Download Festival

DL2015

Sunday 14th June 2015

Over the years I’ve been to Reading, Leeds and Rewind Festivals – even Chester Rocks.  Though I’ve never been to a full on outdoors Hard Rock/Metal festival, much to my regret.  Thus when the opportunity arose to get my rockin’ self to Download, the epicentre of all heavy rock fests, I seized the chance with gloved fist.  And then did the devil horn salute.

Due to time and financial constraints, it would only be a one day escapade with my buddies Ben the Swede and Coben.  Sadly this would mean missing such favourites as Faith No More, Clutch, Judas Priest, COC and many more.  But never mind – the gods of rock threw down their gauntlet and we would charge into the melee.

After a right old slog from the car to the main gates, we eventually entered the stadium like gladiators – ready for the first spectacle of the day.  The first band we saw were Tremonti, who I’d never heard of before.  Halfway through their set, the band were actually heavier than I thought and I enjoyed what I heard.  Worth further investigation.

At this point the heavens opened and the rain poured.  No matter – we were already making our way to the third stage to catch a “secret” set from The Darkness.  It was packed – everyone had the same idea, or at least decided this was better than drowning.  The set began with a monstrous riff that went on forever and did a good job of pumping the crowd up.  This intro enabled singer Justin Hawkins to make his way from the back to the stage, in true over the top style.  The Darkness then delivered a raucous set that roared at the sky – opener “Barbarian” accompanied by a load of Vikings on stage was great.  The hit singles “Growing on Me” and closer “I Believe in a Ting Called Love” were real crowd pleasers.  “Black Shuck” was my personal favourite, in a set that became the first true event of the day.  Not a secret, but surprisingly good. 2015-06-14 16.51.05

The next event was witnessing one of my all time heroes, the one and only Mr Billy Idol, live in concert for the first time.  I’ve been a fan of Billy for years.  In all honesty, many of his songs are too pop for this audience; so hits like “Hot in the City” and “Catch My Fall” (both personal faves) are sadly omitted.  However, with old pal Steve Stevens providing the guitar onslaught there’s plenty of rock to be had.  “Dancing with Myself”, “White Wedding” and “Rebel Yell” all provide quality entertainment and I have to admit that I was thrilled to see this old warrior in action.  A great warm up for the rest of the evening.

Now with four stages and dozens of acts spread across the Download field, the only down side is making tough choices on who to watch if bands clash.  Especially as “a quick trip across the field” becomes a gruelling endurance test when it’s uphill in a muddy hell.  The first major casualty of the day was Eagles of Death Metal, whom I love dearly and have never seen live.

2015-06-14 17.19.04But I made a choice to see L7 instead of Slash, and boy am I glad I did.  Recently reformed, the four grungettes of L7 played a fantastic set.  The sound was great on the second stage, perhaps because I was closer?  Either way, “Andres”, “Fuel My Fire” and “Shitlist” were truly great.  Though “Everglade” was absolutely bonkers.  The riff that kills!  L7 are heavy!  I smiled a lot.  “Pretend We’re Dead” wasn’t bad either.  Fuck it, band of the day!

I caught the last four and a half songs by Slash.  He was pretty cool, but no L7.  “Anastasia” is a great song, and I have to say that Myles Kennedy has an awesome voice.  “Sweet Child O’ Mine” and “Paradise City” were both better with Kennedy and without Axl’s screeching.  Can I count this as having seen Guns’n’Roses live, as there’s only Axl left in that band?  Why the hell not!

Next up on the main stage was Motley Crue.  I wasn’t a fan of the Crue back in their heyday, other than one or two songs.  I’ve grown to appreciate them over the last fifteen years or so, much like I’ve grown to love Priest and Maiden.  Now on their final tour, the show promised to be big.  Motley Crue didn’t disappoint, delivering a punch in the face set that was one of the best of the day.  They played their cards right, delivering all the hits: “Wildside”, “Primal Scream”, “Dr. Feelgood” and “Shout at the Devil” were superb.  The only less than impressive moment was an unnecessary, but well intentioned, cover of “Anarchy in the UK”. 2015-06-14 20.21.35

There was spectacle in abundance – sexy backing singers in tiny shorts; flames that were hot enough to give me a Hollywood sun tan from a hundred feet away; dear old Vince Neil looking less than svelte.  “Girls Girls Girls” and “Kick Start My Heart” both built the set to a red hot climax.  “Home Sweet Home” was a fitting encore, ending a triumphant appearance.

And so last up we have head-liners Kiss. A band I’ve loved ever since I fist saw adverts for their t-shirts in old 1970’s Marvel comics – though I had no idea if they were rock stars, superheroes, or what.  I’d never seen Kiss before so this was something to look forward to.  Full make up, all the pyro – I was hungry for the experience.

Kiss explode into “Detroit Rock City” and “Deuce” – songs that lesser bands would have saved for the encore.  The show is a visual feast; lights, huge screens, explosions all attack the senses and create Las Vegas in the English Midlands.  I get to hear my two absolute total favourite Kiss songs ever – “I Love It Loud” and “Calling Dr. Love”.  That was me happy right there. 2015-06-14 21.14.07

The Kiss set did wander a little bit though.  Obviously gearing their songs to a heavier crowd, we get three songs in a row from “Creatures of the Night” – their heaviest album.  The songs “Creatures of the Night” and “War Machine” are great, but not top of the Kiss list.  Plus there’s newer numbers “Psycho Circus” and “Hell or Hallelujah” which are just OK.

A little too much solo spot indulgence was my cue to take a comfort break.  On the way back, I dived in to catch Suicidal Tendencies on the smallest stage.  I only saw five songs, but ST were incredible.  “I Shot the Devil” and “War Inside My Head” tore the place apart.  I couldn’t make out all of Mike Muir’s between song banter, but he was fired up and intense as hell.  Hearing “Possessed to Skate” was an unforgettable moment.  Muir dedicated to everyone who skates – thanks Mike – and it took me back to loving ST back in my early skate days.  Absolutely mental punk thrash, I need to see Suicidal Tendencies again.

Returning to the main stage area, I caught the last few Kiss songs and was very impressed with what I’d seen.  Minor gripes aside, it was a privilege to see the band and experience a Kiss show first hand.

So there you have it.  Download 2015 was hampered by bad weather, and a poor layout that abandoned stupid amusement rides in the middle where the bar (and another toilet) should have been.  Yet despite being forced mercilessly to choose between too many bands, I got to see some great rock’n’roll and enjoyed a cool, fun atmosphere.  Oh yeah, and the festival staff were pleasant and friendly.  On the whole a good job.

Saltwater Injection Single Release

Saltwater Injection 

“Vinegar”/”Cuntryfile” (Antipop Records)

 

The new single from Saltwater Injection, “Vinegar”/”Cuntryfile”, succeeds in capturing their live ferocity and innate ability to smuggle a tune in with the noise. Like Henry Rollins wrestling an angry grizzly bear – for a laugh – this two-piece hurl out lead track “Vinegar” and drag, rather than invite, the audience along. Pounding, dirty bass; vicious drums and urgent vocals give the listener a couple of minutes of aggression that you can’t help but nod along to.

There is a school of thought that says times of austerity and right wing governments create the ideal environment for the best anti-establishment punk rock. Saltwater Injection’s “Cuntryfile” certainly upholds that premise. Just over a minutes worth of furious, filthy mouthed fun – this tune is ridiculously infectious. I defy you to not sing along!

For fans of Black Flag, the Melvins, and 1980’s cross over punk-thrash who also like a bit of tuneful Nirvana in their musical diet.

Out 30.03.2015

Available from iTunes, Amazon and Spotify 

http://www.saltwater-injection.com

saltwaterinjection@gmail.com

https://www.facebook.com/pages/Saltwater-Injection/134989273346640

https://soundcloud.com/saltwaterinjection

https://twitter.com/SaltWaterInject SWI1

Corrosion of Conformity Gig Review

Corrosion of Conformity

Saturday 7th March 2015

Manchester Academy 2

I’ve been a Corrosion of Conformity fan for a long time.  Starting with a cassette copy of their hardcore punk/thrash crossover Eye For An Eye back in my early skateboarding days; through their major label success as a stoner metal band; and on.  Never seen them live, though.  Ridiculous, no?

All that was about to change: I decided to get my act together and go see the band in Manchester for their latest tour.  The fact that vocalist/guitarist Pepper Keenan was back fronting the band, completing their Deliverance era line-up, was a nice little sweetener too.

The afternoon got off to a great start when, mere seconds from arriving in the car park next to the Academy, I spotted bass player Mike Dean walking along the road.  I greeted him and wished the band well in a brief, pleasant conversation.  I think I managed to remain cool and not look like a total weirdo.

A few beers were had in the early evening, before we made our way to the venue.  Unfortunately we were in Manchester Academy 2, not the nice big main Academy building.  The Academy 2 is the size of a sports hall and was too small for this band.  People were crammed in tighter than a glam rockers spandex pants; it was not cool.

I only caught the end of the support bands slot, so I will pass judgement on Hang the Bastard at this time. COC

When Corrosion of Conformity hit the stage, there’s a genuine sense of excitement in the (tiny) room.  They open with instrumental “These Shrouded Temples” from the Blind album, before charging into “Senor Limpio” and “King of the Rotten”.  There’s hardly a breather between songs, and minimal banter – it seems COC are on a mission to destroy.  Pepper leads the band confidently, like he’s never been away; whilst Woody throws down a barrage of guitar.

In keeping with the tour theme, there’s a healthy chunk of tracks from the devastating Deliverance album.  This is fine with me.  My sad fanboy credentials mean I love all their output, but Deliverance is the cream of the crop as far as I’m concerned.  A genuine metal/punk/stoner/doom/whatever classic, rated in the same bracket as Volume 4 and Master of Puppets.  “Albatross” and “My Grain” are highlights amongst a head crushing set, though the slower pace of “Seven Days” is my favourite from that era of the evening – forgot how great that song is.

There’s a pinch of tracks from across several albums, with “Long Whip/Big America” shining from Wiseblood.  “Thirteen Angels” (America’s Volume Dealer) and “Paranoid Opioid” (In the Arms of God) also stand out in a set filled with gems.  The band are well rehearsed – Reed’s drums and Mike’s bass sound tight and locked in.

COC return for their encore with “Broken Man”, before launching into the inevitable “Vote With a Bullet”.  This song is still an absolute monster, and is welcomed heartily by the audience.  “Clean My Wounds”, another Deliverance era stormer, finishes the night off with it’s awesome riff.

Despite being crowded in the tiny Manchester Academy 2, it’s a great night.  Corrosion of Conformity perform a powerful set, which I only wish could have been longer.  I got to tick a band off my “must see” list tonight, and I retire with obligatory tour t-shirt a very happy punter.

Live Wire – AC/DC Tribute Gig Review

Live Wire

Friday 17th October 2014

The Tivoli, Buckley

Cast your minds back to mid-October.  I took a brief break from my Hallowe’en Horror Fest movie reviews and paid another visit to the Tivoli in Buckley for another night of rock’n’roll.

Performing this night were Live Wire – an AC/DC tribute band.  I’ve witnessed the real thing a few years back (at Milton Keynes Bowl on their Stiff Upper Lip tour, fact fans), but only the once.  Tickets for the real AC/DC are like centaur shit these days, so I was very happy to check out a tribute to the greatest rock’n’roll band in the world instead.

The thing with tribute bands is, they either sound like who they’re meant to be, or they look like their idols.  Not both.  Or in the case of bad tribute bands, they try to sound or look like the originals, and fail on both counts.

I am very happy to report however that Live Wire have got the full wish list sewn up.  Sewn up neatly on a denim jacket with all the patches on.

The act is split into two halves: first we see the Bon Scott years.  The set list includes classics from the era like “Dirty Deeds Done Dirt Cheap”, “Riff Raff”, “Touch Too Much” and “Whole Lotta Rosie”.  It’s my all time fave “Highway to Hell”, though, that makes me grow horns and a tail and punch the air like a little metal demon.  Magic. livewire1

The Bon Scott-a-like is uncannily impressive in his role as the late, great hell raiser.  The voice is spot on.  The sound overall is impeccable, plus every song is a gem.

Next up we have the Brian Johnson years, which thunders in with “Rock’n’Roll Train” and simply does not stop.  Live Wire’s Brian not only possess the same forged-in-fire vocal chords, he moves the same too.  Wearing the trademark flat cap, Brian stalks the stage in typical hunched up form and belts out the rock.

The rock that is belted out includes “Back in Black”, “You Shook Me All Night Long” plus an absolutely dynamite version of “Thunderstruck”.

So the singers perform admirably.  The band, too, are top notch.   Though Live Wire’s Angus Young looks a lot taller, he’s got all the moves dialled – right down to mooning the audience.  Malcolm also looks perfect – strumming away, head nodding.  I couldn’t see the other guys though, sorry.

It was a truly electric night in the Tiv.  The place was packed tighter than Rosie’s bra and the punters loved it.  The encore saw Bon and Brian unite for “Let There Be Rock”.  Finally, Brian led the band through a raging “For Those About to Rock…”, complete with cannon fire.

Absolutely great fun.  I’d happily see Live Wire again any time.  High voltage rock’n’roll, indeed.

Visit Live Wire’s web page here.

Visit the Tivoli’s web page here.