Halloween Horror Fest Circus

Vampire Circus (1972)

Yes it’s Hammer time at the Virtual Hot Tub, with this macabre classic from the legendary British studio!

A remote village, quarantined due to a strange plague, becomes the host to a travelling circus.  The circus entertain the villagers and distract them from their everyday woes; though they hide another motive.  That secret agenda involves a vanquished vampire count, and a despicable plot for revenge!

There’s no Cushing or Lee in this early seventies curiosity, yet Hammer are able to create a new spin on their Gothic tales with this unusual and striking film.  The boobs and gore identify the seventies vintage of this film, yet there’s plenty of atmosphere to embellish the tale.  Vampire Circus is a novel idea, and proves what the studio could do even without relying on the big names (stars or monsters).

Sadly this isn’t a feat that Hammer would replicate often in their twilight years.  Never the less, Vampire Circus is much more hit than miss.  The viewer will witness some real spectacle, some real frights – and the dark atmosphere of Hammer horror at it’s best.  Recommended.

8/10 vampire circus

From Hell (2001)

The crimes of Jack the Ripper are given a fictionalised re-telling in this 2001 Hughes brothers film.  It’s based – very loosely – on the Alan Moore graphic novel; relying heavily on conspiracy theory, a dash of clairvoyance and Johnny Depp as Inspector Abberline. from hell

The conspiracy at the heart of the story is, of course, absolute nonsense, but then the original source novel didn’t set out to identify the culprit.  Rather, From Hell was a dense tome covering the mythology and occult roots of London and it’s citizens.

The film version goes for a more straightforward dramatic approach, as we follow the case and slowly unravel the mystery of the killer’s identity.  If you can suspend disbelief, forget the ridiculousness of it all and enjoy the ride, it’s a great film.  Fantastic sets give From Hell a very genuine feel, along with some decent performances (though not all) and enough shadows and murder to make it an effective thriller.

Go and read the book – it’s an incredible work.  But I’ll happily state that despite the clichés and the total fudging of fact and fiction – let alone disregard for the source material – the film From Hell is definitely worth a watch.

8/10

30 Days of Hallowe’en Horror Fest

OK: so I know Hallowe’en is all over.  It’s November.

And I also know that there are 31 days in October.

But I’ve still got a few short’n’sweet Horror movie reviews for you, which due to scheduling issues I haven’t had chance to write up till now.  So here we go!

30 Days of Night (2007)

The Alaskan town of Barrow is a remote place, and about to become more isolated once the month long night commences.  As the town readies itself, a number of bizarre occurrences foreshadow an unimaginable horror.  For the town will be besieged by a group of blood thirsty vampires, allowed free reign due to the towns people’s disbelief and the ongoing dark. 30-days-of-night-poster-1_6599

This film hauls vampire folklore into the 21st century and breathes life into the (undead) corpse.  The vampires are brutal, savage and powerful.  Their leader, played chillingly by Danny Huston brings an unrelenting nightmare to the people of Barrow.  This is how vampires are supposed to be – the portrayal of the undead in this film is like the re-imagining of the zombies in 28 Days Later.  Suddenly, we are confronted by vampires who are genuinely threatening.

The human leads – Josh Hartnett and lovely Melissa George – also give sympathetic performances.  The audience are presented with characters we can empathise with, and share their fear.

The bleak, snowy landscape creates a hopeless and claustrophobic atmosphere.  The premise of 30 Days of Night is ingenious, and the film delivers admirably.  Recommended viewing, if only to see how ancient vampire myth can be made relevant – and frightening – for today’s audience.

9/10

Carry On Screaming (1966)

Yes, it’s the Carry On gang in a homage of sorts to that other British film institution – Hammer.  Although the plot manages to mix up elements of House of Wax, Jekyll and Hyde, Frankenstein and the Addams Family, it still manages to make some sense and entertain along the way. Carry_on_screaming_(film)

Sid James is MIA, replaced in this film by Harry H. Corbett of Steptoe and Son fame.  Corbett does an impeccable job as Detective Sergeant Sidney Bung.  Also along are many of the usual faces, including Kenneth Williams, Jim Dale, Joan Simms and Charles Hawtrey.

The creepy show is stolen though by uber vamp Fenella Fielding as Valeria, in her tight red dress; who manages to smoulder like Lily Munster or (Carolyn Jones) Morticia.  Utterly gorgeous!

It’s one of the better Carry On films in my opinion, and manages to get a few good gags in along with the usual double entendres.  The monsters – Oddbod and Oddbod Junior – scared me to death when I was eight.

Carry On Screaming is great for a bit of light relief from other, truly scary films.  And it manages to create a spooky Gothic vibe, too.

7/10

The Woman in Black (2012)

Hammer studios really got back in the game with this film.  Starring Daniel Radcliffe (yes, Harry Potter) as a young lawyer sent to work in a remote old house, this film manages to inject some real frights. womaninblack

Arthur Kipps (Radcliffe) travels from London to his assignment in the North at spooky old Eel Marsh House.  He’s there to examine papers of the deceased owner, but soon finds himself caught between the superstitious (and downright unfriendly) locals and whatever the presence is up at the house.

The Woman in Black was only certified as a 12 in the UK.  Hammer (quite uncharacteristically) shed blood, gore, sex and violence and instead concentrate on a film that has an overdose of jumpy frights.  The film is a classic ghost story, featuring a lonely haunted house that leaves the viewer truly unnerved.  Brilliant!

9/10

And there we have it – the end of another Hallowe’en Horror Fest.  Thank you to anyone who has taken the time to read these reviews.  I hope you had a chillingHalloween!

Hallowe’en Horror Fest AD 1972

Dracula AD 1972 (1972)

1872: Count Dracula is locked in mortal combat with arch enemy, Lawrence Van Helsing.  The Count (Christopher Lee) is destroyed, though Van Helsing (Peter Cushing) also perishes from his wounds.  A disciple of the vampire collects some of the ashes, and Dracula’s ring; burying them at the site of a church.

1972: A group of young London groovers are persuaded to take part in a satanic mass “for kicks”.  Amongst the group is Jessica Van Helsing (Stephanie Beacham), grand daughter of Lorrimer Van Helsing (Cushing again) and descendent of the original vampire slayer.  Little do they know that one member of the group, Johnny Alucard (Christopher Neame), is himself a disciple of Dracula – and intends to resurrect the Count.  dracula_ad_1972_poster_06

Following a bloody ritual in a deconsecrated church, Dracula (Lee) is revived, and he begins to plan his revenge against the House of Van Helsing…

With this film Hammer attempted to drag their Gothic horror films into the modern era.  So in Dracula AD 1972, we’re presented with a Dracula in (then) modern day swinging London, complete with cars, rock’n’roll bands and hip young kids out for a good time.  It’s for this reason that the film is most often derided as silly, if not damn near sacrilegious.

The young hippies are given a look and slang that most surely must have been out of place by 1972.  Viewed now, the dialogue is sometimes hilarious.

Despite the harsh opinions held by many about Dracula AD 1972, I love it.  As a confirmed fan of all things from the seventies, I find it outrageously good fun to see Dracula in this anachronistic setting.  What we lose with the lack of traditional Gothic period setting, we gain in a campy, retro London with funky Blaxploitation style music and cool sets.Yes, the kids’ dialogue is ridiculous, but it’s also great fun if the audience just accepts it.

Draculaad1972

My VHS and DVD copies

As a glimpse of an imaginary 1970’s London, I find this film really enjoyable.  Part Hammer and part The Sweeney, if you will.  That it was an inspiration for Tim Burton on Dark Shadows is well documented, and hopefully means that Dracula AD 1972 is finally getting some recognition for it’s attempt to inject new blood (haha!) into the Count.

There are some bloody moments, but nothing too shocking for a modern audience.  What we do get is a great performance by Peter Cushing, who really embodies his role as occult expert with authority.  Lee, too, is imposing and majestic as Dracula, truly menacing and physically powerful.  It would’ve been great though to see the Count stalking around London for victims at night more, certainly a missed opportunity.

The youngsters give it a good go despite the atrocious (or funny) lines – Beacham and Neame are both great.  Plus Michael Coles as the Inspector gives us a character that is actually believable.

My personal favourite element of this film though is the wonderful, bewitching Caroline Munro.  Here Ms Munro appears in one of her most iconic roles as Laura Bellows, and she has never looked lovelier.  Good performance too, though it would’ve been great to see Caroline resurrected as a Bride of Dracula.

So despite some utter ridiculousness and a couple of wasted opportunities, I can only recommend Dracula AD 1972 as not only one of my favourite Hammer films, but one of my favourite films ever.  Cool soundtrack, too.

“Dig the music, kids!”

10/10 for me

9/10 for everyone else

Dark Shadows Playlist

Dark Shadows Soundtrack – Playlist

Recently I posted my Hallowe’en Horror Fest mini-review of the film Dark Shadows.  It’s a great film from Tim Burton, in my opinion.  One of the best things about that movie is the soundtrack.

The film is set in 1972, so the soundtrack consists of songs from that era.  Contrasting heavy rock, pop and a bit of soul, there are a few cuts that fit the Gothic mood; and others that are just cool.

I put together this playlist – utilising songs from my collection – meaning I didn’t need to buy the soundtrack album…

1. The Moody Blues – “Nights in White Satin”

This classic soundtracks the opening of Dark Shadows, chronicling Victoria’s journey to Collinwood Manor.  Sets up a moody(!) atmosphere.

2. Iggy Pop & The Stooges – “I’m Sick Of You”

I love it when Iggy gets some respect.  Cool tune, as heard in Carolyn’s room.

3. Donovan – “Season of the Witch”

Carolyn Stoddard plays this on vinyl.  Wish I had this on wax.  A Hallowe’en necessity.

4. Deep Purple – “Highway Star”

I can’t remember where this song appears in the movie.  It’s in there though, apparently.  One of the must-have Deep Purple tracks, find it on “Machine Head”.  Or any “Best of”, for that matter.

5. Curtis Mayfield – “Superfly”

Barnabas takes a walk through Collinsport, soundtracked with this mighty slab of Mayfield funk.  Not an obvious vampire tune, but so right for the era.

6. The Carpenters – “Top of the World”

“Reveal yourself, tiny songstress!”

7. Elton John – “Crocodile Rock”

Off to the pub we go, we might bump into Christopher Lee…

8. Black Sabbath – “Paranoid”

It’s the early 70’s.  It’s a dark film.  It needs, no – demands – Sabbath.  Timeless genius from the originators of all that is dark and heavy.  On “Paranoid”, of course.

9. Barry White – “You’re the First, the Last, My Everything”

The Love Machine’s tune is an apt choice for the scene it appears in.  What a song!

10. T.Rex – “Get It On”

So evocative of the time, a welcome airing for this track in the movie.

11. Alice Cooper – “No More Mr Nice Guy”

12. Alice Cooper – “The Ballad of Dwight Fry”

A special mention here for Alice Cooper, who has a cameo role as himself in 1972.  Two classic Coop songs are on this soundtrack.  “The Ballad of Dwight Fry” is possibly my favourite song ever from Alice, so it was great to hear it in the movie.

There you go, twelve songs and 54 minutes of music.  If Tim Burton chose these songs, he has great taste.  Except for that awful Killers song on the end credits.

I guess I’m a bit obsessed with this this film…

You can read my review here.

The Lost Hallowe’en Horror Fest

The Lost Boys (1987)

“Sleep all day.  Party all night.  Never grow old.  Never die.  It’s fun to be a vampire.”

Welcome to Santa Carla, California – murder capital of the world!  It’s also crawling with vampires…

Sam (Corey Haim) and Michael (Jason Patric) move to the coastal town with their mother (Dianne Wiest), following her divorce.  They move in with eccentric old Grandpa (Barnard Hughes) and start to explore the community.  Michael falls in with a group of motor cycling young rebels and begins to stay out late, as he is initiated into the gang.  Sam meets up with the Frog Brothers, Edgar (Corey Feldman) and Alan (Jamison Newlander), who attempt to warn him of the dangers of Santa Clara. Lost_boys

The warning of the Frog Brothers will come in handy.  The gang leader, David (Kiefer Sutherland) is initiating Michael into a cult of vampires…

But then you’ve seen this movie, right?  It’s a 1980’s classic – featuring the Two Coreys, Kiefer, and a cast of teenage stars in a film that just manages to keep itself from becoming a cheese fest.  Though Corey Haim’s outfits are more vomit inducing than any of the vampire’s kills.  Come to think of it, I always thought the vampires were way cooler than the heroes.  Nowadays I can just enjoy The Lost Boys for the fun it is.

It’s not the scariest film ever made, but there are some nice vampire folklore touches, a few jumps, and enough humour to keep this one fresh.  The soundtrack is OK, and the narrative keeps you hooked.  Plus it’s one of the most quotable movies ever.

“What, you don’t like rice?”

8/10

Hallowe’en Horror Fest Shadows

Dark Shadows (2012)

Tim Burton and – who else? – Johnny Depp bring us Dark Shadows, based on the cult late ’60’s TV show of the same name.  It’s a mix of horror, comedy and drama that is happy to lurk in Gothic darkness, but also offers a campy humour. dark

Barnabas Collins (Depp), heir to the wealthy Collins clan fortune, makes the mistake of spurning the love of Angelique (Eva Green).  Angelique happens to be a witch who curses Barnabas to become a vampire.  After being imprisoned for 200 years, Collins is awoken and finds himself in the year 1972.  A man – or vampire – considerably out of his time, Barnabas returns to the family home with the intention of restoring the Collins family to both wealth and harmony.  Aided by matriarch Elizabeth (Michelle Pfeiffer), Barnabas faces Angelique once more; whilst also attempting to help his family and win the love of his life.

Does that sound like fun to you?  It did to me.  Which is why I’m surprised that some people didn’t dig this retro gem.  The mixing of genres may have confused some audiences, but to me Dark Shadows is a delightfully ghoulish confection in the spirit of the Addams Family and The Munsters.

I enjoyed the comedy elements, and there’s enough blood to tick the horror box.  Most of all though, I love the 1970’s setting – obviously inspired (again) by Hammer, there are cool cars and an exceptional soundtrack.  Alice Cooper even has a cameo as himself, for goodness sake – playing two classic Coop tracks!

Great cast, cool atmosphere – it all adds up to a winner in my book.

9/10

Hammer Glamour

Through out its illustrious career, the Hammer film studio became synonymous with two things: horror and sex.  The studio’s reputation encompassed both the lurid Technicolor gore; and the heaving cleavages of its female stars.

To say that’s all Hammer movies were does them a great disservice, yet the two key elements of horror and glamour have become the trademarks for which the company was known.  Alongside the great Peter Cushing and Christopher Lee, numerous beauties also  graced these fine films. raquel-welch-one-million-years-de

There’s a great book, “Hammer Glamour” by Marcus Hearn (Titan Books, 2009).  If this topic is of interest to you, I recommend you pick it up.  I’ve been lucky to meet some of the female stars of classic Hammer movies at fan events, and they’ve been kind enough to autograph my copy of the book for me.

It’s no easy task, but here are my favourite ten Hammer actresses.  It’s been a pain-staking process analysing the contribution of each of these ladies, but my selection is below.

10. Martine Beswicke

Appearing in three Hammer movies (One Million Years BC, Prehistoric Women and Dr Jekyll & Sister Hyde), Martine Beswicke’s career with Hammer covered both gothic horror and dinosaur movies.  Dr Jekyll & Sister Hyde is her greatest contribution, where in a novel twist on the traditional tale, she plays the evil “sister” transformed from Dr Jekyll (Ralph Bates).  She also appeared in two Bond movies – From Russia with Love and Thunderball. I’ve met Martine and she happily signed my copy of “Hammer Glamour”.

9. Barbara Shelley

The lovely Barbara Shelley appeared in more Hammer movies than anyone else on this list.  Her films include The Gorgon, Rasputin the Mad Monk and Quatermass & the Pit.  Barbara’s best role, however, was in Dracula Prince of Darkness, where she is transformed from Victorian lady to vampiric creature of the night.  She also appeared in the great Village of the Damned.  Again, Ms Shelley has signed the book, I’m very happy to say – she was extremely nice, for a vampire.

8. Stephanie Beacham

I remember Stephanie Beacham from numerous television appearances growing up, notably Dynasty.  She appears in Dracula AD 1972 as Jessica Van Helsing, granddaughter of Peter Cushing’s Professor.  A great camp classic, this is one of my favourites, and Stephanie looks ravishing.  I’ve yet to meet Stephanie to ask her to sign the book, I’ve got my fingers crossed.

7. Veronica Carlson

Starring in three Hammer horror films, Veronica holds the distinction of having starred alongside two different Baron Frankensteins: Peter Cushing (in Frankenstein Must Be Destroyed) and Ralph Bates (The Horror of Frankenstein).  She also appeared in Dracula Has Risen From the Grave – all great films.  Ms Carlson was lovely when I met her not too long ago. proxy

6. Valerie Leon

Although she appeared in just one Hammer film, Blood From the Mummy’s Tomb, Valerie Leon makes a fantastic impression in it.  A great film and a beautiful actress.  She also appeared in Carry On and Bond movies, making her a true 70’s film sensation.  You can read more here.  Very charming and another welcome signature for the book. Countess-Dracula

5. Ingrid Pitt

No-one encapsulates Hammer Glamour more than Ingrid Pitt.  She seems synonymous with horror movies.  Classic films she starred in include the brilliant The Vampire Lovers and Countess Dracula, alluring as the evil Countess.  She also starred in genre classics for other studios, such as The House That Dripped Blood and The Wicker Man.  Sadly, Ingrid passed away in 2010.  A true legend. HAMMER GLAMOUR CARLSON OMARA 10

4. Kate O’Mara

Gorgeous Kate O’Mara appeared in The Vampire Lovers and Horror of Frankenstein.  Prim in the former and sexy in the latter, Kate’s contribution to Hammer is excellent.  Her exotic looks have been a regular on-screen ever since, I remember her well in Dynasty.  I’ve not met Kate, but would love her to sign my Hammer Glamour book.

3. Madeline Smith

madeline-smith-hammer-horrorAppearing very briefly in Taste the Blood of Dracula, Madeline Smith looks absolutely dazzling in The Vampire Lovers and Frankenstein and the Monster From Hell.  She also appeared briefly in Theatre of Blood and was a Bond girl in Live and Let Die, as well as numerous other film and TV credits.  Ms Smith has signed the book and was very nice too.

2. Raquel Welch

Possibly the most beautiful woman to ever walk the planet, Raquel Welch became a screen icon when she appeared in One Million Years BC.  Unfortunately, she never appeared in any more Hammer movies (hence she only reaches number two in this list).  Raquel has made many other great films in a pretty fabulous career, since her debut in that “silly dinosaur movie” (her words, not mine!). caroline-munro-dracula-a-d-1972-publicity-shot

1. Caroline Munro

The stunning Caroline Munro appeared in two of my favourite Hammer films, Captain Kronos: Vampire Hunter and Dracula AD 1972.  She’s also appeared in many other cult classics – try At the Earth’s Core and Starcrash, for starters.  Ms Munro is probably most famous for her role as Naomi in The Spy Who Loved Me.  With her beautiful, long brunette hair, I’ve been smitten with Caroline for a long time.  She’s also a very lovely person with plenty of time for her fans, as I found out when I met her.  Caroline Munro is a Queen of classic cult cinema, and top of the Hammer Glamour list!

OLYMPUS DIGITAL CAMERA

Meeting Caroline Munro at NEC Memorabilia

A special mention should be made to some of the lovely ladies who didn’t make the top ten, including Joanna Lumley (Satanic Rites of Dracula); Catherina Von Schell (Moon Zero Two); Julie Ege (The Legend of the 7 Golden Vampires) and Ursula Andress (She).  There are many more, of course.

If you’d like to buy a copy of “Hammer Glamour”, you can find it here.

www.hammerfilms.com

Hallowe’en Horror Fest Has Risen From the Grave

Gather round, courageous ones.  It’s time for more horror movie reviews at the Virtual Hot Tub!

Dead Snow (2009)

Great film.  A group of Norwegian students decide to take a break in a remote cabin up in the mountains.  Surrounded by snow, their initial fun and games turn nasty when a group of Nazi zombies awaken and begin to terrorise them.  Mayhem, blood and gore is the result.

I love this film.  Dead Snow is  obviously inspired (and is a homage to) numerous other similar movies.  There are jumpy parts, gruesome parts – it ticks all the boxes.  Some of the humour is a little too much sometimes, but there’s enough great content to excuse any ideas that were a little too silly. dead-snow

Besides, what’s not to like?  Nazi zombies?  Is that not the ultimate bunch of evil bad guys ever?  A very cool movie, it still worked on a second viewing and highly recommended.  Norway also looks beautiful, I’d love to go there.

9/10

Night Watch (2004)

Many years ago, a truce was called between the warring factions of good and evil.  Now the forces of good police the day, while the forces of darkness hold control over the night.  In this world we meet the Night Watch, who are entrusted with keeping the vampires of the forces of darkness in line.

This Russian movie promised a lot, and indeed it looks spectacular.  There are several scenes that definitely impress.  However it’s more spectacle than substance, and I was left disengaged by the last half hour.  There’s undoubtedly vast imagination at work here, so perhaps repeated viewings or more familiarity with the source material would aid my appreciation.

On the whole, it’s more dark fantasy than horror.  I was hoping for more.

6/10

House of Hallowe’en Horror Fest

Elvira: Mistress of the Dark (1988)

Ah, Elvira, how I adore you.  The black beehive hair; the seductive eyes and ruby red lips; the hourglass figure that’s barely contained in a skin tight black dress, split to the heavens.  Not forgetting, of course, the greatest cleavage of all time.  My admiration for you is limitless. elvira1

But surely, you cry, Elvira: Mistress of the Dark is not a horror movie?  Not truly worthy of Hallowe’en Horror Fest status?  Whatever, dude.  This film has enough magic, spells, the odd monster and grand Gothic gorgeousness to be more than worthy.

This is probably the closest the Americans have ever come to traditional British Carry On draft_lens18634398module153875463photo_1317687499elvira09style humour.  Saucy rather than smutty, there are plenty of laughs even after all these years.  Sure, a few of the gags are older than Imhotep, but there’s enough spooky fun to make this a glorious viewing.  Not to mention Elvira’s impressive co-stars, who support her every step of the way in admirable fashion.

And now, some gratuitous pictures of Elvira looking drop dead gorgeous.

8/10

http://elvira.hostedbywebstore.com/

The Bride of Hallowe’en Horror Fest

The Vampire Lovers (1970) THE-VAMPIRE-LOVERS

It’s Hammer time!  And though it might not be a popular opinion to express, this film is, for me, classic Hammer.  With the dawn of the 1970’s the studio started to put out films that featured more explicit gore and nudity.  In The Vampire Lovers, there are some fairly gruesome decapitations and some totally gratuitous nakedness.  Brilliant.

Based on Sheridan Le Fanu’s novel Carmilla, The Vampire Lovers stars the late, great Ingrid Pitt as Mircalla/Carmilla.  She charms her way into the houses of well-to-do families and seduces their daughters with her vampiric powers.  Peter Cushing – total hero – makes a cameo appearance and we even get to see George (Minder) Cole in a substantial role.  vampirelovers2

The sets are quite lush and the atmosphere is archetypal Hammer Gothic fare.  But the real stars here are the lovely ladies – Ingrid, plus Kate O’Mara and one of my all time favourites, the beautiful Madeline Smith.  Maddy looks wonderful in this film and plays the doe-eyed innocent perfectly.

The Vampire Lovers ticks all the Hammer boxes.  And with a line-up that includes Pitt, Smith and O’Mara, offers possibly the greatest Hammer Glamour cast for a single film of all.

9/10

Alien (1979)

“Alien isn’t a horror film – it’s science fiction!”  Nonsense.  Despite the sci-fi setting, this film is pure horror – and one of the all time greats.  It still has the power to shock all these years later, not to mention some very gruesome scenes.  Gripping and shit-your-shoes off scary.

The design is faultless – both H. R. Giger’s creature and the lived in space ship sets.  The film looks great and the viewer is totally immersed in the world on-screen.  I don’t need to add more, just watch it and be mesmerised.

9/10