Bryn Celli Ddu

The highlight of my family holiday to Anglesey, North Wales this year was my visit to the ancient burial chamber, Bryn Celli Ddu.

The island of Anglesey (Ynys Môn in Welsh) is famously associated with the druids and ancient Celtic society. Many prehistoric sites can be found dotted around the whole of the island, from standing stones to burial chambers such as this. These sites blend myth and legend with actual history.

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Bryn Celli Ddu dates back to around 3,000 BC, where originally it comprised of a henge –  consisting of a bank, ditch and circle of standing stones. This was replaced around a thousand years later by a mound concealing a tomb, with a passageway leading to the centre. On the summer solstice, light shines directly down the passage to illuminate the central chamber.

We were able to park nearby and took a winding path which eventually opened up into a field. There in the middle of the field was the unmistakable mound of Bryn Celli Ddu. We were able to explore the site, and enter the small passageway to the tomb in the centre of the mound, crouching somewhat to negotiate the low height.

Light seeped in through the entrance, and through a gap in the opposite side. Inside the confined space, previous visitors had left various mementoes of religious or magickal importance, such as feathers, coins and flowers.

There was definitely a feeling that we were somewhere special, somewhere that although we may not understand why, held great significance. We were stood right in the heart of history itself, surrounded by questions and mysteries.

Bryn Celli Ddu is a fascinating place to visit.  It made a huge impression on me, and I intend to visit similar sites in the future.  If you’re in the area, make sure you turn off the main road and follow your way to this ancient and magical site. 

Read more about Bryn Celli Ddu here.

Eddie & The Hot Rods – Album Review

Eddie And The Hot Rods – The Singles 1976 – 1985

Cherry Red Records

Release date: 14/10/2022

Running time: 2 hrs 13 mins approx.

Review by: Alun Jones

9/10

Yes it’s me again, sneaking in some more punk rock alongside your regular dose of Ever Metal.  Because variety is the spice of life, right?  Although tbh, some trainspotter’s gonna testify that Eddie and the Hot Rods aren’t punk, they’re “pub rock” or “new wave”.  Like I care. 

This compilation from Cherry Red includes 40 tracks over two CDs, full to the top of the pint glass with pub/punk/new wave from Eddie and the Hot Rods.  All the single A and B sides from 1976 to 1985 are squeezed in – in chronological order – leaving no stone unturned, to create a definitive journey through the bands career. 

Starting with the first 45, ‘Writing on the Wall’, and including numerous energetic cover versions like ‘Woolly Bully’, ’96 Tears’ and ‘Satisfaction’, it’s easy to imagine being in a packed pub rocking out to the Hot Rods.  These early tracks illustrate nicely how the band were really a revved up R’n’B band in the style of the Stones and early Who – just faster and even more gung-ho.  There’s a direct line here from the rebellious rock’n’roll of the MC5 – as evidenced by two collaborations with Rob Tyner at the end of disc one.

The punk association really blossoms with the superb ‘Teenage Depression’; it’s like Mick, Keith and the other three time travelling ten years into their future and being inspired by the Ramones.

The obsessive nature of this collection means we get three versions of all-time classic (and new wave comp standard) ‘Do Anything You Wanna Do’ (including the US single edit and live version from a B side).  It’s a good job it’s such a great song.

There’s a clue with that repetition where this compilation will find its audience.  For the die-hard fan or seasoned collector, it’s a handy collection covering all bases.  The booklet is perfect: details about every single and repro art of each record.  It’s far more than a “greatest hits” set, though, so may be too much for the casual listener. 

The last couple of tracks on the second disc suffer from heavy handed mid 80s production, but it’s quality stuff all the same.  Some will prefer to write the band off as coat tail riders, based on the boozy covers, but the sheer exuberance of the performances is addictive.  “The Singles 1976 – 1985” shows Eddie and the Hot Rods at their very best; the final product is so chock full of detail it’s a treasure.

Check out Eddie and the Hot Rods online, on Facebook and on Spotify.

This review originally appeared on Ever Metal and is now presented here too.

The Goners – Good Mourning Album Review

The Goners – Good Mourning

RidingEasy Records (Us/Them Group)

Release date: 13/03/2020

Running time: 41 minutes

Review by: Alun Jones

8.5/10

This little beauty threw off it’s shackles and ran for the hills, almost without me noticing.  I’m blaming the societal breakdown caused by Corona virus, obviously not an oversight on my part.  No, sir.  “Good Mourning” – the debut album from The Goners – was released back in March 2020; just before the world turned into a 1970’s Charlton Heston dystopian sci-fi movie.

The Goners are comprised of Nate Gone – formerly of Salem’s Pot – on vocals, with four dudes from Swedish rock band Yvonne.  “Good Mourning” is a throw-back to zoned-out good times and bizarro occult rock, with absolutely no regret the morning after.

First song “Are You Gone Yet” sets the pace nicely: fuzzy 60’s garage rock with a proto metal ferocity.  With the next track, “High, Low and Never In Between”, the Goners throw in more of their other specialty – 70s doom with groovy, care-free freak outs.

Wonderfully out of time, this retro feast also sounds totally now.  You can throw this on your portable music system and liven up any social gathering (so long as you stay far enough apart).  Press play and jump around all crazy-style to “Evil (Is Not Enough)” and “The Little Blue” – this is Black Sabbath if they were a Stones cover band.

Plus – and this seals the deal – a couple of fine, desert bleached songs in “Good Ol’ Death” and “Dead in the Saddle” that rattle with a dread atmosphere.  Absolutely essential for your next David Lynch/rockabilly/goth themed horror party.

“Good Mourning” by The Goners, then: if you’re a werewolf biker trapped in a cursed world you never made, but like to let your scraggy hair down with chicks from a Russ Meyer movie – this is for you.  Great cover art, too.

I’ve thought I was a goner myself, on a few occasions: most of them involving my old mucker Ozzy Osbourne.  One time, we were drinking in a golf club in LA and got thrown out, as you can imagine.  So, Ozzy decided to go for a joyride in a golf buggy, with me on shotgun.  He was flooring it, but we were only going at a jogging pace, so the golfers soon caught us up and were ready to brain us with their hitty-stick things.

All of a sudden, Oz drove the buggy over a hill and we toppled into a sand dune (bunker?).  We were lucky we were thrown clear and the buggy just managed to avoid crushing the pair of us.  The golfers took pity and consoled us with a nice brandy in the clubhouse.  Till the cops turned up, and dragged Ozzy and me off to jail.  The whole time, we were both wearing Sharon’s dresses.

Find The Goners on Bandcamp and Facebook.

Check out the RidingEasy Records website, or find them on Bandcamp or Facebook.

This review was brought to you by Platinum Al and Ever Metal.

Another Random Skateboard Playlist

Repetitive, moi?

I love lists.  These random playlists serve no purpose other than to remind me of music that’s buried away in my iTunes, waiting to be rediscovered.  One song leads to another; one band creates a ripple effect leading to another needing to be heard again.

I was out on the longboard this time, on a beautiful sunny afternoon.  I didn’t have long, however, before other commitments would tear me away.  Here are a few songs chosen at random by my iPod as the skate soundtrack that day.

  1. King Crimson – “Happy With What You Have to be Happy With”
  2. Senseless Things – “Watching the Pictures Go”
  3. Neck – “The Star of the County Down”
  4. Soul Asylum – “String of Pearls”
  5. Johnny Dowd – “True Love”
  6. Sonic Youth – “Creme Brulee”
  7. Siouxsie & The Banshees – “Christine”
  8. Siouxsie & The Banshees – “Peek-a-Boo”
  9. Nuclear Assault – “Live, Suffer, Die”
  10. Rolling Stones – “19th Nervous Breakdown”
  11. Shirley Bassey – “Reach for the Stars”
  12. Jimmy Eat World – “Cautioners”

Well, two different Siouxsie and the Banshees tracks, from different albums, one after the other.  Most strange.  Great songs, though.

I remember really enjoying the Stones track; the Shirley Bassey number was a bit out of the blue.  But then, random is what this game’s all about.

Till next time, groovers!