Author Archives: platinumal

GBH – Gig Review

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GBH + Stuntface + Bogans

Saturday 20thJuly 2024

Buckley Tivoli

Well, The Tiv managed to do it again! Another legendary band enticed to play this great venue in Buckley, North Wales. The list of classic bands who’ve played at the Tivoli Venue over the years is, quite frankly, ridiculous. This time, renowned Birmingham punks GBH were our headliners. Trust me when I say, I snapped up a ticket as soon as this show was announced.

Leading the charge this evening were Bogans, from up the road in Wrexham. Sadly I missed them, but have it on good authority that the band were great. I’ve checked out their tunes online and this is true. Shame I didn’t get to see ’em, their hardcore punk with melody would’ve been a fine way to start.

Next up were resurrected Wrexham punk rockers Stuntface – brought back to life with some kind of bizarre voodoo ritual, it would seem. Their super fast merging of classic UK punk (UK Subs, Vice Squad) and US hardcore (Misfits, Cro-Mags) was a rousing, WOAH-OH chorusing, adrenaline soaked set. Great fun and so good to have them back.

GBH playing at the Tiv was a no brainer for me. I’ve owned their records for well over 30 years, but never seen ’em live. And get this: an early bird ticket cost me just £12! Now that is just crazy, and makes very good financial sense to an old miser like me. Thankfully this wasn’t a budget set: GBH ran through a mighty wedge of their back catalogue with all the fire and fury of a band of whippersnappers.

Song after song, it was relentless. I checked my watch and was stunned that they’d only been on stage for half an hour, so intense was the setlist. “Sickboy”, “Momentum”, “Wardogs” and more raced past with barely a break between songs. “City Baby Attacked By Rats” was a much welcomed highlight, before the night ended with GBH covering the Motorhead classic “Bomber”.

The full GBH set was, of course, much longer than half an hour – cram packed with fantastic songs from right across their career, it was extremely good value for money. Twelve quid well spent, but I’d have happily paid a lot more to attend this gig. Simply unmissable.

Anti Racism Poem

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My daughter, Eloise, is nearly 14 years old. I like to feature some of her writing on my blog whenever I can, because I think she’s a very talented writer. And others seem to agree: when I post something she’s written, it’s far more popular than one of my own compostions.

Recently, Eloise was given homework to write a poem about racism. You can read the result below. Yet again, I think she’s done a fine job.

Anti-racism poem

As the praying people look up, the moon looks down. Nothing said but a silent frown.

Companies advertising equality encouraging people constantly.

Genuine people keep the smile alight – while unfortunately others feel the need to cause spite.

Souls with such impacting power, sometimes kept quiet to the size of a flower.

What everyone should learn after all, is that nobody should feel so small.

No matter religion or race, our thoughts shouldn’t be kept apart.

Because the best people have empowered hearts.

Eloise Jones aged 13.

June 2024.

Comic Con Mania – Chester

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Comic Con Mania Chester

Saturday 6th July 2024

Chester Racecourse

There nearly wasn’t a Comic Con in Chester at all this year. Then suddenly, Monopoly Events swooped in and saved the day, in true caped crusader style. In the new guise of “Comic Con Mania” – which appears to be a series of smaller conventions across the country – the plans were back on.

With only a handful of celebrity guests and smaller space for merch stalls than some of the bigger cons, Chester was a refined affair. But I felt there was a good atmosphere, a sense of a local event that defied the odds and was determined to put on a good time.

Daughtertron and I decided to venture to Chester Racecourse and check things out. It had been two whole years since we last visited a convention in Chester – with this event happening right on our doorstep, it was a safe bet for an afternoon’s entertainment.

There were guests from Star Wars and Red Dwarf in attendance (and I really should’ve got an autograph from Mike Quinn, aka Nien Nunb in Return of the Jedi). But Daughtertron and I were happy exploring the stalls and finding some bargains to take home. I got a load of Marvel comic books. Now you’d think finding comics at a comic convention would be an easy task, but surprisingly I draw a blank at many cons.

Of course there were some fantastic costumes being worn by talented people, wandering all round the place. The Cosplay on view was really impressive as hopefully you can see from my photos here. Thanks to all of those who allowed me to take their photo, you’re very kind. I hope these pics do some justice to the time you’ve spent creating these outfits.

Comic Con Mania Chester was on a smaller scale than some of the bigger cons we’ve visited recently. Not surprising really, with another event happening not too far away in Aintree the next day – this may have impacted numbers and traders attending.

In my personal view, I had a fun few hours at Chester, it seemed well organised and it was a warm, friendly event. I’m looking forward to more in the future.

N.E.W. Metal Productions Alldayer

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N.E.W. Metal Productions Alldayer  

McLean’s Pub, Pentre, Deeside 

08/06/2024 

Live review by Alun Jones 

Photos by Rachel Sian Photography 

Following in the wake of Pentre Fest earlier this year, McLean’s Pub in Pentre, Deeside North Wales was again the home of a bunch of raging metal/rock bands for a day. The good chaps at North East Wales Metal Productions held one of their fantastic alldayers, featuring several bands from all over, gracing up with their magnificent music. 

Sadly, a couple of bands couldn’t make it on the day. I was gutted that Master Charger dropped out (great band), and also The Human Condition have sadly decided to call it a day. But never mind, we soldier on, and there was plenty of music still to enjoy. 

Kicking things off in good style was Victim of Damp, aka Frank – a long-time supporter at NEW Metal Prods events. VOD opened with some lovely Pink Floyd acoustic guitar, before launching into a rousing set consisting of amusing anecdotes, shots of booze for the crowd, and sing-a-long humour. And yes, Bean’s car is still full of shit. 

Check out Victim of Damp on Facebook.

Any Given Reason were on stage next, a six headed monster of a band with two (two! Count ’em!) vocalists. Neither vocalist stayed on stage for long, preferring to take their brand of in your face metalcore right out into the audience. Great musicians too, giving us prime chunky riffs with dynamic skills. One to watch for, AGR are very entertaining with a super confident delivery all round. 

Any Given Reason on Facebook.

All the way from Belfast, Northern Ireland, to good ol’ Deeside were Nomadus – on the last date of their tour before returning home. If they were tired, it didn’t show at all – these guys are a devastating live band that left us all exhausted. A powerful combination of groove and thrash metal, with songs that are mature and progressive, make sure you see Nomadus live whenever you can. 

Nomadus on Facebook.

Surprise of the day was Crisis, who I was embarrassingly oblivious of. I was tipped off that Crisis were a NWOBHM band, which was true but doesn’t explain enough. The bands playing was razor sharp, and the songs varied from aggressive rockers to more epic, expansive numbers. This ability to let the songs breathe and grow, explore ideas and still remain in musical control set Crisis apart. If Iron Maiden were a Rush covers band, they would be Crisis.  

Crisis on Facebook.

There’s been a bit of a buzz about Warlockhunt recently, so I was very happy to finally get to see them. This band are unlike anything else: a three-piece consisting of two bass players (one singing) and drums. It’s the gloomiest of treacly doom metal decorated with beautiful, ethereal female vocals, like a dark fairy tale that may not end happy ever after. Doom pop, anyone? It’s enthralling stuff: I loved it and you need to check them out asap. 

Warlockhunt on Facebook.

Finally, our headliners for tonight, the mighty Scarfoot were back, and justly bumped to top of the bill. These guys were not fazed at all, powering through another set of intense stoner rock with a hint of grunge (at least to my ears!). The electric steel and 12 string guitars lend Scarfoot a characteristic edge, but the whole band pounding away is like Godzilla knocking at the front door. As well as being joyously heavy, Scarfoot’s songs are also epic and engrossing. Scarfoot did a superb job and closed the evening with conviction. 

Scarfoot on Facebook.

Variety was the secret spice for tonight’s event at McLean’s. Each band offered something unique and each played their hearts out. A thoroughly enjoyable event, thanks to all involved. If you couldn’t make it, readers – please try next time: nights like this need your support. 

N.E.W. Metal Productions on Facebook.

This review presented to you by Platinum Al and Ever Metal.

Ancient VVisdom – Album Review

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Ancient VVisdom – Master of the Stone

Argonauta Rcords

Release date: 26/01/2024

Running time: 31 minutes

Review by: Alun Jones

9/10

Ancient VVisdom have never graced my ears before, so I was very keen to dive into their latest creation, “Master of Stone”, and share with you, good reader, my thoughts.

The band burst forth with ‘Sold My Soul to Satan’, which bounces along with a hook-riddled riff and captures the listener from the get-go. This song nicely encapsulates the style and theme for the album with absolutely no mercy. It’s a head banging, fuzz drenched rocker that’ll drag you along like a tin can hanging from the back of Lucifer’s wedding hearse.

That opener wasn’t a fluke, either: ‘The Adversary’ and ‘The Apollyon’ are both infectious blasts of hard rock with an air of the strange and arcane. The next track, ‘World’s Demise’, is a stomping, eerie acoustic number – all of a sudden Ancient VVisdom sound like Satanic troubadours heralding the end of the world. It’s a dramatic and clever display of skill and variety of musicianship.

If that acoustic approach reminded me of New Model Army, then ‘Ashes from On High’ is the most Metal track here. It chugs along like Slayer playing a retro style Sabbath cover. Brothers Nathan Opposition and Michael Jochum have obviously studied the masters well. If you like old school doom rock, maybe some Type O Negative and Danzig, right on up to modern scene stealers like Uncle Acid and the Deadbeats and Green Lung, you’re bound to love this album.

With songs that are catchy and memorable, and also dripping with a melancholy other-worldliness, ‘Master of Stone’ is a fantastic album. The only true wisdom is in knowing you know nothing. This may be true in my case, but Ancient VVisdom are here to educate us all.

Find out more about Ancient VVisdom on Facebook, Instagram and Spotify.

This review is brought to you by Platinum Al and Ever Metal.

Green Goat – Album Review

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Greengoat – A.I.

Self-released

Release date: 26/01/2024

Running time: 38 minutes

Review by; Alun Jones

8.5/10

Opening with a Bladerunner-style synth led track that features a spoken word delivery of Asimov’s Three Laws of Robotics, is a bold (and different) move for a Stoner/Doom band. In a genre where, thematically, we’re usually content to contemplate the joys of weed consumption and the mysteries of the occult – usually via a 1970s Hammer horror aesthetic – this sci-fi launching point is a welcome breath of fresh air.

This is where we enter the album “A.I.” by Spanish doomsters Greengoat. It’s a great band name, and one that harks back to those pot and patchouli, candles and Peter Cushing tropes we’re used to. But ‘The Void’ takes us on a different tangent, with the Rutger Hauer voice over. Second track ‘The Seed’ takes this mellow intro and runs with it, till 30 seconds in – yes, it’s big fat chunky riff time! And what a big, fat chunky riff it is – slow and grinding, developing an irresistible groove with the drums dropping in, eventually exploding into a full force rocker.

The line-up of singer/guitarist Ivan Flores and drummer Ruth “Kalypso” Moya invoke a moody soundscape that borrows from spacey, harmonic passages of Pink Floyd and adds crunchy hard rock. It’s a euphoric concoction as the music builds. And oh, how it builds…

A more traditional stoner groove pervades the other songs on the album, with groovy riff workouts showcased across tracks like the head-nodding, tripped out title track and the fuzzy, Fu Manchu-like ‘Burn the End’.

Throughout the album, Greengoat weld together a progressive, futurist theme with some good, old fashioned, retro Sabbath style rockin’. “A.I.” will no doubt entwine itself around my conscious all the more as I play it in the weeks to come. This is a fine album with great ideas – the analogue age and the digital age tentatively strolling forward together.

Find out more about Greengoat on Facebook and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Ron Coolen – Here to Stay Album Review

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Ron Coolen – Here to Stay

Self released

Release date: 01/12/2023

Running time: 60 minutes

Review by: Alun Jones

7.5/10

Ron Coolen is a Dutch multi-instrumentalist with a passion for rock and metal. Working with vocalist Keith St John and with contributions from some amazing guitar wizards (George Lynch, Gus G and Christopher Amott to name just a few), we have here a new release that sounds contemporary, but also harks back to the glory days of 80’s metal.

With an opening track entitled ‘Heavy Metal Till I’m Dead’, it’s pretty obvious what we’re going to get. This song bursts out of the speakers, embellished with some furious shredding from Joey Concepcion, and I defy anyone not to raise the devil horns and sing along. It’s great fun, with ‘You’re Just a Bad Dream’ offering more of the same full-on energy. If you dig Van Halen, or any of the big stadium rock of the 80s, you’ll find plenty on here to enjoy (especially the VH style glory of ‘Shake Me to the Floor’).

My personal favourite song on “Here to Stay” is the start/stop ACDC-style riff of ‘Mr Jones’, though I don’t think this was written about me. Other tracks such as ‘Jaded Eyes’ offer a welcome change of pace, with an atmospheric feel that’s reminiscent of Sonic Temple era Cult.

I wasn’t sure whether I’d enjoy this particular release from Ron Coolen, but you’d have to be a cold-hearted ice demon not to be infected by the musicians’ reverence for metal. Some of the keyboards can grate a little, but the overall production is crisp and warm. Not all of the ideas work, but as a love letter to 80’s hard rock, it’s easy to enjoy. If you want to rock, then listening to “Here to Stay” is all you need to do, Ron Ron Ron. To do, Ron Ron.

Check out Ron Coolen on Facebook, Instagram, Twitter, Bandcamp and YouTube.

This review is a joint presentation from Platinum Al and Ever Metal.

New Skateboard 2024 – Death Blinky

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Yes, it’s new skateboard time! Though with the disgusting weather we’re having – and more set to continue – skate time this summer looks limited…

Anyway, let’s crack on, ‘cos these blog posts are really only for me – no one else reads them. I just like to document different decks and set-ups for the sake of posterity.

No surprises, I bought a new Death Skateboards deck again. This time it’s a pro rider model, for Sam ‘Blinky’ Hutchinson. It’s 8.25″ wide, great shape and concave, with a weird graphic that I kinda like.

Deck
Full set up

My previous Indy trucks have been carried over to this model, together with Independent truck bolts.

New wheels though: I went for a slightly softer durometer and got some Santa Cruz Slime Balls “Snot Rockets” – 95a, 53mm.

All bought from good ol’ reliable Native Skate Store (with free grip applied), but otherwise built by me.

I also bought some yellow Pig Wheels rails, which need to be fitted on still.

Top
Bottom

First sesh has proven this to be an excellent set up – I even learned a new trick: blunt to 5050 stalls on a curb. A small curb, but who cares? I’ll move to bigger curbs in the future.

Stoked!

Stats for anyone interested (probably just me):

  • Death Skateboards ‘Blinky’ 8.25″ deck (with free griptape)
  • Independent Trucks 144 Mid Stage II
  • Santa Cruz Slime Balls “Snot Rockets” 53mm 95a
  • Independent Trucks GP-S bearings
  • Independent Trucks allen bolts 1″

The Death Skateboards website is here.

The Native Skate Store website is here.

Slime Balls
Snot Rockets

District 13 – Album Review

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District 13 – Step into the Fire

Self-released

Release date: 20/10/2023

Running time: 66 minutes approx

Review by: Alun Jones

8/10

Back in October, London based heavy alt-rock band District 13 released “Step into the Fire”, their second album. Apologies District 13, this album has been hanging around for a little while. But in true Ever Metal “championing the underdog” style, we couldn’t let it slip by without a review. Not my fault for writing the review late for once, believe it or don’t. You don’t believe me, do you? Ah well, whatevs.

The prime motivators in District 13’s sound have been declared as Black Sabbath and The Ramones, two fine bands and exactly the type of thing that tickles my fancy. And it should yours, too. The crunchy metal riffs and gonzo punk attitude is obvious from the start, with opening track ‘Step into the Fire’ showing some hard rock guts and a big, hooky chorus.

‘Apologetic Trickster’ ups the punky pace somewhat, though there’s a vein of dark, melancholy longing running through all the tracks. One of the absolute highlights is ‘Burned out in Paradise’, which begins in an achingly morose fashion before bursting into an angst fuelled burner. If you dig Bleach era Nirvana, Therapy? and early QOTSA, I’m sure you’ll find something to love here: try ‘Emotive Addiction’ and ‘Red Flags’ for starters.

There’s plenty of melody mixed in with the ferocity. ‘Goodbye’ features a heart rending, uplifting chorus worthy of Seattle’s finest. That song and ‘Starry Eyes’ help to add texture to the album with a slower pace. The final song, the acoustic ‘Forever This Way’, is a really beautiful track that falls between Led Zep III, Bowie and REM. That one’ll melt your heart, if nothing else does.

“Step into the Fire” is definitely a solid album, full of great compositions and performances. My only complaint would be, with 14 songs running over an hour long, it’s a lot to take in. Trimming 3 or 4 songs off would make this feel more of a cohesive and easily absorbed album – though I wouldn’t like to be the one who had to decide which songs to drop. Otherwise, it’s great to hear music like this: District 13 have passion and ideas and are obviously not afraid to aim high.

Check out District 13 on their website, Facebook, Instagram, YouTube and Spotify.

This review is brought to you by Platinum Al and Ever Metal.

Pinball and the Retro Arcade

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Whitby Retro Arcade

Flashing lights, buzzing bumpers, flippers firing, the streaking silver ball ricocheting across the brightly coloured surface – yes, the game of pinball is a particular favourite of mine. Not that I’m any good at it, mind you – I just like to play. There’s something wonderfully hypnotic about those clanging and banging machines that’s otherworldly and magnetic.

Pinball is undeniably cool. It’s rock’n’roll. I mean, The Who didn’t sing a classic rock tune called Playstation Wizard, did they?

The tables are also undeniably a thing from the past, of course. I quite often visit Rhyl, once the arcade capital of North Wales, but sadly the pinball machines in that resort have disappeared over the last several years. Now replaced by modern shoot ’em up video games – or worse, grabber machines – it seems pinball has long since been relegated to history.

Pubs were also a source of pinball fun. Back in the early 90s, The Addams Family machine graced by local boozer. In my student days, we often spent a few quid we couldn’t afford on a pint and some games of Fishy Tales.

Imagine my joy, when on our recent trip to Whitby, a stroll along the harbour front revealed a retro arcade in residence over one of the regular arcades. Up there were numerous old school arcade games from years gone by: Space Invaders, Donkey Kong, Ms Pac Man. And over there, across the room, a row of pinball machines…

There were four: the classic Addams Family and Terminator 2, plus a couple I assume are much more recent, Avengers and Ghostbusters. Over joyed to see them, I happily plugged a few pound coins into each and played some games.

My first attempts at Addams Family and Ghostbusters were pretty enjoyable, successful games. That may have been luck rather than skill though. I fared much worse at Avengers Infinity Quest and Terminator. Repeat games didn’t improve my scores, for the most part!

The skill with pinball always seemed to be learning all about a particular table, studying it’s unique features over several games to increase the players ability. Luck was always a factor, but just a couple of games without exploring the idiosyncrasies of a machine never seemed to deliver much reward.

Playing those pinball tables was fun, though. And ridiculously satisfying when I was able to shoot the ball up a ramp or runner, setting off the lights and unleashing a torrent of noise. Contrasted with the desolation of a ball sinking dead, between the flippers and escaping into oblivion when I hadn’t hit it once.

Whitby is a long trek from home. There must be other pinball tables near…