Random Longboard Playlist #2

On Sunday 2nd November I went out for a quick skate on my longboard.  Luckily the weather has been fairly warm and dry, meaning that a short skate trip was possible.  Usually at this time of year, it’s too cold and wet outside for cruising and carving.  That skate might be the last of 2014, as the pleasant autumn has now decayed into winter.

As is often the case, the iPod went on shuffle, and here are the songs that provided a soundtrack to skate.

  1. Napalm Death – “Blind to the Truth”
  2. Volbeat – “Our Loved Ones”
  3. Blaze Bayley – “Madness and Sorrow”
  4. The Offspring – “Killboy Powerhead”
  5. Curtis Mayfield – “Party Night”
  6. Alice Russell – “Living the Life of a Dreamer (Mr. Scruff Remix)”
  7. Rocket From The Crypt – “Normal Carpet Ride”
  8. Electric Light Orchestra – “Can’t Get It Out Of My Head”
  9. Smokey Robinson – “Being With You”
  10. Anthrax – “Imitation of Life”
  11. Buckcherry – “Broken Glass”
  12. Pink Floyd – “Wish You Were Here”
  13. Zombina & The Skeletones – “I Go Psycho!”
  14. The Clash – “Rock the Casbah”
  15. Screaming Trees – “Witness”
  16. Run DMC – “Can You Rock It Like This”
  17. Judas Priest – “Living After Midnight” 10366066_10152942352488714_5260061854670921576_n

Toyah – Live Review

Toyah

Saturday 27th August 2014

The Tivoli, Buckley

It was Saturday night, live music on at the Tiv from alternative 80’s legend Toyah – where was everybody?  The place was mostly empty!

Yes, it’s another live music review at Platinum Al’s Virtual Hot Tub – and this time we’re back to that old favourite, The Tivoli in Buckley.

I remember seeing Toyah Wilcox on Tiswas one Saturday morning, when I was about eight.  I thought she was cool (and a bit cute).  I’ve also seen Toyah live before at the Tiv, in the early 90’s when she appeared there with Girlschool.  So I got to hear a few of Toyah’s hits in a rocked up style, along with some Girlschool tunes and some covers (I remember a bit of Zeppelin in the set).

And many of my Virtual Hot Tub pals will also be aware of the time last year at Birmingham NEC Memorabilia, where I met the star in question.  She signed my old Official Toyah Annual and I grabbed a sneaky photo.

You can probably imagine that I was quite stoked to hear that Toyah would be performing just up the road in Buckley.

The date for the gig had been changed previously, so maybe this re-scheduling was to blame for the low turn out.  The Tiv was about a quarter full, prompting Toyah herself to declare “It’s like playing a private party!” – she was far from disheartened.  Toyah was in fine voice and full of energy, bouncing around on the stage.  Between songs, there’s a brief introduction which really does make the whole gig a very intimate experience.

Obviously we get the established songs: “It’s a Mystery”, “I Want to be Free”, “Be Proud Be Loud Be Heard” and many more.  Plus there are some welcome covers such as “Rebel Yell” and “These Boots Are Made for Walking”, which fit in really well with the more expected numbers.  The band are also very impressive and the whole performance is professional, but down to earth.

It’s over far too soon.  Despite a small audience, it was a great gig with a relaxed atmosphere.

The Misfits – Gig Review

The Misfits

Thursday 26th July 2014

The Live Rooms, Chester

Way back in 1988, as a young skateboarding rapscallion, I bought a vinyl copy of The Misfits album “Walk Among Us“.  I’d heard Metallica’s cover of “Last Caress” and decided to invest in some tunes by the group.  It was a gamble – I had no idea what the rest of their music sounded like.  Neither “Last Caress” nor “Green Hell” were featured on that particular platter.  Nevertheless, I decided to hand over my saved up dinner money to try it out, after some deliberation.

That was one of the best decisions I have ever made.  “Walk Among Us” is, quite simply, one of the best records ever, of any genre.  Any initial trepidation I had was annihilated as soon as the furious pace and sing along vocals were heard.  My ears were opened.  It didn’t hurt that all the songs were about cheesy old B-movies, either.

So imagine my delight when I heard that The Misfits would be playing in Chester, only a few miles from home.  One of my favourite bands ever, so close – there was no way this gig was going to be missed.  I bought tickets immediately.

OK, so Jerry Only is the only (see what I did there?) original member performing under The Misfits name.  No Glenn Danzig, no Doyle.  Even though I’m a huge Danzig fan, I wasn’t going to be precious.  This was a momentous opportunity. images

Besides, there’s Dez Cadena on guitar, who has a fine punk rock pedigree from his time in Black Flag.

So disbelievers be damned, The Misfits gig was on!

I missed the support band though.  Sorry.

The Live Rooms was previously a comedy venue, now it’s showing bands.  It’s a cool venue and worth keeping an eye on to see who to expect.  On this night, the place was absolutely packed out with all manner of black clad loons, anticipating the arrival of the legendary Misfits.  I certainly felt excitement in the air.  Everyone seemed to be hyped up for this gig, me included.  After all, a band like The Misfits playing in these parts is pretty much unheard of.

So the band arrive on stage and are welcomed like all conquering heroes.  As I was stood there, I couldn’t really believe I was experiencing this in person.  The Misfits – here and now, churning out monster hit after hit.  I’m sure others felt the same.

They start with some great tracks from the most recent album, “The Devil’s Rain“.  We also get a smattering of songs from the 90’s era of the band, with “Scream!” a real stand out.  I dig these Graves era tunes, and most of them hold up really well, even against the old Danzig classics.  Only does a fine job of howling out the vocals whilst thundering along on the bass too.

Those old tracks certainly bring a smile though.  “She”, “Bullet” and “Where Eagles Dare” practically tear the roof of the place.  But when we get to gems from “Walk Among Us“, I’m as happy as Bela Lugosi on 31st October.  “Vampira” is probably my favourite Misfits song, so a treat to hear that.  We also get “Hatebreeders”, “Astro Zombies”, “20 Eyes” – the list goes on. Misfits-promo13c

In fact it’s amazing how much material the band get through.  They play a nearly two hour set, and bombard the audience with song after song.  There’s barely a breather between each track.  The Misfits play fast and intense.  All credit to drummer Eric Arce – the Devil knows how he keeps up the relentless pace.  The audience respond with slam dancing/mosh pit craziness like I’ve not witnesses for many a long year.  It will be interesting to see whether the management have second thoughts about booking similar bands in future…

Our only down side  this evening is the sound, which isn’t the best.  From Jerry’s side of the room, where I’m standing, the guitars at the opposite side are frequently lost.  Cadena’s vocals are largely inaudible.  There was a story going round that Dez was suffering with a throat infection, hence why we get a roadie singing the (very good) Black Flag cover.  When we can hear Dez, he’s great.  Still, seems to me like there was some issue sound wise here, though.

The Misfits are exactly what I expected, and that’s fine by me.  From the dry ice enveloped opening, through raucous punk rock and over the top delivery, this is what I paid my money for.  More than just delivering the goods though, The Misfits were genuinely exciting to see.  I’ve seen novelty bands before and while they were fun, they were nothing like this.  This isn’t a tribute band, it’s a well honed, obliterating machine.  It drags us through all eras of The Misfits’ revered history and leaves you grateful to have been a part of it.

Absolutely phenomenal.  Thank you Jerry, Dez and Eric.  Long live The Misfits!

Please check out the Live Rooms soon – if they’re going to support bands like this, you need to support them!

The Misfits web page is here.

The Live Rooms web page is here.

Chester Rocks 2014

Chester Rocks

Saturday 7th June 2014

Chester Racecourse

I went to the first Chester Rocks festival at the Racecourse back in 2011.  The main reason for this was to see the living legend, Godfather of Punk, Iggy Pop.  With the Stooges, no less.  Performing songs from (one of the greatest albums of all time) “Raw Power”!  That was not to be missed, not when Sir Iggy and pals were playing so close to home.  Also playing on the day were attractions such as Feeder and Leftfield – so a bargain of a day out right on my doorstep.

That was the “rock” (as in “Chester Rocks”) day.  The previous day had seen a pop theme with McFly, The Saturdays, Sugababes and some geezer called Taio Cruz (is that how you spell it?  How the flip do you say it??!).  Our rock day saw glorious weather and a fun day out, and the consensus was that this event would be a great annual fixture, should we see more of the same in the future.

Alas, Chester is a city (small C) with no culture.  No cinema, no theatre, few options for live music.  Culture, in Chester, is thousands of drunken, vomiting Hollyoaks wannabes watching horses run round a field.  And so, alas, Chester opted to jettison the “rock” for the far more lucrative teeny bopper pop market.  Chasing the dollar won out, though Rocks was retained as a (somewhat inappropriate) name. CR1

This year, I was lucky enough to be offered a couple of free tickets for the Saturday, and happily snapped them up.  Although none of the bands were favourites, it was a chance to enjoy a day out and see some live music.  So why not?

The featured acts – three big name bands, plus local support – were all on the big main stage on the field.  Quite an impressive place for the smaller bands to play.  The only negative was looking to be the weather – a thunder storm that morning with more forecast for that evening.

The first band I caught were local Chester band The Suns.  I’d never seen them before, but had heard some good words in advance.  I was expecting some friendly, straight forward Indie, but they were very different.  Taking to the stage in black suits, with a vocalist with a massive beard, they actually sounded more like a rockabilly band.  Oh wait – I get it!  Sun Records – The Suns?  Bloody marvellous!  The rumours are true, The Suns are fantastic.  Full of swagger and charm, they’re like The Hives if they’d been formed in 1956 by Elvis, Cash and Perkins.  Catch them soon.  Band of the day and no mistake.

Next up were The Fallows, another local band.  Coincidently, I had seen this band before at my previous visit to Chester Rocks.  Back in 2011, Shaun Ryder had disgraced himself with an incompetent, puked-up set of utter shit.  I wandered off to see a Battle of the Bands in another area, where I found The Fallows making Ryder look like a lager chimp.  Four years later and The Fallows are on this huge main stage.  They’re still great.  The singer has obviously been to Indie School, where he majored in Richard Ashcroft; but fair does he’s got the balls to superstar it up, way up there.  There are hints of U2 and The Verve, and the rumbling bass helps make this set another success. CR2

Purge are next.  Never heard of ’em, but they had to be on soon, judging by the number of punters wearing their t-shirts.  They brought the whole fan club.  Hailing from Manchester,   these guys are more of an early RHCP/Primus hybrid.  Bring the funk!  Good fun, these boys have tons of confidence and are worth keeping an eye on.

Before Purge’s set began, we had a fine example of the type of punter Chester Rocks attracts.  Purge fans were waving a huge, home made blanket banner – and a group behind who had their view obscured were unhappy.  So riled were they, they barged in and grabbed the banner down and made off with it, in an eruption of petulant self-righteousness.  Obviously they don’t go to gigs much.  Can’t see?  Move.  It’s a big fucking field.

The main bands of the evening were The Hoosiers, The Feeling and Razorlight.  Can’t say I’m familiar with any of them.  It’s light weight, inoffensive Indie pop – though it all seems to blur into one another.  A couple of songs I recognised from DFS adverts.  They’re all enjoyable and nice enough.  I don’t really want to say a bad word about any of the bands, as despite the rain, it’s a jolly day.  I won’t be buying their music, but for a free evenings entertainment I ain’t complaining.

Just think how cool it could have been though.  From Iggy Pop to Hollyoaks.  Where next?

Another Random Bike Ride Playlist!

A cheeky little playlist from a few weeks back.  You know the score: hit shuffle, see what music provides the soundtrack for my bike ride.  This adventure was around fifteen miles.

  1. GBH – “Do What You Do”
  2. Revolution Mother – “Runaway Train”
  3. The B-52s – “Mesopotamia”
  4. Big Black – “Bad Penny”
  5. Jimmy Sabater – “La Flauta”
  6. Elton John – “Circle of Life”
  7. Big Chief – “Cop Kisser (Mack Fucks Up the Scene at the Freezer)”
  8. Kenny Rogers & The First Edition – “Heed the Call”
  9. Mudhoney – “In My Finest Suit”
  10. Queen – “Bijou”
  11. Machine Head – “Hallowed Be Thy Name”
  12. Ugly Duckling – “Smack”
  13. The Yardbirds – “Evil Hearted You”
  14. Audio Bullys – “Take You There”
  15. Ramones – “Poison Heart”
  16. PJ Harvey – “Down by the Water”
  17. Mikis Theodorakis – “Fragosiriani”
  18. Living Colour – “Ignorance is Bliss”
  19. Slash – “Doctor Alibi”
  20. GangStarr – “You Know My Steez (RMX)”
  21. Kiss – “Comin’ Home”
  22. Corrosion of Conformity – “Loss for Words”
  23. Iggy Pop & The Stooges – “Consolation Prizes”
  24. Public Enemy – “Can’t Truss It”
  25. Revolting Cocks – “Prune Tang”

Electric Eel Shock – Gig Review

Electric Eel Shock + Saltwater Injection

Thursday 1st May 2014

The Compass, Chester

Finally – Chester is building up a few venues to see some live music.  Forget the joke that is Chester Rocks (LOLZ! etc), there is a light at the end of the tunnel.  On a quiet Thursday night at the start of May, that light was Electric Eel Shock.

The Compass is an older pub/venue just outside the City centre, now reborn with a new name.  I paid a measly £9 to get in and see three bands.  Have a few drinks, rock out on a school night.  What could be better?

The first band up were a local band in a pop punk vein.  I have loads of Descendents and SNFU albums, but that whole Sum 41 thing ain’t my scene.  The kids could play, but not on my shift.

Next up, we have another local band – Saltwater Injection.  A two piece, you may be fooled into thinking White Stripes, before the noise starts.  No chance – think more early Bleach-era Nirvana spitting out Black Flag covers, you’ll be more on the map.  A great set, these guys are worth keeping an eye out for – Hardcore punk and a nice line in political scorn as well!

Funny thing about The Compass – upstairs is pretty small.  And on this night at least, the back half of the room is closed off.  So when Electric Eel Shock erupt onto the stage, it’s like having three tiny Japanese Metal demons go bananas in your living room.  EES rock the place like they’re headlining Wembley Stadium – standing on monitors, waving the mic stands at the audience for sing alongs, throwing the horns.  And the drummer is naked except for a sock to cover the family jewels. EES

Musically, it’s Hard Rock/Heavy Metal in the traditional sense – some Maiden, some Lizzy, some AC/DC, a little G’n’R; with a liberal dash of punk energy.  It’s all the classic rock bands you love in a new, crazy head-banging package.  The only song I’m familiar with (“Goodbye Peach”) is nowhere to be heard, but no matter – there’s plenty of new rocking anthems to meet and greet.

The set includes a few covers: Electric Eel Shock’s takes on “Paranoid” and The Halen’s “Hot For Teacher”; plus The Wurzels’ classic “I am a Cider Drinker”!  What the living fuck??!!  Believe me, this song works!

Electric Eel Shock deliver one of the most bonkers – and fun – gigs I’ve seen in a long time.  It’s full-on good time rock’n’roll.  The audience love it, the band love it.  Check out EES if you can, and if you’re in Chester – The Compass needs to be on your list of places to visit.

The Compass website is here.

Follow Electric Eel Shock on Facebook or follow them on Twitter: @eel_shock

And follow Saltwater Injection on Twitter: @SaltWaterInject

Random Longboard Playlist

A longboard is, for those who don’t know, a skateboard.  A very long skateboard.  It’s great for just cruising around on, carving, getting a little speed.  Recently I went for a skate on my longboard, and hit shuffle on Ipodicus.

I was rewarded with the following soundtrack.  The random tunes varied across numerous genres and kept surprising me as I rolled around.

  1. AC/DC – “This House Is On Fire”
  2. Television – “Prove It”
  3. Thin Lizzy – “Mama Nature Said”
  4. Kool & The Gang – “In the Hood (Beat System Remix)”
  5. Pixies – “Tame”
  6. Dead Kennedys – “Hellnation”
  7. Weezer – “Run Away”
  8. Syd Dale – “Disco Tek”
  9. Black Flag – “Out of This World”
  10. El Cabrero with Pedro Bacan – “Con Tristeza Y Con Locura”
  11. Volbeat – “Magic Zone”
  12. Robert Johnson – “Cross Road Blues”
  13. Queen – “Made in Heaven”
  14. The Monkees – “Words”
  15. Public Enemy – “Incident at 66.6 FM”
  16. No Doubt – “Don’t Speak”
  17. Yomanda – “Synth and Strings”
  18. Viking Skull – “Beers, Drugs and Bitches”
  19. Hysterica – “Devil in Me”
  20. Discharge – “The Nightmare Continues”
  21. Camarosmith – “Choker”
  22. Britney Spears – “Boys”

There you go – some interesting choices from Ipodicus there.  The highlight was Syd Dale, that is a tune!

If you’d like to read more about my longboard, you can check it out here.

New Year – New Playlist: Part 3

The last few songs…

OK, so I know it’s not even New Year any more.  It’s almost May.  But we’ve only just got round to finishing off this A – Z playlist game, so I’m posting it no matter what.

The idea was to play one song by an artist, moving alphabetically through the iPod list.  No repeats.  This time however, we had to repeat the artist – as there’s only one band in my iTunes beginning with X.

  • Al: Van Halen – “Panama”
  • Ness: Vile Valo & Natalia Avelon – “Summer Wine”
  • Al: Waylon Jennings – “Theme From The Dukes of Hazzard”
  • Ness: Weezer – “Hash Pipe”
  • Al: X-Ray Spex – “Identity”
  • Ness: X-Ray Spex – “The Day the World Turned Day-Glo”
  • Al: The Yardbirds – “Shapes of Things”
  • Ness: Yes – “Owner of a Lonely Heart”
  • Al: Zodiac Mindwarp & The Love Reaction – “Prime Mover”
  • Ness: Zombina & the Skeletones – “Your Girlfriend’s Head”

That’s the end, sorry it took a while to finish the list off!

The can read Part 1 here.

And Part 2 is here.

Essential Tracks – Nirvana

“Essential Tracks” is a new Music section at the Virtual Hot Tub.  In this ongoing series, I’ll be picking my favourite tracks from a particular artist.  Here’s the very first instalment.

Nirvana – the Top 20 Songs

Sadly, 5th April marks twenty years since the death of Kurt Cobain.  It seems somewhat unreal that so much time has passed.  I remember buying Nevermind as soon as it came out in 1991.  I remember hearing about Kurt’s death when it was announced.  Such a great artist and unique, complex music.  This is a list of my favourite Nirvana songs.

20. Come As You Are

A great song, over familiarity has probably knocked this track down the table.  Find it on Nevermind.  As a point of interest, my old band used to cover this.  We performed it live on the second anniversary of Kurt’s death; it received a warm response.  At that point (in the pre-internet) we hadn’t realised the significance of the date, it had been a coincidence.

19. You Know You’re Right

From the Nirvana compilation.  Awesome song – classic Nirvana soft/heavy dynamic.

18. Been A Son

My version of this song is from the Incesticide album.  Fast paced, a catchy melody – and lyrics worth the time to listen to.

17. Lithium

One of the classic Nevermind songs, this has a fantastic sing a long chorus that shows Kurt’s ear for a fine tune.

16. Serve the Servants

Opening track from the superb In Utero album, I’ve surprised myself that I haven’t placed this song higher in my own list.  Love it.  “Teenage angst has paid off well, now I’m bored and old”.

15. Negative Creep

Absolutely brutal riff.  One of the heaviest, punkiest songs in the Nirvana catalogue.  Perhaps something of an early Melvins influence here, probably some Black Flag too.  You can find it on Bleach.

14. Molly’s Lips

Out-standing cover version of a Vaselines song, on the Incesticide album.  Unbelievably  poppy despite buzzing guitars, it’s a blueprint that Cobain adopted and mastered.

13. Territorial Pissings

Another hardcore punk attack, though Territorial Pissings still retains a melody despite the speed and fury.  Awesome instrumental break and reliably quotable lyrics.  Nevermind again.

12. On A Plain

It’s really hard to select the best songs from an album as indispensible as Nevermind, but I remember this track always stood out for me.

11. All Apologies

This gem doesn’t get in the Top Ten?  I know, ridiculous, right?  It’s on In Utero and there’s a pretty cool version on the MTV Unplugged set, too.

10. Sliver

We start the Top Ten with a great pop tune that, incredibly, wasn’t on the major releases.  You can pick it up though, on Incesticide – and I suggest you do.

9. Something In The Way

This song and Polly offer some quieter, haunting moments on Nevermind.  When we get to the chorus and the cello comes in, it’s heart break time.

8. Pennyroyal Tea

Like quite a few of Kurt’s songs, Pennyroyal Tea sneaks in quietly before launching into different territory.  Brilliant song from In Utero that demonstrates perfectly the melding of melody and mayhem in the best Nirvana tunes.

7. About A Girl

An early hint of Kurt Cobain’s ability to create a beautiful pop song; it’s no surprise that he was a huge Beatles fan.  Find it on Bleach, there’s also a killer version on MTV Unplugged.

6. Francis Farmer Will Have Her Revenge on Seattle

“I miss the comfort in being sad”, quiet/loud/quiet/loud; great riff.  Wonderful track from In Utero, complete with scathing lyrics.

5. Scentless Apprentice

Dun-dun-der-der! D-der der d-der d-der!  Do I really need to say more?  So heavy.  It must have scared the Indie scenesters to death.  Run for the hills, Indie scenesters!

4. Where Did You Sleep Last Night

A cover of the Leadbelly song, found on the MTV Unplugged album.  Kurt sounds truly agonised on this exceptional song, though it retains it’s beauty.

3. Dive

Apparently written as a Soundgarden style song, in an effort to appeal to their label Sub Pop and get signed.  It should come as no surprise, however, that Kurt – a huge Black Sabbath fan – would be able to create a riff as heavy as this.  Heavy like a brontosaurus breaking rocks.  With a big fucking hammer.

2. Smells Like Teen Spirit

This is the big one.  Iconic, revolutionary – but Nirvana’s best song?  I don’t think so.  Not to deny it’s power, maybe I’ve just heard it a little too much.  Still great though.  It’s on Nevermind, but you knew that, right?

1. Heart Shaped Box

Allegedly, Courtney Love heard Kurt writing this song, loved the immortal riff, and asked if he would donate it to her.  Kurt declined, and apparently locked himself in a cupboard to finish it off.  The quintessential quiet/loud dynamic.  Utterly unforgettable.  This, for me, is Nirvana’s best song.

So there you go – my Top 20 Essential Nirvana songs.  And I didn’t mention the word “grunge” once.

Compiling this list was much more difficult than I anticipated.  I was forced to leave out some absolutely classic songs; like In Bloom, Rape Me, Aneurysm and Nirvana’s amazing cover of David Bowie’s The Man Who Sold The World.  There are others, too.

I reserve the right, in all Essential Tracks posts, to revise my thoughts at a later date.  Already, I’m thinking that Scentless Apprentice should’ve been number 1.

Dun-dun-der-der! D-der der d-der d-der!

Classic Albums

I was aiming to do one of these Classic Album posts every month.  This is February’s…  These posts are dedicated to the timeless, irreplaceable classics of my music collection.

2. Sex Pistols – “Never Mind the Bollocks, Here’s the Sex Pistols”

By 1988 I was looking for something new, music wise.  I had trawled through loads of heavy metal, thrash metal and hardcore, and a lot of it was getting somewhat stale.  The next step to explore was looking like Motley Crue and WASP.  Luckily, something else came along instead.

I’d heard a Sex Pistols song on a late night rock show on the radio.  I’ve never been one to listen to the radio much.  However, when I heard “Anarchy in the UK”, I thought – that sounds great!  Guitars right up front screaming in your face and tons of energy.  The song stayed in my head and I considered saving up a few quid and making the Sex Pistols album my next purchase.  It would be quite a departure from a great deal of my other music; but with punk rock all over Thrasher magazine and skateboarding generally, it seemed the obvious choice. 136184.jpg SP

So I went into Penny Lane Records in Chester a couple of weeks later, and I bought the cassette.  The cassette!  Unbelievable.  One advantage was I had my Sony Walkman with me and could listen to it straight away.  What should I expect though?  My research had yielded a huge amount of scorn for the group – they couldn’t play, couldn’t sing, they were offensive.  Would the tape just be a horrid cacophony of unlistenable noise?  I pressed play.

I heard the jackboot march intro of first track “Holidays in the Sun” and then the music began.  Far from the despicable noise I’d been warned about, I found (much like “Anarchy…”) a sound that was thrilling, exciting, new.  It was rock music, but it was fast and intense and I knew this was what I had been looking for.

“Bodies” followed, and that song is even more exhilarating than the first.  A few rude words though, so don’t play this without headphones.  “God Save the Queen” was a total revelation – anti-establishment hatred wrapped up in the greatest rock riff ever.  Pure genius.  I’d never heard sentiments like that expressed in any form of popular culture before, and I loved it.  “Pretty Vacant” was actually very catchy, not in the least bit talentless noise.  And “Submission” was a change of pace – showing again that the Pistols were not one trick conmen.

Not all of “Never Mind the Bollocks…” is perfect.  I’ve never been a huge fan of “Seventeen”, for example.  Still that song is better than most bands manage in an entire career.

The music doesn’t sound shocking in this day and age, but lyrically we’re dealing with some raw stuff.  What a joy to behold in a Simon Cowell possessed world.

I ended up getting rid of the cassette and buying the album on vinyl later on.  I’ve still got it.  Of course, I then had the CD also.  I listened to it recently on my iPod and it still sounds fantastic.  Quite simply, every home should have a copy of this record.  “Never Mind the Bollocks…” is still, quite possibly, my favourite album of all time.  It opened my eyes (as well as ears) to something different.  It taught me that exploring music, even music that you might be concerned isn’t for you, will provide great results.

Don’t be afraid, try something new.  And listen to the Sex Pistols with the sound cranked up.  Because we still need to think differently, develop our own opinions, and be open minded.  That, ladies and gentlemen, is punk rock.

Sex Pistols – Never Mind the Bollocks, Here’s the Sex Pistols

  1. Holidays in the Sun
  2. Bodies
  3. No Feelings
  4. Liar
  5. God Save the Queen
  6. Problems
  7. Seventeen
  8. Anarchy in the UK
  9. Submission
  10. Pretty Vacant
  11. New York
  12. EMI

Best tracks: God Save the Queen, Pretty Vacant, Holidays in the Sun, Bodies, Submission, Anarchy in the UK

Other cool points: one of the most iconic album covers of all time.

Buy this classic album here.