Pentre Fest 2023

Pentre Fest 2023

McLean’s Pub, Pentre, Deeside

Saturday 25th February 2023

A weekend of full on metal and hard rock, Pentre Fest is a highlight of my musical calendar. Held at McLean’s pub in Pentre, Deeside, North Wales over two days, the event always showcases some of the best bands from around a vast area of the UK.

This year I missed Friday’s gig as I was otherwise engaged. However, I was raring to go for Day 2, and a whole load of awesome music. Here’s my review for Ever Metal, covering everything I could of that day’s entertainment.

Day 2

Day 2 at Pentre fest – you could say I was a bit excited to get going.  The ever-reliable Edd Case was performing in the marquee outside as I arrived, so I missed a chunk of his set sadly, as I paid my hard earned coin to get in and neck my first ale.  Luckily, Edd did another slot of his excellent acoustic performance later on, so I got to catch him then.  I think he was filling in for some band called Trashatouille, who couldn’t be arsed to turn up and attempt to play their own acoustic effort.

Scarfoot

First band on the indoor main stage was Scarfoot, and they made a hell of an impression.  A three-piece band, they add an extra edge to their already formidable musicianship with the use of a 12 string guitar or a Dobro.  This gives the band a huge, Zep-epic and individual sound.  They all play with a convincing passion and were absolutely enthralling.  I’d never seen them before, but had caught singer/guitarist Oliver Carins last year doing a solo acoustic set.  Next time, these guys need to be higher up the bill!  Scarfoot also blazed all over the acoustic stage later on, with a similarly massive sounding set, even without the drums.

Frank Williams

Next on the second stage: a World Exclusive Live Debut!  Frank Williams in his first official live gig, though sadly not billed as Victim of Damp.  Frank is a Pentre Fest die hard, an unsung hero who has supported the event and pitched in with Fozzie and Beany from the beginning.  This afternoon, Frank graced us with some acoustic covers (nice bit of Floyd) and banter, then introduced some comrades to help with humorous originals such as ‘Beany’s Car is Full of Shit’.  Excellent crowd participation helped Frank’s set gallop home as a pedigree winner.

Lullaby for a Unicorn

It really wouldn’t be Pentre Fest without these guys.  With a line-up change – or should I say, addition – in the shape of new vocalist, Gaz (who used to be the drummer.  Come on, keep up!).  This latest incarnation of Lullaby for a Unicorn was a refreshed and fun stallion, rather than a lame pony.  There’s a little work to do to settle the new line-up in, but it was the same boisterous energy as ever as the Unicorn boys turned Pentre into a beautiful, rainbow adorned meadow.  Or blood-soaked battle field of metal mayhem, you choose.

Scarfoot was next on the second stage.  I’ve already covered that, go back and read it again.

The Human Condition

Despite a tech issue with the bass throwing a wangler with the first song, The Human Condition kept their shit together and provided another surprise.  I had done no research whatsoever and didn’t know what to expect.  By Odin’s beard, The Human Condition are a megalithic, doom metal colossus!   Doom in the vein of Candlemass, or think Geoff Tate screaming for Trouble.  Riffs are drip fed, leaving the audience begging for each new note.  Add the most powerful live vocals I’ve heard in eons, and you have a force of biblical proportions.  I bought a CD.  You should check them out NOW.

Back to the Second stage for an acoustic Pelugion set – but we’ll get to them later.

Portrayal of Ruinn

A melodic deathcore band from Manchester way, Portrayal of Ruinn isn’t quite my thing on paper, but fucking awesome live.  Possibly the most energetic band on stage at Pentre Fest all day, their combination of gutsy, nasty metal and bouncy, yet ferocious vocals proved a winner.  They also know how to pace their set brilliantly – a few mellow sections lull the crowd into a comfy security blanket, only to have it ripped maliciously away.  It’s the audio equivalent of a Video Nasty psycho killer – you’re never safe, Portrayal of Ruinn will never stop – and they will get you in the end!

Syncolima

Reading back my notes here, and I can’t make a thing out of them.  All I can fathom is that I REALLY liked this band: “Syncolima = great!” is about all I’ve got.  They were excellent.  Some kind of biker/stoner super heavy rock, they have groove aplenty and massive fuzzed out riffs.  This three-piece from Mansfield, Notts were unmissable.  New album “Wavelengths” is out soon, you’d be wise to watch out for it.

Miserable Sinner

Wait a minute – it’s that bloke from Bad Earth doing an acoustic set!  Yes, it’s Steve from one of Pentre Fest’s favourite bands, backed with the other two ‘orrible ‘erberts, Karl and Ben (so semi acoustic, then?).  The Bad Earth songs translate surprisingly well to the stripped-down sound, though they can’t compare to the full force fury of the full trio amped up and going for it.  But then, what could?   A great set that also included some cruel (ie hilarious) comedy signage behind Steve’s head, it also delivered a much needed bongo workout that was otherwise sadly lacking this year.

King Kraken

Mind.  Blown.  Thank the trident of Posiedon, King Kraken travelled up from South Wales (a right old trek) to play Pentre Fest, and I’m so glad they did.  The Kraken are a huge, boisterous metal machine with crushing riffs and awash with an almost psychedelic lead guitar.  My favourite band of the day, despite fierce competition – I made off with some booty from the merch desk and toasted their performance with a tankard of ale.  Please check this band out, you will not regret it.  Magnificent!        

Leatherback

Last year, one man electronica fiend Leatherback was first on the Pentre Fest main stage.  This year, it’s a second stage headlining slot, which worked well.  Nine Inch Nails comparisons are obvious, but relevant when there’s a cover of a Reznor classic included.  Leatherback ripped through a roaring set that went down extremely well with the lively crowd, even though it was freezing outside – receiving a well-deserved, enthusiastic reception.   

Pelugion

Pelugion had performed an excellent acoustic set on the second stage earlier, which seems to have been a great way for them to warm up for their main stage appearance.  I’ve seen these guys before at Pentre Fest and they never disappoint.  Skull smashing mega riffs, born from Sabbath and with a dose of Alice in Chains and early Soundgarden – a stoner/alt metal monster – is what you can expect.  These guys are super professional, but with grit and determination that keeps the performance compelling.

The K*nts

Headliners on the final day of Pentre Fest, The K*nts drove over five hours from down Essex way to entertain us.  With hits such as that Christmas favourite ‘Boris Johnson is a F*cking C*nt’ and ‘F*ck the Tories’, we knew we were in for a treat.  Hilariously, the Green Room reserved for the bands had been double booked with a meeting for a local Masonic Lodge.  I wonder how The K*nts and this bunch of blazer-and-badge wearing eighty-year-olds got along back stage.  Honestly, you can’t make this shit up.  It’s like Phoenix Nights on crack.

A strange choice to headline a metal festival for some, never the less The K*nts put on a top show and had the audience on their side before the first song was even finished.  Delightfully obscene, but with a political edge that helps retain a tiny bit of highbrow cred too, it’s like Sham 69 with Tourette’s.  Most of the song titles are unrepeatable for a family website like Ever Metal, but let’s just say that The K*nts and their filthy brand of punk rock and humour were a mad but genius way to finish Pentre Fest off.  And it probably will be finished off, if those old Masonic dudes have anything to say about it.

Oh, and yeah – Fuck the Tories.

It was my absolute pleasure to cover Pentre Fest for Ever Metal again this year. Huge thanks to the bands, the audience, and the staff at McLean’s for putting this on. And finally, thanks to Fozzy and Beany for daring to dream it up and make it happen.

I just wish Pentre Fest could be every weekend. Or once a month, at least.

Catch up with news at the following pages: N.E.W. Metal ProductionsGoodfor AudioMcLeans Pentre.

Trouble – Live in Stockholm Album Review

Trouble – Live in Stockholm

Hammerheart Records

Release date: 02/09/2022

Running time: 77 minutes

Review by: Alun Jones

8/10

Stockholm, Sweden: sometime in the early 1990s.  At this point in their career, legendary doom metal instigators Trouble were signed to Def American records and starting to shift a few extra units.  The Chicago band were invited to play in Sweden by fellow pioneers Candlemass, and it’s this gig that provides the music for this double LP live extravaganza.

The release covers the never before available, complete set from that evening.  Fully remastered by Erwin Hermsen at Toneshed Studio , it’s now unleashed as a double album on seductive, alluring vinyl.    

Track wise, the PR blurb casts this as a “greatest hits” set, and rightly so.  Of course, there’s a healthy selection from the Def American albums, such as a blistering ’Come Touch the Sky’, the brilliant ‘Memory’s Garden’ and a crushing ‘End of My Days’.  Older tracks also get a fair showcase too, with ‘Psalm 9’ and ‘The Skull’, amongst others, proving how this band achieved their legendary status.

So, this live collection is a great overview of Trouble’s music at this point int time.  What’s also encouraging is that the sound really is impressive, the remastering has done a fine job of polishing these tracks.  Unlike many live offerings, this album has a reassuringly clear – yet still live and raw – finish.  ‘The Misery Shows (Act II) is a great example – the mellower parts shimmer, though the crunch is still present when needed.

“Live in Stockholm” is indeed a good place to dive in for anyone who wants to sample Trouble’s catalogue.  For the long-term fans, the performance and sound both offer a worthwhile addition to the collection.  Personally, there’s nothing new, song wise, here for me – so I really can’t mark this release any higher – but a solid release nonetheless.

You might think that characters like Ozzy, Tommy Lee or Lemmy would’ve been terrible for getting me in trouble in the past, but they were all sweethearts really.  The person who got me in more trouble with crazy antics than anyone was actually, believe it or not, new wave pop princess Belinda Carlisle. She was a total deviant.  Scary.  I can’t tell you any more because she still thinks I died of an overdose in a Tijuana brothel in 1985.  And quite frankly, I’m scared of her.

Please check out Trouble’s website, their Facebook and Bandcamp – buy their stuff and make them famous.

This review has been brought to you by Platinum Al and Ever Metal.