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Melvins – Gig Review

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Melvins + Big Business

Friday 9th October 2015

Gorilla, Manchester

I had been waiting for this for a long time.  As a long time fan of the Melvins, it seems inexplicable that I’ve never seen them live before.  But then I rarely travel to Manchester for gigs.  2015 has been the year of live music for Platinum Al; as such the planets aligned, the tickets were bought, the wheels were rolling towards the big city and it was on.  Finally, I would witness the wonder of the Melvins.

And not just the Melvins – the support slot went to Big Business, a two piece of bass and drums in a similar mould to the mighty headliners.  Of course, anyone who knows their Black Flag from their Black Sabbath will tell you that Jared and Coady of this band also perform with Buzz and Dale to create the steaming sonic soup with lumpy riff croutons that is the Melvins. Melvins

The Big Business set was extremely impressive in it’s own right.  As I said, the band is just bass and drums, yet the almighty noise they make is astounding for a two piece.  They play a solid set that could’ve been a main course of the evening’s entertainment.  Big grooves, pounding drums and awesome sound scapes create a fine appetiser.

Gorilla in Manchester is some sort of restaurant/bar thing, with a stage at the back for live shows.  It’s seems more in scale with stand up comedy gigs, but despite the modest size it’s a great place to see the band – close up, good views and sound.  The beer is a bit expensive, but I got a Melvins (official!) t-shirt for a tenner!  Yeah!!!

So anyway, the Melvins arrive on stage as a four piece – Buzz, Dale, Jared and Coady – and we’re off.  It’s a gig unlike any I’ve experienced ever before.  There’s no breaks; no chat with the audience; no introducing the songs – the band just plough through their catalogue of fantastic songs and drag the audience along with them.  The audience follow willingly, of course – and the band don’t ignore us – it’s a unique unspoken agreement that we’re all along for a hell of a musical journey.

The music is heavy, sludgy, intense – exactly what I expected and wanted.  There are several songs from newer albums (“The Water Glass”, “Evil New War God” – both superb).  Older classics like “Sweet Willy Rollbar” and “It’s Shoved” are given a welcome play too.  The absolute high light for me though is “Civilised Worm” – what a riff!

The power of the riff is what the Melvins are all about.  Buzz’s guitar is astoundingly heavy, yet also shines with artistic flourishes and strange sounds to keep the listener guessing.  The bass is relentless yet groovy, hammering home the riffs.  Add dual drummers and ears were ringing for days.

It was a truly intense live experience and one I’m really glad I saw.  Unlike anything else and worthy of the hype, the Melvins are a unique band and I love them.

Did I mention I got a t-shirt for a tenner??!!

Public Image Ltd – Gig Review

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Public Image Ltd + The Hexmen

Saturday 26th September 2015

The Tivoli, Buckley

Well it’s been an amazing couple of weeks for gigs.  And what’s that?  Public Image Ltd playing up the road at the Buckley Tivoli?  Featuring the living legend that is John Lydon?  There’s absolutely no way this extravaganza can be missed!

It was England vs Wales in the Rugby World Cup that night, and the Tiv had decided to show the game on a large projector screen above the stage.  A bizarre idea but it worked out OK – happily Wales won.  Had they lost that could’ve put a right downer on the evening.

Support band The Hexmen are a non-stop R’n’B party.  And by R’nB I mean as in Rhythm and Blues, not as in Kanye West.  They’re a solid band with an unmissable skill in abstract between song banter.  Solid rhythm section, stellar guitar and soaring harmonica.  Pretty damn good.  They appear to play in these parts quite often, so check ’em out.

The Tiv was packed out for Public Image Ltd.  I think most of the punters were in a daze, unbelieving that the band would actually appear.  But lo and behold PiL did appear – the real PiL, not a tribute act featuring some Johnny Rotten wannabe.  The reception was warm, but the crowd really revved up when the third song in the set turned out to be the masterpiece that is “This Is Not a Love Song”.

There was a fair mix of tracks old and new, with “Death Disco” and “Warrior” standing out from the well known singles.  I’ve not got the new album yet (hangs head in shame), but the tracks of that and This is PiL (got that one) were all extremely impressive.  The massive bass groove of Scott Firth and precision drums of Bruce Smith created a throbbing tribal rhythm that brought these songs to life.

Lydon himself seemed to be having a good time, for the most part.  I couldn’t always tell.  He definitely got stuck in and delivered some quite stunning vocals.  His style is almost operatic; combined with his commanding presence at the front of the stage we are given a captivating performance.

I should also mention guitar maestro and all round talented bloke Lu Edmonds – he played a blazing gig.  I have no idea how he made all those sounds.  It was very hard to believe that there were only four people on stage.

The encore provides the songs “Public Image” and “Rise”, two fantastic songs that the audience were thrilled with.  I still remember seeing “Rise” performed on Top of the Pops when I were a lad.  That was my first experience of PiL.  The other kids thought Lydon was weird; I thought he looked cool.  It’s a perfect end to the chapter.

Oh, and I WILL go and buy the new album – promise.

The Public Image Ltd website is here.

The Hexmen website is here.

The Tivoli website is here.

Reef – Gig Review

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Reef + Tax The Heat

Thursday 24th September 2015

The Live Rooms, Chester

One thing I’ll tell you about Reef: they’ve got the tallest fans ever.  I’m only five foot eight on a good day, so I was dwarfed by this crowd.  I have no idea how come Reef can command such an audience of giants.  Perhaps there’s something mystical in the music of these West Country rock wizards that attracts the giants from the hills, mesmerised.

Tonight I managed to see the entire support set, which made a nice change.  Better time management on my part.  And I’m glad I did, as opening act Tax The Heat were great.  Splendidly dressed in sharp suits, they cranked out some classic rock riffs and looked to be having a hell of a good time.  Definitely good enough to see headline their own gig, Tax The Heat compliment old school rocking chops with a modern sheen.

I’d been hoping that Reef would turn up in my neck of the woods for some time.  Previously I had witnessed part of their set at Wakestock some years ago, unfortunately having to leave early.  That wasn’t enough for me – I felt I was due the full Reef pie, with all the trimmings.

There was quite a good time vibe amongst the crowd – you could feel the anticipation in the Live Rooms.  Reef entered the stage in a relaxed and unassuming manner, though they immediately unleashed some magical sounds with opener “Higher Vibration”.  Conner MacLeod was on vocals, doing a top quality job as Gary Stringer.  To his right is new(ish) guitarist Jesse Wood, who fits in perfectly: he’s confident yet laid back; masterful playing and not overly flamboyant.

A great deal of the set was culled, unsurprisingly, from Reef’s hugely popular second album, Glow.  So we get gems such as “Consideration”, “Come Back Brighter”, “Place Your Hands” (of course) and my personal favourite – the absolutely megalithic stomp of “I Would Have Left You”.  Songs that sum up Reef’s ability to meld Zeppelin sized riffery with tuneful, tender moments.

There’s also some songs from Rides and the sole song from debut album Replenish, “Naked”.  Jack Bessant, looking like Rob Zombie’s Dad but much, much cooler – unleashed another monstrous bass line for “New Bird”.  It’s no mere greatest hits set though, as Reef throw in some well placed new material.  The new songs are quality stuff, sounding like old time soul classics played by seventies blues rock behemoths.  Drummer Dominic Greensmith looks to be having a great time as he smashes his kit into a parallel dimension.

My only complaint is that there’s nothing from their fourth album, Getaway.  I love that album, it’s a real forgotten masterpiece.  It would’ve been great to hear “Set the Record Straight” or “All I Want”, a song that’s so good it brings a tear to my eye every time.

I always wondered how Reef got lumbered in with the whole Britpop thing.  To me, their music is classic old school 1970’s British ROCK, with a nice spoonful of laid back soul.  They put on a great, relaxed and yet commanding show – full of the warmth of the last days of summer.  A great atmosphere with songs that climb to Gandalf sized epicness.  And I guess that’s how you tame the giants.

The Reef website is here.

The Live Rooms website is here.

Another Damned Gig Review

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DamnedCHThe Damned

Thursday 17th September 2015

The Live Rooms, Chester

Hello, chums!  How about another review of a musical concert?  How about another review of a Damned musical concert?  Very well, off we go…

It was my birthday on Saturday, so it was very kind of The Damned to play a gig on Thursday night for me.  They are my favourite band, after all.  Not many bands would go to all the trouble of playing for their number one fan in a nearby locale.  I don’t know who invited all the other people who turned up, mind – wasn’t me.  I hardly knew any of them.

The Damned sold out The Live Rooms in Chester, which is pretty impressive.  The place was packed out with all manner of discerning music fans, and by golly those punk rock chaps put on a hell of a good show.

From the moment Captain Sensible uttered the immortal phrase “Ladies and Gentlemen, ‘Ow do”, I knew it would be a blinder.  Straight off into “Love Song”, a rollicking locomotive of a song all about trainspotting.  Then it was “Machine Gun Ettiquette” and “I Just Can’t Be Happy Today” – top tunes all, and the running order gave something of a clue as how things would develop set wise.

The evening was an almost chronological journey to the centre of the Damned, with tracks following from the Black Album, through Strawberries and onto their later 80’s catalogue.  Until they messed that plan up by going back to the start with the always excellent “New Rose” and “Neat Neat Neat”.  I defied my OCD and enjoyed the travelling back through time regardless.

The band were on excellent form, Dave Vanian in fine voice and Sensible throwing some amazing guitar noises around (“Ignite” is always mental).  Pinch on drums and Stu on bass are in control and drive the machine ever onward.  Monty was, of course, his usual crazy and lovable self; always entertaining and adding an extra dimension with his keyboard skills.

A couple of “firsts” for me tonight – I’ve never heard “Alone Again Or” performed live, or the totally amazing “Nasty”.  This song was one of my earliest experiences of The Damned, when they roared through it on the Young Ones.  Relegated to a B-side and rarely cropping up on compilations, I’d given up on hearing this one in the flesh.  “Nasty” was dedicated to previous bass player Bryn Merrick, who had died recently.

Throw in another appearance of “Stranger on the Town” (see my last Damned review for how big a deal this is) and the song that kick started the whole fandom thing from my point of view, “Eloise”, and it was a quality set list.  Not to mention punk rock classics such as “Disco Man” and “Smash It Up” – what a result!

Any complaints?  Well there was no “Plan 9 Channel 7”, which is absolutely criminal.  Nothing from the two most recent albums either, which is a bit worrying – there’s some great tunes on those records.  The Live Rooms is a brilliant venue, but they seem a bit keen to send people home when they could’ve made a few quid more at the bar, if they’d kept it open half an hour.  Strange.

All in all though, it was a fantastic night.  The Damned threw me a very nice birthday party and I thoroughly enjoyed myself.  Wonder if they’re free same time next year?

Here’s The Damned’s website: http://www.officialdamned.com/

The Live Rooms web site is here.

You can read the set list for this gig here.

Here’s a link to my previous review of The Damned live: click me

R.I.P. Bryn Merrick

The Night I Played Bass for Diamond Head

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Diamond Head + The Heretic Order + Kuru + Cathar

Thursday 25th June 2015

The Live Rooms, Chester

Yes, you read that right.  For one night I played bass guitar for British Heavy Metal legends Diamond Head, and this is how it happened.

Diamond Head had three support bands, which is pretty good value for money in my book.  First up were Cathar, who were a Symphonic Metal band with two singers.  Solid musicians but not really my cup of mead; good vocals though.

Next were Kuru, who were more in the Death Metal vein.  Brutal riffs and the rhythm section were impressive.  Ferocious vocals, though I’m not a massive fan of the Death Metal Grunt.

The Heretic Order merged a more trad metal (Maiden, Priest) approach with some more thrashy elements.  Think Venom with some Sepultura and melody thrown in; they do a nice line in comedy Satanic Metal too.  At least I think it’s comedy; if not I mean no offence, honest…

Diamond Head can rock with the best of them.  Their NWOBHM anthems have become hugely popular due to their influence on those who followed.  The famous songs – “Am I Evil”, “The Prince”, “Helpless” – can be regarded as amongst the foundation stones of classic metal.  This is the music that helped shape today’s rock just as much as “Breaking the Law”, “Run to the Hills” or “Ace of Spades”.

In addition you’ve got those big, epic Zeppelin inspired songs like “To Heaven From Hell” and “To the Devil His Due”.  Monolithic tracks that really add another dimension to Diamond Head’s catalogue.

They play all the greats at the Live Rooms, and have a fantastic time doing it.  Brian Tatler is safely in the driving seat, in control and playing brilliantly.  Vocalist Rasmus Anderson has a hell of a voice on him, confidently delivering gem after gem.  The rhythm section of Karl Wilcox (drums) and Eddie Moohan (bass) are locked in and having a whale of a time.  Then you’ve got guitarist Abbz, who looks like the happiest bloke on the planet.

It’s a packed and professional set with plenty of conviction.  At the very end, I was down the front for the encore when Eddie offered his bass to the audience to strum.  So I hit a few strings – and so did half a dozen other people.  But now I’ll claim to have played bass for Diamond Head, and you can’t call me a liar.

Great gig.  My interest and respect for this band was renewed.  It was great to see a band who have accomplished so much – and still have so much to give – on my door step.  Legends.

The Diamond Head web site is here.

The Live Rooms web site is here.

Download Festival

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DL2015

Sunday 14th June 2015

Over the years I’ve been to Reading, Leeds and Rewind Festivals – even Chester Rocks.  Though I’ve never been to a full on outdoors Hard Rock/Metal festival, much to my regret.  Thus when the opportunity arose to get my rockin’ self to Download, the epicentre of all heavy rock fests, I seized the chance with gloved fist.  And then did the devil horn salute.

Due to time and financial constraints, it would only be a one day escapade with my buddies Ben the Swede and Coben.  Sadly this would mean missing such favourites as Faith No More, Clutch, Judas Priest, COC and many more.  But never mind – the gods of rock threw down their gauntlet and we would charge into the melee.

After a right old slog from the car to the main gates, we eventually entered the stadium like gladiators – ready for the first spectacle of the day.  The first band we saw were Tremonti, who I’d never heard of before.  Halfway through their set, the band were actually heavier than I thought and I enjoyed what I heard.  Worth further investigation.

At this point the heavens opened and the rain poured.  No matter – we were already making our way to the third stage to catch a “secret” set from The Darkness.  It was packed – everyone had the same idea, or at least decided this was better than drowning.  The set began with a monstrous riff that went on forever and did a good job of pumping the crowd up.  This intro enabled singer Justin Hawkins to make his way from the back to the stage, in true over the top style.  The Darkness then delivered a raucous set that roared at the sky – opener “Barbarian” accompanied by a load of Vikings on stage was great.  The hit singles “Growing on Me” and closer “I Believe in a Ting Called Love” were real crowd pleasers.  “Black Shuck” was my personal favourite, in a set that became the first true event of the day.  Not a secret, but surprisingly good. 2015-06-14 16.51.05

The next event was witnessing one of my all time heroes, the one and only Mr Billy Idol, live in concert for the first time.  I’ve been a fan of Billy for years.  In all honesty, many of his songs are too pop for this audience; so hits like “Hot in the City” and “Catch My Fall” (both personal faves) are sadly omitted.  However, with old pal Steve Stevens providing the guitar onslaught there’s plenty of rock to be had.  “Dancing with Myself”, “White Wedding” and “Rebel Yell” all provide quality entertainment and I have to admit that I was thrilled to see this old warrior in action.  A great warm up for the rest of the evening.

Now with four stages and dozens of acts spread across the Download field, the only down side is making tough choices on who to watch if bands clash.  Especially as “a quick trip across the field” becomes a gruelling endurance test when it’s uphill in a muddy hell.  The first major casualty of the day was Eagles of Death Metal, whom I love dearly and have never seen live.

2015-06-14 17.19.04But I made a choice to see L7 instead of Slash, and boy am I glad I did.  Recently reformed, the four grungettes of L7 played a fantastic set.  The sound was great on the second stage, perhaps because I was closer?  Either way, “Andres”, “Fuel My Fire” and “Shitlist” were truly great.  Though “Everglade” was absolutely bonkers.  The riff that kills!  L7 are heavy!  I smiled a lot.  “Pretend We’re Dead” wasn’t bad either.  Fuck it, band of the day!

I caught the last four and a half songs by Slash.  He was pretty cool, but no L7.  “Anastasia” is a great song, and I have to say that Myles Kennedy has an awesome voice.  “Sweet Child O’ Mine” and “Paradise City” were both better with Kennedy and without Axl’s screeching.  Can I count this as having seen Guns’n’Roses live, as there’s only Axl left in that band?  Why the hell not!

Next up on the main stage was Motley Crue.  I wasn’t a fan of the Crue back in their heyday, other than one or two songs.  I’ve grown to appreciate them over the last fifteen years or so, much like I’ve grown to love Priest and Maiden.  Now on their final tour, the show promised to be big.  Motley Crue didn’t disappoint, delivering a punch in the face set that was one of the best of the day.  They played their cards right, delivering all the hits: “Wildside”, “Primal Scream”, “Dr. Feelgood” and “Shout at the Devil” were superb.  The only less than impressive moment was an unnecessary, but well intentioned, cover of “Anarchy in the UK”. 2015-06-14 20.21.35

There was spectacle in abundance – sexy backing singers in tiny shorts; flames that were hot enough to give me a Hollywood sun tan from a hundred feet away; dear old Vince Neil looking less than svelte.  “Girls Girls Girls” and “Kick Start My Heart” both built the set to a red hot climax.  “Home Sweet Home” was a fitting encore, ending a triumphant appearance.

And so last up we have head-liners Kiss. A band I’ve loved ever since I fist saw adverts for their t-shirts in old 1970’s Marvel comics – though I had no idea if they were rock stars, superheroes, or what.  I’d never seen Kiss before so this was something to look forward to.  Full make up, all the pyro – I was hungry for the experience.

Kiss explode into “Detroit Rock City” and “Deuce” – songs that lesser bands would have saved for the encore.  The show is a visual feast; lights, huge screens, explosions all attack the senses and create Las Vegas in the English Midlands.  I get to hear my two absolute total favourite Kiss songs ever – “I Love It Loud” and “Calling Dr. Love”.  That was me happy right there. 2015-06-14 21.14.07

The Kiss set did wander a little bit though.  Obviously gearing their songs to a heavier crowd, we get three songs in a row from “Creatures of the Night” – their heaviest album.  The songs “Creatures of the Night” and “War Machine” are great, but not top of the Kiss list.  Plus there’s newer numbers “Psycho Circus” and “Hell or Hallelujah” which are just OK.

A little too much solo spot indulgence was my cue to take a comfort break.  On the way back, I dived in to catch Suicidal Tendencies on the smallest stage.  I only saw five songs, but ST were incredible.  “I Shot the Devil” and “War Inside My Head” tore the place apart.  I couldn’t make out all of Mike Muir’s between song banter, but he was fired up and intense as hell.  Hearing “Possessed to Skate” was an unforgettable moment.  Muir dedicated to everyone who skates – thanks Mike – and it took me back to loving ST back in my early skate days.  Absolutely mental punk thrash, I need to see Suicidal Tendencies again.

Returning to the main stage area, I caught the last few Kiss songs and was very impressed with what I’d seen.  Minor gripes aside, it was a privilege to see the band and experience a Kiss show first hand.

So there you have it.  Download 2015 was hampered by bad weather, and a poor layout that abandoned stupid amusement rides in the middle where the bar (and another toilet) should have been.  Yet despite being forced mercilessly to choose between too many bands, I got to see some great rock’n’roll and enjoyed a cool, fun atmosphere.  Oh yeah, and the festival staff were pleasant and friendly.  On the whole a good job.

Interview in the Kerrang! tent
Hey Kerrang! Journos, get this!
No more questions!

Corrosion of Conformity Gig Review

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Corrosion of Conformity

Saturday 7th March 2015

Manchester Academy 2

I’ve been a Corrosion of Conformity fan for a long time.  Starting with a cassette copy of their hardcore punk/thrash crossover Eye For An Eye back in my early skateboarding days; through their major label success as a stoner metal band; and on.  Never seen them live, though.  Ridiculous, no?

All that was about to change: I decided to get my act together and go see the band in Manchester for their latest tour.  The fact that vocalist/guitarist Pepper Keenan was back fronting the band, completing their Deliverance era line-up, was a nice little sweetener too.

The afternoon got off to a great start when, mere seconds from arriving in the car park next to the Academy, I spotted bass player Mike Dean walking along the road.  I greeted him and wished the band well in a brief, pleasant conversation.  I think I managed to remain cool and not look like a total weirdo.

A few beers were had in the early evening, before we made our way to the venue.  Unfortunately we were in Manchester Academy 2, not the nice big main Academy building.  The Academy 2 is the size of a sports hall and was too small for this band.  People were crammed in tighter than a glam rockers spandex pants; it was not cool.

I only caught the end of the support bands slot, so I will pass judgement on Hang the Bastard at this time. COC

When Corrosion of Conformity hit the stage, there’s a genuine sense of excitement in the (tiny) room.  They open with instrumental “These Shrouded Temples” from the Blind album, before charging into “Senor Limpio” and “King of the Rotten”.  There’s hardly a breather between songs, and minimal banter – it seems COC are on a mission to destroy.  Pepper leads the band confidently, like he’s never been away; whilst Woody throws down a barrage of guitar.

In keeping with the tour theme, there’s a healthy chunk of tracks from the devastating Deliverance album.  This is fine with me.  My sad fanboy credentials mean I love all their output, but Deliverance is the cream of the crop as far as I’m concerned.  A genuine metal/punk/stoner/doom/whatever classic, rated in the same bracket as Volume 4 and Master of Puppets.  “Albatross” and “My Grain” are highlights amongst a head crushing set, though the slower pace of “Seven Days” is my favourite from that era of the evening – forgot how great that song is.

There’s a pinch of tracks from across several albums, with “Long Whip/Big America” shining from Wiseblood.  “Thirteen Angels” (America’s Volume Dealer) and “Paranoid Opioid” (In the Arms of God) also stand out in a set filled with gems.  The band are well rehearsed – Reed’s drums and Mike’s bass sound tight and locked in.

COC return for their encore with “Broken Man”, before launching into the inevitable “Vote With a Bullet”.  This song is still an absolute monster, and is welcomed heartily by the audience.  “Clean My Wounds”, another Deliverance era stormer, finishes the night off with it’s awesome riff.

Despite being crowded in the tiny Manchester Academy 2, it’s a great night.  Corrosion of Conformity perform a powerful set, which I only wish could have been longer.  I got to tick a band off my “must see” list tonight, and I retire with obligatory tour t-shirt a very happy punter.

Live Wire – AC/DC Tribute Gig Review

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Live Wire

Friday 17th October 2014

The Tivoli, Buckley

Cast your minds back to mid-October.  I took a brief break from my Hallowe’en Horror Fest movie reviews and paid another visit to the Tivoli in Buckley for another night of rock’n’roll.

Performing this night were Live Wire – an AC/DC tribute band.  I’ve witnessed the real thing a few years back (at Milton Keynes Bowl on their Stiff Upper Lip tour, fact fans), but only the once.  Tickets for the real AC/DC are like centaur shit these days, so I was very happy to check out a tribute to the greatest rock’n’roll band in the world instead.

The thing with tribute bands is, they either sound like who they’re meant to be, or they look like their idols.  Not both.  Or in the case of bad tribute bands, they try to sound or look like the originals, and fail on both counts.

I am very happy to report however that Live Wire have got the full wish list sewn up.  Sewn up neatly on a denim jacket with all the patches on.

The act is split into two halves: first we see the Bon Scott years.  The set list includes classics from the era like “Dirty Deeds Done Dirt Cheap”, “Riff Raff”, “Touch Too Much” and “Whole Lotta Rosie”.  It’s my all time fave “Highway to Hell”, though, that makes me grow horns and a tail and punch the air like a little metal demon.  Magic. livewire1

The Bon Scott-a-like is uncannily impressive in his role as the late, great hell raiser.  The voice is spot on.  The sound overall is impeccable, plus every song is a gem.

Next up we have the Brian Johnson years, which thunders in with “Rock’n’Roll Train” and simply does not stop.  Live Wire’s Brian not only possess the same forged-in-fire vocal chords, he moves the same too.  Wearing the trademark flat cap, Brian stalks the stage in typical hunched up form and belts out the rock.

The rock that is belted out includes “Back in Black”, “You Shook Me All Night Long” plus an absolutely dynamite version of “Thunderstruck”.

So the singers perform admirably.  The band, too, are top notch.   Though Live Wire’s Angus Young looks a lot taller, he’s got all the moves dialled – right down to mooning the audience.  Malcolm also looks perfect – strumming away, head nodding.  I couldn’t see the other guys though, sorry.

It was a truly electric night in the Tiv.  The place was packed tighter than Rosie’s bra and the punters loved it.  The encore saw Bon and Brian unite for “Let There Be Rock”.  Finally, Brian led the band through a raging “For Those About to Rock…”, complete with cannon fire.

Absolutely great fun.  I’d happily see Live Wire again any time.  High voltage rock’n’roll, indeed.

Visit Live Wire’s web page here.

Visit the Tivoli’s web page here.

The Misfits – Gig Review

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The Misfits

Thursday 26th July 2014

The Live Rooms, Chester

Way back in 1988, as a young skateboarding rapscallion, I bought a vinyl copy of The Misfits album “Walk Among Us“.  I’d heard Metallica’s cover of “Last Caress” and decided to invest in some tunes by the group.  It was a gamble – I had no idea what the rest of their music sounded like.  Neither “Last Caress” nor “Green Hell” were featured on that particular platter.  Nevertheless, I decided to hand over my saved up dinner money to try it out, after some deliberation.

That was one of the best decisions I have ever made.  “Walk Among Us” is, quite simply, one of the best records ever, of any genre.  Any initial trepidation I had was annihilated as soon as the furious pace and sing along vocals were heard.  My ears were opened.  It didn’t hurt that all the songs were about cheesy old B-movies, either.

So imagine my delight when I heard that The Misfits would be playing in Chester, only a few miles from home.  One of my favourite bands ever, so close – there was no way this gig was going to be missed.  I bought tickets immediately.

OK, so Jerry Only is the only (see what I did there?) original member performing under The Misfits name.  No Glenn Danzig, no Doyle.  Even though I’m a huge Danzig fan, I wasn’t going to be precious.  This was a momentous opportunity. images

Besides, there’s Dez Cadena on guitar, who has a fine punk rock pedigree from his time in Black Flag.

So disbelievers be damned, The Misfits gig was on!

I missed the support band though.  Sorry.

The Live Rooms was previously a comedy venue, now it’s showing bands.  It’s a cool venue and worth keeping an eye on to see who to expect.  On this night, the place was absolutely packed out with all manner of black clad loons, anticipating the arrival of the legendary Misfits.  I certainly felt excitement in the air.  Everyone seemed to be hyped up for this gig, me included.  After all, a band like The Misfits playing in these parts is pretty much unheard of.

So the band arrive on stage and are welcomed like all conquering heroes.  As I was stood there, I couldn’t really believe I was experiencing this in person.  The Misfits – here and now, churning out monster hit after hit.  I’m sure others felt the same.

They start with some great tracks from the most recent album, “The Devil’s Rain“.  We also get a smattering of songs from the 90’s era of the band, with “Scream!” a real stand out.  I dig these Graves era tunes, and most of them hold up really well, even against the old Danzig classics.  Only does a fine job of howling out the vocals whilst thundering along on the bass too.

Those old tracks certainly bring a smile though.  “She”, “Bullet” and “Where Eagles Dare” practically tear the roof of the place.  But when we get to gems from “Walk Among Us“, I’m as happy as Bela Lugosi on 31st October.  “Vampira” is probably my favourite Misfits song, so a treat to hear that.  We also get “Hatebreeders”, “Astro Zombies”, “20 Eyes” – the list goes on. Misfits-promo13c

In fact it’s amazing how much material the band get through.  They play a nearly two hour set, and bombard the audience with song after song.  There’s barely a breather between each track.  The Misfits play fast and intense.  All credit to drummer Eric Arce – the Devil knows how he keeps up the relentless pace.  The audience respond with slam dancing/mosh pit craziness like I’ve not witnesses for many a long year.  It will be interesting to see whether the management have second thoughts about booking similar bands in future…

Our only down side  this evening is the sound, which isn’t the best.  From Jerry’s side of the room, where I’m standing, the guitars at the opposite side are frequently lost.  Cadena’s vocals are largely inaudible.  There was a story going round that Dez was suffering with a throat infection, hence why we get a roadie singing the (very good) Black Flag cover.  When we can hear Dez, he’s great.  Still, seems to me like there was some issue sound wise here, though.

The Misfits are exactly what I expected, and that’s fine by me.  From the dry ice enveloped opening, through raucous punk rock and over the top delivery, this is what I paid my money for.  More than just delivering the goods though, The Misfits were genuinely exciting to see.  I’ve seen novelty bands before and while they were fun, they were nothing like this.  This isn’t a tribute band, it’s a well honed, obliterating machine.  It drags us through all eras of The Misfits’ revered history and leaves you grateful to have been a part of it.

Absolutely phenomenal.  Thank you Jerry, Dez and Eric.  Long live The Misfits!

Please check out the Live Rooms soon – if they’re going to support bands like this, you need to support them!

The Misfits web page is here.

The Live Rooms web page is here.