Sci Fi Weekender 2016 – part 1

IMG_20160318_114228066Sci Fi Weekender 17th – 20th March 2016

Hafan Y Mor Holiday Park, Pwllheli

Wow.  This year’s Sci Fi Weekender was a blur – it went faster than light speed.  All the usual geekery was in full swing, though I’ll be gosh darned if I can remember everything and what order it happened in.  Too much blue milk?

Never mind, I have numerous photos of the weekend to share; to help report on this cosmic adventure.  Except that didn’t go to plan this year.   My trusty Canon was on the blink, so I resorted to a little digital snapper and my phone.

Not ideal, but sometimes you have to compromise.

So what is Sci Fi Weekender?  For the unititiated, it’s a weekend of events and special guests, all held on site at the Hafan Y Mor holiday park in Pwllheli, North Wales.  Think Comic Con but at a holiday camp and with a party atmosphere.  All manner of interview panels, Q&As, games, and musical entertainment are part of the festivities.

Plus a prog rock festival – HRH Prog – was also being held on the same weekend.  Not a massive tie in with science fiction you may think (at least not without Hawkwind playing).  However it gave additional entertainment for those with musical interests.

Our weekend began with four of us – Adam, Greeny, Kurt and myself – driving from our corner of north east Wales to the north west.  On the way we popped into Cob records in Porthmadog to feed our vinyl addition.  Then we settled into our caravan home from home – complete with haul of supplies from the local ASDA – and planned our DVD watching schedule for the night.

Unfortunately the DVD player wasn’t working, and without tickets for the Thursday evening SFW party, we were stuck.  Rather than watch TV, we went for a pint in the onsite pub.  We then popped in to see what the prog rock was all about.  We didn’t think we would get in, but it was no problem.  As a result we were able to see Third Quadrant (quite good) and the excellent Crazy World of Arthur Brown.  Arthur is over seventy years old and jumps around on stage like a nutter.  Highly entertaining and some great tunes.

Friday began with the bad news that Kurt was ill.  He’s only 16 so booze wasn’t the issue.  As a result, Kurt and his dad Greeny were pretty much out of the running for the day.  They watched TV and chilled.  Plus Ste, our remaining member, had burst the inflatable camp bed by leaving it too close to the fire.  He suffered a bad night’s sleep on the sofa as a result.

The rest of us headed over to the arena and started checking things out.  I took a few photos and looked round the stalls.  We caught a Cosplay panel with Tabitha from Artyfakes that was very interesting, with extremely impressive Space Marine costumes and hints and tips about the hobby.  I bottled asking my question though, which was “How do you go for a wee?”.

I also watched an interview panel of comic book artists.  The panel consisted of 2000AD greats such as Glenn Fabry, William Simpson, Clint Langley and Simon Davis.  Hosted by Dez Skinn, the panel was informative and also amusing; it seems some of the assembled masters had been on the pop?  Either way, these guys were like rock stars to me when I was a young 2000AD fan, so it was pretty cool.

The vibe around the arena was good natured as always.  I took some cool photos (thanks everyone) and despite our numbers being depleted, we had a good afternoon.

After a delightful pizza from the onsite Papa John’s (it was great!); we were ready for the evening’s entertainment.  I’m afraid to say that the Imaginarium and magicians weren’t really my thing this year.  It’s difficult to dig the magic when you can’t see it up close.

The highlight was the one and only Professor Elemental, steam punk hip hop pioneer.  His smooth raps mixed with groovy beats like a well tuned gin and tonic.   A pleasure to witness, as always.

At the end of the night, I teleported across the site to see the end of the set by Caravan.  Not only a very apt band to be playing, they were actually pretty good.  The Soft Machine were on last with a more jazz orientated approach.  All very impressive and I’m glad I got to see something different.

I’m ashamed to say that we all ended up crashing out early on Friday night.  Illness and lack of sleep took it’s toll.  I was last man standing, going to bed at 11.30pm.  Pathetic, I know.

In Part 2: Brian Blessed, the Cosplay final, more Prog Rock…

PLUS: will we be able to stay up late?

Stay tuned to this frequency…

The Sci Fi Weekender site is here.

You really should check out Professor Elemental.  His website is here, plus he’s on that Twitter and stuff too.

Tragedy – Gig Review

Tragedy

Wednesday 9th March 2016

The Live Rooms, Chester

It’s my first gig of the year, and another visit to the ever reliable Live Rooms in Chester for some rock’n’roll.  I’ve had a few rockin’ parties at this venue, but this night was destined for greatness.  The exquisite Disco Metal of the one and only Tragedy was scheduled to set the sky on fire with dazzling party anthems.

Finding common ground between the opposing world of heavy metal and disco was never going to be an easy task.  They’re two genres of music that repel like the same sides of a magnet.  But with Tragedy, the water and oil can, and do, mix.  It’s a hard rockin’ combination of guitar and high pitched disco vocals in a totally crazy metal tribute to the Bee Gees (and beyond).

A heavy metal tribute to the Bee Gees is only the beginning, you see.  As well as Brothers Gibb classics like “Staying Alive” and “Night Fever”, their set is expanded to take in other disco and pop classics.  The mutated songs feature glimpses of riffs from Van Halen, Pantera and more.  One of my highlights was the ridiculously fun idea of warping the intro from Slayer’s “Raining Blood” into “It’s Raining Men”!

Part of the fun of this Tragedy gig was spotting chunks of recognisable metal riffs, and then being dumbfounded by how the band weave them into a late 70’s disco style.  The mash up is suitably gory too – these gruesome Frankensteins have no qualms when it comes to hacking limbs from one sweet pop track and stitching them maniacally to a heavy metal corpse.

With a light show and numerous skits introducing the songs (not to mention Lance the towel boy bumbling across the stage) it’s all very entertaining.  And professional, without being soulless.

For any metal fan with a sense of humour, Tragedy are well worth seeing.  You’ll have a hard time finding a more bonkers night out anywhere.  Great fun!

The Tragedy website is here.

The Live Rooms website is hereTragedy

Bring Your Own Vinyl Night #7

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 26th February 2016

Welcome back to the Queen’s Head in Mold, North Wales!  Get yourself a pint and make yourself comfortable, ‘cos you know what time it is.  That’s right, it’s Bring Your Own Vinyl Night again!

Remember the rules: there’s a fifteen minute slot for each person; play whatever you like, so long as it’s vinyl.

Only Greeny and myself made it this time – Adam and Ben the Swede were both unavailable.  No theme for my set this time, just a few songs I really had a yearning to play…

Ennio Morricone – The Ecstasy of Gold

This song is of course from the soundtrack for the classic Sergio Leone Spaghetti Western, The Good, the Bad and the Ugly.  My version came from an album called “This is Ennio Morricone”.  You don’t need me to tell you how great that film is.  And Morricone’s soundtrack is stylish and ground breaking.  In particular, this track (which plays while Eli Wallach’s character runs frenziedly through a Civil War graveyard) is sheer class.  It builds magnificently and captivates the listener.  A bit over the top, I admit, as the first song in my set – but never let it be said that Platinum Al doesn’t do drama.

Ramones – Surfin’ Bird

If I was going to recommend a Ramones album for a novice to start their education of NYC’s finest, I’d go for “Rocket to Russia”.  I thought that this frenetic cover of the Trashmen’s surf rock gem would be a suitable place to go, after the majesty of the last track.  I love the Ramones and this song was a ton of fun to play.

Soundgarden – Fresh Tendrils

This song, from the simply fantastic “Superunknown” album, is probably my favourite Soundgarden song ever.  And I’m a bit of a Soundgarden nerd – I’ve collected tons of their stuff.  Rather than play a more obvious, well known song, I decided to go with my top tune.  “Fresh Tendrils” has an epic, classic rock sound that I love.  No idea what Chris is singing about, however.  The version I played was from the “Spoonman” 12″ single (on clear vinyl!).

Johnny Cash – Folsom Prison Blues

Originally I was going to play a Stooges song, but then I remembered that 26th February was Johnny Cash’s birthday.  So I decided to play a song by the Man in Black.  “Folsom Prison Blues” is a legendary track, one of Cash’s best.  And I’ve already stated how big a hero this guy was to me.  The album this came from – “Original Golden Hits Volume 1” – was my Gran’s.  After she passed away, it was given to me.  I’d heard a lot from bands I was into how Cash was an inspiration, so I checked the record out.  I loved it, and my Johnny Cash fandom was born.  The first Cash record I heard, but not the last!

That’s my list for the night.  There were may great songs played through out the evening, though.  Budgie!  Hawkwind!  Disposable Heroes of Hiphoprisy!  Anthrax!  Check the link below for the complete list.

Wax is back – get spinning those tracks!  Thanks for a great night!

I’d also like to thank my old mate Graham, who turned up with a couple of Suicidal Tendencies records for me.  You see, I’d sold these two exact albums to Graham some twenty years ago, when I was a broke student.  Although I could’ve tracked the records down on eBay, I decided to message Graham and see if he’d sell them back to me (if he still had them).  The reason being that one album, the awesome “Join the Army”, had been given to me when I was 15 by my friend Kelvin Bedford, who I used to skateboard with every day.  Sadly, Kel passed away a couple of years ago.  So it was cool to get that actual copy back in my record collection, as a nice memory.  It even had the same plastic protective sheet over the album – and the selotape strip I patched up the inner sleeve with many, many years ago!  Graham gave me both records for free – so I bought him a pint or two.  Thank you!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

Bring Your Own Vinyl Night #6

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 22nd January 2016

The first Bring Your Own Vinyl Night of 2016 brought out fantastic tunes old and new. Regardless of genre, all were welcome to spin their records for the enjoyment of the gathered vinyl enthusiasts.

Held in the Queen’s Head pub in Mold, North Wales, the idea is simple.  Each participant gets a fifteen minute slot to play whatever they like, so long as it’s on vinyl.  No other format permitted.

Again my selection for this evening had a theme, though a sad one.  Inspired by the loss of many musical heroes recently, my songs were selected as a tribute to some of those musicians who had passed away.

My old mucker Adam was first up from our gang.  He’d got to the pub early and had some food, which I’m told was very good.  Here’s his set:

  • Aerosmith – Rocking Pneumonia and the Boogie Woogie Flu
  • The Backbeat Band – Money
  • David Bowie – Moonage Daydream
  • Neil – Hole in My Shoe
  • Grandmaster Flash & Melle Mel – White Lines

Five great songs, awesome set.  Some of the other punters had a go, then it was my turn on the wheels of steel.

Stone Temple Pilots – Plush

Taken from the first Stone Temple Pilots record, “Core”, this song is my favourite track on the album.  “Plush” is a big, epic song that always reminded me of Led Zeppelin.  A great track to start the set off, though as it’s over five minutes long it meant that my set would be three songs rather than the usual four.  No problem.  Played in memory of STP singer Scott Weiland who died in December 2015.

Motorhead – Killed by Death

At the last Bring Your Own Vinyl Night, I played “Ace of Spades” by Motorhead as drummer Phil Taylor had passed away.  Sadly Lemmy, Motorhead main man and all round rock legend, was to follow on 28th December 2015.  After “Ace of Spades”, the next best Motorhead tune is “Killed By Death”, so I gave this classic a spin.  Taken from the best of compilation “No Remorse”, which I bought when I was 16 as it had both of the aforementioned tracks on it.  Every home should have one!

David Bowie – Heroes

And finally a Bowie song, to remember this great artist.  I chose “Heroes” as it’s my favourite Bowie song, grand and optimistic with a tinge of melancholy.  Truly magnificent.  The track I played was the single edit, taken from the “Best of Bowie” album, which I picked up a couple of years ago in a charity shop.  There were several songs I could have picked from several albums I own, all brilliant tunes. Bowie best of

After three songs I was running out of time for my fifteen minute slot and decided to call it quits.  I had the Eagles “Take It Easy” in reserve, to commemorate the passing of Glen Frey, but I was running out of time.  Plus Bowie’s “Heroes” was a perfect track to end on.

So Ben the Swede took to the stage after me, armed with just three records.  He’s moving house, you see ( a real house, not a cardboard box) – and most of his stuff is in storage at the moment.  Despite limited resources, Ben dropped a set of bangers.

  • Megadeth – Tornado of Souls
  • Elton John – Grey Seal
  • Deep Purple – Never Before

A nice mix there, from Megadeth to Elton John!

There you have it – another night of great tunes and good company at the Queen’s Head.  I even had a few requests for songs from the audience, though couldn’t oblige as that’s not what vinyl night is all about!  Thanks to everyone concerned.

Hope to see you there next time!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

R.I.P. David Bowie

Bowie

David Bowie

08.01.1947 – 10.01.2016

Unbelievable that my second blog post of 2016 is another in tribute to a musical hero who is no longer with us.

The recent passing of David Bowie caught us all off guard; I for one thought it was some cruel internet prank at first.  Not so – a quick trawl of the internet confirmed the sad news.

Back around 1990, my uncle let me borrow a bunch of records from his collection – an absolute buzz for a music obsessive like me.  There were records by Led Zeppelin, Deep Purple, Pink Floyd, The Stranglers, Devo and more.  I saw a copy of “The Rise and Fall of Ziggy Stardust and the Spiders from Mars”, and asked if I could borrow that too.  He kindly agreed and I made off with my temporary haul.

Right from the start, listening to the “Ziggy Stardust” album was something revolutionary.  I knew I was hearing something special.

The reason I’d wanted to become more acquainted with Bowie’s work was the high regard some of my other favourite bands held him in, mostly due to his friendship and support of Iggy Pop.  I was already a massive Stooges fan.

From “Ziggy Stardust” I continued exploring David Bowie’s considerable catalogue.  Some songs were instants classics, some challenged me.  All of it was worthwhile taking the time to investigate: classics from “Hunky Dory” and “Low” being favourites.  All of those songs inspired me, and gave insight into how many artists of different genres had been inspired by his work.

In fact, the greatest legacy that Bowie’s work has left, for me at least, was that constant pioneering exploration.  I was encouraged to expand my musical horizons and accompany Bowie on journeys into different sonic territories.  It’s thanks to that spirit that I have the wide ranging taste in music that I have today.

Thank you, David Bowie, for taking us on your adventures in sound.  I will continue to admire and study your legacy for years to come.

R.I.P. Lemmy

Lemmy

Ian “Lemmy” Kilmister

24.12.1945 – 28.12.2015

A huge part of growing up is buying your first Motorhead album.  For me it was the compilation album “No Remorse”, which I wanted because it had “Ace of Spades” and “Killed By Death” on it.  With that purchase, I took a step into a bigger world.  Motorhead were a gang, not just a band – and with buying that record I was subscribing to a whole new way of life.

The first time I encountered the rabid monster that was Motorhead was when they performed the legendary “Ace of Spades” on the Young Ones episode “Bambi”.  Lemmy was there front and centre, a living icon in mirror shades, mutton chop whiskers, and thunderous bass guitar; bellowing into a mic that was stretched to the ceiling.

Motorhead’s music was a raucous, fast burst of adrenaline and I played that album every Monday morning before school.  It was the best way to get into the zone and face the start of the week.  Total take no prisoners, take on the world music.  Of course, real life wasn’t so harsh, but Motorhead made you feel like you could do anything.

Lemmy himself was always the uncompromising rock’n’roll figurehead.  His gruff demeanour and his reputation for fast living only cemented his status.  And Motorhead were always cool.  When I developed a taste for punk rock, Motorhead were still cool.  Lemmy and Motorhead straddled the otherwise impossible crevasse between punk and metal.  He had roots going back to early rock’n’roll and the classics of the 60’s with the Beatles and Hendrix.  Lemmy was part of rock’s DNA.

Over the years I collected their albums, bought the t-shirt and Lemmy’s autobiography, and saw them live.  I even met the guy once.  One day I’ll write up the story of that night, which I was always going to call “The Greatest Night Out of My Life”.  Suffice to say that I met Lemmy in a strip club in Liverpool after a Motorhead gig, totally by chance.  I hung out with him all night.  He was extremely gracious and funny.  He was tolerant of drunk fans because he knew how much the music meant to us.

As much a gentleman as a warrior, the world has lost a real original with the passing of Lemmy Kilmister.  He was a pioneer, an innovator.  We knew he’d go one day, but it’s still unbelievable.  I’ll miss Motorhead.  Raise a glass to the great man and yell:

“You know I’m born to lose, and gambling’s for fools, but that’s the way I like it baby, I don’t wanna live forever!”

Bring Your Own Vinyl Night #5

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 4th December 2015

Unlike the last event, I didn’t have a theme for Bring Your Own Vinyl Night this time around.  Just some tunes I fancied playing.  I hadn’t even decided exactly what they would be till the show was on.

For anyone still uninitiated, the night is hosted in the Queen’s Head pub in Mold, North Wales.  There are two turntables and each participant gets to play 15 minutes of whatever music they want, vinyl only.

I had myself a couple of beers and rattled out this selection:

Motorhead – Ace of Spades

When you buy your first Motorhead album, you know you’ve entered the world of grown up music.  Big, nasty unapologetic rocking grown up music.  A song that never gets old, I was introduced to “Ace of Spades” when the band performed it on the classic “University Challenge” episode of The Young Ones.  It’s just a non-stop, joyous racket that simply will not stop or slow down for anyone.  Absolute perfection.  I played this in memory of drummer Phil “Philthy Animal” Taylor, who sadly passed away recently.

The Vapors – Turning Japanese

A New Wave/Punk Rock classic, I was donated the brilliant “Turning Japanese” by a friend.  Thank you, Simon.  It was supposed to be part of a tribute set that I’m still working on.  It was going to be hard to follow up the adrenaline rush of the previous song, The Vapors pulled it off here though.  A great power pop song that kept the pace of the set nicely.

Dinosaur Jr. – Freak Scene

A slight fast forward to the late 1980’s for this next track.  The first track on Dinosaur Jr.’s album “Bug”, this track nicely covers the appeal of early American alternative rock.  Born out of punk and hardcore, with one foot in old Black Sabbath and one in jangly pop; Dinosaur Jr. constantly delight.  Reminds me of my skateboarding youth.

Beastie Boys – Sabotage

I couldn’t decide which track to play last, so I let the audience choose the album.  The Beastie Boys “Ill Communication” won hands down, and I chose “Sabotage” as the track to play.  Another unrelenting monster of a song, “Sabotage” has a funky groove delivered with a rocking style.  Again, a song I never tire of.  Plus the Spike Jonze video, with it’s 70’s cop show homage, is a work of genius.  It’s been over twenty years and I still want to dress up and play Sabotage Cops for a day.

My buddy Adam strode up to the decks next, and delivered another fine set.  It went something like this:

  • Queen & David Bowie – Under Pressure
  • The Blasters – I’m Shakin’
  • Mark Ronson/Bruno Mars – Uptown Funk
  • DJ Kool – Let Me Clear My Throat

Four top songs from Adam there, the Queen track was a load of fun and had me doing my world renowned Freddie Mercury impression.  It was nice to hear a modern song on vinyl too, with the Ronson/Mars number.

Great night, great songs – well done all on another fine evening’s entertainment.  I’m currently stumped what to play next time.  I’ll work on it.

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all of the songs played on the night.

The Halcyon Dreams Facebook page is here.

Crobot/Scorpion Child/Buffalo Summer – Gig Review

Crobot + Scorpion Child + Buffalo Summer 

Wednesday 11th November 2015

The Live Rooms, Chester

Wednesday night, but that doesn’t stop me.  When there is a need to rock, I rock.  I ain’t no weekend greaser.

The crowd in the Live Rooms was a healthy size, and quite rightly too.  Three bands for a tenner – and all of them up and coming hard rock superstars.  It’s a night of 21st century music that has one foot in 70’s classic rock, though striding confidently in to the modern realm.

Up first were Buffalo Summer, four lads from South Wales (yay!) who command the stage like seasoned masters.  Their mix of classic Free and Southern Skynyrd boogie is enhanced with some Sonic Temple era Cult swagger.  Powerful and melodic with a rough edge, their songs are anthemic but still have guts.  “Down to the River” was just one highlight in a terrific set, but take my word for it and check ’em out for yourself.

Next up were Scorpion Child, all the way from Texas.  Their version of classic rock was part Zep deep fried in Purple, and all tasty goodness.  These guys go for epic and do not compromise.  The songs build with purpose and create huge sonic vistas that hint at their geographic origin.  “Liqour”, “Kings Highway” and “Antioch” are all songs that capture Scorpion Child’s ability to meld molten riffs with a truly grand vision.  Fantastic.

Our final band of the night were Crobot, who erupt on the stage with electrified enthusiasm.  Their first album, “Something Supernatural”, is awesome – but the songs have even more groove live; Crobot are hugely powerful, with riffs that are simply titanic.  There are tons of highlights, “Skull of Geronimo”, “The Necromancer” and “Chupacabra” being just a few.  If you dig Clutch or Wolfmother, welcome to your new favourite band.  You need Crobot in your life sooner rather than later!

Reporting from the front lines, I’m happy to say that rock – classic, heavy, groovy rock – is alive and well.  Do not hide, do not run for cover – get out there and catch Crobot, Scorpion Child and Buffalo Summer now!

The Live Rooms website is here.

You can follow Crobot, Scorpion Child and Buffalo Summer on Twitter.  Get on it, you need to be ready.

crobot-scorpion-child-uk-tour

The Holy Rollers – Gig Review

The Holy Rollers

Saturday 3rd October 2015

The White Bear, Mancot, Deeside

Now I may not know much, but I do know two things very well: the first one is ROCK and the second one is ROLL.  And so I was looking forward to finally seeing The Holy Rollers play, bringing their unique brand of rock star to a local venue.

The White Bear is a great pub; featuring live acts every Saturday in addition to all the other wonderful things they do (like the food).  It’s also very close to home for me, luckily.  Though I was a bit worried I might end up hosting the after gig party for The Holy Rollers, being so close to the place.  Luckily that never happened – otherwise my TV would surely have been thrown out of the window…

Wrexham’s finest – The Holy Rollers – are a covers band par excellence; expertly rendering classics across various genres from different decades.  I understand they’re also debauched rock’n’rollers with a penchant for chaos and partying.

Whilst anticipation mounted, the band took their places and the intro tape played the start of the A-Team.  You know, “In 1972, a crack commando unit was sent to prison for a crime they didn’t commit…”  This was the first stroke of genius of the night.  If ever I’m in a band, I want the A-Team intro before I go on.  Awesome.

The Holy Rollers, crack commando rock stars that they are, launched into their first set of the night setting the tone nicely, with well chosen songs that skipped across styles effortlessly.  There’s some Oasis (“Rock’n’Roll Star”); some Stones (“Jumpin’ Jack Flash”) and even a classy “Beat It” to get the party started.  An early highlight for me was the Weezer classic “Buddy Holly”, just ‘cos I love Weezer. HR

The band confidently raided the back catalogue of numerous great bands to deliver a quality set, impressing with their craft.  Vocals and guitar duties are shared (and alternated) between Rob Roxx and G Bomb, adding some variety to the delivery.  Both of them delivered the tunes with a cool tenacity that made it all look easy.

The first set featured a storming final run through “Should I Stay of Should I Go”, “Hard Day’s Night”, “You Really Got Me” and Primal Scream’s “Rocks”.  You can’t fault that for a set list.

After a short break, the second half of the gig was back on.  We get ‘Phonics classic “Local Boy in the Photograph” and a bit of Bon Jovi.  The Holy Rollers version of Bad Company nugget “Feel Like Makin’ Love” was another highlight and a nice change of pace.

A mini punk rock section followed with “Teenage Kicks” (Undertones) and “Ever Fallen In Love…” (Buzzcocks).  The rhythm section did a fine job of keeping everything together as the pace changed through out the gig.  Bass player Maxx stalked the room like a rock’n’roll avenger with mayhem in mind.  Drummer Good Boy Roy pummelled the skins as if they’d insulted his mother.

Although delivering familiar material, The Holy Rollers always have an element of surprise tucked up their sleeves.  Case in point is the genius mash up of “Seven Nation Army” and “I Heard It Through the Grapevine” – two songs melded together to create a whole new monster.  It shouldn’t work, but it does – incredible.  The White Stripes and Marvin Gaye?  Who knows what other Frankensteins  these mad scientists can create?

The joy of The Holy Rollers gig was the fearless renditions of songs regardless of musical styles; be it “Uptown Funk”, Bowie’s “Let’s Dance” or the Smiths.  They are unafraid to play great songs, whether old or new, and regardless of genre.  It made a refreshing change to hear this four man mobile juke box playing songs that were well known, but given an exciting make over.

When the gig was over, The Holy Rollers dispersed.  Probably off to some rock star mansion to drive a Rolls Royce into the pool.  Or setting off fire works in expensive hotels.  Whatever they got up to; we, the people can rest assured.  Rock’n’roll is in safe hands.

Melvins – Gig Review

Melvins + Big Business

Friday 9th October 2015

Gorilla, Manchester

I had been waiting for this for a long time.  As a long time fan of the Melvins, it seems inexplicable that I’ve never seen them live before.  But then I rarely travel to Manchester for gigs.  2015 has been the year of live music for Platinum Al; as such the planets aligned, the tickets were bought, the wheels were rolling towards the big city and it was on.  Finally, I would witness the wonder of the Melvins.

And not just the Melvins – the support slot went to Big Business, a two piece of bass and drums in a similar mould to the mighty headliners.  Of course, anyone who knows their Black Flag from their Black Sabbath will tell you that Jared and Coady of this band also perform with Buzz and Dale to create the steaming sonic soup with lumpy riff croutons that is the Melvins. Melvins

The Big Business set was extremely impressive in it’s own right.  As I said, the band is just bass and drums, yet the almighty noise they make is astounding for a two piece.  They play a solid set that could’ve been a main course of the evening’s entertainment.  Big grooves, pounding drums and awesome sound scapes create a fine appetiser.

Gorilla in Manchester is some sort of restaurant/bar thing, with a stage at the back for live shows.  It’s seems more in scale with stand up comedy gigs, but despite the modest size it’s a great place to see the band – close up, good views and sound.  The beer is a bit expensive, but I got a Melvins (official!) t-shirt for a tenner!  Yeah!!!

So anyway, the Melvins arrive on stage as a four piece – Buzz, Dale, Jared and Coady – and we’re off.  It’s a gig unlike any I’ve experienced ever before.  There’s no breaks; no chat with the audience; no introducing the songs – the band just plough through their catalogue of fantastic songs and drag the audience along with them.  The audience follow willingly, of course – and the band don’t ignore us – it’s a unique unspoken agreement that we’re all along for a hell of a musical journey.

The music is heavy, sludgy, intense – exactly what I expected and wanted.  There are several songs from newer albums (“The Water Glass”, “Evil New War God” – both superb).  Older classics like “Sweet Willy Rollbar” and “It’s Shoved” are given a welcome play too.  The absolute high light for me though is “Civilised Worm” – what a riff!

The power of the riff is what the Melvins are all about.  Buzz’s guitar is astoundingly heavy, yet also shines with artistic flourishes and strange sounds to keep the listener guessing.  The bass is relentless yet groovy, hammering home the riffs.  Add dual drummers and ears were ringing for days.

It was a truly intense live experience and one I’m really glad I saw.  Unlike anything else and worthy of the hype, the Melvins are a unique band and I love them.

Did I mention I got a t-shirt for a tenner??!!