Groovy title, eh? I know “Son of Halloween Horror Fest” would’ve made more sense, but I’ve used that title already. I could’ve gone with “Son of Halloween Horror Fest 2025”, but that’s boring. So we are where we are. Here are the reviews…
Son of Frankenstein (1939)
Classic Universal horror, and what a cast! Following on from Bride of Frankenstein, in this story the studio attempt to spin the franchise out with another sequel.
Wolf von Frankenstein (Basil Rathbone), son of the legendary baron and obsessed scientist, returns with his family to their ancestral home after years in exile. The locals give them a somewhat frosty reception, as the memory of the carnage wrought by the elder Frankenstein’s creature (Boris Karloff) still haunts them.
Wolf is concerned with saving the family reputation, but when he stumbles across Ygor (Bela Lugosi), a revenge crazed outcast, things can only go downhill. Old Ygor knows where the creature is, and despite clashing objectives, he and Wolf will attempt to revive the creature again…
Although the narrative is becoming very obvious by this point in the series, this sequel is watchable for many reasons. It looks fantastic in black and white, the shadowy sets full of secrets and menace. And the cast are superb, though Karloff’s creature is outshone by Lugosi in a very memorable roll.
Not a patch on it’s predecessor, Son of Frankenstein is still a thoroughly enjoyable old school horror yarn.
8.5/10
Casper (1995)
More family friendly fun now, but this film really is a stinker. Based on the old comic strip about a friendly ghost and his three horrible uncles, it starts off as well intentioned before going off the tracks.
An obnoxious, rich brat has been left a rundown, haunted mansion in her father’s will. It’s the haunted mansion occupied by Casper and chums, obvs. A “paranormal therapist” played by Bill Pullman is eventually tasked with sorting out the spooks, so that the vile new owner can claim some lost treasure that’s apparently hidden away there.
Bill brings along his daughter Kat, played by Christina Ricci. Both of them have unaddressed issues following the death of Kat’s mother. Casper has a crush on Kat (of course) and hilarity ensues (not) as they try to tame the spooks, and other stuff.
The CGI animated Casper looks really cute, and there are some amusing moments occasionally (Eric Idle, in a supporting role, is great). But the tone is ruined by some truly ghastly additions like a machine that brings spirits back to life, and a completely unnecessary back story for Casper.
The attitude to death in this film is just plain weird, and distasteful. Don’t worry kids, people die and become ghosts, then become people again! This mash up of cutesy characters and flippant attitude is both odd and disrespectful.
Recently, I spent a day with some work colleagues doing some voluntary work at Chester Zoo. Despite living fairly close to the zoo, I’d not been there for a good few years. I’ve taken my daughter when she was younger, but haven’t been since.
After a hot day in the fields cutting down and then stripping willow branches for them to be used as food for the animals, there was some free time at the end of the day to have a look round the zoo itself. The sun was burning down that day, but I decided to have a quick look round to see as many of my favourite animals as I could – a “Greatest Hits” tour, if you will.
So I raced around and saw some rhinos – always one of my favourites since I was a little kid. Magnificent, huge animals, they were busy sunbathing or chomping away on food (provided by some other voluntary group?). Giraffes were next: if you didn’t know these creatures were real, you’d swear they were the invention of a crazy mind.
Elephants are always a joy to see, and the Asian specimens at Chester Zoo always remind me of Disney’s The Jungle Book (which I love).
Then it was off to find the lions. I was unlucky here though, sadly – they were all hiding in the shade. Fair enough, really. I was much more fortunate with the jaguars. One of these beautiful big cats was contentedly wandering around their indoor pen and came up really close, providing a fantastic close up.
After quickly checking out the penguins and a Komodo dragon, it was time to split. There was time on the clock, but I really needed to get home for a shower after such a hot day!
As a result, I missed out on some of my other most admired animals, such as the tigers, chimpanzees and the amazing bats in their night zone. But having had such a good time, I decided it won’t be long till my next visit to see what I missed.
Thanks to Chester Zoo for a fun and educational day.
Two horror reviews for you this time, friends! Read on, if you dare…
The Revenge of Frankenstein (1958)
The second instalment in a series of Frankenstein films produced by Hammer, The Revenge of Frankenstein followed hot on the heels of its predecessor. The Curse of Frankenstein had been released the previous year, and was such a hit that a sequel was demanded. Despite, of course, the fact that the evil Baron had been executed at the finale last time.
No matter, Baron Victor Frankenstein (Peter Cushing, of course) is saved from death with a fairly sneaky twist, and is soon practicing medicine in a far off town. Going by the name of Doctor Stein (no one’s gonna figure that out, right?), the doc sets up a successful practice for wealthy patients, whilst also looking after the poor at a hospital.
Joined by a younger doctor, Hans Kleve (Francis Matthews) – who learns Dr Stein’s true identity and wants to learn from him – Frankenstein is soon up to his old tricks. This time around, his creation (Michael Gwynn) at least looks normal, if only at first. It isn’t long before the inevitable happens and everything goes downhill, big time.
The production looks quality and performances are great, in particular Cushing who brilliantly darts between menace and a steely charm. Some gory surgery provides the bloody horror required and The Revenge of Frankenstein admirably fulfils its role as gruesome entertainment. We just know that another sequel will be along soon!
8/10
The Return of the Living Dead (1985)
So this is the film that establishes the concept of zombies eating brains, yeah? OK. One thing is for sure, this comedy-horror is not a sequel to Romero’s brilliant Night of the Living Dead. The Return of The living Dead is a very different beast, though still in a cult league of its own as a horror punk classic.
At a medical supply warehouse, two employees accidentally release a load of toxic gas which reanimates a cadaver and causes all kinds of health and safety high jinks. The morgue over the road has a crematorium, which seems ideal for permanently destroying the undead evidence. Until the escaping gas contaminates the clouds above, and rainfall on the nearby cemetery causes the dead to rise…
Oh, did I mention the gang of punks in the cemetery, waiting for their friend to finish work at the medical supply place? No? Well they are, and you can guess the rest.
This mid eighties movie is not something I’d usually watch. In fact, the main reason I wanted to watch this film is because of the legendary soundtrack, which features a load of awesome horror related punk bands like The Cramps, The Damned and TSOL. A vinyl copy has been on my shopping list for a long time, but I wanted to see the film first so I didn’t feel like too much of a fraud.
The film is pretty good fun, though. It’s fairly dumb and only occasionally does the black humour raise a smile, but The Return of the Living Dead was certainly worth a watch. It’s over the top – unapologetically so – but that’s part of it’s success. Disengage brain and go for it. The soundtrack is bloody great, by the way. I’ve got it on clear with red blood splattered vinyl. AT LAST!!!
All aboard! Take your seats please, ladies and gentlemen, for a ride of the Horror Express! This early seventies sci-fi horror features a familiar plot and a fine cast, so jump onboard and have your tickets ready…
It’s 1906, and British anthropologist/explorer Professor Saxton (Christopher Lee) is making his way back to Europe via the Trans Siberian Express from Shanghai to Moscow. Saxton has discovered the remains of an ancient missing link, frozen in the snow. A rival, Dr Wells (Peter Cushing) is also on the journey – and he’s curious just what Saxton has locked up in a huge wooden crate.
The humanoid begins to defrost and returns to life, escapes, and starts a murderous campaign aboard the train. The creature is a host for an extra-terrestrial intelligence, frozen for millions of years, but now keen to return to the stars. To accomplish this, the creature kills and absorbs the knowledge of it’s victims, taking on their appearance as well.
Wells, Saxton and other passengers deduce the nature of the creature’s plans, but can they destroy something that can assume the identity of its victims?
Horror Express is based on the novella Who Goes There? by John W Campbell, as was The Thing from Another World and of course, John Carpenter’s The Thing. Though not a patch on the later Carpenter film, Horror Express is a fascinating variation on the story, and manages to raise the tension capably. Telly Savalas is seen only fleetingly as a brutal Cossack, sadly, but the two leads are as dependable as ever.
A great film in it’s own right, and recommended for any fan who can’t get enough of Carpenter’s masterpiece.
A crack of lightning; the roll of thunder; rain lashing at the window. Night has fallen, and the cold air nags at your bones with a morbid persistence. The wind moans, but cannot hide the strange calls off in the mountains. The children of the night, what music they make… Come closer, friend. It is time once again for Halloween Horror Fest…
That’s right, kids – Halloween Horror Fest! Throughout the month of October, I watch as many films that are appropriately fearsome, frightening, or just pure fun! Here at the Virtual Hot Tub is where you can catch up on my mini reviews of each movie, and enjoy spooky season and all it’s macabre delights!
The Ghost of Frankenstein (1942)
We’ll start this year with a gem from good old Universal. You really can’t beat these old black & white movies for sheer atmosphere and nostalgia. I’ve never seen The Ghost of Frankenstein before, so was keen to tick it off my list.
Following on from the previous film in the series, Son of Frankenstein (1939), we again meet Ygor (Bela Lugosi), who discovers and rescues his old friend The Monster. This time, Frankenstein’s creation is played by Lon Chaney Jr, rather than Karloff. The pair travel to a new town to locate the younger son of Frankenstein, Ludwig (Cedric Hardwicke), where Ygor blackmails the doctor into revitalising the creature. A plan is set in motion to replace the monster’s criminal brain with a “good” brain, but some have their own ambitions motivating them…
Plot wise, I could tell exactly where this movie was headed from the off – there are no real surprises. And the lack of Karloff as the monster made me somewhat wary. But Chaney Jr has a good crack at it, and the rest of the cast (including Lionel Atwill) keep proceedings on track. Moody sets, great soundtrack and an enjoyable (though somewhat obvious) storyline helped make this film another triumph for Universal.
Our first Hammer Films production for Halloween Horror Fest 2023, and it’s a vampire classic. In this sequel to Hammer’s very successful Dracula, the titular Count doesn’t actually appear this time round – rather we’re thrust into the thick of vampire cults that still exist after Drac’s demise.
A young teacher, Marianne (Yvonne Monlaur) is on her way to her new position in a Transylvanian school when she finds herself abandoned in a small village. A local noble woman, Baroness Meinster, offers a place to stay for the night at her castle. There, Marianne meets the son of the Baroness, who is chained up as a prisoner. Marianne agrees to free the Baron, who is of course actually a vampire and takes his revenge on his mother.
Marianne flees, her memory hazy, and is helped by Doctor Van Helsing (Peter Cushing) when he finds her at the side of road. Van Helsing has been called to the area to investigate an outbreak of vampirism. Soon he, and Marianne, will encounter the Baron and his undead minions again…
Brides of Dracula is a fun escapade with plenty of chills and atmosphere, even with a substitute head vampire replacing Christopher Lee. The story is original but plays on all the standard folklore you’d expect, with Cushing fantastic in his role as the vampire slayer. It’s a nice effort from Hammer, to try and do something slighlty different with a sequel, and Peter Cushing keeps it all together brilliantly.
9/10
House of Usher (1960)
Purely by chance, another film from the same year. This version of the Edgar Allen Poe story, The Fall of the House of Usher, was the first in a series helmed by famed Director Roger Corman, most of which starred the legendary Vincent Price.
Philip Winthrop (Mark Damon) travels top meet his fiancée Madeline Usher (Myrna Fahey) at her home. The House of Usher is a gloomy, decrepit mansion and upon arrival, Madeline’s brother, Roderick (Price) initially refuses Winthrop and attempts to warn him away. The family Usher is cursed, he claims, and the line cannot be allowed to continue. Winthrop must help Madeline escape, he thinks – but is he too late?
It’s a long time since I read Poe’s original story, so I’ll let others decide how accurate an adaptation this is! Rather than worrying about that, simply revel in the wonderful sets and imagery, and allow Vincent Price to shine in this brilliant movie. House of Usher is a fantastically macabre Gothic tale with Corman and Price at their best.
Good evening, fiends! Welcome yet again to my abode, come inside and warm your bones by the fire. Take a seat, make yourself comfortable. Forget the howling wind and lashing rain outside. My faithful servant, Ygor, will bring you refreshment. And when you are ready, I’ll begin my tale…
Halloween Horror Fest 2023 is upon us – which means watching lots of spooky movies and sharing my mini reviews with you, lucky reader. As always, I intend to view a variety of films that are in the Halloween tradition. Whether old or new, frightful or fun – let’s indulge in a season of entertainment that’s truly fantastic!
Dr. Terror’s House of Horrors (1965)
A British horror classic, this film was made by Amicus Productions – not Hammer, as many would assume – though this rival picture features some familiar faces in it’s starry cast. Amicus are well remembered for their anthology movies, featuring several short stories within a framing narrative, a device that’s well utilised here.
Five strangers on a train journey meet Dr Schreck (Peter Cushing) – his name being German for “terror” – and his deck of tarot cards (his “House of Horrors”). Each passenger in turn has their future told by Schreck’s cards. There are tales of werewolves, vampires, voodoo and malevolent plants, as the passengers fates are revealed.
Some tales work better than others. The voodoo based segment, starring none other than Roy “Record Breakers” Castle and Kenny Lynch, is simple but effective with garish lighting and exotic jazz. You can’t go wrong with the legendary Christopher Lee, in his art critic/revenge from beyond the grave story, nor a young Donald Sutherland as a New England doctor with a vampire bride – even though the stories can seem too short, due to the portmanteau style.
I was less intrigued by the tale featuring Alan Freeman (yes, “Fluff” Freeman!) and his dangerously intelligent plant, so I guess even my ability to suspend disbelief can be pushed too far.
Despite the rushed nature of the stories, I consider Dr Terror’s House of Horrors a must see. The film looks great, boasts a formidable cast, and goes all out to entertain – even if it’s sometimes a bit creaky and dated. Worth watching for Cushing and Lee alone, there’s actually a lot more to enjoy in this Amicus thriller.
9/10
The Devil Commands (1941)
We’re going further back for our next spooky movie, where we’ll meet another horror legend, the one and only Boris Karloff! In this B&W B-movie, dear old Boris is less mad scientist, more frustrated professor led astray by the machinations of others.
Dr Blair (Karloff) is researching brain waves, when following the shock death of his beloved wife, he decides to use his research to speak to the dead. Under the conniving influence of a fraudulent medium, the doctor’s research becomes more dangerous and deadly…
I prefer my horror supernatural rather than sciencefictiony, but this is a neat, stylish little film. Despite a simple, perhaps obvious plot, the performance of the wonderful Karloff the Uncanny entices the viewer to keep watching, The Devil Commands is a great watch for those, like me. who like a bit of old school scary.
May 2023 saw the 40th anniversary of Star Wars Episode VI: Return of the Jedi. I went to see the film again in the cinema, with my family. As always, there was a tear in my eye watching several scenes in that magnificent movie, particularly at the end. I shouldn’t need to worry about spoilers, surely, but we’ll leave the detail obscure. Jedi may not be considered the best of the Original Trilogy, but it’s a fabulous film that concludes the storyline brilliantly.
I was ten years old in 1983. I’d seen both previous Star Wars episodes in the cinema, but this time I was a little older, and the excitement of a new instalment was building. I can remember much more about that build up, as I ravenously absorbed every picture I could find in any magazine, newspaper or television show for clues about the new movie.
The Marvel UK Star Wars comic had kept me intrigued, but I recall catching tantalising sights of new characters that excited me. Brief glimpses of Bib Fortuna, Admiral Ackbar and Biker Scouts. I couldn’t wait to find out more about them.
Of course the real anticipation was with regard to the action figures. Star Wars fans everywhere could not wait to see what new characters – and old favourites in new guises – we would get.
Some characters began to show up on promotional literature, but the first ROTJ figure I ever had (I think) was Admiral Ackbar. I won Ackbar in a Palitoy drawing competition: third prize (there were probably hundreds of third prize places). He turned up without a card and became an instant favourite.
The first character I bought off a toy shop shelf was General Madine, if I remember correctly. He looked like a cool new character who must have a big role in the new movie, being amongst the first releases. How wrong I was! Never mind, I always was a sucker for troops.
The main heroes now had cool new outfits. Luke Skywalker (Jedi Knight) came equipped with a blaster and green lightsaber. Green?! All would be revealed… Luke also had a cool removable cloak. But the big news really, as revealed by the name lozenge, was that Luke was a Jedi. At last! A cool figure which I still have complete.
Princes Leia was in “Boushh Disguise”, including a removable helmet which was all very intriguing and looked great. Originally my sister bought all the Leia figures, I finally bought my own right at the end of the line in 1985. This meant that my own Leia Boushh is still in excellent condition.
Lando Calrissian (Skiff Guard Disguise) is an absolute classic action figure. Great design, another removable helmet – he was an early purchase in this wave. I still have mine complete.
Nien Nunb, Lando’s co-pilot on the Millenium Falcon, is a great looking figure. The character design for the movie is fabulous, and it carries over well to the toy version. Another lifelong favourite!
Again, I loved the Rebel Commando figure, because I love to build up troops! Over the years I managed to add a few duplicates to my collection, as you can see here in my Ewok Village Playset display.
When the first wave of Jedi figures were released, the card backs tried to hide some of the new major characters: of course, I’m talking about the Ewoks. Logray, the Ewok Medicine Man, and Chief Chirpa were both “blacked out” on the reverse to retain some mystery. I remember my Mum suggesting using an ink eraser to gently rub away the black covering. Believe it or not, it worked – kind of. Two ghostly shapes could eventually be seen, which in retrospect vaguely resembled Ewoks. I still have the card somewhere, so one day I’ll prove it!
Logray and Chief Chirpa are both complete, and I’ve got duplicates of each to fill out that Ewok Village I mentioned earlier.
The only Imperial characters in the first batch of figures were two of the best looking of the whole range: the Biker Scout and Emperor’s Royal Guard. The Biker Scout is just an awesome design, add him to his speeder bike (sold separately, I’ll add photos one day) and you have an iconic 80’s toy from one of the best scenes in the film. Even his blaster is ace (still got the originals).
Likewise, the Royal Guard is amazing, a flamboyant flash of bright red amongst all of the white and black Empire troops. I remember being really disappointed (as many others were) that the Royal Guards didn’t have a bigger role in the movie. Sadly, the figures staff has not survived.
Finally, we get to another of my favourite subsets of Star Wars figures: aliens. Return of the Jedi had a plethora of weird looking creatures in Jabba’s palace. The creature designers really did a wonderful job, letting their imaginations run riot, creating these thugs for the Hutt’s throne room.
First up was Bib Fortuna, with those bewildering tentacles emerging from the back of his head. A great figure, Bib is a really good example of how far the toy moulding had come. Bib has a removable cloak (just leave it on, please) and a redundant staff. Another figure that is unmistakably iconic.
Next, the Gamorrean Guard. Not as clever a design as other Jabba goons to my eyes, but never the less a great figure. I added a couple extra over the years, complete with weapon, to build up the pig palace guard.
Ree-Yees (the name came from his “three eyes”) is another odd looking character. Still, the species design has remained popular enough to show up in later instalments. I still have the gold coloured gun for this guy. It’s very Flash Gordon.
Squid Head is a far better design – I mean, what a brilliant idea! He’s a great figure too, accurate features and lots of soft goods accessories that make him an absolute must-have. Cloak, skirt and separate belt all add to the finished look. I have at least one without all the accoutrements, just for use as a background figure.
Klaatu (now known by his original ILM production name, Wooof – I’m not going into that here!) is an all time classic alien design. The species was used multiple times on ROTJ and other Star Wars episodes/series since. Awesome looking character, nicely rendered with that fur skirt.
Finally, we have Weequay – possibly my favourite of Jabba’s goons in the film. He just looks cool – and mean, with that unique stance/hand position for holding his staff. Great facial detail, too.
There are a lot of memories regarding these wonderful toys, if you’ve read this far, thanks for staying with me. That’s enough info for now, I’ll be back soon with a Part 2 to examine the next wave of Return of the Jedi action figures. For now, enjoy these amazing toys, and May the Force be with you!
Please note: all figures are original 1980s Kenner versions. All accessories are original.
It’s now November, and while Halloween is a distant memory for some, here it still lingers. Halloween Horror Fest was a blast, but it’s not quite dead and buried yet. There are a couple of spooky movies still to review for you lucky people. Gather round, ghouls – it’s time for…
House of Frankenstein (1944)
You just can’t beat the old Universal monster movies – I love ’em! Ideal easy viewing for Halloween – or any time, really!
In this picture, legendary horror master Boris Karloff plays Dr Niemann, a Mad Scientist if ever there was one, who escapes from prison with his hunchback accomplice. Together, they join a travelling horror side show curated by Professor Lampini, before eventually knocking him off. The remains of Count Dracula (John Carradine) are part of the show, and Niemann revives the vampire to help him wreak revenge on those responsible for his incarceration.
Revenge complete, the nefarious doctor abandons Dracula and makes his way to locate the records of Frankenstein. There, Niemann stumbles across both the Frankenstein Monster (Glenn Strange) and the Wolfman (Lon Chaney Jr), frozen in ice from their previous encounter in Frankenstein meets the Wolfman. With the Wolfman revived and his human counterpart, Larry Talbot, eager to receive aid from Dr Niemann, a rivalry between Talbot and the hunchback for the affection of a gypsy girl threatens to thwart all their plans.
It wouldn’t be Halloween without the monochrome delights of Universal monster movies, and this one is great fun. The only way to improve a monster movie is to cram in as many more monsters as possible, and House of Frankenstein does exactly that. Karloff and Chaney are wonderful, and though Carradine is no Lugosi, he has a charm of his own. It’s just a shame Drac isn’t utilised more fully here. That’s really my only complaint, other than the short running time.
The shared universe of the Marvel superheroes is a huge accomplishment nowadays; though it could be argued that Universal did it first: combining a bunch of their main horror characters into one movie. House of Frankenstein was certainly entertaining, a film I’ll revisit many times.
9/10
1408 (2007)
Based on a Stephen King short story I’ve never read, 1408 stars John Cusack as Mike Enslin, a professional paranormal investigator and writer. Enslin is somewhat jaded and definitely sceptical concerning his investigations of allegedly haunted houses.
When Enslin decides to investigate the infamous Room 1408 in a New York City hotel, he expects the usual non event – despite the manager (Samuel L Jackson) attempting to dissuade him from entering the room altogether. No one, the writer is warned, lasts longer than an hour in Room 1408.
Enslin enters the room, and slowly things start to happen. From witnessing ghosts of the room’s previous occupants to facing his own guilt and loss, Mike is increasingly trapped and tormented inside the hotel room.
It’s largely a one man show for Cusack, who does a solid job in his role as cynical writer turned haunted prisoner. The film has plenty of creepy, jumpy moments and unexpected twists. I’ve said enough, I don’t want to give anymore away – but I will say I was more impressed by 1408 than I expected to be.
7/10
There we go folks, Halloween Horror Fest is all over for another year. See you next time. Unpleasant dreams!
At last, some Hammer! My favourite horror film studio, Hammer Films are at their best telling a gothic tale, which is exactly what we get with Scars of Dracula. Some may find them dated, old fashioned, campy – I love these movies and the wonderful fantasy atmospheres they create.
In Scars of Dracula, we meet Paul (Christopher Matthews). Paul is a bit of a lad – he ends up bailing out of a young ladies boudoir and through a series of misadventures, finds his way to Dracula’s castle. The Count (Christopher Lee, of course) has been resurrected yet again, and together with his faithful assistant Klove (Patrick Trouighton) and vampire bride (Anouska Hempel), Paul’s over night stay becomes permanent.
But have no fear, Pauls brother Simon (the legendary Dennis Waterman) and his fiancée Sarah (lovely Jenny Hanley) decide to find Paul. It’s not long before they encounter the same spooky castle, with it’s creepy servant and menacing Count…
This chapter of Hammer’s Dracula series feels a little disjointed from the previous movies. It was obviously intended as a reboot, though despite some nods to the original source material it feels like a re-tread of all the old clichés. That said, the performances are good (Lee actually gets some dialogue here) and there’s plenty of Hammer atmosphere.
I haven’t watched Scars of Dracula for quite a few years, but I enjoyed more than I thought. There’s more to enjoy than I remembered.
8.5/10
The Werewolf (1956)
A great 50’s creature feature, The Werewolf follows the story of an American community threatened by a savage beast. We meet a lone man with no memory, who transforms into a monster when he’s attacked. The local law enforcement lock down the town and hunt for the creature, whilst those responsible – two scientists who are conducting wild experiments – want to erase the evidence.
This old B&W movie was lots of fun and despite a low budget, it’s well made. My only criticism is that the werewolf in question is a scientific creation, rather than supernatural – but that plays into the script well enough. The Werewolf was surprisingly good and an ideal Halloween watch for a lazy afternoon!
Platinum Al's Virtual Hot Tub 