Tag Archives: Heavy Metal

Tragedy – Gig Review

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Tragedy

Wednesday 9th March 2016

The Live Rooms, Chester

It’s my first gig of the year, and another visit to the ever reliable Live Rooms in Chester for some rock’n’roll.  I’ve had a few rockin’ parties at this venue, but this night was destined for greatness.  The exquisite Disco Metal of the one and only Tragedy was scheduled to set the sky on fire with dazzling party anthems.

Finding common ground between the opposing world of heavy metal and disco was never going to be an easy task.  They’re two genres of music that repel like the same sides of a magnet.  But with Tragedy, the water and oil can, and do, mix.  It’s a hard rockin’ combination of guitar and high pitched disco vocals in a totally crazy metal tribute to the Bee Gees (and beyond).

A heavy metal tribute to the Bee Gees is only the beginning, you see.  As well as Brothers Gibb classics like “Staying Alive” and “Night Fever”, their set is expanded to take in other disco and pop classics.  The mutated songs feature glimpses of riffs from Van Halen, Pantera and more.  One of my highlights was the ridiculously fun idea of warping the intro from Slayer’s “Raining Blood” into “It’s Raining Men”!

Part of the fun of this Tragedy gig was spotting chunks of recognisable metal riffs, and then being dumbfounded by how the band weave them into a late 70’s disco style.  The mash up is suitably gory too – these gruesome Frankensteins have no qualms when it comes to hacking limbs from one sweet pop track and stitching them maniacally to a heavy metal corpse.

With a light show and numerous skits introducing the songs (not to mention Lance the towel boy bumbling across the stage) it’s all very entertaining.  And professional, without being soulless.

For any metal fan with a sense of humour, Tragedy are well worth seeing.  You’ll have a hard time finding a more bonkers night out anywhere.  Great fun!

The Tragedy website is here.

The Live Rooms website is here. Tragedy

Bring Your Own Vinyl Night #7

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 26th February 2016

Welcome back to the Queen’s Head in Mold, North Wales!  Get yourself a pint and make yourself comfortable, ‘cos you know what time it is.  That’s right, it’s Bring Your Own Vinyl Night again!

Remember the rules: there’s a fifteen minute slot for each person; play whatever you like, so long as it’s vinyl.

Only Greeny and myself made it this time – Adam and Ben the Swede were both unavailable.  No theme for my set this time, just a few songs I really had a yearning to play…

Ennio Morricone – The Ecstasy of Gold

This song is of course from the soundtrack for the classic Sergio Leone Spaghetti Western, The Good, the Bad and the Ugly.  My version came from an album called “This is Ennio Morricone”.  You don’t need me to tell you how great that film is.  And Morricone’s soundtrack is stylish and ground breaking.  In particular, this track (which plays while Eli Wallach’s character runs frenziedly through a Civil War graveyard) is sheer class.  It builds magnificently and captivates the listener.  A bit over the top, I admit, as the first song in my set – but never let it be said that Platinum Al doesn’t do drama.

Ramones – Surfin’ Bird

If I was going to recommend a Ramones album for a novice to start their education of NYC’s finest, I’d go for “Rocket to Russia”.  I thought that this frenetic cover of the Trashmen’s surf rock gem would be a suitable place to go, after the majesty of the last track.  I love the Ramones and this song was a ton of fun to play.

Soundgarden – Fresh Tendrils

This song, from the simply fantastic “Superunknown” album, is probably my favourite Soundgarden song ever.  And I’m a bit of a Soundgarden nerd – I’ve collected tons of their stuff.  Rather than play a more obvious, well known song, I decided to go with my top tune.  “Fresh Tendrils” has an epic, classic rock sound that I love.  No idea what Chris is singing about, however.  The version I played was from the “Spoonman” 12″ single (on clear vinyl!).

Johnny Cash – Folsom Prison Blues

Originally I was going to play a Stooges song, but then I remembered that 26th February was Johnny Cash’s birthday.  So I decided to play a song by the Man in Black.  “Folsom Prison Blues” is a legendary track, one of Cash’s best.  And I’ve already stated how big a hero this guy was to me.  The album this came from – “Original Golden Hits Volume 1” – was my Gran’s.  After she passed away, it was given to me.  I’d heard a lot from bands I was into how Cash was an inspiration, so I checked the record out.  I loved it, and my Johnny Cash fandom was born.  The first Cash record I heard, but not the last!

That’s my list for the night.  There were may great songs played through out the evening, though.  Budgie!  Hawkwind!  Disposable Heroes of Hiphoprisy!  Anthrax!  Check the link below for the complete list.

Wax is back – get spinning those tracks!  Thanks for a great night!

I’d also like to thank my old mate Graham, who turned up with a couple of Suicidal Tendencies records for me.  You see, I’d sold these two exact albums to Graham some twenty years ago, when I was a broke student.  Although I could’ve tracked the records down on eBay, I decided to message Graham and see if he’d sell them back to me (if he still had them).  The reason being that one album, the awesome “Join the Army”, had been given to me when I was 15 by my friend Kelvin Bedford, who I used to skateboard with every day.  Sadly, Kel passed away a couple of years ago.  So it was cool to get that actual copy back in my record collection, as a nice memory.  It even had the same plastic protective sheet over the album – and the selotape strip I patched up the inner sleeve with many, many years ago!  Graham gave me both records for free – so I bought him a pint or two.  Thank you!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

R.I.P. Lemmy

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Lemmy

Ian “Lemmy” Kilmister

24.12.1945 – 28.12.2015

A huge part of growing up is buying your first Motorhead album.  For me it was the compilation album “No Remorse”, which I wanted because it had “Ace of Spades” and “Killed By Death” on it.  With that purchase, I took a step into a bigger world.  Motorhead were a gang, not just a band – and with buying that record I was subscribing to a whole new way of life.

The first time I encountered the rabid monster that was Motorhead was when they performed the legendary “Ace of Spades” on the Young Ones episode “Bambi”.  Lemmy was there front and centre, a living icon in mirror shades, mutton chop whiskers, and thunderous bass guitar; bellowing into a mic that was stretched to the ceiling.

Motorhead’s music was a raucous, fast burst of adrenaline and I played that album every Monday morning before school.  It was the best way to get into the zone and face the start of the week.  Total take no prisoners, take on the world music.  Of course, real life wasn’t so harsh, but Motorhead made you feel like you could do anything.

Lemmy himself was always the uncompromising rock’n’roll figurehead.  His gruff demeanour and his reputation for fast living only cemented his status.  And Motorhead were always cool.  When I developed a taste for punk rock, Motorhead were still cool.  Lemmy and Motorhead straddled the otherwise impossible crevasse between punk and metal.  He had roots going back to early rock’n’roll and the classics of the 60’s with the Beatles and Hendrix.  Lemmy was part of rock’s DNA.

Over the years I collected their albums, bought the t-shirt and Lemmy’s autobiography, and saw them live.  I even met the guy once.  One day I’ll write up the story of that night, which I was always going to call “The Greatest Night Out of My Life”.  Suffice to say that I met Lemmy in a strip club in Liverpool after a Motorhead gig, totally by chance.  I hung out with him all night.  He was extremely gracious and funny.  He was tolerant of drunk fans because he knew how much the music meant to us.

As much a gentleman as a warrior, the world has lost a real original with the passing of Lemmy Kilmister.  He was a pioneer, an innovator.  We knew he’d go one day, but it’s still unbelievable.  I’ll miss Motorhead.  Raise a glass to the great man and yell:

“You know I’m born to lose, and gambling’s for fools, but that’s the way I like it baby, I don’t wanna live forever!”

Bring Your Own Vinyl Night #5

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 4th December 2015

Unlike the last event, I didn’t have a theme for Bring Your Own Vinyl Night this time around.  Just some tunes I fancied playing.  I hadn’t even decided exactly what they would be till the show was on.

For anyone still uninitiated, the night is hosted in the Queen’s Head pub in Mold, North Wales.  There are two turntables and each participant gets to play 15 minutes of whatever music they want, vinyl only.

I had myself a couple of beers and rattled out this selection:

Motorhead – Ace of Spades

When you buy your first Motorhead album, you know you’ve entered the world of grown up music.  Big, nasty unapologetic rocking grown up music.  A song that never gets old, I was introduced to “Ace of Spades” when the band performed it on the classic “University Challenge” episode of The Young Ones.  It’s just a non-stop, joyous racket that simply will not stop or slow down for anyone.  Absolute perfection.  I played this in memory of drummer Phil “Philthy Animal” Taylor, who sadly passed away recently.

The Vapors – Turning Japanese

A New Wave/Punk Rock classic, I was donated the brilliant “Turning Japanese” by a friend.  Thank you, Simon.  It was supposed to be part of a tribute set that I’m still working on.  It was going to be hard to follow up the adrenaline rush of the previous song, The Vapors pulled it off here though.  A great power pop song that kept the pace of the set nicely.

Dinosaur Jr. – Freak Scene

A slight fast forward to the late 1980’s for this next track.  The first track on Dinosaur Jr.’s album “Bug”, this track nicely covers the appeal of early American alternative rock.  Born out of punk and hardcore, with one foot in old Black Sabbath and one in jangly pop; Dinosaur Jr. constantly delight.  Reminds me of my skateboarding youth.

Beastie Boys – Sabotage

I couldn’t decide which track to play last, so I let the audience choose the album.  The Beastie Boys “Ill Communication” won hands down, and I chose “Sabotage” as the track to play.  Another unrelenting monster of a song, “Sabotage” has a funky groove delivered with a rocking style.  Again, a song I never tire of.  Plus the Spike Jonze video, with it’s 70’s cop show homage, is a work of genius.  It’s been over twenty years and I still want to dress up and play Sabotage Cops for a day.

My buddy Adam strode up to the decks next, and delivered another fine set.  It went something like this:

  • Queen & David Bowie – Under Pressure
  • The Blasters – I’m Shakin’
  • Mark Ronson/Bruno Mars – Uptown Funk
  • DJ Kool – Let Me Clear My Throat

Four top songs from Adam there, the Queen track was a load of fun and had me doing my world renowned Freddie Mercury impression.  It was nice to hear a modern song on vinyl too, with the Ronson/Mars number.

Great night, great songs – well done all on another fine evening’s entertainment.  I’m currently stumped what to play next time.  I’ll work on it.

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all of the songs played on the night.

The Halcyon Dreams Facebook page is here.

Crobot/Scorpion Child/Buffalo Summer – Gig Review

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Crobot + Scorpion Child + Buffalo Summer 

Wednesday 11th November 2015

The Live Rooms, Chester

Wednesday night, but that doesn’t stop me.  When there is a need to rock, I rock.  I ain’t no weekend greaser.

The crowd in the Live Rooms was a healthy size, and quite rightly too.  Three bands for a tenner – and all of them up and coming hard rock superstars.  It’s a night of 21st century music that has one foot in 70’s classic rock, though striding confidently in to the modern realm.

Up first were Buffalo Summer, four lads from South Wales (yay!) who command the stage like seasoned masters.  Their mix of classic Free and Southern Skynyrd boogie is enhanced with some Sonic Temple era Cult swagger.  Powerful and melodic with a rough edge, their songs are anthemic but still have guts.  “Down to the River” was just one highlight in a terrific set, but take my word for it and check ’em out for yourself.

Next up were Scorpion Child, all the way from Texas.  Their version of classic rock was part Zep deep fried in Purple, and all tasty goodness.  These guys go for epic and do not compromise.  The songs build with purpose and create huge sonic vistas that hint at their geographic origin.  “Liqour”, “Kings Highway” and “Antioch” are all songs that capture Scorpion Child’s ability to meld molten riffs with a truly grand vision.  Fantastic.

Our final band of the night were Crobot, who erupt on the stage with electrified enthusiasm.  Their first album, “Something Supernatural”, is awesome – but the songs have even more groove live; Crobot are hugely powerful, with riffs that are simply titanic.  There are tons of highlights, “Skull of Geronimo”, “The Necromancer” and “Chupacabra” being just a few.  If you dig Clutch or Wolfmother, welcome to your new favourite band.  You need Crobot in your life sooner rather than later!

Reporting from the front lines, I’m happy to say that rock – classic, heavy, groovy rock – is alive and well.  Do not hide, do not run for cover – get out there and catch Crobot, Scorpion Child and Buffalo Summer now!

The Live Rooms website is here.

You can follow Crobot, Scorpion Child and Buffalo Summer on Twitter.  Get on it, you need to be ready.

crobot-scorpion-child-uk-tour

Melvins – Gig Review

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Melvins + Big Business

Friday 9th October 2015

Gorilla, Manchester

I had been waiting for this for a long time.  As a long time fan of the Melvins, it seems inexplicable that I’ve never seen them live before.  But then I rarely travel to Manchester for gigs.  2015 has been the year of live music for Platinum Al; as such the planets aligned, the tickets were bought, the wheels were rolling towards the big city and it was on.  Finally, I would witness the wonder of the Melvins.

And not just the Melvins – the support slot went to Big Business, a two piece of bass and drums in a similar mould to the mighty headliners.  Of course, anyone who knows their Black Flag from their Black Sabbath will tell you that Jared and Coady of this band also perform with Buzz and Dale to create the steaming sonic soup with lumpy riff croutons that is the Melvins. Melvins

The Big Business set was extremely impressive in it’s own right.  As I said, the band is just bass and drums, yet the almighty noise they make is astounding for a two piece.  They play a solid set that could’ve been a main course of the evening’s entertainment.  Big grooves, pounding drums and awesome sound scapes create a fine appetiser.

Gorilla in Manchester is some sort of restaurant/bar thing, with a stage at the back for live shows.  It’s seems more in scale with stand up comedy gigs, but despite the modest size it’s a great place to see the band – close up, good views and sound.  The beer is a bit expensive, but I got a Melvins (official!) t-shirt for a tenner!  Yeah!!!

So anyway, the Melvins arrive on stage as a four piece – Buzz, Dale, Jared and Coady – and we’re off.  It’s a gig unlike any I’ve experienced ever before.  There’s no breaks; no chat with the audience; no introducing the songs – the band just plough through their catalogue of fantastic songs and drag the audience along with them.  The audience follow willingly, of course – and the band don’t ignore us – it’s a unique unspoken agreement that we’re all along for a hell of a musical journey.

The music is heavy, sludgy, intense – exactly what I expected and wanted.  There are several songs from newer albums (“The Water Glass”, “Evil New War God” – both superb).  Older classics like “Sweet Willy Rollbar” and “It’s Shoved” are given a welcome play too.  The absolute high light for me though is “Civilised Worm” – what a riff!

The power of the riff is what the Melvins are all about.  Buzz’s guitar is astoundingly heavy, yet also shines with artistic flourishes and strange sounds to keep the listener guessing.  The bass is relentless yet groovy, hammering home the riffs.  Add dual drummers and ears were ringing for days.

It was a truly intense live experience and one I’m really glad I saw.  Unlike anything else and worthy of the hype, the Melvins are a unique band and I love them.

Did I mention I got a t-shirt for a tenner??!!

Johnny’s Place Playlist

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IMG_4299Johnny’s Place, Parga, Greece

My holiday this summer was another visit to Parga in Greece.  It’s a very beautiful town on the west coast; nestled snugly amongst beach and harbour.  In the bay there is a small island with white church resting on top; above the town is an ancient fort – it’s real picturesque stuff.

Parga features many excellent tavernas, restaurants and bars.  A bar I’ve now visited a few times is Johnny’s Place, where the cold beer is “cheap as chips” and the welcome is warm.

Situated in the middle of town, the people watching at Johnny’s Place is second to none.  It’s a relaxing atmosphere with some great tunes.

Over the space of a few visits to this bar, we compiled a playlist of songs that were heard.  In the spirit of reminiscing about another fabulous summer holiday, here are the songs that take me back to that time and place.

Imagine enjoying a cold Mythos (and a plate of meze, as provided gratis here!) and let the everyday stresses melt away…

  1. Survivor – “Eye of the Tiger”
  2. Bee Gees – “Staying Alive”
  3. Boney M – Bahama Mama”
  4. The Beatles – “Come Together”
  5. The Beatles – “Here Comes the Sun”
  6. Aerosmith – “Dream On”
  7. Journey – “Don’t Stop Believin'”
  8. Metallica – “Nothing Else Matters”
  9. Pink Floyd – “Comfortably Numb”
  10. The Eagles – “Hotel California”
  11. Pulp – “Disco 2000”
  12. Duran Duran – “Save a Prayer”
  13. Madness – “It Must Be Love”
  14. The Cure – “Lovesong”
  15. Manic Street Preachers – “Your Love Alone Is Not Enough”
  16. Rod Stewart – “Baby Jane”

If you visit Parga – and I highly recommend you do – don’t forget to pay Johnny’s Place a visit.

The website for Johnny’s Place is here.

The Facebook page is here.

Thanks to Colin for the menu board photo!

Johnnys

Bring Your Own Vinyl Night #3

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 21st August 2015

And we’re back spinning wax in the Queen’s Head pub in Mold.  The crew and I made the trip, armed with stacks of vinyl, for our fifteen minutes of fame playing records.  The premise is simple:

  • Two turntables and all the equipment to spin your discs, plus PA
  • A 15 minute slot to play whatever you like, so long as it’s vinyl

Plus there’s a bar for drinkies, which helps if you need a bit of dutch courage to get up and get your DJ on.

The crew and I – Adam, Greeny and Ben the Swede – made sure we got there early this time.  Good job we did, as the throng of vinyl faithful had grown and the list of would be DJs was growing.  Nice to see this event gaining popularity – the cult of vinyl grows ever stronger.

Here’s my set:

Killing Joke – Pandemonium

The title track from Killing Joke’s classic 1994 disc of the same name, this tune boasts a devastating bass and rhythmic rumble.  “Pandemonium” erupted from the speakers and announced the start of my set in crushing style!

The Stooges – I Wanna Be Your Dog

This slice of messed up Detroit proto punk is a Stooges classic.  Ron Ashetons wah-wah guitar and Iggy’s snarl show just how great this band were.  I first investigated the Stooges as other bands I was a fan off (Sex Pistols, The Damned) had covered their songs – so I picked up this compilation to learn more.  I was instantly smitten by this dirty racket and never looked back.

Killing Joke
The Stooges

Descendents – Clean Sheets

I first heard the Descendents on an old Vision skateboarding video, soundtracking a fantastic Gonz section.  This was the late 80’s, and with no Soundhound I had to work out from the credits what I thought the song was.  I figured it was “Coolidge” by the Descendents.  A while later I found some Descendents albums in a Manchester record store, and took a punt on the “All” album as it contained the aforementioned track.  Luckily, I was right.  For this occassion though, I decided to play another piece of US pop punk genius from the same album, “Clean Sheets”.

Temple of the Dog – All Night Thing

To finish off the set, I brought the pace down with a mellow number from this Seatlle grunge super group.  Featuring members of Pearl Jam and Soundgarden, this LP really takes me back to the early 90’s.  A must have for any fan of alt rock from the period, you can read up online how this recording came to be.  Chris Cornell’s vocals are sublime here, showing to great effect how he would become the best vocalist of his generation.

Descendents
Temple of the Dog

Greeny hadn’t organised any vinyl (again), so it was Adam up next with another varied and entertaining set.  His was unfortunately cut short, due to the number of people who’d turned up necessitating a reduction in playing time.

  • Natalie Prass – Violently
  • David Bowie – Absolute Beginners
  • Otis Redding – (Sittin’ On) The Dock of theBay

I have to say, I’d forgotten how good that Bowie tune was.

Finally Ben the Swede took to the decks and span his tunes, with a “guess the odd one out” theme.  He played:

  • Jimi Hendrix Experience – Wait Till Tomorrow
  • Fleetwood Mac – Isn’t It Midnight
  • AC/DC – Girls Got Rhythm

I believe the last song Ben intended to play was A rainbow song, with Ronnie James Dio on vocals.  Can you guess the odd one out?  Answer below…

So another superb night of music at the Queen’s Head.  We heard some great music, made some new friends and went away to scout for more quality tunes.  Here’s to next time!

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all the songs played on the night.

The Halcyon Dreams Facebook page is here.

The Night I Played Bass for Diamond Head

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DHLive

Diamond Head + The Heretic Order + Kuru + Cathar

Thursday 25th June 2015

The Live Rooms, Chester

Yes, you read that right.  For one night I played bass guitar for British Heavy Metal legends Diamond Head, and this is how it happened.

Diamond Head had three support bands, which is pretty good value for money in my book.  First up were Cathar, who were a Symphonic Metal band with two singers.  Solid musicians but not really my cup of mead; good vocals though.

Next were Kuru, who were more in the Death Metal vein.  Brutal riffs and the rhythm section were impressive.  Ferocious vocals, though I’m not a massive fan of the Death Metal Grunt.

The Heretic Order merged a more trad metal (Maiden, Priest) approach with some more thrashy elements.  Think Venom with some Sepultura and melody thrown in; they do a nice line in comedy Satanic Metal too.  At least I think it’s comedy; if not I mean no offence, honest…

Diamond Head can rock with the best of them.  Their NWOBHM anthems have become hugely popular due to their influence on those who followed.  The famous songs – “Am I Evil”, “The Prince”, “Helpless” – can be regarded as amongst the foundation stones of classic metal.  This is the music that helped shape today’s rock just as much as “Breaking the Law”, “Run to the Hills” or “Ace of Spades”.

In addition you’ve got those big, epic Zeppelin inspired songs like “To Heaven From Hell” and “To the Devil His Due”.  Monolithic tracks that really add another dimension to Diamond Head’s catalogue.

They play all the greats at the Live Rooms, and have a fantastic time doing it.  Brian Tatler is safely in the driving seat, in control and playing brilliantly.  Vocalist Rasmus Anderson has a hell of a voice on him, confidently delivering gem after gem.  The rhythm section of Karl Wilcox (drums) and Eddie Moohan (bass) are locked in and having a whale of a time.  Then you’ve got guitarist Abbz, who looks like the happiest bloke on the planet.

It’s a packed and professional set with plenty of conviction.  At the very end, I was down the front for the encore when Eddie offered his bass to the audience to strum.  So I hit a few strings – and so did half a dozen other people.  But now I’ll claim to have played bass for Diamond Head, and you can’t call me a liar.

Great gig.  My interest and respect for this band was renewed.  It was great to see a band who have accomplished so much – and still have so much to give – on my door step.  Legends.

The Diamond Head web site is here.

The Live Rooms web site is here.

Download Festival

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DL2015

Sunday 14th June 2015

Over the years I’ve been to Reading, Leeds and Rewind Festivals – even Chester Rocks.  Though I’ve never been to a full on outdoors Hard Rock/Metal festival, much to my regret.  Thus when the opportunity arose to get my rockin’ self to Download, the epicentre of all heavy rock fests, I seized the chance with gloved fist.  And then did the devil horn salute.

Due to time and financial constraints, it would only be a one day escapade with my buddies Ben the Swede and Coben.  Sadly this would mean missing such favourites as Faith No More, Clutch, Judas Priest, COC and many more.  But never mind – the gods of rock threw down their gauntlet and we would charge into the melee.

After a right old slog from the car to the main gates, we eventually entered the stadium like gladiators – ready for the first spectacle of the day.  The first band we saw were Tremonti, who I’d never heard of before.  Halfway through their set, the band were actually heavier than I thought and I enjoyed what I heard.  Worth further investigation.

At this point the heavens opened and the rain poured.  No matter – we were already making our way to the third stage to catch a “secret” set from The Darkness.  It was packed – everyone had the same idea, or at least decided this was better than drowning.  The set began with a monstrous riff that went on forever and did a good job of pumping the crowd up.  This intro enabled singer Justin Hawkins to make his way from the back to the stage, in true over the top style.  The Darkness then delivered a raucous set that roared at the sky – opener “Barbarian” accompanied by a load of Vikings on stage was great.  The hit singles “Growing on Me” and closer “I Believe in a Ting Called Love” were real crowd pleasers.  “Black Shuck” was my personal favourite, in a set that became the first true event of the day.  Not a secret, but surprisingly good. 2015-06-14 16.51.05

The next event was witnessing one of my all time heroes, the one and only Mr Billy Idol, live in concert for the first time.  I’ve been a fan of Billy for years.  In all honesty, many of his songs are too pop for this audience; so hits like “Hot in the City” and “Catch My Fall” (both personal faves) are sadly omitted.  However, with old pal Steve Stevens providing the guitar onslaught there’s plenty of rock to be had.  “Dancing with Myself”, “White Wedding” and “Rebel Yell” all provide quality entertainment and I have to admit that I was thrilled to see this old warrior in action.  A great warm up for the rest of the evening.

Now with four stages and dozens of acts spread across the Download field, the only down side is making tough choices on who to watch if bands clash.  Especially as “a quick trip across the field” becomes a gruelling endurance test when it’s uphill in a muddy hell.  The first major casualty of the day was Eagles of Death Metal, whom I love dearly and have never seen live.

2015-06-14 17.19.04But I made a choice to see L7 instead of Slash, and boy am I glad I did.  Recently reformed, the four grungettes of L7 played a fantastic set.  The sound was great on the second stage, perhaps because I was closer?  Either way, “Andres”, “Fuel My Fire” and “Shitlist” were truly great.  Though “Everglade” was absolutely bonkers.  The riff that kills!  L7 are heavy!  I smiled a lot.  “Pretend We’re Dead” wasn’t bad either.  Fuck it, band of the day!

I caught the last four and a half songs by Slash.  He was pretty cool, but no L7.  “Anastasia” is a great song, and I have to say that Myles Kennedy has an awesome voice.  “Sweet Child O’ Mine” and “Paradise City” were both better with Kennedy and without Axl’s screeching.  Can I count this as having seen Guns’n’Roses live, as there’s only Axl left in that band?  Why the hell not!

Next up on the main stage was Motley Crue.  I wasn’t a fan of the Crue back in their heyday, other than one or two songs.  I’ve grown to appreciate them over the last fifteen years or so, much like I’ve grown to love Priest and Maiden.  Now on their final tour, the show promised to be big.  Motley Crue didn’t disappoint, delivering a punch in the face set that was one of the best of the day.  They played their cards right, delivering all the hits: “Wildside”, “Primal Scream”, “Dr. Feelgood” and “Shout at the Devil” were superb.  The only less than impressive moment was an unnecessary, but well intentioned, cover of “Anarchy in the UK”. 2015-06-14 20.21.35

There was spectacle in abundance – sexy backing singers in tiny shorts; flames that were hot enough to give me a Hollywood sun tan from a hundred feet away; dear old Vince Neil looking less than svelte.  “Girls Girls Girls” and “Kick Start My Heart” both built the set to a red hot climax.  “Home Sweet Home” was a fitting encore, ending a triumphant appearance.

And so last up we have head-liners Kiss. A band I’ve loved ever since I fist saw adverts for their t-shirts in old 1970’s Marvel comics – though I had no idea if they were rock stars, superheroes, or what.  I’d never seen Kiss before so this was something to look forward to.  Full make up, all the pyro – I was hungry for the experience.

Kiss explode into “Detroit Rock City” and “Deuce” – songs that lesser bands would have saved for the encore.  The show is a visual feast; lights, huge screens, explosions all attack the senses and create Las Vegas in the English Midlands.  I get to hear my two absolute total favourite Kiss songs ever – “I Love It Loud” and “Calling Dr. Love”.  That was me happy right there. 2015-06-14 21.14.07

The Kiss set did wander a little bit though.  Obviously gearing their songs to a heavier crowd, we get three songs in a row from “Creatures of the Night” – their heaviest album.  The songs “Creatures of the Night” and “War Machine” are great, but not top of the Kiss list.  Plus there’s newer numbers “Psycho Circus” and “Hell or Hallelujah” which are just OK.

A little too much solo spot indulgence was my cue to take a comfort break.  On the way back, I dived in to catch Suicidal Tendencies on the smallest stage.  I only saw five songs, but ST were incredible.  “I Shot the Devil” and “War Inside My Head” tore the place apart.  I couldn’t make out all of Mike Muir’s between song banter, but he was fired up and intense as hell.  Hearing “Possessed to Skate” was an unforgettable moment.  Muir dedicated to everyone who skates – thanks Mike – and it took me back to loving ST back in my early skate days.  Absolutely mental punk thrash, I need to see Suicidal Tendencies again.

Returning to the main stage area, I caught the last few Kiss songs and was very impressed with what I’d seen.  Minor gripes aside, it was a privilege to see the band and experience a Kiss show first hand.

So there you have it.  Download 2015 was hampered by bad weather, and a poor layout that abandoned stupid amusement rides in the middle where the bar (and another toilet) should have been.  Yet despite being forced mercilessly to choose between too many bands, I got to see some great rock’n’roll and enjoyed a cool, fun atmosphere.  Oh yeah, and the festival staff were pleasant and friendly.  On the whole a good job.

Interview in the Kerrang! tent
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