Tag Archives: synth

Singles Night at the Virtual Hot Tub #36

Posted on by
Reply

It’s that time again – Singles Night! Yes, the night at my Virtual Hot Tub where we play a variety of 7 inch singles and have a few beverages. A record listening party, if you will, but only involving 45 rpm discs.

There’s a huge stack of unplayed singles lurking round the Hot Tub. Some old, some new, some that have been given to me as a gift. They’ve collected together over time from all manner of different sources, and they need to be played.

So play them I will, A side first then flip ’em over for the B side – playing through the stack for the sheer fun of it.

Pour yourself a drink and join me, who knows what we’ll hear?

Here’s the playlist:

  1. Chafed GBI – “The Regulator”
  2. Jim Jones & The Righteous Mind – “Get Down Get With It” / “Ace of Spades”
  3. Elvis Presley – “Are You Lonesome Tonight? (The Laughing Version)” / “From a Jack to a King”
  4. Bad Company – “Feel Like Makin’ Love” / “Wild Fire Woman”
  5. The Alarm – “Absolute Reality” / “Blaze of Glory”
  6. INXS – “Need You Tonight” / “Move On”
  7. Vapors – “News at Ten” / “Wasted” / “Talk Talk”
  8. Lita Ford – “Kiss Me Deadly” / “Broken Dreams”
  9. Depeche Mode – “Just Can’t Get Enough” / “Any Second Now”
  10. Shakin’ Stevens – “Green Door” / “Don’t Turn Your Back”
  11. Simple Minds – “Ghostdancing” / “Jungleland”
  12. Duran Duran – “The Reflex” / “Make Me Smile (Come Up and See Me”
  13. The Motors – “Forget About You” / “Picturama”
  14. Chic – “I Want Your Love” / “(Funny) Bone”
  15. Slade – “Know Who You Are” / “Dapple Rose”
  16. Thin Lizzy – “Killer On The Loose” / “Don’t Play Around”
  17. Roxy Music – “Over You” / “Manifesto”
  18. Madonna – “Material Girl” / “Pretender”
  19. AC/DC – “Heatseeker” / “Go Zone”
  20. David Bowie – “Fashion” / “Scream Like a Baby”
  21. The Alarm – “Rescue Me” / “The Hurricane Sessions (My Land Your Land)”
  22. ABBA – “Gimme, Gimme, Gimme” / “The King Has Lost His Crown”

Twenty two songs this week, and some real beauties in that session. From great classic rock (Bad Company, Thin Lizzy, AC/DC) to 80’s pop (Depeche Mode, Madonna, ABBA) to punk/new wave (Vapors, The Motors) there’s a wide spread of awesome songs.

Some notes:

Chafed GBI is a “supergroup” comprising Scott Ian and Charlie Benante of Anthrax, with Dave Grohl on drums. It’s a single sided, colour vinyl 7 inch of the classic Bad Brains song released for Record Store Day.

The Jim Jones & The Righteous Mind single is on coloured vinyl. While it does contain a cover of the Slade song on the A-side (though that was a cover of an earlier tune), the B-side is not the song made famous by Motorhead! Still great though.

An amazing night of vinyl spinning. More soon!

Don’t Be Cruel – Album Review

Posted on by
Reply

Jamie Spilsbury – Don’t Be Cruel

Self released

Every now and again, some thing lands on my desk that I’m compelled to write about. Something out of the ordinary and different. Unexpected, even. And it doesn’t need to be something from a well known artist, or from a genre I’m familiar with. Sometimes, something arrives completely out of the blue and demands attention.

“Don’t Be Cruel” by Jamie Spilsbury is in that category. Jamie is a man of many interests, though I had no idea that he’d made an album. This album, wrenched from Jamie’s creative impulses and filtered through numerous pop culture references and electronica, can only be a document of his journeys through multiple realities and dimensions…

Some of what you will hear is music, some of it spoken word, dramatisations and skits – but all of it is experimental and different. It’s a journey into the abstract that takes in dozens of reference points. Starting with ‘The Letter M Song’ the listener is taken by surprise with a pleasant little tune that sounds like a long lost Sesame Street excerpt, but backwards. ‘Ballroom Memories’ is a delightful, relaxed big band/swing number that’s like a missing Glenn Miller track.

‘Stayin’ Together’ is a clever tribute to 80’s synth pop movie tunes, it’s Debbie Gibson at the Mall playing arcade games. The best song here is no doubt ‘Voidness’, a quite lovely piece of ambient electronica that’s perfect to chill out to.

Surrounding these musical adventures are the comedic skits, which range from spoof news bulletins to a genuinely creepy spoken word Lovecraft piece. There’s weird science fiction, Pulp Fiction style armed robbery, and Indiana Jones – literally nothing can be predicted here, it’s a startlingly varied mix of influences and ideas.

Jamie spent only a small amount of time putting this album together, in what must have been a fever of activity. And it’s the ingenious assortment of thoughts and concepts that really makes an impact here. I’m not sure I understand everything that’s going on (yet), but the sheer exuberance and commitment to create is very impressive. Strap on your ear goggles and get ready for a crazy adventure. You might be inspired to make your own musical journey…

Follow Jamie on X for more info, and a link to “Don’t Be Cruel”.

Green Goat – Album Review

Posted on by
Reply

Greengoat – A.I.

Self-released

Release date: 26/01/2024

Running time: 38 minutes

Review by; Alun Jones

8.5/10

Opening with a Bladerunner-style synth led track that features a spoken word delivery of Asimov’s Three Laws of Robotics, is a bold (and different) move for a Stoner/Doom band. In a genre where, thematically, we’re usually content to contemplate the joys of weed consumption and the mysteries of the occult – usually via a 1970s Hammer horror aesthetic – this sci-fi launching point is a welcome breath of fresh air.

This is where we enter the album “A.I.” by Spanish doomsters Greengoat. It’s a great band name, and one that harks back to those pot and patchouli, candles and Peter Cushing tropes we’re used to. But ‘The Void’ takes us on a different tangent, with the Rutger Hauer voice over. Second track ‘The Seed’ takes this mellow intro and runs with it, till 30 seconds in – yes, it’s big fat chunky riff time! And what a big, fat chunky riff it is – slow and grinding, developing an irresistible groove with the drums dropping in, eventually exploding into a full force rocker.

The line-up of singer/guitarist Ivan Flores and drummer Ruth “Kalypso” Moya invoke a moody soundscape that borrows from spacey, harmonic passages of Pink Floyd and adds crunchy hard rock. It’s a euphoric concoction as the music builds. And oh, how it builds…

A more traditional stoner groove pervades the other songs on the album, with groovy riff workouts showcased across tracks like the head-nodding, tripped out title track and the fuzzy, Fu Manchu-like ‘Burn the End’.

Throughout the album, Greengoat weld together a progressive, futurist theme with some good, old fashioned, retro Sabbath style rockin’. “A.I.” will no doubt entwine itself around my conscious all the more as I play it in the weeks to come. This is a fine album with great ideas – the analogue age and the digital age tentatively strolling forward together.

Find out more about Greengoat on Facebook and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.