s a novelty rather  than an original, though transposing the Dracula story into the realm of Blaxploitation works a treat.

Recommended, especially for fans of Dracula AD 1972 and Dark Shadows.

7/10

Friday the 13th (1980)

We’re off to the realms of slasher movies next, for one of the all time classics of the genre.  I first saw this film when I was 17.  I’ve not been much of a fan of slasher flicks since. fr13

Friday the 13th knowingly raids all the cliches from the cupboard and displays them proudly on the wall.  Set at Crystal Lake summer camp, the young counsellors fit the required formula and are gruesomely picked off one by one in the classic manner.

And yet it works very well, with some genuinely well done gore (Tom Savini, take a bow) and real shocks that convince even after all these years.  This might not have been the first slasher flick,but it follows the Halloween blueprint faithfully and delivers with surprises and tension.

I’m still not a massive slasher movie fan, but this original Friday the 13th is well worth investigating.

7/10

Halloween Horror Fest 2016

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Welcome to this year’s Halloween Horror Fest!  All through the month of October, I’ll be watching horror movies, monster flicks and general B-movie nonsense, and then sharing a short revue on this here blog.  Hope you enjoy!

First off this year it’s…

Countess Dracula (1971)

Loosely based on the true story of Countess Bathory, who bathed in the blood of virgins, this Hammer tale is suitably lurid and macabre.  It deals in all the classic (or stereotypical, if you prefer) Hammer traits, with gore and a dash of nudity – not to mention horse drawn carriages in the woods, castles and intrigue. countess

Here the widowed Countess is played by the legendary Ingrid Pitt, who makes a startling transformation from ancient crone to voluptuous young beauty when she discovers the restorative powers of virgin’s blood.  With this knowledge, the Countess embarks on a mission to ensnare her younger lover and keep the supply of comely wenches flowing.

There’s also plenty of plotting within the castle walls, leading to some duplicitous goings on and dastardly actions.  Chief amongst these scoundrels is Nigel Green as Dobi, keen to take the place of the Countess’s suitor (Sandor Eles).

Countess Dracula is one of the great Hammer films I remember seeing years ago, inded it was one of the first I ever bought – on VHS – for my collection!  It’s an entertaining film, aided by the deceitful twists and turns of the characters, that stops the film from becoming too run of the mill.

Unlike the real Countess Bathory story, and with this being Hammer, there is of course a supernatural element to the proceedings.  The Countess is magically rejuvenated; Ingrid Pitt at first made up to look old becomes miraculously young and seductive.  But this isn’t a historical docu-drama, it’s Hammer horror – and it’s all about entertainment.

Great fun and a worthy start to this years Halloween Horror Fest!

8/10 ingrid

Bram Stoker’s Halloween Horror Fest

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Dracula (1992)

A difficult one, this.  Undeniably stunning to watch, this version of the classic tale from Director Francis Ford Coppola has many positives.  Unfortunately it also has some screamingly bad inconsistencies, too.

I won’t dwell too long on the plot, as the narrative manages to follow the source novel for the most part.  Suffice to say that Jonathan Harker (Keanu Reeves) is despatched to Transylvania to arrange some London real estate for a certain Count Dracula (a brilliant Gary Oldman).  Dracula then relocates to Victorian England, where his cult of vampirism is destined to grow.

Despite following many of the key scenes from Stoker’s original book, and indeed managing to correctly include most of the characters for a change, this isn’t the definitive movie version it claims to be.  Rather, Coppola’s film is scuppered by introducing a ridiculous love story between Dracula and Mina (Winona Ryder) that wasn’t in the book.  So for every brilliantly shot tribute to the novel that Coppola makes, there’s a stake through the heart thanks to the silly romance aspect. drac

The performances vary from superb (Oldman) to annoying (Sadie Frost as Lucy).  Then there’s Anthony Hopkins as Van Helsing, who can’t decide how far to ram his tongue in his own cheek.

Poor old Keanu always comes under heavy criticism for his work here, and yes, his British accent is truly abominable.  In his defence, however, I would say that he looks exactly as I always imagined Jonathan Harker to look.  So give him a break.  For me, Winona Ryder is much worse – her acting and accent are both wrong, and she also looks totally out of place.

Thank heavens for some authenticity with appearances for much loved characters Dr Seward (Richard E Grant, great job); Arthur Holmwood (perfectly cast as Cary Elwes) and the vampire hunter who was always my favourite, Quincey Morris (Bill Campbell).

If I ignore the stupid desecration that is the Oldman/Ryder romance, then there’s plenty to enjoy.  The sets, costume designs and cinematography are simply beautiful.  There are some ingenious ideas where the laws of physics just do not apply – such as shadows roaming randomly – which create a supernatural world.  And there is enough respect for the novel in various other ways that Coppola’s Dracula is irresistible to watch.  Not to mention plenty of blood and dismemberment, and some true horror.

So despite holding my head in my hands and screaming “WHY?!” to the heavens, Dracula is still a must see.  But please folks, read the book.  Repressed Victorian sexuality and fears of the outsider may be present there, but “Dracula” is no love story.

8/10

Halloween Horror Fest: Prince of Darkness

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Dracula: Prince of Darkness (1966)

I couldn’t have another Halloween Horror Fest without honouring the wonderful Sir Christopher Lee, who sadly died earlier this year.  So it’s time for another Hammer horror classic with Dracula: Prince of Darkness!

This was the first time that Lee reprised the role of the Count since his performance in the legendary Dracula (or Horror of Dracula in the US) in 1958.  Bizarrely, this time Dracula is silent throughout – not uttering a single word – as Lee claimed he refused to speak the atrocious dialogue.

Following on from the previous film some years later, we encounter four British travellers who wind up at Castle Dracula, despite warnings against going there.  The travellers face some strange goings on, leading ultimately to the true purpose of their welcome at the castle – being used as sacrifice to resurrect the Count.

dpod

It takes a while to get to the key scene of murder and resurrection, though there are several creepy elements in the lead up to it.  This revival of Dracula is quite a blood thirsty and shocking scene, even now.

The rest of the movie sees our heroes trying to evade the vampire whilst finding refuge at a monastery, where Father Sandor (a superb Andrew Keir) steadfastly defends against the Count.

Lee’s Dracula still manages to menace despite the lack of speech, exuding power and malevolence.  Barbara Shelley also gives a fine performance, switching from peevish Helen to deadly yet alluring vampiress.

Dracula: Prince of Darkness is not without it’s faults, but it does posses some witty ideas and a few sly winks to the original source novel.  Add in some terrific performances and the result is Hammer horror defined; it’s worth seeing to witness these traits before they became a cliché.  All the great elements of the famous studio are here – including the greatest Dracula of them all.

8/10

You can read my full tribute to Sir Christopher Lee here.

Halloween Horror Fest – Vampire Hunter

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Captain Kronos – Vampire Hunter (1974)

I remember being about nine or ten years old, and my Dad telling me he’d stayed up late watching a vampire film the night before.  In it, the vampire hunters buried toads in the ground as a way to detect the undead.  Fast forward to my late teens, and I saw this very scene was part of Captain Kronos – Vampire Hunter.  That was pretty exciting, in a very nerdy way!

This film from Hammer studios was something of a departure, as they investigated ways to breathe new life into their usual formula.  Brian Clemens of television’s Avengers fame took on writing and directing duties; adding numerous flourishes to refresh the vampire mythology. Kronos

Captain Kronos (Horst Janson) is the hero of the piece, roaming Europe with his companion Professor Grost (John Cater) and beautiful Carla (Caroline Munro) to rid the land of the undead.  They receive a call for help from old friend Dr Marcus (John Carson), whose village is plagued by a strange form of vampirism.  There follows a hybrid of classic Gothic Hammer horror and swashbuckling adventure, that is full to the brim with novel ideas and variations on traditional vampire folklore.

Originally planned as the first in a series, unfortunately this was not to be.  Changing tastes in horror films led to a decline in the traditional Hammer approach; the studios waning success meant that Kronos was a one-off.  It’s a great shame, as the new approach really pays off.  It’s almost a prototype for Blade (or even the disastrous Van Helsing).

One of my favourite Hammer films, Captain Kronos – Vampire Hunter has everything you could want.  The level of detail with regard to vampire lore and the new twist on the familiar are just some of the films strengths.  This film is a true classic and should be enjoyed by all!

Furthermore, I usually hate sequels and remakes – but Captain Kronos would be a great franchise to rise from the dead.  Apparently Tarantino is a fan.  Now that would be interesting…

10/10

Did I mention that the stunning Caroline Munro appears in this film?  Here’s some proof…