Jonathan Hultén – Album Review

Jonathan Hultén – Eyes of the Living Night 

Kscope Records 

Release date: 31st January 2025 

Running time: 43 mins approx 

Review by: Alun Jones 

9/10 

WARNING: This is NOT a Heavy Metal album.  If you’re the type of listener that only wants to hear the loudest of pummelling riffs and ear slashing vocal roars, this may not be for you.  And that’s fine.  We all like to rage like Satan with a stubbed toe.  This is Ever METAL, after all.  If, on the other hand, you’re the kind of discerning listener who likes to temper the ferocity with atmosphere and introspection, take a seat. 

Jonathan Hultén is a Swedish singer-songwriter who first arrived on my radar as the support act for The Cult on their 84/24 tour last year.  Hultén was not what I anticipated at all for a major rock show: his music, performed solo, is a dark yet beautiful expression of acoustic, gothic melody and ethereal charm.   

This second album, “Eyes of the Living Night”, takes the listener on another fairy tale like walk in enchanted woods.  Beginning with ‘The Saga and the Storm’, the music is more soundtrack for a folk horror movie than a typical rock album.  This opening track is like a lost Morricone classic and builds to a gloriously uplifting finale.  Just wait for that mid song moment when your neck hairs will raise to the sky. 

First single ‘Afterlife’ features swirling keyboards and angelic vocals, while ‘Riverflame’ has the plaintive ambience of a Nine Inch Nails/Alice in Chains mash up.  The dreamy folk of ‘The Dream was the Cure’ offers a widescreen Scandinavian epic of reflection, and is a highlight of the album.  Weaving genres further, ‘Through the Fog, Into the Sky’ is a wonderful classical piano piece whilst ‘Vast Tapestry’ sees Hultén n the role of gentle folk troubadour. 

The concluding track, ‘Starbather’, works more like a rock ballad and bookends the album with a final flourish of bright optimism.   

“Eyes of the Living Night” won’t destroy your speakers, but it will take you to a mystical and unforgettable place.  With its layers of gothic ambience and mood elevating nuance, this album deserves to be a part of the Ever Metal community’s world.  The music of Jonathan Hultén will be there for you when you need to reach inside yourself, to heal and unwind.  Or to transport your mind to another world.  I genuinely love this album and heartily recommend it, I hope you’ll give it a chance. 

Find out more about Jonathan Hultén on Facebook, Instagram, Spotify, YouTube and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #37

You wanted it – you got it! Another Singles Night at the Virtual Hot Tub. This is where I spend an evening playing 7 inch singles that have found their way into my vinyl collection, from any number of different sources. None of the records have been played before, so I spend a few hours playing both sides and working through that pile.

There’s usually plenty of variety in the stack, with songs old and new, from any genre. Anything can happen, so just enjoy the ride.

Grab a drink and let’s check out the latest playlist:

  1. The Beatles – “Now and Then” / “Love Me Do”
  2. The Dickies – “Banana Splits” / “Hideous” / “Got It at the Store”
  3. S.S.S. – “CDC” / “Bath Night” / “Thrash with a Small Moustache” / “Black Night White Light”
  4. 999 – “Little Red Riding Hood” / “Wait For Your Number to be Called” / “I Ain’t Gonna Tell Ya”
  5. Roxy Music – “Jealous Guy” / “To Turn You On”
  6. Ram Jam – “Black Betty” / “I Should Have Known”
  7. Bee Gees – “Tragedy” / “Until”
  8. ABBA – “One Of Us” / “Should I Laugh or Cry”
  9. Sweet – “Love is Like Oxygen” / “Cover Girl”
  10. The Alarm – “Spirit of ’76” / “Where Were You Hiding When the Storm Broke? (Live)”
  11. Nancy Sinatra – “Love Eyes” / “Coastin'”
  12. Kool & The Gang – “Joanna” / “Tonight”
  13. Rick Dees & His Cast of Idiots – “Disco Duck (Pt. 1)” / “Disco Duck ({Pt. 2)”
  14. Matthew Wilder – “Break My Stride” / “Break My Stride (Instrumental)”
  15. Bee Gees – “Night Fever” / “Down the Road”
  16. Dire Straits – “Romeo & Juliet” / “Solid Rock”
  17. Nilsson – “Without You” / “Gotta Get Up”
  18. Sinitta – “Right Back Where We Started From” / “I Just Can’t Help It”
  19. Sabrina – “Boys (Summertime Love)” / “Get Ready (Holiday Rock)”
  20. Oceanic – “Insanity (Legendary Mix)” / “Reality”
  21. Charlie Pride – “The Most Beautiful Girl” / Johnny Cash – “Ring of Fire” / Crystal Gayle – “Miss the Mississippi & You” / Tammy Wynette – “Stand By Your Man” / Bertie Higgins – “Key Largo”

Twenty one records this week, and enough variety to keep anyone on their toes. Disco, punk, pop and rock classics – this was one of my best Singles Nights yet.

Notes:

The Beatles single is their last ever song, released recently and backed with their first ever single. A must for the collection.

That Dickies single is on yellow vinyl, naturally. The 999 record is plain old black vinyl, but I’ve been after that for a very long time. It was one of the songs on the first punk/new wave compilation I heard, it confused me as it didn’t sound “punk” (or what I thought was punk at the time). Great song.

SSS stands for Short Sharp Shock, a hardcore/skate thrash band from Liverpool that I can’t believe I never saw live. The last track is dedicated to Metallica bass legend Cliff Burton.

That final 7″ country record i picked up for 50p in a charity shop. Plain sleeve, so very little information – some fantastic songs though. not least my all time hero, Johnny Cash.

Ancient Anglesey – Barclodiad y Gawres

Continuing our explorations of ancient sites around the Isle of Anglesey, earlier this year we paid a return visit to Barclodiad y Gawres. Not far from our regular haunt in Rhosneigr, on the road to Aberffraw, this ancient tomb is one I’ve visited before – but it’s well worth another, better documented trip.

Barclodiad y Gawres means “The Giantess’s Apronful” in English. There are carparks nearby to reach the site, followed by a short walk along a pretty spectacular coastal path, with great views across the beaches towards Rhosneigr. The monument is visible from the road, and eventually you’ll reach it standing atop a hill.

The entrance is gated, though it is opened up to the public at certain times. You can see inside the tomb regardless, and discern some of the stones within. I’ve not been directly inside yet, but it’s certainly something I’d like to do. Some of the stones contained inside feature patterns made by the ancients – which would be a fantastic thing to see.

The location makes this site an atmospheric viewing. With Porth Trecastell on the far side, it’s surrounded by some wonderful scenery that really makes this a wonderful, magical place. Barclodiad y Gawres is an intriguing place and worth repeated visits – the Jones archeological team shall return.

For more info, visit Cadw.

Pentagram – Lightning in a Bottle Album Review

Pentagram – Lightning in a Bottle 

Heavy Psych Sounds Records 

Release date: 31/01/2025 

Running time: 49 minutes  

Review by: Alun Jones 

8.75/10 

Pentagram are a band that refuse to die.  With roots going back some fifty years, and every kind of catastrophe from band splits, arrests and hard drug addiction, it’s some feat that we’re here to discuss a new album at all.  Like a bizarre hybrid of 80s slasher movie antagonists, Pentagram keep coming back to life.  Now, with “Lightning in a Bottle”, the band are back: the life support has been thrown on, this time by mad scientists Heavy Psych Sounds.   

The band’s only constant member is founder/frontman/vocalist Bobby Liebling, a complex and controversial character.  On this excursion, he’s joined by a new bunch of musicians who are venturing to keep the name and legacy of Pentagram alive.  Tony Reed is on guitar and production duties, Henry Vasquez on drums and Scooter Haslip handles bass.  All three have sturdy pedigrees earned from other bands, and their contributions here make them light years past being mere hired hands. 

Liebling’s story is both chaotic and scandalous, but this isn’t the time or place to cast stones.  Interestingly, on the track ‘Lady Heroin’, the singer explores the theme of his addiction in a mournful, self-torturing manner.  There’s no bravado here, with Liebling openly pondering on the destruction that addiction has wrought.  Musically, the song marries a solid riff with a forlorn middle section. 

‘I’ll Certainly See You in Hell’ follows this track, with a strutting pace and Liebling wailing like a deranged preacher.  After that we get ‘Thundercrest’ with its ruthless, pounding riff – forming a triumvirate of the best songs in the middle of the album.  Not that the rest of “Lightning…” is lacking: whether its aptly titled opener ‘Live Again’ with its head nodding urgency or the crawling doom fest of ‘Walk the Sociopath’, Pentagram have all bases covered. 

The biggest fear was always going to be Pentagram pissing on their legacy.  They are, after all, one of the great Doom Metal bands that are responsible for the development of the sub-genre.  Absolutely no fear of that here, though: “Lightning in a Bottle” sees this version of Pentagram releasing a reassuringly strong album.  The musical reputation of Pentagram continues to thrive. 

Check out Pentagram on Facebook, Instagram, Spotify or their website.

This review is presented by Platinum Al in association with Ever Metal.