Monthly Archives: March 2025

Singles Night at the Virtual Hot Tub #36

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It’s that time again – Singles Night! Yes, the night at my Virtual Hot Tub where we play a variety of 7 inch singles and have a few beverages. A record listening party, if you will, but only involving 45 rpm discs.

There’s a huge stack of unplayed singles lurking round the Hot Tub. Some old, some new, some that have been given to me as a gift. They’ve collected together over time from all manner of different sources, and they need to be played.

So play them I will, A side first then flip ’em over for the B side – playing through the stack for the sheer fun of it.

Pour yourself a drink and join me, who knows what we’ll hear?

Here’s the playlist:

  1. Chafed GBI – “The Regulator”
  2. Jim Jones & The Righteous Mind – “Get Down Get With It” / “Ace of Spades”
  3. Elvis Presley – “Are You Lonesome Tonight? (The Laughing Version)” / “From a Jack to a King”
  4. Bad Company – “Feel Like Makin’ Love” / “Wild Fire Woman”
  5. The Alarm – “Absolute Reality” / “Blaze of Glory”
  6. INXS – “Need You Tonight” / “Move On”
  7. Vapors – “News at Ten” / “Wasted” / “Talk Talk”
  8. Lita Ford – “Kiss Me Deadly” / “Broken Dreams”
  9. Depeche Mode – “Just Can’t Get Enough” / “Any Second Now”
  10. Shakin’ Stevens – “Green Door” / “Don’t Turn Your Back”
  11. Simple Minds – “Ghostdancing” / “Jungleland”
  12. Duran Duran – “The Reflex” / “Make Me Smile (Come Up and See Me”
  13. The Motors – “Forget About You” / “Picturama”
  14. Chic – “I Want Your Love” / “(Funny) Bone”
  15. Slade – “Know Who You Are” / “Dapple Rose”
  16. Thin Lizzy – “Killer On The Loose” / “Don’t Play Around”
  17. Roxy Music – “Over You” / “Manifesto”
  18. Madonna – “Material Girl” / “Pretender”
  19. AC/DC – “Heatseeker” / “Go Zone”
  20. David Bowie – “Fashion” / “Scream Like a Baby”
  21. The Alarm – “Rescue Me” / “The Hurricane Sessions (My Land Your Land)”
  22. ABBA – “Gimme, Gimme, Gimme” / “The King Has Lost His Crown”

Twenty two songs this week, and some real beauties in that session. From great classic rock (Bad Company, Thin Lizzy, AC/DC) to 80’s pop (Depeche Mode, Madonna, ABBA) to punk/new wave (Vapors, The Motors) there’s a wide spread of awesome songs.

Some notes:

Chafed GBI is a “supergroup” comprising Scott Ian and Charlie Benante of Anthrax, with Dave Grohl on drums. It’s a single sided, colour vinyl 7 inch of the classic Bad Brains song released for Record Store Day.

The Jim Jones & The Righteous Mind single is on coloured vinyl. While it does contain a cover of the Slade song on the A-side (though that was a cover of an earlier tune), the B-side is not the song made famous by Motorhead! Still great though.

An amazing night of vinyl spinning. More soon!

Castle Grayskull

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Castle Grayskull

“By the power of Grayskull!”

In previous editions of my Toys blog, we’ve already had a look at some of the original Masters of the Universe action figures that I own. Most were bought back in the 1980s. But I never had any of the playsets for this line of toys, so their adventures were a bit limited. Niver had any playsets until recently, that is…

Castle Grayskull was re-released by Mattel a while back, to act as the perfect environment for their re-issued and re-vamped line of Origins figures. The toy itself appears to be an almost exact replica of the one released back in the 80s – though I’m not enough of an expert to confirm. However, it’s close enough to do the job.

By the power of Graskull!
I have the power!

I waited quite a while, watching Castle Grayskull’s price online. Eventually, this open but complete version turned up for a good price on eBay, so I snapped it up. It’s in great condition – I suspect it may have only been used for display and then sold on.

The castle looks pretty awesome: that formidable skull-like façade looms out, just like in the cartoon. The playset opens in half to reveal the inner sections, with the mouth drawbridge opening to permit access. This can be done by using a power sword as a key – nice touch.

Inside
Turret

Inside, the hybrid of magic and technology that was the hallmark of the original MOTU line is clearly visible – computer consoles and laser guns sit alongside a throne and ancient weapons.

Throne room
Help on the way!
Watch out!
Battle for Eternia

It was great fun setting up the figures and recreating a few scenes with them. The action included Skeletor and his band of evil henchmen capturing Castle Grayskull and imprisoning the Sorceress. Then Skeletor was free was to claim the throne, and subdue Eternia under his vile command! But wait…

  • Here comes He-Man and Battle Cat to save the day! They confront Skeletor in the throne room.
  • Look out He-Man! There’s a trap door!
  • Here come Teela and Man-at-Arms via the elevator – but will they be too late?
  • Look out for Trap Jaw up on the turret!
  • With reinforcements at hand, a historic battle ensues between good and evil!
  • Finally, Skeletor and his evil warriors are defeated and Castle Grayskull is returned to normal…

Till next time, that is!

This Castle Grayskull playset may be modern, but it ticks all the right nostalgia boxes. It seems to have all the accessories and features that I remember seeing as a kid (though this includes a limited edition Sorceress figure). Loads of fun and a fantastic way to display my action figures. But where to display them??!!

Battle!
Shipping box
Box art
Classic conflict!
Heroes

Pentre Fest 2025

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Pentre Fest 2025

Mclean’s Pub, Pentre, Deeside

Friday 21st & Saturday 22nd February 2025

Here we go with another Pentre Fest, the absolute highlight of my musical calendar! This is the crowning glory of North East Wales Metal Productions‘ festivals – and a huge deal to both the bands and the fans. I couldn’t wait to get to Mclean’s in Deeside and enjoy the music!

This year, another stellar line-up of bands from both near and far, with a good spread of genres. Ever Metal was in full force, with Beth and Mare joining myself for the festivities. With all of us in attendance, we split reporting duties to cover as much as possible as easily as we could.

And so, here are the reviews I composed all by my lonesome, concentrating on musicians that I wanted to contribute to (rather than all of them).

If you want to read the full review, try this here link to Ever Metal.

Friday 

Mother Thunder 

I saw Mother Thunder play in Pentre a few months back, they were superb.  This time around, they were even better.  MT play a hard hitting, groove laden take on classic rock/metal – think Thin Lizzy twin guitars with a bit of Maiden chug – and sublime female vocals.  Heavy rock with irresistible riffs, Mother Thunder lit up the room and could’ve (should’ve) been higher up the bill.  

Apollyon Rising 

Filling in last minute, Apollyon Rising were a man down as their bass player was on holiday in Morocco.  The selfish git.  But with a bit of soundboard wizardry, the remainder of the band confidently gave us a set of prime thrash metal that didn’t shame their reputation one iota.  I knew they could pull it off.  As a wise man once said, never doubt a band with a killer logo (and the talent to match). 

Saturday 

DXRK Winter 

Thankfully, I managed to catch the latter half of DXRK Winter’s set and I glad I did.  They were on first on the main stage in the afternoon, their brutal metal attack was brilliantly performed and went down really well with a crowd that could’ve been chilling, but didn’t.  A worthy act to play higher up the bill. 

Cry for Mercy 

You can’t go wrong with the blues based classic rock swagger of Cry for Mercy.  Great tunes, all built around the majesty of the riff and a persuasive groove.  I loved every second, it’s a shame they were on so early.  Never miss a chance to see Cry For Mercy if you get it.  Their new songs were just as good as old, new album is out soon! 

Victim of Damp 

Frank Williams, aka Victim of Damp, is becoming a popular mainstay of Pentre gigs.  His bipolar set comprises one half of mellow, hangover curing melody followed by a series of playful, Pythonesque parodies.  And he gets more confident every time. 

Bad Earth 

It just wouldn’t be Pentre Fest without these guys!  Bad Earth delivered a reliably ferocious set of raucous biker rock and despite sound hiccups on the first couple of songs, soldiered on admirably.  This was take-no-prisoners rock’n’roll to make Lemmy proud.  Their acoustic set was also a blinder, cooking up some awesome sing-a-long responses from the crowd outside. 

Mike West & the Missing Links 

It’s been a good few years since I saw Mike West play a solo acoustic show at Pentre.  Mike’s brand of dark country and bluegrass is now augmented by a band of drums and fiddle, adding a certain folky, Levellers feel to the tracks.  A brilliant diversion under the surprisingly blue skies of the late afternoon, this set was further proof that a metal festival can experiment with genres. 

The Raging Mables 

Now I was really looking forward to seeing this band.  I’d enjoyed viewing their Pentre Fest pre-event interview with Beany, plus they have one of the best band names ever.  No arguments.  The Raging Mables were like the Ramones playing ZZ Top, a 200mph Zeke-like melodic explosion of punk’n’roll.  One of the most perfect bands ever.  

Toranaga 

Back to some welcome thrash metal, it was indeed a huge bonus to get to witness the power of Toranaga at Pentre.  These guys are exceptional musicians, their shredding guitars creating a sound akin to classic Bay Area Thrash from the likes of Exodus and Testament.  And that is very, very good.  Their cover of ‘Mad House’ by Anthrax warmed my ancient heart, too.    

Stuntface 

Stuntface hail from just up the road in Wrexham, and it was great to see them finally bring their brand of flat-out, relentless hardcore punk to Pentre Fest.  Their songs are furious yet melodic, played super-fast and with a huge grin on bass player/vocalist Wayne’s face.  An absolute treat – Stuntface must play here again! 

What a blast that was! The guys at NEW Metal Productions always put on a heck of a show and this was no exception. Didn’t get tickets for the Black Sabbath gig this summer? Get yourselves out there and support underground metal, you’ll feel better.

My favourite Pentre Fest so far? Only time will tell…

Sergeant Thunderhoof – The Ghost of Badon Hill Album Review

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Sergeant Thunderhoof – The Ghost of Badon Hill 

Pale Wizard Records 

Release date: 15/11/2024 

Running time: 45 minutes 

Review by: Alun Jones 

9.5/10 

Two years ago, the album “This Sceptred Veil” by Sergeant Thunderhoof made such an impression on me that it topped my end of year Top 10 for Ever Metal.  So this latest release has some pretty big boots to fill.  The pressure is on, for the band and also for your friendly scribe: I’m gonna need some new adjectives in my arsenal to do this work justice.  

A mellow guitar and whistle intro brings the listener into the world of “The Ghost of Badon Hill”.  First track ‘Badon’ opens with an almost Folky feel, and in true Thunderhoof style, takes it’s time to grow and breathe.  We’re nearly halfway through before the delicate, introspective section explodes into something epic, and the hairs on the back of your neck reach for the sky.   

‘Blood Moon’ tricks the listener with a melodic intro, before a truly classic mega-riff gets the heart pounding.  The guitars of Mark Sayer and new member Josh Gallup (who also recorded the album with the band) are multi textured throughout the album, expertly ranging from the mighty to the fragile.  A pseudo-Blues introduces ‘The Orb of Octavia’, before settling on a melancholy, gentle feel.  Augmented by Daniel Flitcroft’s soaring vocals (surely amongst the best in the UK), it’s not long before the heavy is unleashed. 

‘Salvation for the Soul’ is the most immediate and Stoner/Doom related of this collection, and it quickly became a personal favourite.  “For tonight, we ride!” – trust me, kids: THAT is a chorus!   

I’ve favourably compared Sergeant Thunderhoof to Soundgarden previously – which holds true with ‘Sentinel’ – and there’s also a strong Floydian feel here too.  The changes of pace on all the tracks ably demonstrate the expertise of the rhythm section, Jim Camp on bass and Darren Ashman on drums.  Both are confident and play with finesse.  All good things come to an end though, and our final song here, ‘Beyond the Hill’, is a ten-minute plus opus that builds through several stages on a monumental journey. 

One element of this recording that’s obvious from the start, is the length of the album.  The band made a conscious decision to lay down some boundaries and write a record that would fit on a single, rather than double, vinyl album.  Whereas I could lament the shorter running time, it does make sense to condense what the band do best.  And there’s still a cornucopia of sonic delights to enjoy regardless.  I mean, I haven’t even discussed the lyric content of the record yet!  There’s plenty enough folklore, legend and mystery to keep the audience engaged and coming back for more and more. 

“The Ghost of Badon Hill” is mission accomplished for Sergeant Thunderhoof.  A great new album, reigned in a little timewise, but sonically still delivering a cerebral and visceral punch.  Another Top 10 contender, no problem.  

Check out Sergeant Thunderhoof on their website, Facebook, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.