Tag Archives: albums

Bring Your Own Vinyl Night #14

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Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 13th April 2018

It’s been a while since I last attended Bring Your Own Vinyl Night, and boy did I miss it.  It was great to be back in the Queen’s Head pub in Mold with the chaps from Halcyon Dreams and VOD Music to spin some records.

If you’ve missed previous episodes (where HAVE you been?), it works like this:  Each person gets a fifteen minute set to play whatever songs they like, but only on vinyl.  Simple as that.  Throw in some beer and some music based chat and you’re in for a great time.

As it was getting close to Record Store Day, Tom from Halcyon Dreams pitched a challenge for us would-be DJs: our set had to be comprised of artists who would be releasing music on the day.

No problem, I thought.  Here’s how my set went:

Killing Joke – The Wait

To begin, a thunderously loud track from the first Killing Joke album.  A riff so mighty that Metallica covered it for their $5.98 EP, this tune also has an incessant tribal beat under the choppy punk guitar.  A great song from an essential album, in my opinion.  I’ve been a fan of KJ for a long time and they’re still turning out screaming punk/metal/industrial noise to this day.

Johnny Cash – Folsom Prison Blues

Well you can’t go wrong with a bit of Johnny Cash, although I was surprised that this track really seemed to go down well with the pub crowd.  Regular readers will know how big a fan of Johnny Cash I am, he’s just unbeatable.  This classic song was taken from an old compilation I picked up at a record fair, crammed full of great tunes.  I’m glad to say this song seemed very popular!

L7 – Everglade

Another crushing riff, this time from the “Bricks Are Heavy” album from all-girl punk rock grungers L7.  My favourite song from that album, and one of my favourite bands from that era.  I saw the band live a couple of years ago at Download fest, they were amazing.  Don’t ever let anyone tell you that girls can’t rock – L7 were the best band of the day.

The Members – Sound of the Suburbs

And finally, an old punk rock classic on 45rpm courtesy of the Members.  This track also seemed popular!  I only have the 7 inch single of this song, so I could do with tracking down some more records by them.  Great fun.

So that wraps up another Bring Your Own Vinyl Night, and what a great night it was! My mixing skills need some sharpening up, but I really enjoyed myself.  Well done Tom and Colin, looking forward to another bash soon.  I know those guys are very busy, but the Vinyl Nights are always a treat.  See you soon!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

PS – Great food in the Queen’s Head too.  £6 for a massive mixed grill!

Classic Albums #3

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It’s been a long time since I wrote a Classic Albums post.  Nearly four years, sadly.  But now it’s time to get back to the heart of what this blog was supposed to be all about in the first place.

Ladies and gentlemen, welcome to my Classic Albums.

3. Metallica – Master of Puppets

Metallica’s third album, released in 1986, has long been regarded as the probably the best recording the band ever made.  Not only that, but one of the greatest metal albums of all time.  “Master of Puppets” is a monolithic album with an immense scope; hugely varied and still surprisingly experimental.

At the time I first heard this record, around 1987, I was listening to bands like Van Halen, Queen and Def Leppard.  A friend lent me a cassette of “Master of Puppets”; I was keen to try it out as there was such a buzz about this band.

Every time I hear the opening guitars of “Battery”, I’m transported back to that first listen.  And I remember how extreme it sounded to me at the time – I’d never heard anything this brutal before.

Following that was the title track, which was the most complex heavy composition I’d experienced.  A melodic instrumental section lulled me into a false sense of security before the relentless riff attack recommenced.

It was third track, “The Thing That Should Not Be”, that opened my eyes though.  A massive, monstrous riff that hooked me straight away.  That song was heavy and eerie all at once; it became a favourite that I still love and slowly, yet with growing confidence, I began to explore this album.

“Welcome Home (Sanitarium)” begins with a mellower introduction and as such it’s one of the easier songs to appreciate on first listen.  Repeated plays over the years has dulled the impact of this track, for me personally – though it surprises me how good it actually is when revisited. 

Side Two of the album Kicks off with “Disposable Heroes”, is an anti war song that is intense and powerful.  One of my favourite tracks.  Then there’s “Leper Messiah”, a monster riff that incorporates faster sections as it proceeds.

The absolute highlight of the album is “Orion”, a fantastic prog-metal instrumental spanning over eight minutes.  This epic track proves beyond all others just why Metallica were – and still are – light years ahead of other thrash bands.

Finally, the last track – “Damage, Inc.” – is a violent berzerker of a song that might just take your face off.

With “Master of Puppets”, Metallica challenged themselves and their fans, as they expanded their sound and manifesto further than ever before.  If you want fast thrash, you’ve got it here.  Want heavy, down-tuned Sabbath riffs?  You’ve got that too.  There are even melodic sections that are actually enjoyable – and still uncompromising.

Metallica were utterly fearless in writing and recording this album, unafraid to try new ideas and never rest on past glories.  It’s not as heavy to my ears as it was on first listen thirty years ago, but every new spin of this record still has the power to thrill.

“Master of Puppets” is a timeless metal masterpiece.  It’s one of the essential records in my collection; it’s status a massively influential rock album – metal or otherwise – is assured for all time.

Metallica – Master of Puppets (1986)

  1. Battery
  2. Master of Puppets
  3. The Thing That Should Not Be
  4. Welcome Home (Sanitarium)
  5. Disposable Heroes
  6. Leper Messiah
  7. Orion
  8. Damage, Inc.

Best tracks: The Thing That Should Not Be, Orion, Battery, Master of Puppets, Disposable Heroes.

Other cool points: seriously great cover – you also need the t-shirt.

R.I.P. Malcolm Young

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Malcolm Young

06.01.1953 – 18.1.2017

Rock’n’roll lost another legend recently – the one and only Malcolm Young of AC/DC.

I’ve been a fan of AC/DC for a very long time – they were one of the very first hard rock bands that I listened to.  “Who Made Who” was the first song of theirs I heard and was absorbed by.  Later on the “Blow Up Your Video” album came along and I was hooked.

A couple of years later, in a rip-off Hard Rock Cafe in Berlin, I heard the “Highway to Hell” album and was re-introduced to the earlier AC/DC recordings.  I was that enraptured by the title track that I went out and bought a copy the next day – I couldn’t wait to return home to buy it.

I’ve still got that vinyl album now, along with many others.

I could write all day about my favourite AC/DC albums and songs; write list after list and enthuse forever about how great this band are.

Malcolm Young was the anchor of AC/DC – the perfect bridge between the super-tight rhythm section of Cliff Williams and Phil Rudd and the upfront lunacy of Angus.  Angus, the younger brother – along with unforgettable Bon Scott and good old Brian Johnson – were the focus, but Malcolm was the heart.

Malcolm held it all together, and not just playing live – he was essential to writing of all the band’s material and developing their entire simple-but-effective ethos.  He’s been called the greatest rhythm guitarist of all time, and I agree.

Thank you for the riffs, Malcolm Young.  High Voltage Rock’n’Roll forever.

Black Sabbath – The End

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bs

Black Sabbath + Rival Sons

Saturday 4th February 2017

Genting Arena Birmingham

The mighty Black Sabbath.  They created down tuned, dirty, doom laden heavy metal aeons ago.  Wrote songs that defined an entire genre and inspired millions of people.  Lived the rock’n’roll lifestyle to legendary excess, managing to survive through some miraculous method or other.  Black Sabbath are musical titans.

And this was The End – their last ever gig.  At least as far as we know at this point in time, and taking into consideration the band members current situations.

This was The End – Black Sabbath’s last live performance, ever – in their home city of Birmingham.

Through a result of pure luck I was able to blag myself on a trip to witness the event.  Sabbath are one of those bands that I’ve long been obsessed with, going on nearly thirty years now.  They’ve created fantastic albums that I’ve listened to again and again, so it was great to be able to catch this gig, before it was all over.

The support band were Rival Sons, a younger band that’s regarded very positively by fans and press alike.  I’m only familiar with one album or so worth of songs, but can safely say that they put on a very impressive performance.  Their music is rooted in the classic rock of yore, so it was an apt choice to support.  I didn’t recognise any of the material, but then Rival Sons are a band that definitely require some homework on my part.

A confident and popular support act, Rival Sons coped with the huge arena well.  They merit further investigation – I’m sure that classic song to get me hooked is tucked away on an album somewhere.

And so to the headliners, the incredible but sadly not immortal, Black Sabbath.  Of course they opened with the legendary “Black Sabbath” – what else? – the eerie three note, devil’s tritone that heralded the birth of metal years since.  A perfect start to the evening, Black Sabbath then proceeded to entertain with two hours of solid classics.

From my vantage point, standing in the massive arena hall near the sound desk, I couldn’t see great deal.  In fact, I could see more of Kelly and Sharon Osbourne, in the nearby VIP area,  than I could of Ozzy.  The sound however was superb and the set loaded with classics.  Plus I don’t think Ozzy (or Tony or Geezer) did much running around the stage anyway. bs1

Most of the songs were from the first four albums, which was cool by me.  Highlights were “Into the Void”, “Snowblind”, “Children of the Grave” and an unexpected showing of “Hand of Doom”.  Brilliant bass from Geezer Butler on “N.I.B.” too.

My absolute favourite Sabbath track, “Supernaut”, was unfortunately relegated to being sandwiched in as part of a medley (along with “Sabbath Bloody Sabbath”, another fave) – and therefore sadly under exposed.  A shame that, I went mental when the opening riff started.  No “Sweet Leaf” either.

“Supernaut” should have been in the set, certainly it was preferable to “Dirty Women” which was hauled out of the cellar and into the light one more time.  Although not their best material, this song did give Tony Iommi a chance to shine, the final guitar solo was absolutely explosive.

There were sadly no extra special moments, such as famous guests getting up to join in – maybe that would’ve diluted the spotlight on Sabbath.  It was nice to let them have their final moment of glory.  I think we were all hoping Bill Ward would make an appearance behind the drum kit for one last time though.

And finally, it was all over – with one last rendition of the genius song that is “Paranoid”.

Their final  gig was set to be emotional, set in their hometown for one last time.  In fact it was a hugely uplifting experience, rather than sombre – hundreds of the faithful showing their respect for all the music we love.  Not just Sabbath, but every metal band that’s followed in their sepulchral wake.

Black Sabbath – their legacy lives on.  They are the ultimate metal band and they leave us with a back catalogue beyond compare.  It’s never really The End.

The full setlist is here.

Bring Your Own Vinyl Day

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Bring Your Own Vinyl Day

Civic Hall, Connah’s Quay

Saturday 24th September 2016

It’s been a while since I wrote about a Bring Your Own Vinyl Night.  What with holidays and other commitments, the Mold event has been a no go for me recently.  Not to worry though – the fine people at VOD Music ecord fairs would come to the rescue!

The record fair organised in Connah’s Quay Civic Hall also hosted Halcyon Dreams, organisers of the very fine Bring Your Own Vinyl events.  And this time, what with the timing of the record fair, this would be a day time event.

As I was at a record fair, I didn’t bring along any vinyl from my collection at home to play.  Instead I decided to wing it and just spin a few discs that I bought on the day.  This could be risky as I wouldn’t necessarily be familiar with the tracks.

I spent a long time perusing the various record stalls and making several purchases.  Whilst this was going on, the Halcyon Dreams decks were spinning all manner of wondrous delights.

Eventually I took my place at the turn tables, and made a few quick decisions on what to play.

Talking Heads – Road to Nowhere

My first problem was following a 12″ of On Her Majesty’s Secret Service by Propellerheads. An absolute killer track.  I went for “Road to Nowhere” by Talking Heads, from their “Little Creatures” LP.  I’d been after some Talking Heads for a while, and this only cost me £3 for a nice copy.  Great song – and I think I got away with the mix!  The vocals at the start were a nice contrast, and soon one or two people seemed to be enjoying it. th

Next there was a brief gap in my set, as one of the dealers asked us to play one of his singles for a potential buyer.  I think it was a group called The Jackson Sisters; early 70’s rare soul.  The cost?  £85.  But I can attest to the fact that it was DAMN fine track: funky, danceable groove – if only I had the money myself!

Eddie Cochran – C’mon Everybody

I followed up the 85 quid 7″ single with one that cost me 50p.  It was a re-issue from 1988 of the rockabilly classic, “C’mon Everybody” by Eddie Cochran.  I thought this would add some variety to my planned set, in style and age.  I remember becoming familiar with this song from the Sid Vicious cover, however Eddie’s version is superior.  It’s a stone cold classic.  I do love these 1980’s jean commercial promotional tie-ins, don’t you?  Classic song for next to nowt.

Stormtroopers of Death – Kill Yourself

And so, how should I conclude the set?  With a bit of egging on, I knew it had to be S.O.D.  I’d just picked this up for a nice price – most expensive purchase of the day, but worth it – as it was on my vinyl wish list.  Nasty thrash metal/hardcore with horrid lyrics (that I understand are a joke) – this Anthrax off shoot rounded off the set in scuzzy style.  It was a bit of a shock, anyway.

So there you have it – a great day’s record buying and some awesome tracks.  I’m already looking forward to the next Bring Your Own Vinyl Night!

You can check out the Halcyon Days blogspot here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD Music website is here.

Bring Your Own Vinyl Night #8

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 8th April 2016

Got a record collection?  Want to spin those discs on a nice turntable for an appreciative bunch of vinyl enthusiasts?  The Bring Your Own Vinyl Night is for you!

Held monthly in the Queen’s Head pub in Mold, North Wales, this event goes from strength to strength.  The idea is simple: each participant gets 15 minutes to play whatever records they want.  That’s vinyl only; no CDs, MP3s, cassettes or whatever else.  Just have a beer and enjoy the music.

My pal Adam was back on the decks tonight, and was the first of our crew to step up.  He played a great set of songs from movies, that went something like this:

  • Carly Simon – Nobody Does It Better
  • Blue Swede – Hooked On A Feeling
  • George Thorogood & The Destroyers – Bad to the Bone
  • Ry Cooder – All Shook Up
  • Santo & Johnny – Sleepwalk

A special prize if you can name the films these songs are from!  A great set from Adam, I think one of his strongest.  In particular, I thought “Sleepwalk” was an exceptional track.

Then it was my turn:

Suicidal Tendencies – Possessed to Skate

Regular readers will know the story of my Suicidal records.  Here’s a quick recap.  Going back to the height of my skateboarding days in 1988 (or thereabouts), my friend Kelvin Bedford gave me the album “Join the Army” by Suicidal Tendencies.  A few years later, as a broke student, I sold that album and another ST record to my mate Graham.  Now fast forward to the recent past, and although I had the CDs, I was kicking myself for not having the vinyl anymore.  They were easy enough to buy off Discogs.  However, sadly Kel had passed away a couple of years ago, so I thought it would be great to have the copy he originally gave me back.  I contacted Graham, and he gave me the records for free.  What a gentleman!  I bought him a beer or two as a thank you.

Not so brief that recap, but now you have the background.  I wanted to play a track off the classic “Join the Army” record, as it was back in my collection, and this had to be it.  Many fun memories of my old skateboarding days always come flooding back with this fast paced punk rock/metal hybrid.  And I still listen to it when I skate nowadays (which isn’t often enough).  “Possessed to Skate”.  RAD.

Iggy & The Stooges – Gimme Danger

The next song is a favourite I was introduced to in my university days.  I was already a fan of the early Stooges albums, but hadn’t heard “Raw Power”.  It’s a superb record, full of barely restrained energy and chaos.  “Gimme Danger” is a the second song on the album, lulling the listener in to a false sense of comfort after lead track “Search and Destroy” decimates your speakers.  “Gimme Danger” still has an air of menace, however – a sense that anything can, and will, go wrong.  Decadent and beautiful, a masterpiece.

Chris Isaak – Wicked Game

And so on to Chris Isaak.  I have the “Wicked Game” album on CD, so I can regularly bask in the warmth of Isaak’s voice and imagine desert roads, truck stops, motels and neon lights.  This version is on a 7″ single that Greeny gave me for Christmas, and I’m so glad I have it.  Timeless Americana that always carries a hint of David Lynch, thanks to the song being included in “Wild at Heart”.  I usually drunkenly sing along to this at 2am.  I’ve also attempted “Wicked Game” at Karaoke a couple of times; I think I got away with it.

Red Hot Chili Peppers – Sexy Mexican Maid

One of my favourite RHCP songs ever, you can find this sensual little number on the fantastic “Mother’s Milk” record.  It’s a slow funky groove that deserves to be heard more often, from one of their greatest albums.  “Sexy Mexican Maid” shows the Chili Peppers exploring their sound and developing towards “Blood Sugar Sex Magik”, whilst still happy to languish with their sexually charged lyrics.

So last up was Ben the Swede, who recently moved house and now had access to his full vinyl collection.  The theme was bass, of different types:

  • Level 42 – You Can’t Blame Louis
  • Duran Duran – A View to a Kill
  • ELO – Shine a Little Love

And there you have it: another great night with some great songs and some very cool people.There were some killer tracks from PIL, Perrey & Kingsley, Elvis Costello and more.  You can see the full playlist on the Halcyon Dreams blog here.

Thanks all – looking forward to the next Vinyl Night!

You can listen to this Bring Your Own Vinyl Night (and previous ones, too) on the Mixcloud page here.

The Halcyon Dreams Facebook page is here.

Thanks Graham!

RIP Kelvin Bedford

Bring Your Own Vinyl Night #7

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 26th February 2016

Welcome back to the Queen’s Head in Mold, North Wales!  Get yourself a pint and make yourself comfortable, ‘cos you know what time it is.  That’s right, it’s Bring Your Own Vinyl Night again!

Remember the rules: there’s a fifteen minute slot for each person; play whatever you like, so long as it’s vinyl.

Only Greeny and myself made it this time – Adam and Ben the Swede were both unavailable.  No theme for my set this time, just a few songs I really had a yearning to play…

Ennio Morricone – The Ecstasy of Gold

This song is of course from the soundtrack for the classic Sergio Leone Spaghetti Western, The Good, the Bad and the Ugly.  My version came from an album called “This is Ennio Morricone”.  You don’t need me to tell you how great that film is.  And Morricone’s soundtrack is stylish and ground breaking.  In particular, this track (which plays while Eli Wallach’s character runs frenziedly through a Civil War graveyard) is sheer class.  It builds magnificently and captivates the listener.  A bit over the top, I admit, as the first song in my set – but never let it be said that Platinum Al doesn’t do drama.

Ramones – Surfin’ Bird

If I was going to recommend a Ramones album for a novice to start their education of NYC’s finest, I’d go for “Rocket to Russia”.  I thought that this frenetic cover of the Trashmen’s surf rock gem would be a suitable place to go, after the majesty of the last track.  I love the Ramones and this song was a ton of fun to play.

Soundgarden – Fresh Tendrils

This song, from the simply fantastic “Superunknown” album, is probably my favourite Soundgarden song ever.  And I’m a bit of a Soundgarden nerd – I’ve collected tons of their stuff.  Rather than play a more obvious, well known song, I decided to go with my top tune.  “Fresh Tendrils” has an epic, classic rock sound that I love.  No idea what Chris is singing about, however.  The version I played was from the “Spoonman” 12″ single (on clear vinyl!).

Johnny Cash – Folsom Prison Blues

Originally I was going to play a Stooges song, but then I remembered that 26th February was Johnny Cash’s birthday.  So I decided to play a song by the Man in Black.  “Folsom Prison Blues” is a legendary track, one of Cash’s best.  And I’ve already stated how big a hero this guy was to me.  The album this came from – “Original Golden Hits Volume 1” – was my Gran’s.  After she passed away, it was given to me.  I’d heard a lot from bands I was into how Cash was an inspiration, so I checked the record out.  I loved it, and my Johnny Cash fandom was born.  The first Cash record I heard, but not the last!

That’s my list for the night.  There were may great songs played through out the evening, though.  Budgie!  Hawkwind!  Disposable Heroes of Hiphoprisy!  Anthrax!  Check the link below for the complete list.

Wax is back – get spinning those tracks!  Thanks for a great night!

I’d also like to thank my old mate Graham, who turned up with a couple of Suicidal Tendencies records for me.  You see, I’d sold these two exact albums to Graham some twenty years ago, when I was a broke student.  Although I could’ve tracked the records down on eBay, I decided to message Graham and see if he’d sell them back to me (if he still had them).  The reason being that one album, the awesome “Join the Army”, had been given to me when I was 15 by my friend Kelvin Bedford, who I used to skateboard with every day.  Sadly, Kel passed away a couple of years ago.  So it was cool to get that actual copy back in my record collection, as a nice memory.  It even had the same plastic protective sheet over the album – and the selotape strip I patched up the inner sleeve with many, many years ago!  Graham gave me both records for free – so I bought him a pint or two.  Thank you!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

Bring Your Own Vinyl Night #6

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 22nd January 2016

The first Bring Your Own Vinyl Night of 2016 brought out fantastic tunes old and new. Regardless of genre, all were welcome to spin their records for the enjoyment of the gathered vinyl enthusiasts.

Held in the Queen’s Head pub in Mold, North Wales, the idea is simple.  Each participant gets a fifteen minute slot to play whatever they like, so long as it’s on vinyl.  No other format permitted.

Again my selection for this evening had a theme, though a sad one.  Inspired by the loss of many musical heroes recently, my songs were selected as a tribute to some of those musicians who had passed away.

My old mucker Adam was first up from our gang.  He’d got to the pub early and had some food, which I’m told was very good.  Here’s his set:

  • Aerosmith – Rocking Pneumonia and the Boogie Woogie Flu
  • The Backbeat Band – Money
  • David Bowie – Moonage Daydream
  • Neil – Hole in My Shoe
  • Grandmaster Flash & Melle Mel – White Lines

Five great songs, awesome set.  Some of the other punters had a go, then it was my turn on the wheels of steel.

Stone Temple Pilots – Plush

Taken from the first Stone Temple Pilots record, “Core”, this song is my favourite track on the album.  “Plush” is a big, epic song that always reminded me of Led Zeppelin.  A great track to start the set off, though as it’s over five minutes long it meant that my set would be three songs rather than the usual four.  No problem.  Played in memory of STP singer Scott Weiland who died in December 2015.

Motorhead – Killed by Death

At the last Bring Your Own Vinyl Night, I played “Ace of Spades” by Motorhead as drummer Phil Taylor had passed away.  Sadly Lemmy, Motorhead main man and all round rock legend, was to follow on 28th December 2015.  After “Ace of Spades”, the next best Motorhead tune is “Killed By Death”, so I gave this classic a spin.  Taken from the best of compilation “No Remorse”, which I bought when I was 16 as it had both of the aforementioned tracks on it.  Every home should have one!

David Bowie – Heroes

And finally a Bowie song, to remember this great artist.  I chose “Heroes” as it’s my favourite Bowie song, grand and optimistic with a tinge of melancholy.  Truly magnificent.  The track I played was the single edit, taken from the “Best of Bowie” album, which I picked up a couple of years ago in a charity shop.  There were several songs I could have picked from several albums I own, all brilliant tunes. Bowie best of

After three songs I was running out of time for my fifteen minute slot and decided to call it quits.  I had the Eagles “Take It Easy” in reserve, to commemorate the passing of Glen Frey, but I was running out of time.  Plus Bowie’s “Heroes” was a perfect track to end on.

So Ben the Swede took to the stage after me, armed with just three records.  He’s moving house, you see ( a real house, not a cardboard box) – and most of his stuff is in storage at the moment.  Despite limited resources, Ben dropped a set of bangers.

  • Megadeth – Tornado of Souls
  • Elton John – Grey Seal
  • Deep Purple – Never Before

A nice mix there, from Megadeth to Elton John!

There you have it – another night of great tunes and good company at the Queen’s Head.  I even had a few requests for songs from the audience, though couldn’t oblige as that’s not what vinyl night is all about!  Thanks to everyone concerned.

Hope to see you there next time!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

Another Damned Gig Review

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DamnedCHThe Damned

Thursday 17th September 2015

The Live Rooms, Chester

Hello, chums!  How about another review of a musical concert?  How about another review of a Damned musical concert?  Very well, off we go…

It was my birthday on Saturday, so it was very kind of The Damned to play a gig on Thursday night for me.  They are my favourite band, after all.  Not many bands would go to all the trouble of playing for their number one fan in a nearby locale.  I don’t know who invited all the other people who turned up, mind – wasn’t me.  I hardly knew any of them.

The Damned sold out The Live Rooms in Chester, which is pretty impressive.  The place was packed out with all manner of discerning music fans, and by golly those punk rock chaps put on a hell of a good show.

From the moment Captain Sensible uttered the immortal phrase “Ladies and Gentlemen, ‘Ow do”, I knew it would be a blinder.  Straight off into “Love Song”, a rollicking locomotive of a song all about trainspotting.  Then it was “Machine Gun Ettiquette” and “I Just Can’t Be Happy Today” – top tunes all, and the running order gave something of a clue as how things would develop set wise.

The evening was an almost chronological journey to the centre of the Damned, with tracks following from the Black Album, through Strawberries and onto their later 80’s catalogue.  Until they messed that plan up by going back to the start with the always excellent “New Rose” and “Neat Neat Neat”.  I defied my OCD and enjoyed the travelling back through time regardless.

The band were on excellent form, Dave Vanian in fine voice and Sensible throwing some amazing guitar noises around (“Ignite” is always mental).  Pinch on drums and Stu on bass are in control and drive the machine ever onward.  Monty was, of course, his usual crazy and lovable self; always entertaining and adding an extra dimension with his keyboard skills.

A couple of “firsts” for me tonight – I’ve never heard “Alone Again Or” performed live, or the totally amazing “Nasty”.  This song was one of my earliest experiences of The Damned, when they roared through it on the Young Ones.  Relegated to a B-side and rarely cropping up on compilations, I’d given up on hearing this one in the flesh.  “Nasty” was dedicated to previous bass player Bryn Merrick, who had died recently.

Throw in another appearance of “Stranger on the Town” (see my last Damned review for how big a deal this is) and the song that kick started the whole fandom thing from my point of view, “Eloise”, and it was a quality set list.  Not to mention punk rock classics such as “Disco Man” and “Smash It Up” – what a result!

Any complaints?  Well there was no “Plan 9 Channel 7”, which is absolutely criminal.  Nothing from the two most recent albums either, which is a bit worrying – there’s some great tunes on those records.  The Live Rooms is a brilliant venue, but they seem a bit keen to send people home when they could’ve made a few quid more at the bar, if they’d kept it open half an hour.  Strange.

All in all though, it was a fantastic night.  The Damned threw me a very nice birthday party and I thoroughly enjoyed myself.  Wonder if they’re free same time next year?

Here’s The Damned’s website: http://www.officialdamned.com/

The Live Rooms web site is here.

You can read the set list for this gig here.

Here’s a link to my previous review of The Damned live: click me

R.I.P. Bryn Merrick

Corrosion of Conformity Gig Review

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Corrosion of Conformity

Saturday 7th March 2015

Manchester Academy 2

I’ve been a Corrosion of Conformity fan for a long time.  Starting with a cassette copy of their hardcore punk/thrash crossover Eye For An Eye back in my early skateboarding days; through their major label success as a stoner metal band; and on.  Never seen them live, though.  Ridiculous, no?

All that was about to change: I decided to get my act together and go see the band in Manchester for their latest tour.  The fact that vocalist/guitarist Pepper Keenan was back fronting the band, completing their Deliverance era line-up, was a nice little sweetener too.

The afternoon got off to a great start when, mere seconds from arriving in the car park next to the Academy, I spotted bass player Mike Dean walking along the road.  I greeted him and wished the band well in a brief, pleasant conversation.  I think I managed to remain cool and not look like a total weirdo.

A few beers were had in the early evening, before we made our way to the venue.  Unfortunately we were in Manchester Academy 2, not the nice big main Academy building.  The Academy 2 is the size of a sports hall and was too small for this band.  People were crammed in tighter than a glam rockers spandex pants; it was not cool.

I only caught the end of the support bands slot, so I will pass judgement on Hang the Bastard at this time. COC

When Corrosion of Conformity hit the stage, there’s a genuine sense of excitement in the (tiny) room.  They open with instrumental “These Shrouded Temples” from the Blind album, before charging into “Senor Limpio” and “King of the Rotten”.  There’s hardly a breather between songs, and minimal banter – it seems COC are on a mission to destroy.  Pepper leads the band confidently, like he’s never been away; whilst Woody throws down a barrage of guitar.

In keeping with the tour theme, there’s a healthy chunk of tracks from the devastating Deliverance album.  This is fine with me.  My sad fanboy credentials mean I love all their output, but Deliverance is the cream of the crop as far as I’m concerned.  A genuine metal/punk/stoner/doom/whatever classic, rated in the same bracket as Volume 4 and Master of Puppets.  “Albatross” and “My Grain” are highlights amongst a head crushing set, though the slower pace of “Seven Days” is my favourite from that era of the evening – forgot how great that song is.

There’s a pinch of tracks from across several albums, with “Long Whip/Big America” shining from Wiseblood.  “Thirteen Angels” (America’s Volume Dealer) and “Paranoid Opioid” (In the Arms of God) also stand out in a set filled with gems.  The band are well rehearsed – Reed’s drums and Mike’s bass sound tight and locked in.

COC return for their encore with “Broken Man”, before launching into the inevitable “Vote With a Bullet”.  This song is still an absolute monster, and is welcomed heartily by the audience.  “Clean My Wounds”, another Deliverance era stormer, finishes the night off with it’s awesome riff.

Despite being crowded in the tiny Manchester Academy 2, it’s a great night.  Corrosion of Conformity perform a powerful set, which I only wish could have been longer.  I got to tick a band off my “must see” list tonight, and I retire with obligatory tour t-shirt a very happy punter.