Halloween Horror Fest: Double Tap

Zombieland: Double Tap (2019)

Has it really been over ten years since Zombieland? Indeed it has, and in this long awaited sequel, we re-join the four main characters from that original movie for – well, pretty much the same as last time, really.

Our four post apocalyptic survivors – Columbus (Jesse Eisenberg), Tallahassee (woody Harrelson), Wichita (Emma Stone) and Little Rock (Abigail Breslin) – have settled in at a disused White House, where there’s a sense of stability and the humdrum, despite the zombie hordes. When the group become separated, we’re back on familiar ground as they attempt to reunite.

There are plenty of new ideas and fun gimmicks in the movie, despite much of the premise being somewhat obvious. A love triangle with bimbo mall chick Madison, some strangely familiar new characters and a bunch of pacifist hippies help add some fun and, yes, jeopardy to the proceedings.

Not as good as the first film, obvs – and featuring a pretty dumb monster truck stunt sequence near the climax – but still hugely entertaining. Definitely worth a watch. And spicing up a cast gifted with the stunning Emma Stone by adding the incomparably beautiful Rosario Dawson is a joy to behold.

I LOVE YOU, ROSARIO!

8/10

Halloween Horror Fest 2020

Good evening, guys and ghouls! Enter, my friends, sit down near the fire and warm yourselves from the cold outside. It’s dark, and many strange things are afoot this night. Listen closely, and I will tell you of them…

Yes, it’s October – and time for another Halloween Horror Fest! Many of you may be feeling that 2020 has been horrible enough, but I’m going to press on anyway. Regular readers will remember that every October, I try to watch a load of spooky or creepy films. Not all of the films may be true horror, but there will always be an element of the bizarre or supernatural that will make them appropriate for this time of year.

Here we go with the first Horror Fest movie of the year…

Dracula (1958)

What could be better than starting the proceedings with a Hammer classic? Titled Horror of Dracula in the US to differentiate this film from the 1931 Universal version, Hammer films followed up the success of The Curse of Frankenstein with another venture into Gothic horror.

Sadly, the plot of this film veers away from the original novel a great deal, something that always bothered me from first viewing many years ago. I guess the viewer just has to accept that this isn’t a faithful rendering of Bram Stoker’s tale, rather a condensed and re-engineered take on the story.

We still begin with Jonathan Harker (John Van Eyssen), arriving at Castle Dracula, where he is to take up employment as the Count’s librarian. In reality, Harker is there to destroy Dracula (a superb Christopher Lee) and end the counts reign of vampiric terror. Sadly this is not to be, and Harker meets his end at the fangs of the vampire count. Shortly thereafter, Harker’s vampire hunting colleague Dr Van Helsing (Peter Cushing – also excellent) is on the trail, and realises that Dracula is on his way to Harker’s home town, to enact revenge and turn the heroes friends and relatives into the undead.

Despite changing the story and confusing characters from the book, this film becomes a hugely enjoyable accomplishment. The sets are superb, James Bernard’s score is iconic and Director Terence Fisher masterfully keeps the suspense and action mounting. Although the gore and erotic undertone were restrained by the censor (something Hammer would deliver more of in the future), it’s a lush colour production that is simply gorgeous to watch.

Michael Gough as Arthur Holmwood, and Melissa Stribling as Mina Holmwood, provide great performances, as do all the cast. But Cushing and Lee elevate the film to mythic status – Lee in particular becoming the embodiment of Dracula with a power and menace that makes his role unforgettable.

Hammer’s Dracula may not be definitive, if you’re a fan of the source novel, but it’s bloody good entertainment.

8/10

Little Shop of Halloween Horror Fests

Halloween may be over, but as usual, I’ve still got a few left over Halloween Horror Fest reviews to write.  So don’t get too comfortable, you’re not safe just yet…

The Wolf Man (1941)

Yes!  This is what it’s all about – classic Universal Monsters!  The Wolf Man is one of my favourite movies of this type.  It’s massively influential – most of the folklore we know about werewolves was actually created for this film – and it’s great fun for Halloween.

Larry Talbot (the legendary Lon Chaney Jr) returns to his ancestral home (actually set in Wales, fact fiends!).  He reconciles with his father (an excellent Claude Rains), and tries to find his place in the community.

When defending a friend from a wolf attack, Larry is bitten by the creature.  Of course, there’s no prizes for guessing that the beast was a werewolf (human alter ego played by another horror legend, Bela Lugosi).  Larry is condemned to become a werewolf too, as his life takes a tragic turn.

The Wolf Man boasts great performances, a fantastic score and a story that is pretty much definitive in the realm of cinematic lycanthropes.  Larry Talbot’s story is both thrilling yet sadly ill-fated.  Iconic make-up effects from Jack Pierce also help to create an unforgettable monster movie that’s amongst the best from Universal.  And it’s set in Wales.

9/10

Little Shop of Horrors (1986)

Geeky plant shop worker Seymour Krelborn (Rick Moranis) is downtrodden, unsuccessful – and has a crush on his colleague Audrey (Ellen Greene).  Seymour discovers a strange plant which he names Audrey II.  The mysterious plant has an appetite for blood, and flourishes when it feeds on Audrey’s sadistic dentist boyfriend.  Soon the amazing Audrey II becomes a sensation, bringing fame and fortune to Seymour – but at what cost?

Now I’m no fan of musicals, but I’ll make an exception for Little Shop of Horrors.  It has a fun story, some great songs and a quality cast  – including cameos from some comedy greats.  Frank Oz directs, and the whole movie is a gruesome treat from start to finish.  A different, but wholly appropriate, Halloween movie.

8/10

Lust for a Vampire (1971)

The final film for this year’s Halloween Horror Fest is another from my beloved Hammer Films.  Lust for a Vampire forms part of an unofficial trilogy, sandwiched between The Vampire Lovers and Twins of Evil, being loosely based on J. Sheridan Le Fanu’s “Carmilla”.

Beautiful Mircalla (Yutte Stensgaard) arrives at a girl’s finishing school, situated somewhere vaguely Eastern European.  However, Mircalla is actually a reincarnation of  Carmilla – one of the evil, vampiric Karnstein clan.

The school headmaster (Ralph Bates) pledges his unholy allegiance to Mircalla and visiting author turned school teacher Richard LeStrange (Michael Johnson) falls in love with her.  But pupils and local villagers start to die off – and soon suspicion falls on the Karnstein’s and their demonic resurrection.

In Lust for a Vampire, Hammer plunge into more sexually explicit themes, resulting in cheap titillation and camp silliness.  This approach has caused the film it’s fair share of harsh criticism over the years.  Indeed, the story is a little cheesy and predictable, but the boobs’n’blood approach has never been an issue for me, unsurprisingly.

In fact, I found that there’s plenty to enjoy in this movie: terrific gothic sets and atmosphere – always the hallmark of Hammer – are really effective here.  It lacks a Peter Cushing or Christopher Lee, yet the cast have a decent stab at creating a novel tale.

Any cringe worthiness generated by Lust for a Vampire can just as easily be enjoyed as “they don’t make ’em like that anymore” 70’s kitsch.  An entertaining film that whilst not a major shining jewel in Hammer’s crown, is still pretty much unmissable.

8/10

The Legend of Halloween Horror Fest 2019

The Legend of Boggy Creek (1972)

Prepare yourself, loyal reader – for one of the scariest, most horrifying films ever made.  A movie that can incite such fear that you will never stay in a log cabin – or trailer home – ever again.  What is this master piece of horror, you ask?  Why, it’s the classic known as The Legend of Boggy Creek!

Filmed in a semi-documentary style, The Legend of Boggy Creek investigates the strange case of a sasquatch type creature in Fouke, Arkansas.  Some local residents actually appear, recounting some of the creepy first hand experiences that they’ve had or heard about the Fouke Monster.

Contrasting visuals of the idyllic southern swampland with the threat of the unknown, waiting in the secluded creek – creates an unusual and gripping story.  Watching it, I felt the small town atmosphere and could imagine the loneliness of the locals – threatened by this mysterious creature.

I first saw The Legend of Boggy Creek when I was around nine years old, during a season of BBC2 “monster movies” that also featured King Kong and Mighty Joe Young.  Such was my fear that I had to change channel and watch something else.  I never saw the film all the way through till I tracked down a DVD copy some twenty years ago.

This movie still frightens the life out of me, even now.  There’s something about the isolated homes and strange, dark woods that still chills me to this day.

The final sequence of the creature menacing a local family in their remote house at night, is one of the most frightening things I’ve ever seen.

Of course, other viewers haven’t been so impressed.  Mrs Platinum Al considers this movie a load of old nonsense and not scary in the slightest.  Maybe I’m just reminded of being a terrified child when I watch The Legend of Boggy Creek now.

Whatever the cause, I know that this mysterious monster tale still has the power to absolutely chill me to the bone.  I wouldn’t watch it on my own at night, ever.  Not for any money.  Check out The Legend of Boggy Creek for yourself.  You’ll probably think it’s a hilariously cheap B-movie with no scares, too.

Or you might witness one of the most awesomely eerie, cult cinematic terrors ever.

10/10 for me

1/10 for Mrs Platinum Al

The Curse of Halloween Horror Fest 2019

The Curse of the Werewolf (1961)

Hammer’s only venture into lycanthrope-based horror in the movies, The Curse of the Werewolf is a great example of the studio doing what they do best.  There’s no Pete or Chris, but we do get an early chance for Oliver Reed to demonstrate his talent.

Apparently the movie was based on a book called “The Werewolf of Paris”; the location shifted to Spain when a planned film about the Spanish Inquisition had to be abandoned – and the Spanish sets were forced onto this production.

Reed plays Leon, who the audience learns has had a troubled upbringing.  Born on Christmas Day and conceived from a rape, Leon is cursed to become a werewolf.  With love and comfort, his curse is kept under control.  He falls for his employers daughter, who is engaged to another man – and soon Leon’s hidden wolf is out of control.

The Curse of the Werewolf is something of a gem in Hammer’s crown.  The story has tension and drama courtesy of Director, Terence Fisher – and the special effects are adequate for the time.  Reed is engaging as Leon, inviting our sympathy though the audience realises he is doomed.

The result is a monster movie that’s both entertaining and moving, with a depth not often witnessed in a Hammer horror.

8/10

Misery (1990)

You can’t beat a bit of Stephen King, and Misery is one of his best – the book is great, the film is a masterful adaptation.

Paul Sheldon (James Caan) is a best selling novelist, who crashes his car on a snowy Colorado road.  He’s rescued and nursed by Annie Wilkes (Kathy Bates), who claims to be Paul’s number one fan.  But Wilkes discovers that Sheldon has killed off her beloved character, Misery, and his experience goes downhill faster than his car did.

Trapped in Annie’s house and confined to a wheelchair, how will Paul escape before Annie’s descent into murderous madness is complete?

Directed by Rob Reiner, Misery has tension and pace enough to keep anyone on the edge of their seat.  Caan is excellent; Bates is on Oscar winning form as the disturbed woman switching from kindly to evil in a heartbeat.

There’s nothing supernatural in Misery, but this story is certainly horrific.

9/10

John Carpenter’s Halloween Horror Fest

They Live (1988)

“I have come here to chew bubble gum and kick ass – and I’m all out of bubble gum!”

Yes, this legendary quote from Wrestling legend Rowdy Roddy Piper can be heard in They Live, another masterpiece from John Carpenter.  It’s a film I resisted watching for many years, as I labelled it just another dumb 80’s macho-man action flick.  Yet there is so much more to this film than that.

Piper plays an out of work drifter, scrabbling for employment and finding a home in a run-down shanty town.  The discovery of a special pair of sunglasses reveals to him that the world is under the control of grim looking aliens, who are using subliminal messaging to subdue the human race to their nefarious will.  So Roddy joins the underground and begins to fight back against the evil alien masters…

It might be more action/sci-fi than straight out horror, but there’s plenty in They Live to qualify it for Halloween Horror Fest.  The bad guys are pretty gruesome, and so is the nature of their plans for the human race.

But it’s the clever social commentary that makes this movie so great, and worth repeated viewings.  The evils of consumerism are revealed as methods to control the people.  Carpenter is attacking unrestrained capitalism, and the ways that media and society combine to keep us all oblivious to exploitation.

Only mildly successful on release, They Live has become a cult film and infiltrated popular culture.  Unsurprising, as the truths it exposes are still sadly prevalent today.  And that’s the scariest thing of all.

CONSUME.  CONFORM.  SUBMIT.  BUY.  NO IMAGINATION.  STAY ASLEEP.  OBEY.

9/10

The Viking Halloween Horror Fest

Well Halloween 2018 is over, sadly.  But there are a few other movies I’ve watched in October as part of my Horror Fest, so here’s a quick overview of them.  I promise to keep this short and sweet…

The Brides of Fu Manchu (1966)

Is this even a horror movie?  I consulted the oracle of all things frightful, my old Horror Top Trumps, and YES – Fu Manchu is in there.  If he’s in that card pack then this counts as horror, as far as I’m concerned. 

Having said that, The Brides of Fu Manchu is more Indiana Jones style adventure than scary movie, despite some gruesome elements.

Fu Manchu is played by Christopher Lee (in make-up, the sort of Hollywood white washing that would quite rightly cause uproar nowadays).  The evil criminal mastermind is kidnapping the daughters of prominent scientists, to bribe them into helping him create a death ray.  It’s up to Scotland Yard’s Nayland Smith (Douglas Wilmer) to stop him.

The Brides of Fu Manchu is terribly dated.  But if we can all agree to be adults and appreciate that this film was made in another age, reflecting views of an even older age, then it’s quite a rip-roaring yarn.  Take it with a pinch of salt and watch it with a wary eye.

7/10

The Viking Queen (1967)

It’s Hammer, but it’s not really horror!  The Viking Queen is (very) loosely based on the story of Boudica in Roman Britain. 

Here we have the tale of British Queen Salina (played by Carita) and nice Roman leader Justinian (Don Murray) who plan on creating a fair land for all.  And they fall in love.  Predictably, there are grumps on both Briton and Roman sides that conspire to make a right old mess of things for the romantic couple.

On first viewing, I found the historical inaccuracies too much to swallow.  Further viewings have allowed my expectations to be lowered and I’ve begun to enjoy it more.  Not for the history buffs, but The Viking Queen is an enjoyable tale (with some nasty gory bits to remind us it is Hammer, after all).

7/10

Arachnophobia (1990)

It’s Jaws with Spiders!  New doctor in town Jeff Daniels is an arachnophobe, who just happens to move his family to a new town that’s about to become deadly spider central. 

I saw this film in the cinema and don’t think I’ve ever watched it again since.  So I was surprised that it was actually still quite good fun, with the sort of scares that force the viewer to move away from any possible spider hiding places in the living room.

Good fun and quite gruesome in places, it’s too scary for young children (as I found out), although completely obvious plot-wise.  Disconnect brain and enjoy.

8/10

Monsters vs. Aliens (2009)

Much more suitable for your younger monsters, this animated feature from Dreamworks manages to entertain and pay homage to classic B-movie monsters from the past. 

Susan Murphy (voiced by Reese Witherspoon) is hit by a meteorite that mutates her into a giant, Attack of the 50 Foot Woman character.  She’s whisked off to a top secret military installation and holed up with some other monstrous types.  Eventually the creatures are brought out of confinement to defend earth from an alien invasion.

Monsters vs. Aliens features a great voice cast including Hugh Laurie (a mad scientist/The Fly-like Dr Cockroach), Seth Rogen (as The Blob-like B.O.B.), Will Arnett (as the Missing Link, a Creature from the Black Lagoon specimen) and Kiefer Sutherland as the General in charge.  Rogen in particular is hilarious.

Lots of fun, great animation and a nice message if that’s your thing.  Monster vs. Aliens is a winner.

8/10

Halloween Horror Fest Land

Zombieland (2009)

I can’t believe this film is nearly ten years old.  It seems like only yesterday I saw Zombieland in the cinema.  This movie is a horror comedy, set in a post apocalyptic America over-run with zombies.  And it’s brilliant.

We begin with shy, nerdy student Columbus (Jesse Eisenberg), who is trying to make his way home to Columbus, Ohio to see if his parents are still alive.  He has developed a series of rules to stay alive such as “Beware of bathrooms” – thus far, these guides have proven solid. 

On his journey, Columbus meets Tallahassee (Woody Harrelson), a zombie killing machine who’s looking for the last Twinkie.

These two then meet up with two sisters, Wichita (Emma Stone) and Little Rock (Abigail Breslin), who are on their way to a California amusement park which is supposedly zombie free.

On the way there are several adventures, not least a surprise encounter with a legendary Hollywood star.  And zombies, of course.  Lots of zombies.

Zombieland is really well put together, and gets better with repeated viewings.  There’s  a lot of subtle humour that might not be obvious at first.  There are plenty of big obvious laughs too, of course, amongst nice pop culture references.

There are some jumpy scares, and a fair dose of tension, but this film is mainly all about the laughs, with some charming moments too.  If you like Shaun of the Dead, you’ll probably like Zombie land too.  But for my money, I prefer Zombieland.

Plus, Emma Stone is a total babe.  Thank you.

9/10

The Uncanny Halloween Horror Fest

The Uncanny (1977)

Horror anthology time again now – and though this isn’t Amicus, that company’s Milton Subostky is co-producer.  In The Uncanny, a writer (Peter Cushing) is discussing his new book with his publisher (Ray Milland).  This latest work promotes the concept that cats – ordinary household moggies – are in fact evil.

The writer elaborates on three of his examples.  In the first, an elderly widow leaves all of her wealth to her cats in her will.  She’s killed by her maid, who’s trying to scupper this plan.  The cats then exact a nasty revenge… 

In the second segment, an orphan girl goes to live with her mean relatives, her cat being her only companion.  The girl and her pet receive some pretty bad treatment, until she uses a book of witchcraft to settle the score.

Finally, Donald Pleasence pops up as a dodgy actor in 1930s Hollywood, who bumps off his wife to install his young mistress in her place.  Of course, the cat of the dead ex decides to avenge her death.

All in all, very silly.  Household felines being exposed as malicious masterminds, intent on revenge and controlling the human world?  Utterly ridiculous, of course.  But the film managed to entertain me, despite the dubious premise – largely due to the presence of some fine actors.  The Uncanny is worth exploring if this kind of portmanteau tale intrigues you.

Now – must dash, got to feed the cat.

7/10

Scream and Scream Halloween Horror Fest

Scream and Scream Again (1970)

Now this is a strange little film.  Another Amicus production, though not an anthology this time, Scream and Scream Again is a baffling amalgam of sci-fi, horror, and at least three plots that seem totally unrelated at first.  So in a way, it almost is like a portmanteau horror, bizarrely.

Here we have a vampire killer in London, draining his victims of blood.  There’s also another thread relating to a dictatorship in an obscure European country.  Plus, someone is removing limbs – one by one – from hospital patients.  All very odd and with no connection at all, the audience may assume at first. 

The plot strands eventually come together by the end, but most viewers will be confused beyond caring if they get that far.

Scream and Scream Again proudly proclaims that it stars Vincent Price, Peter Cushing and Christopher Lee all in the same film.  However, Cushing is only in one scene (with neither of the other two stars).  Lee and Price both pop up in cameo roles, having only one scene together.

The film does have it’s moments, however.  There’s an extended chase scene as the police pursue the serial killer which is actually quite exciting, despite being dragged out.  And Alfred Marks as the detective in charge puts in an admirable effort.

So yes, a strange little film, and not one with much to recommend it.  Unless, like me, you’re fairly obsessed with British horror films from this time – in which case Scream and Scream Again is worth ticking off your list.

6/10