Tag Archives: Goth

Classic Albums

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The first in an ongoing series, where I will be discussing some of the best records ever made.  These are the “classics” of my record collection, that no-one should be without.

1. The Cult – “Love”

Released in 1985, The Cult’s album Love still sounds fantastic to this day.  It’s a potent cocktail of resurrected blues-rock riffs, screaming psychedelia and murky atmosphere that transcended music of the time.  Listening to it now, it seems unbelievable that the record was created in the mid eighties.  And yet it has enough power – and melodic charm – to still sound great.

In late 1988 I had become obsessed with Electric, the full-on rock monster that the Cult had released a year earlier.  A friend lent me a copy of Love, promising that the songs contained therein were the best the band had recorded.  cult-love

At this point I had explored some rock, metal and punk.  Love was to be a bridge between these genres in many ways.  Happily it was (what would become) “alternative” rock – though it worshipped at the altar of Hendrix, The Doors and Led Zeppelin, it was birthed from the fire of punk rock.

Opening track “Nirvana” kicks things off in blazing style.  It has a fast pace and contains a euphoric instrumental section.  Both “Big Neon Glitter” and the title track “Love” offer up the Big Zep riffs and allow guitarist Billy Duffy to add a psychedelic shimmer.  Then “Brother Wolf, Sister Moon” provides a quieter moment.  If the earlier tracks were ideal for blasting out the windows of a 1970 Dodge Challenger, this track is more singer Ian Astbury sitting on a pony surveying the prairie.  As the song ends, rumbling clouds herald the next track: “Rain”.  One of the best songs the Cult have ever recorded, “Rain” has a truly classic riff that is instantly recognisable and never forgotten.

Side Two (!) opens with “Phoenix”.  This track, unashamedly adorned with Hendrix inspired acid rock guitar, hints at the heavier sounds to come in later chapters of the bands story.  “Hollow Man” provides more driving bass (Jamie Stewart) and a simpler, melodic lead guitar.  Astbury has the chance to really shine on ballad “Revolution”, with a calmer moment that harks back to the bands Goth post-punk phase.

Next we have the mother of all Cult songs – “She Sells Sanctuary”.  A vaguely Eastern sounding intro leads into a stomping rhythm as the song grabs the listener and drags them along for the sheer hell of it.  This song became an instant favourite and still has an impact all these years later.  Final track, “Black Angel”, is a sombre Velvet Underground do Spaghetti Western affair that again adds some darkness to the proceedings.

The band received a lot of criticism for having a somewhat “hippie-ish” element to their sound, and look, on this album.  There are a few moments where the “peace and love” vibe wear a bit thin (see “Revolution”), however the overall sound of the record retains a dark edge to it – more decadent than naive.

The Cult would go on to fully embrace their heavy rock interests with Electric.  But for a kid who had never heard Zeppelin or Hendrix, Love was a monumental discovery.  Put it on and listen to it now, this record has a magic that is of it’s time and yet speaks of the past and future.

The Cult – Love

  1. Nirvana
  2. Big Neon Glitter
  3. Love
  4. Brother Wolf, Sister Moon
  5. Rain
  6. Phoenix
  7. Hollow Man
  8. Revolution
  9. She Sells Sanctuary
  10. Black Angel

Best tracks: Rain, She Sells Sanctuary, Nirvana, Brother Wolf, Sister Moon

Other cool points: great cover!

Buy this Classic Album here.

The Damned – Gig Review

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The Damned + The Ruts DC

Sunday 1st December 2013

Buckley Tivoli

It’s Sunday night, and far from milk and cookies and watching Songs of Praise, Mrs Platinum and I are off to see The Damned.  At the Tivoli in Buckley, no less.  A venue I’ve been to many times (remind me to tell you about my 21st birthday sometime) and a place I’d hoped this lot would play for years.

Support tonight is from The Ruts DC, and blimey they’re good.  I’d have gone to see them headline their own gig – with The Damned to follow this is unmissable.  A great set that swings from ska-reggae boppers to punk rock seven inch masterpieces.  Highlights include “It Was Cold”, “West One (Shine On Me)” and of course “Staring at the Rude Boys” and “Babylon’s Burning”.  They sound exciting, contemporary and confident.  Final song “In a Rut” put the lid on a support set that could have been a headliner.

I might as well own up and admit that the Damned are probably my favourite band of all time.  To see them in my “local” venue is a real delight.  As I hinted earlier, I’ve had many adventures at the Ballrooms over the years and always wanted to see this band here.

The Damned are the band that I’ve seen more than any other.  Tonight though, they play an astounding set that both entertains and surprises.  How do they do that?  Well, they play many songs I’ve never heard them play live before.  First song “Sanctum Santorum” is an interesting choice – atmospheric rather than bludgeoning.  The song worked really well live and served to create a sense of theatre from the start.

From that point on, The Damned kept me guessing.  “Don’t Cry Wolf”?  Yes, please!  “Sick of Being Sick”?  Don’t mind if I do!  Following “Wait for the Blackout” with the songs that followed it on The Black Album is a stroke of almost genius.  “Lively Arts” and “Silly Kids Games”?  Why sirs, with these gems you are truly spoiling us!

“Ignite” and then “Generals”?  They won’t play the third track off Strawberries though.  But they do!  “Stranger on the Town” is probably my favourite Damned tune, and one I never thought I’d hear live.  Brass section, you see.  Yet there it is, and Platinum Al can’t help but sing along.  Thank you, Damned!

And so it goes.  Later in the set we get the classic singles: “Neat Neat Neat”; “New Rose”; “Love Song”; “I Just Can’t Be Happy Today”.  “Eloise” sounds great.  More first time airings (for me) of “The Eighth Day” and “Ballroom Blitz” put the marzipan on the cake before a glorious “Smash It Up” finale.

Any criticisms?  The sound wavers a few times, unusually for the Tiv – some of the early set doesn’t sound as “full” as it should. A minor comment as this didn’t spoil my enjoyment.  Beyond that, it would have been nice to hear more of the recent material (no “Thrill KIll”??!)  – we don’t hear anything off the So, Who’s Paranoid? album.

Though as I’ve been treated to so many new live gems tonight, a full fourteen minute version of “Dark Asteroid” is probably a bit too much to ask.  Maybe next time.

So thank you The Damned, The Ruts DC and Buckley Tivoli.  It was a great night.  Work in the morning.

http://www.officialdamned.com/

http://www.theruts.co.uk/

http://www.tivolivenue.com/index.htm

Hammer Glamour

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Through out its illustrious career, the Hammer film studio became synonymous with two things: horror and sex.  The studio’s reputation encompassed both the lurid Technicolor gore; and the heaving cleavages of its female stars.

To say that’s all Hammer movies were does them a great disservice, yet the two key elements of horror and glamour have become the trademarks for which the company was known.  Alongside the great Peter Cushing and Christopher Lee, numerous beauties also  graced these fine films. raquel-welch-one-million-years-de

There’s a great book, “Hammer Glamour” by Marcus Hearn (Titan Books, 2009).  If this topic is of interest to you, I recommend you pick it up.  I’ve been lucky to meet some of the female stars of classic Hammer movies at fan events, and they’ve been kind enough to autograph my copy of the book for me.

It’s no easy task, but here are my favourite ten Hammer actresses.  It’s been a pain-staking process analysing the contribution of each of these ladies, but my selection is below.

10. Martine Beswicke

Appearing in three Hammer movies (One Million Years BC, Prehistoric Women and Dr Jekyll & Sister Hyde), Martine Beswicke’s career with Hammer covered both gothic horror and dinosaur movies.  Dr Jekyll & Sister Hyde is her greatest contribution, where in a novel twist on the traditional tale, she plays the evil “sister” transformed from Dr Jekyll (Ralph Bates).  She also appeared in two Bond movies – From Russia with Love and Thunderball. I’ve met Martine and she happily signed my copy of “Hammer Glamour”.

9. Barbara Shelley

The lovely Barbara Shelley appeared in more Hammer movies than anyone else on this list.  Her films include The Gorgon, Rasputin the Mad Monk and Quatermass & the Pit.  Barbara’s best role, however, was in Dracula Prince of Darkness, where she is transformed from Victorian lady to vampiric creature of the night.  She also appeared in the great Village of the Damned.  Again, Ms Shelley has signed the book, I’m very happy to say – she was extremely nice, for a vampire.

8. Stephanie Beacham

I remember Stephanie Beacham from numerous television appearances growing up, notably Dynasty.  She appears in Dracula AD 1972 as Jessica Van Helsing, granddaughter of Peter Cushing’s Professor.  A great camp classic, this is one of my favourites, and Stephanie looks ravishing.  I’ve yet to meet Stephanie to ask her to sign the book, I’ve got my fingers crossed.

7. Veronica Carlson

Starring in three Hammer horror films, Veronica holds the distinction of having starred alongside two different Baron Frankensteins: Peter Cushing (in Frankenstein Must Be Destroyed) and Ralph Bates (The Horror of Frankenstein).  She also appeared in Dracula Has Risen From the Grave – all great films.  Ms Carlson was lovely when I met her not too long ago. proxy

6. Valerie Leon

Although she appeared in just one Hammer film, Blood From the Mummy’s Tomb, Valerie Leon makes a fantastic impression in it.  A great film and a beautiful actress.  She also appeared in Carry On and Bond movies, making her a true 70’s film sensation.  You can read more here.  Very charming and another welcome signature for the book. Countess-Dracula

5. Ingrid Pitt

No-one encapsulates Hammer Glamour more than Ingrid Pitt.  She seems synonymous with horror movies.  Classic films she starred in include the brilliant The Vampire Lovers and Countess Dracula, alluring as the evil Countess.  She also starred in genre classics for other studios, such as The House That Dripped Blood and The Wicker Man.  Sadly, Ingrid passed away in 2010.  A true legend. HAMMER GLAMOUR CARLSON OMARA 10

4. Kate O’Mara

Gorgeous Kate O’Mara appeared in The Vampire Lovers and Horror of Frankenstein.  Prim in the former and sexy in the latter, Kate’s contribution to Hammer is excellent.  Her exotic looks have been a regular on-screen ever since, I remember her well in Dynasty.  I’ve not met Kate, but would love her to sign my Hammer Glamour book.

3. Madeline Smith

madeline-smith-hammer-horrorAppearing very briefly in Taste the Blood of Dracula, Madeline Smith looks absolutely dazzling in The Vampire Lovers and Frankenstein and the Monster From Hell.  She also appeared briefly in Theatre of Blood and was a Bond girl in Live and Let Die, as well as numerous other film and TV credits.  Ms Smith has signed the book and was very nice too.

2. Raquel Welch

Possibly the most beautiful woman to ever walk the planet, Raquel Welch became a screen icon when she appeared in One Million Years BC.  Unfortunately, she never appeared in any more Hammer movies (hence she only reaches number two in this list).  Raquel has made many other great films in a pretty fabulous career, since her debut in that “silly dinosaur movie” (her words, not mine!). caroline-munro-dracula-a-d-1972-publicity-shot

1. Caroline Munro

The stunning Caroline Munro appeared in two of my favourite Hammer films, Captain Kronos: Vampire Hunter and Dracula AD 1972.  She’s also appeared in many other cult classics – try At the Earth’s Core and Starcrash, for starters.  Ms Munro is probably most famous for her role as Naomi in The Spy Who Loved Me.  With her beautiful, long brunette hair, I’ve been smitten with Caroline for a long time.  She’s also a very lovely person with plenty of time for her fans, as I found out when I met her.  Caroline Munro is a Queen of classic cult cinema, and top of the Hammer Glamour list!

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Meeting Caroline Munro at NEC Memorabilia

A special mention should be made to some of the lovely ladies who didn’t make the top ten, including Joanna Lumley (Satanic Rites of Dracula); Catherina Von Schell (Moon Zero Two); Julie Ege (The Legend of the 7 Golden Vampires) and Ursula Andress (She).  There are many more, of course.

If you’d like to buy a copy of “Hammer Glamour”, you can find it here.

www.hammerfilms.com

Hallowe’en Playlist

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All these posts about horror movies, it’s about time there was a post devoted to music for Hallowe’en!

I have a couple of Hallowe’en compilation CDs, this playlist puts together various songs not on those collections.  Some of the choices are obvious horror themes (“The Number of the Beast”, “Nasty”); others are more tenuous (“Devil in Disguise”, “Hotter Than Hell”).  Other selections are related, directly or not, to great scary movies: you know where “Bad Moon Rising” is from, right?

Either way, there’s a variety of styles here – suitable for (most) Hallowe’en gatherings…

  1. Creedence Clearwater Revival – “Bad Moon Rising”
  2. The Damned – “Nasty”
  3. Elvis Presley – “(You’re the) Devil in Disguise”
  4. Ramones – “Pet Semetary”
  5. Motorhead – “Hellraiser”
  6. Johnny Cash – “(Ghost) Riders in the Sky”
  7. Iron Maiden – “The Number of the Beast”
  8. The Misfits – “Vampira”
  9. Kiss – “Hotter Than Hell”
  10. Rolling Stones – “Sympathy for the Devil”
  11. Zombina & The Skeletones – “Nobody Loves You (When You’re Dead)”
  12. Ozzy Osbourne – “Mr Crowley”
  13. Screamin’ Jay Hawkins – “I Put a Spell on You”
  14. GBH – “Horror Story”
  15. Van Halen – “Runnin’ with the Devil”
  16. David Bowie – “Scary Monsters (and Super Creeps)”
  17. The Cult – “The Witch”
  18. Jimi Hendrix Experience – “Voodoo Child (Slight Return)”
  19. Alice Cooper – “I Love the Dead”

House of Hallowe’en Horror Fest

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Elvira: Mistress of the Dark (1988)

Ah, Elvira, how I adore you.  The black beehive hair; the seductive eyes and ruby red lips; the hourglass figure that’s barely contained in a skin tight black dress, split to the heavens.  Not forgetting, of course, the greatest cleavage of all time.  My admiration for you is limitless. elvira1

But surely, you cry, Elvira: Mistress of the Dark is not a horror movie?  Not truly worthy of Hallowe’en Horror Fest status?  Whatever, dude.  This film has enough magic, spells, the odd monster and grand Gothic gorgeousness to be more than worthy.

This is probably the closest the Americans have ever come to traditional British Carry On draft_lens18634398module153875463photo_1317687499elvira09style humour.  Saucy rather than smutty, there are plenty of laughs even after all these years.  Sure, a few of the gags are older than Imhotep, but there’s enough spooky fun to make this a glorious viewing.  Not to mention Elvira’s impressive co-stars, who support her every step of the way in admirable fashion.

And now, some gratuitous pictures of Elvira looking drop dead gorgeous.

8/10

http://elvira.hostedbywebstore.com/