Tag Archives: punk rock

New Year – New Playlist: Part 3

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The last few songs…

OK, so I know it’s not even New Year any more.  It’s almost May.  But we’ve only just got round to finishing off this A – Z playlist game, so I’m posting it no matter what.

The idea was to play one song by an artist, moving alphabetically through the iPod list.  No repeats.  This time however, we had to repeat the artist – as there’s only one band in my iTunes beginning with X.

  • Al: Van Halen – “Panama”
  • Ness: Vile Valo & Natalia Avelon – “Summer Wine”
  • Al: Waylon Jennings – “Theme From The Dukes of Hazzard”
  • Ness: Weezer – “Hash Pipe”
  • Al: X-Ray Spex – “Identity”
  • Ness: X-Ray Spex – “The Day the World Turned Day-Glo”
  • Al: The Yardbirds – “Shapes of Things”
  • Ness: Yes – “Owner of a Lonely Heart”
  • Al: Zodiac Mindwarp & The Love Reaction – “Prime Mover”
  • Ness: Zombina & the Skeletones – “Your Girlfriend’s Head”

That’s the end, sorry it took a while to finish the list off!

The can read Part 1 here.

And Part 2 is here.

Essential Tracks – Nirvana

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“Essential Tracks” is a new Music section at the Virtual Hot Tub.  In this ongoing series, I’ll be picking my favourite tracks from a particular artist.  Here’s the very first instalment.

Nirvana – the Top 20 Songs

Sadly, 5th April marks twenty years since the death of Kurt Cobain.  It seems somewhat unreal that so much time has passed.  I remember buying Nevermind as soon as it came out in 1991.  I remember hearing about Kurt’s death when it was announced.  Such a great artist and unique, complex music.  This is a list of my favourite Nirvana songs.

20. Come As You Are

A great song, over familiarity has probably knocked this track down the table.  Find it on Nevermind.  As a point of interest, my old band used to cover this.  We performed it live on the second anniversary of Kurt’s death; it received a warm response.  At that point (in the pre-internet) we hadn’t realised the significance of the date, it had been a coincidence.

19. You Know You’re Right

From the Nirvana compilation.  Awesome song – classic Nirvana soft/heavy dynamic.

18. Been A Son

My version of this song is from the Incesticide album.  Fast paced, a catchy melody – and lyrics worth the time to listen to.

17. Lithium

One of the classic Nevermind songs, this has a fantastic sing a long chorus that shows Kurt’s ear for a fine tune.

16. Serve the Servants

Opening track from the superb In Utero album, I’ve surprised myself that I haven’t placed this song higher in my own list.  Love it.  “Teenage angst has paid off well, now I’m bored and old”.

15. Negative Creep

Absolutely brutal riff.  One of the heaviest, punkiest songs in the Nirvana catalogue.  Perhaps something of an early Melvins influence here, probably some Black Flag too.  You can find it on Bleach.

14. Molly’s Lips

Out-standing cover version of a Vaselines song, on the Incesticide album.  Unbelievably  poppy despite buzzing guitars, it’s a blueprint that Cobain adopted and mastered.

13. Territorial Pissings

Another hardcore punk attack, though Territorial Pissings still retains a melody despite the speed and fury.  Awesome instrumental break and reliably quotable lyrics.  Nevermind again.

12. On A Plain

It’s really hard to select the best songs from an album as indispensible as Nevermind, but I remember this track always stood out for me.

11. All Apologies

This gem doesn’t get in the Top Ten?  I know, ridiculous, right?  It’s on In Utero and there’s a pretty cool version on the MTV Unplugged set, too.

10. Sliver

We start the Top Ten with a great pop tune that, incredibly, wasn’t on the major releases.  You can pick it up though, on Incesticide – and I suggest you do.

9. Something In The Way

This song and Polly offer some quieter, haunting moments on Nevermind.  When we get to the chorus and the cello comes in, it’s heart break time.

8. Pennyroyal Tea

Like quite a few of Kurt’s songs, Pennyroyal Tea sneaks in quietly before launching into different territory.  Brilliant song from In Utero that demonstrates perfectly the melding of melody and mayhem in the best Nirvana tunes.

7. About A Girl

An early hint of Kurt Cobain’s ability to create a beautiful pop song; it’s no surprise that he was a huge Beatles fan.  Find it on Bleach, there’s also a killer version on MTV Unplugged.

6. Francis Farmer Will Have Her Revenge on Seattle

“I miss the comfort in being sad”, quiet/loud/quiet/loud; great riff.  Wonderful track from In Utero, complete with scathing lyrics.

5. Scentless Apprentice

Dun-dun-der-der! D-der der d-der d-der!  Do I really need to say more?  So heavy.  It must have scared the Indie scenesters to death.  Run for the hills, Indie scenesters!

4. Where Did You Sleep Last Night

A cover of the Leadbelly song, found on the MTV Unplugged album.  Kurt sounds truly agonised on this exceptional song, though it retains it’s beauty.

3. Dive

Apparently written as a Soundgarden style song, in an effort to appeal to their label Sub Pop and get signed.  It should come as no surprise, however, that Kurt – a huge Black Sabbath fan – would be able to create a riff as heavy as this.  Heavy like a brontosaurus breaking rocks.  With a big fucking hammer.

2. Smells Like Teen Spirit

This is the big one.  Iconic, revolutionary – but Nirvana’s best song?  I don’t think so.  Not to deny it’s power, maybe I’ve just heard it a little too much.  Still great though.  It’s on Nevermind, but you knew that, right?

1. Heart Shaped Box

Allegedly, Courtney Love heard Kurt writing this song, loved the immortal riff, and asked if he would donate it to her.  Kurt declined, and apparently locked himself in a cupboard to finish it off.  The quintessential quiet/loud dynamic.  Utterly unforgettable.  This, for me, is Nirvana’s best song.

So there you go – my Top 20 Essential Nirvana songs.  And I didn’t mention the word “grunge” once.

Compiling this list was much more difficult than I anticipated.  I was forced to leave out some absolutely classic songs; like In Bloom, Rape Me, Aneurysm and Nirvana’s amazing cover of David Bowie’s The Man Who Sold The World.  There are others, too.

I reserve the right, in all Essential Tracks posts, to revise my thoughts at a later date.  Already, I’m thinking that Scentless Apprentice should’ve been number 1.

Dun-dun-der-der! D-der der d-der d-der!

Classic Albums

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I was aiming to do one of these Classic Album posts every month.  This is February’s…  These posts are dedicated to the timeless, irreplaceable classics of my music collection.

2. Sex Pistols – “Never Mind the Bollocks, Here’s the Sex Pistols”

By 1988 I was looking for something new, music wise.  I had trawled through loads of heavy metal, thrash metal and hardcore, and a lot of it was getting somewhat stale.  The next step to explore was looking like Motley Crue and WASP.  Luckily, something else came along instead.

I’d heard a Sex Pistols song on a late night rock show on the radio.  I’ve never been one to listen to the radio much.  However, when I heard “Anarchy in the UK”, I thought – that sounds great!  Guitars right up front screaming in your face and tons of energy.  The song stayed in my head and I considered saving up a few quid and making the Sex Pistols album my next purchase.  It would be quite a departure from a great deal of my other music; but with punk rock all over Thrasher magazine and skateboarding generally, it seemed the obvious choice. 136184.jpg SP

So I went into Penny Lane Records in Chester a couple of weeks later, and I bought the cassette.  The cassette!  Unbelievable.  One advantage was I had my Sony Walkman with me and could listen to it straight away.  What should I expect though?  My research had yielded a huge amount of scorn for the group – they couldn’t play, couldn’t sing, they were offensive.  Would the tape just be a horrid cacophony of unlistenable noise?  I pressed play.

I heard the jackboot march intro of first track “Holidays in the Sun” and then the music began.  Far from the despicable noise I’d been warned about, I found (much like “Anarchy…”) a sound that was thrilling, exciting, new.  It was rock music, but it was fast and intense and I knew this was what I had been looking for.

“Bodies” followed, and that song is even more exhilarating than the first.  A few rude words though, so don’t play this without headphones.  “God Save the Queen” was a total revelation – anti-establishment hatred wrapped up in the greatest rock riff ever.  Pure genius.  I’d never heard sentiments like that expressed in any form of popular culture before, and I loved it.  “Pretty Vacant” was actually very catchy, not in the least bit talentless noise.  And “Submission” was a change of pace – showing again that the Pistols were not one trick conmen.

Not all of “Never Mind the Bollocks…” is perfect.  I’ve never been a huge fan of “Seventeen”, for example.  Still that song is better than most bands manage in an entire career.

The music doesn’t sound shocking in this day and age, but lyrically we’re dealing with some raw stuff.  What a joy to behold in a Simon Cowell possessed world.

I ended up getting rid of the cassette and buying the album on vinyl later on.  I’ve still got it.  Of course, I then had the CD also.  I listened to it recently on my iPod and it still sounds fantastic.  Quite simply, every home should have a copy of this record.  “Never Mind the Bollocks…” is still, quite possibly, my favourite album of all time.  It opened my eyes (as well as ears) to something different.  It taught me that exploring music, even music that you might be concerned isn’t for you, will provide great results.

Don’t be afraid, try something new.  And listen to the Sex Pistols with the sound cranked up.  Because we still need to think differently, develop our own opinions, and be open minded.  That, ladies and gentlemen, is punk rock.

Sex Pistols – Never Mind the Bollocks, Here’s the Sex Pistols

  1. Holidays in the Sun
  2. Bodies
  3. No Feelings
  4. Liar
  5. God Save the Queen
  6. Problems
  7. Seventeen
  8. Anarchy in the UK
  9. Submission
  10. Pretty Vacant
  11. New York
  12. EMI

Best tracks: God Save the Queen, Pretty Vacant, Holidays in the Sun, Bodies, Submission, Anarchy in the UK

Other cool points: one of the most iconic album covers of all time.

Buy this classic album here.

The Return of the Random Bike Ride Playlist

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It’s back!  Yesterday  I went for a bike ride, the first of the year.  The weather was good and I was ready to roll.  For old times sake, I decided to hit “shuffle” and let Ipodicus decide what the soundtrack to the morning’s adventure would be.

Just over ten miles.  Not bad.

  1. Smashing Pumpkins – “Real Love”
  2. Jello Biafra & The Melvins – “Those Dumb Punk Kids (Will Buy Anything)”
  3. Queens of the Stone Age – “Quick & to the Pointless”
  4. Sleigh Bells – “Comeback Kid”
  5. Bob Marley – “You Can’t Do That to Me”
  6. Blondie – “Contact on Red Square”
  7. David Bowie – “Little Wonder”
  8. Lieutenant Pigeon – “Mouldy Old Dough”
  9. Hector Martignon – “Colombaiao”
  10. Therapy? – “Stay Happy”
  11. Viking Skull – “Double or Quits”
  12. Samantha Fox – “I Only Wanna Be With You”
  13. A Tribe Called Quest – “If The Papes Come”
  14. The Melvins – “In the Army Now”
  15. Bad Brains – “Jam”
  16. Orange Goblin – “Lothlorian”
  17. Muddy Waters – “I Want to Be Loved”
  18. 2Pac ft. Anthony Hamilton – “Thugz Mansion”
  19. The Who – “Please, Please, Please”
  20. Jello Biafra & The Melvins – “Enchanted Thoughtfist (Enchanted Al Remix)”
  21. Neil Young & Pearl Jam – “Downtown”
  22. Roni Size – “Trust Me”
  23. Tiny Masters of Today – “Hologram World”

This particular playlist reminded me just how great the Jello Biafra and The Melvins collaborations are.  I haven’t listened to them for a while, so cranked ’em today.

New Year – New Playlist: Part 2

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Remember the alphabetical musical playlist game?  Part One was posted a few weeks back, here’s Part Two.

The idea was to take turns playing a song from my iTunes collection, in alphabetical order by artist.  You can read the first instalment here.

Below is the next session, N to U.  The final few are still to be chosen…

  • Al: Nick Cave & the Bad Seeds – “Straight to You”
  • Ness: Nirvana – “Heart Shaped Box”
  • Al: Ozzy Osbourne – “No More Tears”
  • Ness: The Offspring – “Pretty Fly (For a White Guy)”
  • Al: Public Enemy – “Harder Than You Think”
  • Ness: Pearl Jam – “Alive”
  • Al: Queens of the Stone Age – “Make It Wit Chu”
  • Ness: Queen – “Who Wants to Live Forever”
  • Al: Ramones – “I Believe in Miracles”
  • Ness: R.E.M. – “Nightswimming”
  • Al: Senseless Things – “Homophobic Asshole”
  • Ness: System of a Down – “Chop Suey!”
  • Al: Turbonegro – “The Age of Pamparius”
  • Ness: Tenacious D – “Tribute”
  • Al: Urge Overkill – “Jaywalkin'”
  • Ness: U2 – “One”

So I know it’s not New Year any more, but this list needs finishing off.  Final part soon…

Classic Albums

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The first in an ongoing series, where I will be discussing some of the best records ever made.  These are the “classics” of my record collection, that no-one should be without.

1. The Cult – “Love”

Released in 1985, The Cult’s album Love still sounds fantastic to this day.  It’s a potent cocktail of resurrected blues-rock riffs, screaming psychedelia and murky atmosphere that transcended music of the time.  Listening to it now, it seems unbelievable that the record was created in the mid eighties.  And yet it has enough power – and melodic charm – to still sound great.

In late 1988 I had become obsessed with Electric, the full-on rock monster that the Cult had released a year earlier.  A friend lent me a copy of Love, promising that the songs contained therein were the best the band had recorded.  cult-love

At this point I had explored some rock, metal and punk.  Love was to be a bridge between these genres in many ways.  Happily it was (what would become) “alternative” rock – though it worshipped at the altar of Hendrix, The Doors and Led Zeppelin, it was birthed from the fire of punk rock.

Opening track “Nirvana” kicks things off in blazing style.  It has a fast pace and contains a euphoric instrumental section.  Both “Big Neon Glitter” and the title track “Love” offer up the Big Zep riffs and allow guitarist Billy Duffy to add a psychedelic shimmer.  Then “Brother Wolf, Sister Moon” provides a quieter moment.  If the earlier tracks were ideal for blasting out the windows of a 1970 Dodge Challenger, this track is more singer Ian Astbury sitting on a pony surveying the prairie.  As the song ends, rumbling clouds herald the next track: “Rain”.  One of the best songs the Cult have ever recorded, “Rain” has a truly classic riff that is instantly recognisable and never forgotten.

Side Two (!) opens with “Phoenix”.  This track, unashamedly adorned with Hendrix inspired acid rock guitar, hints at the heavier sounds to come in later chapters of the bands story.  “Hollow Man” provides more driving bass (Jamie Stewart) and a simpler, melodic lead guitar.  Astbury has the chance to really shine on ballad “Revolution”, with a calmer moment that harks back to the bands Goth post-punk phase.

Next we have the mother of all Cult songs – “She Sells Sanctuary”.  A vaguely Eastern sounding intro leads into a stomping rhythm as the song grabs the listener and drags them along for the sheer hell of it.  This song became an instant favourite and still has an impact all these years later.  Final track, “Black Angel”, is a sombre Velvet Underground do Spaghetti Western affair that again adds some darkness to the proceedings.

The band received a lot of criticism for having a somewhat “hippie-ish” element to their sound, and look, on this album.  There are a few moments where the “peace and love” vibe wear a bit thin (see “Revolution”), however the overall sound of the record retains a dark edge to it – more decadent than naive.

The Cult would go on to fully embrace their heavy rock interests with Electric.  But for a kid who had never heard Zeppelin or Hendrix, Love was a monumental discovery.  Put it on and listen to it now, this record has a magic that is of it’s time and yet speaks of the past and future.

The Cult – Love

  1. Nirvana
  2. Big Neon Glitter
  3. Love
  4. Brother Wolf, Sister Moon
  5. Rain
  6. Phoenix
  7. Hollow Man
  8. Revolution
  9. She Sells Sanctuary
  10. Black Angel

Best tracks: Rain, She Sells Sanctuary, Nirvana, Brother Wolf, Sister Moon

Other cool points: great cover!

Buy this Classic Album here.

New Year – New Playlist

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What did you do on New Year’s Eve?  Did you go out partying?  Did you dance the night away in a pub or club?  Or maybe you gathered together with family and friends for a house party.  The really fancy ones amongst you may have done something extravagant, and gone away for a short break.  Perhaps somewhere with it’s own bar and hot tub.

Chez Platinum Al, we stayed in and rocked.  Drinks, food and music – that’s how we roll at the Virtual Hot Tub.  Staying in has been the new going out for a good few years for us.  No queues at the bar; no being crammed in like cattle; no paying for tickets when you’re VIPs at your own party.

Instead, Mrs Platinum Al and I sipped some fine drinks and played a music playlist game.  Here are the rules:

  1. One person starts, and chooses a band/artist beginning with a letter of the alphabet.  Start with the letter A.
  2. Pick one song by that artist and play it.
  3. The next person picks a song by an artist beginning with the same letter and plays that.
  4. Then you move on to the next letter in the alphabet, and pick one more song by a band/artist beginning with that letter.
  5. Continue in this fashion.  You can be as obvious or as random as you like in your choices.

Here’s how we got on:

  • Al: AC/DC – “Big Gun”
  • Ness: ABBA – “Happy New Year”
  • Al: Boney M – “Daddy Cool”
  • Ness: Belinda Carlisle – “Heaven is a Place on Earth”
  • Al: Creedence Clearwater Revival – “Born on the Bayou”
  • Ness: The Cure – “In Between Days”
  • Al: Donovan – “Season of the Witch”
  • Ness: Destiny’s Child – “Independent Women Part 1”
  • Al: Eagles of Death Metal – “Anything ‘Cept the Truth”
  • Ness: EMF – “Unbelievable”
  • Al: Fun Lovin’ Criminals – “Too Hot”
  • Ness: Foo Fighters – “Monkey Wrench”
  • Al: Garbage – “Queer”
  • Ness: Green Day – “Basket Case”
  • Al: Hard-Ons – “Don’t Wanna See You Cry”
  • Ness: Heart – “Alone”
  • Al: Iggy Pop – “Beside You”
  • Ness: INXS – “Never Tear Us Apart”
  • Al: Johnny Cash – “God’s Gonna Cut You Down”
  • Ness: Jane’s Addiction – “Been Caught Stealing”
  • Al: Kool & the Gang – “Jungle Boogie”
  • Ness: Kylie Minogue – “In Your Eyes”
  • Al: Led Zeppelin – “Whole Lotta Love”
  • Ness: Lenny Kravitz – “Stand By My Woman”
  • Al: Motorhead – “Killed By Death”
  • Ness: Madness – “One Step Beyond”

That was as far as we got before it was time for sleep.  We aim to complete the other half of the alphabet soon.

This is a fun game that can reveal a lot about your mood, or just your taste in music.

All selections were provided by Platinum Al’s monster iPod, Ipodicus.

The Damned – Gig Review

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The Damned + The Ruts DC

Sunday 1st December 2013

Buckley Tivoli

It’s Sunday night, and far from milk and cookies and watching Songs of Praise, Mrs Platinum and I are off to see The Damned.  At the Tivoli in Buckley, no less.  A venue I’ve been to many times (remind me to tell you about my 21st birthday sometime) and a place I’d hoped this lot would play for years.

Support tonight is from The Ruts DC, and blimey they’re good.  I’d have gone to see them headline their own gig – with The Damned to follow this is unmissable.  A great set that swings from ska-reggae boppers to punk rock seven inch masterpieces.  Highlights include “It Was Cold”, “West One (Shine On Me)” and of course “Staring at the Rude Boys” and “Babylon’s Burning”.  They sound exciting, contemporary and confident.  Final song “In a Rut” put the lid on a support set that could have been a headliner.

I might as well own up and admit that the Damned are probably my favourite band of all time.  To see them in my “local” venue is a real delight.  As I hinted earlier, I’ve had many adventures at the Ballrooms over the years and always wanted to see this band here.

The Damned are the band that I’ve seen more than any other.  Tonight though, they play an astounding set that both entertains and surprises.  How do they do that?  Well, they play many songs I’ve never heard them play live before.  First song “Sanctum Santorum” is an interesting choice – atmospheric rather than bludgeoning.  The song worked really well live and served to create a sense of theatre from the start.

From that point on, The Damned kept me guessing.  “Don’t Cry Wolf”?  Yes, please!  “Sick of Being Sick”?  Don’t mind if I do!  Following “Wait for the Blackout” with the songs that followed it on The Black Album is a stroke of almost genius.  “Lively Arts” and “Silly Kids Games”?  Why sirs, with these gems you are truly spoiling us!

“Ignite” and then “Generals”?  They won’t play the third track off Strawberries though.  But they do!  “Stranger on the Town” is probably my favourite Damned tune, and one I never thought I’d hear live.  Brass section, you see.  Yet there it is, and Platinum Al can’t help but sing along.  Thank you, Damned!

And so it goes.  Later in the set we get the classic singles: “Neat Neat Neat”; “New Rose”; “Love Song”; “I Just Can’t Be Happy Today”.  “Eloise” sounds great.  More first time airings (for me) of “The Eighth Day” and “Ballroom Blitz” put the marzipan on the cake before a glorious “Smash It Up” finale.

Any criticisms?  The sound wavers a few times, unusually for the Tiv – some of the early set doesn’t sound as “full” as it should. A minor comment as this didn’t spoil my enjoyment.  Beyond that, it would have been nice to hear more of the recent material (no “Thrill KIll”??!)  – we don’t hear anything off the So, Who’s Paranoid? album.

Though as I’ve been treated to so many new live gems tonight, a full fourteen minute version of “Dark Asteroid” is probably a bit too much to ask.  Maybe next time.

So thank you The Damned, The Ruts DC and Buckley Tivoli.  It was a great night.  Work in the morning.

http://www.officialdamned.com/

http://www.theruts.co.uk/

http://www.tivolivenue.com/index.htm