Tag Archives: doom metal

Melvins – Gig Review

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Melvins + Big Business

Friday 9th October 2015

Gorilla, Manchester

I had been waiting for this for a long time.  As a long time fan of the Melvins, it seems inexplicable that I’ve never seen them live before.  But then I rarely travel to Manchester for gigs.  2015 has been the year of live music for Platinum Al; as such the planets aligned, the tickets were bought, the wheels were rolling towards the big city and it was on.  Finally, I would witness the wonder of the Melvins.

And not just the Melvins – the support slot went to Big Business, a two piece of bass and drums in a similar mould to the mighty headliners.  Of course, anyone who knows their Black Flag from their Black Sabbath will tell you that Jared and Coady of this band also perform with Buzz and Dale to create the steaming sonic soup with lumpy riff croutons that is the Melvins. Melvins

The Big Business set was extremely impressive in it’s own right.  As I said, the band is just bass and drums, yet the almighty noise they make is astounding for a two piece.  They play a solid set that could’ve been a main course of the evening’s entertainment.  Big grooves, pounding drums and awesome sound scapes create a fine appetiser.

Gorilla in Manchester is some sort of restaurant/bar thing, with a stage at the back for live shows.  It’s seems more in scale with stand up comedy gigs, but despite the modest size it’s a great place to see the band – close up, good views and sound.  The beer is a bit expensive, but I got a Melvins (official!) t-shirt for a tenner!  Yeah!!!

So anyway, the Melvins arrive on stage as a four piece – Buzz, Dale, Jared and Coady – and we’re off.  It’s a gig unlike any I’ve experienced ever before.  There’s no breaks; no chat with the audience; no introducing the songs – the band just plough through their catalogue of fantastic songs and drag the audience along with them.  The audience follow willingly, of course – and the band don’t ignore us – it’s a unique unspoken agreement that we’re all along for a hell of a musical journey.

The music is heavy, sludgy, intense – exactly what I expected and wanted.  There are several songs from newer albums (“The Water Glass”, “Evil New War God” – both superb).  Older classics like “Sweet Willy Rollbar” and “It’s Shoved” are given a welcome play too.  The absolute high light for me though is “Civilised Worm” – what a riff!

The power of the riff is what the Melvins are all about.  Buzz’s guitar is astoundingly heavy, yet also shines with artistic flourishes and strange sounds to keep the listener guessing.  The bass is relentless yet groovy, hammering home the riffs.  Add dual drummers and ears were ringing for days.

It was a truly intense live experience and one I’m really glad I saw.  Unlike anything else and worthy of the hype, the Melvins are a unique band and I love them.

Did I mention I got a t-shirt for a tenner??!!

The Night I Played Bass for Diamond Head

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DHLive

Diamond Head + The Heretic Order + Kuru + Cathar

Thursday 25th June 2015

The Live Rooms, Chester

Yes, you read that right.  For one night I played bass guitar for British Heavy Metal legends Diamond Head, and this is how it happened.

Diamond Head had three support bands, which is pretty good value for money in my book.  First up were Cathar, who were a Symphonic Metal band with two singers.  Solid musicians but not really my cup of mead; good vocals though.

Next were Kuru, who were more in the Death Metal vein.  Brutal riffs and the rhythm section were impressive.  Ferocious vocals, though I’m not a massive fan of the Death Metal Grunt.

The Heretic Order merged a more trad metal (Maiden, Priest) approach with some more thrashy elements.  Think Venom with some Sepultura and melody thrown in; they do a nice line in comedy Satanic Metal too.  At least I think it’s comedy; if not I mean no offence, honest…

Diamond Head can rock with the best of them.  Their NWOBHM anthems have become hugely popular due to their influence on those who followed.  The famous songs – “Am I Evil”, “The Prince”, “Helpless” – can be regarded as amongst the foundation stones of classic metal.  This is the music that helped shape today’s rock just as much as “Breaking the Law”, “Run to the Hills” or “Ace of Spades”.

In addition you’ve got those big, epic Zeppelin inspired songs like “To Heaven From Hell” and “To the Devil His Due”.  Monolithic tracks that really add another dimension to Diamond Head’s catalogue.

They play all the greats at the Live Rooms, and have a fantastic time doing it.  Brian Tatler is safely in the driving seat, in control and playing brilliantly.  Vocalist Rasmus Anderson has a hell of a voice on him, confidently delivering gem after gem.  The rhythm section of Karl Wilcox (drums) and Eddie Moohan (bass) are locked in and having a whale of a time.  Then you’ve got guitarist Abbz, who looks like the happiest bloke on the planet.

It’s a packed and professional set with plenty of conviction.  At the very end, I was down the front for the encore when Eddie offered his bass to the audience to strum.  So I hit a few strings – and so did half a dozen other people.  But now I’ll claim to have played bass for Diamond Head, and you can’t call me a liar.

Great gig.  My interest and respect for this band was renewed.  It was great to see a band who have accomplished so much – and still have so much to give – on my door step.  Legends.

The Diamond Head web site is here.

The Live Rooms web site is here.

Sci-Fi Weekender 2015 – part 2

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Sci-fi Weekender 19th – 22nd March 2015

Hafan Y Mor Holiday Park, Pwllheli

Welcome back to part 2 of my Sci-fi Weekender 2015 update!

Saturday began in the usual manner for for my intergalactic crew mates and I – fairly lazy hanging around the caravan.  The home comforts were pretty good t be fair; with a fridge stocked with beer, decent TV and plenty of space we had a good base for our weekend.

To be honest there was less of interest to me personally on this day.  The highlight though was a Q&A with Judge Dredd creators John Wagner and Carlos Ezquerra.  The two were escorted on to the stage by a squad of mean looking Judges, and proceeded to tell the audience about their many years working in comics.  All good stuff, though a bit less about the Dredd movies and more about the actual comics would’ve been preferable.  But I guess that serves me right for not asking my own questions.

Dazzling outfit!
Rogue and Bucky
Green Arrow and Daryl
Girl from Mars
He-Man and pals
Constantine and Zatanna
Ripley and pals
Spidey and Stormtrooper

One Man Lord of the Rings was next, and not being a Hobbit geek (unlike Star Wars) I was off.  I heard it was good though.  Time to mill about round the various merchandise stalls, though there less of a science fiction theme to this year’s traders.  With MCM Comic Con on the same weekend at Birmingham NEC, I guess most traders opted for that instead.

Another strange tweak to the event this year was that Hafan Y Mor was also hosting a Prog Rock event on the same weekend.  Hence the large number of music related items on sale, perhaps.  Though having these two events at the same time appeared to be a strange mutation at first, I decided to check a few bands out over the weekend and found some that were certainly worth hearing. IMG_4015

Back on Friday I witnessed the strange jazz prog of Knifeworld, which I enjoyed after my ears got used to it.  “I want this music out of my head!” was the view of one of my gang.

On Saturday afternoon, I witnessed Landskap.  They had an almost doom/stoner rock sound, with slow heavy guitar riffs – augmented by an almost Doors-like keyboard.  Very, very good – saw the whole set and loved it.

Captain America and Agent Carter
Hawkman
Joker
Futurama
Superman and friends
Zoidberg
No black and white filter needed!
Shredder!!!

Next it was back to the Sci-Fi Arena to see the Cosplay preliminaries.  As ever there were some amazing entries – well made, authentic, but also incredibly original.  The best part was spotting characters from film and television that you just weren’t expecting to see.  The Guardians of the Galaxy and Mad Max ensembles were both awesome.  Lego movie Batman, Futurama robots and more were just amazing.

You can see some of the photos here, but there were also dozens of fans who were dressed up, and hadn’t even entered the competition.  Plenty of people had obviously put a lot of thought and effort into their costumes, but were happy just to be part of the fun.

I did feel bad for one group, though – they were all in monochrome outfits (complete with make-up) to look like the old black & white Flash Gordon serial.  However, they’d missed registration through no fault of their own.

Hot Fuzz
Futurama gang
Dark Jedi – nice blokes, actually!
Kick Ass
The winners!
Macho Man Randy Savage
Wilma – awesome idea!
Ant Man and the Wasp

The Cosplay was again a real highlight od Sci-Fi Weekender this year.  So many fabulous and imaginative outfits, I couldn’t pick a favourite.  My thanks to all who agreed to me to take a photo – you’re all superstars!

In the late evening, I popped over to the Prog Rock arena to see Rick Wakeman.  Rick was performing on his own, with just a grand piano.  Instrumental versions didn’t really appeal at first, though it turned out to be a fantastic set of lush, almost Classical songs.  There was a Sci-Fi tie in with an absolutely wonderful recital of David Bowie’s “Life on Mars”, which Rick had preformed on originally.  Plus the between song banter was hilarious! IMG_4068

Black Widow
Jedi
Lion-O
This is amazingly cool!
Black Cat and Maleficent
Village of the Damned
General Kala
Logan

Back to the Sci-Fi arena for the Cosplay finals – which saw a hard fought contest eventually won by the young Tim Burton character family!  We ll done!  Then it was party time, with characters from all conceivable franchises across the genre seeing the weekend out in style.

It was a long trip back to the real world.  We met some awesome people, saw a few familiar faces from last year, and had a great time.  Here’s to next year.  If only I had a Tardis, I could do it all again…

I have dozens of photos left.  I’ll do a bonus section as per last year in the coming weeks.

The Sci-Fi Weekender website is here.

You can find Sci-Fi Weekender on Facebook or follow on Twitter: @scifiweekender

The Prog Rock website is here.

Corrosion of Conformity Gig Review

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Corrosion of Conformity

Saturday 7th March 2015

Manchester Academy 2

I’ve been a Corrosion of Conformity fan for a long time.  Starting with a cassette copy of their hardcore punk/thrash crossover Eye For An Eye back in my early skateboarding days; through their major label success as a stoner metal band; and on.  Never seen them live, though.  Ridiculous, no?

All that was about to change: I decided to get my act together and go see the band in Manchester for their latest tour.  The fact that vocalist/guitarist Pepper Keenan was back fronting the band, completing their Deliverance era line-up, was a nice little sweetener too.

The afternoon got off to a great start when, mere seconds from arriving in the car park next to the Academy, I spotted bass player Mike Dean walking along the road.  I greeted him and wished the band well in a brief, pleasant conversation.  I think I managed to remain cool and not look like a total weirdo.

A few beers were had in the early evening, before we made our way to the venue.  Unfortunately we were in Manchester Academy 2, not the nice big main Academy building.  The Academy 2 is the size of a sports hall and was too small for this band.  People were crammed in tighter than a glam rockers spandex pants; it was not cool.

I only caught the end of the support bands slot, so I will pass judgement on Hang the Bastard at this time. COC

When Corrosion of Conformity hit the stage, there’s a genuine sense of excitement in the (tiny) room.  They open with instrumental “These Shrouded Temples” from the Blind album, before charging into “Senor Limpio” and “King of the Rotten”.  There’s hardly a breather between songs, and minimal banter – it seems COC are on a mission to destroy.  Pepper leads the band confidently, like he’s never been away; whilst Woody throws down a barrage of guitar.

In keeping with the tour theme, there’s a healthy chunk of tracks from the devastating Deliverance album.  This is fine with me.  My sad fanboy credentials mean I love all their output, but Deliverance is the cream of the crop as far as I’m concerned.  A genuine metal/punk/stoner/doom/whatever classic, rated in the same bracket as Volume 4 and Master of Puppets.  “Albatross” and “My Grain” are highlights amongst a head crushing set, though the slower pace of “Seven Days” is my favourite from that era of the evening – forgot how great that song is.

There’s a pinch of tracks from across several albums, with “Long Whip/Big America” shining from Wiseblood.  “Thirteen Angels” (America’s Volume Dealer) and “Paranoid Opioid” (In the Arms of God) also stand out in a set filled with gems.  The band are well rehearsed – Reed’s drums and Mike’s bass sound tight and locked in.

COC return for their encore with “Broken Man”, before launching into the inevitable “Vote With a Bullet”.  This song is still an absolute monster, and is welcomed heartily by the audience.  “Clean My Wounds”, another Deliverance era stormer, finishes the night off with it’s awesome riff.

Despite being crowded in the tiny Manchester Academy 2, it’s a great night.  Corrosion of Conformity perform a powerful set, which I only wish could have been longer.  I got to tick a band off my “must see” list tonight, and I retire with obligatory tour t-shirt a very happy punter.