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Torqued – Coup de Grace EP Review

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Torqued – Coup de Grace EP

Self-released

Release date: 29/03/2019

Running Time: 20 mins

Review by: Alun Jones

8/10

 

Regular Ever Metal readers may remember that Torqued’s 2018 EP, “Resurgence” was reviewed by yours truly not that long ago.  You may also recall that I declared a new EP from the band would be released soon.  So soon, in fact, that the EP is already out and I’m hurriedly trying to cobble this write up together!

“Coup de Grace” builds on the successful formula we heard on the previous collection, but piles on the intensity.  This time, Torqued are taking us into deeper, darker territory – a trip into the recesses of the mind where anxiety and depression fester.  Great lead vocals from Marc are spat out with vitriol, the tortured lyrics given malevolent form.

Musically, the four tracks on the EP deliver a battering ram to the senses.  Opening with the title track, Torqued are in full-on attack mode with crushing metal.  “Open Wound” follows with a relentless pounding, which bleeds effortlessly into a mighty lead guitar break from Rimmy.

Savage riffs are tempered with passages of melancholic breaks, perfectly executed in “The Darkest of Shadows”.  All of these songs are multi layered, featuring haunting lead and even keyboards (?) beneath the main pummelling.  Very cleverly put together – it’s as if we’re hearing the conflicting emotions within someone’s head.

The songs gallop along with a groove thanks to Kurt’s drumming and Marc’s bass, as demonstrated in final track: “The Revelation”.  Torqued have also tempered their sound with a Trent Reznor-like despondency that’s added a further dimension to their music.

So, there you have it – a blistering hot metal EP that drips with torment.  Torqued have cooked up a winner with “Coup de Grace” and I can’t wait to hear what’s next.  I predict… Nah, that would be telling!

This review appeared on the Ever Metal website and is reproduced here for your enjoyment.  Click here to visit the Ever Metal website.

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Obey – Swallow the Sun Album Review

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Obey – Swallow the Sun

Self-released, Enso Music Management

Release date: 05/04/2019

Running Time: 37 mins

Review by: Alun Jones

8.5/10

 

OBEY!  CONSUME!  CONFORM!  Have you seen John Carpenter’s masterpiece of paranoid sci-fi, “They Live”?  It’s out standing.  Rowdy Roddy Piper puts on some special sunglasses and is able to see the aliens living amongst us, brainwashing and controlling society.  With the constant subliminal media messages exposed, Rod and his mates attempt to destroy the conspiracy and free the human race from subjugation.

I don’t know if Obey – the band – have ever seen this awesome movie, but these guys have definitely (to paraphrase Roddy) come here to chew bubblegum and kick ass…  And they’re all out of bubblegum.

“Swallow the Sun” is the fourth album from Obey and it doesn’t disappoint.  The listener gets more thunderous, rhythmic riffing that bridges across hard rock and metal, courtesy of Steve Pickin (guitar/vocals), Dan Ryder (guitar/bass) and Ryan Gillespie (Drums).  Add in a progressive, exploratory approach that’s open to wide influences, and what we have here is an album full of ideas that constantly reveals new depths with repeated listens.

Take bombastic opening track “Back Home”: it starts out in familiar crunching guitar riff territory, but unleashes a huge chorus that’s catchier than Velcro underpants.  I wasn’t convinced on first listen, but this melody works so hard that despite being a surprise it’s a winner.

“Drive” offers more of the brutal riffing that Obey are known for, but with lush, melodic moments – not to mention a total classic rock lead.

Midway through the album is “Esmeralda and the Dam Blues”, a track that begins with a mellower, supernatural sound – giving way to a massive, chunky chorus.  These songs are extremely well constructed, taking the listener on a stellar journey that’s refreshing and far from obvious cliché.

Some of Obey’s influences appear to froth to the surface with the album’s title track, which has a feel of Mastodon about it.  Mix in some vintage Prong rifferama and the melodic tendencies of Alice in Chains and you’re a tiny step closer to understanding which star system the planet Obey revolves in.

Obey’s ability to meld face smashing heavy with unexpectedly tuneful moments gives this album it’s unique identity.  “Swallow the Sun” is the kind of album that you can rock out to (can’t wait to see these guys live again), or take your time and listen on headphones to savour the detail.

If anything, I’d like to see further experimentation from Obey as the band grows.  “Star Crusher” is an obscenely huge yet groovy COC style track, but sadly lasts less than a minute.  More experimentation with different interludes and variations of pace and intensity can only add more colour to their cosmic palate.

There’s very little to grumble about with “Swallow the Sun” though.  What we have is an intricately created collection of songs with maximum power and thoughtful embellishments.  Obey are a British band with real talent and ambition – check them out and lend them your support.

And beware of those ugly, skull faced aliens.  They want to keep you in line and be part of the system.  Get yourself some sunglasses and see what’s going on.  Open your eyes and fight!

This review appeared on the Ever Metal website and is reproduced here for your enjoyment.  Click here to visit the Ever Metal website.

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Spacetrucker – Smooth Orbit Album Review

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Spacetrucker – Smooth Orbit

Self released, Dewar PR

Release Date: 17/08/2018

Running Time: 51 mins

Review by: Alun Jones

9.5/10

“Have a listen to Spacetrucker!  I think you’ll like them,” came the recommendation from Rick at Ever Metal HQ.  So I did.  And he was right – the “Smooth Orbit” album is one of the most exciting listens I’ve had for a long, long time.

These psychedelic space monkeys have created a superb stoner rock classic that’s right up my space lane.   Throw in some fuzzy grunge and classic rock and Spacetrucker have achieved the almost impossible: put a huge, acid-warped grin on my ancient, grumbly mug.

First track “Sample of a Sample” warms the jets up nicely for take-off with a trippy lead and some bongos.  Yes, bongos!  Past the two-minute mark it erupts into a face-melter of a riff that had my cranium nodding like an Easter Island statue after some herbal refreshment.

Mike Owen (guitar/vocals), Rob Wagoner (bass/vocals) and Del Toro (drums) seem to be able to magically conjure up the grooves with uncanny ease.  “Meat Wagon” is another brilliant track with a pulsating, infectious riff.

In true lazy journo style (hey, I’ve had a few), Spacetrucker combine the stoner slouch of Fu Manchu and early QOTSA with classic Sabbath and Purple, mixing in some Mudhoney and Melvins fuzzy sludge on the way.  Perfect, in other words.  If any of those bands get your hyper drive firing, this is for you.

There are some Iommi-esque shorter numbers and experimental sounds that add a further dimension to the proceedings, constantly keeping the listener on their toes.  “Vanishing Point, Science of Us” has an almost Nirvana Unplugged vibe before bursting into a crushing rocker.  This is followed by another monster riff with “Pulling Teeth”.

Plus the final track, “Lost in the Sauce”, is over ten minutes long!  An extended jam floats in and builds beautifully, never rushing but enticing the listener along on every step.

This might not be the most critical review I’ve composed, but I don’t care.  “Smooth Orbit” is a triumph of an album and I love it.  The only reason it didn’t get ten out of ten is it needs more references to skateboards and 1970s muscle cars.  Other than that, I need a vinyl version, please.

If any of the above references to sub-genre labels and other bands resonates with you, I urge you do a Boba Fett and track this album down now.

All of this “space trucking” talk reminds me my days working with Deep Purple back in the early seventies.  I was working as the band’s roadie/driver when one time, in the middle of the night in the Arizona desert, we got a flat.  I left the Purps partying in the back whilst I went out in to the freezing, dusty highway to change the tire.  I was distracted for a moment, and I swear bling that I saw several lights zipping about in the sky at unbelievable speeds.  “UFOs!” I thought.

I rushed back onto the bus and dragged the band out to take look (all except Roger Glover, who was busy knitting).  Except when we got outside, the lights had vanished.  The Purps weren’t amused and blamed it on me overindulging in peyote.  Gillan was very gentlemanly about it all and even gave me a hand with the tyre.  Blackmore had a tantrum about the delay and docked me a day’s pay.  The bastard.

 

This review appeared on the Ever Metal website and is reproduced here for your enjoyment.  Click here to visit the Ever Metal website.

Torqued – Resurgence EP Review

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Another review I wrote recently for Ever Metal, reproduced here for any stragglers:

Torqued – Resurgence EP

Self released

Release date: July 2018

Running Time: 34 mins

Review by: Alun Jones

7/10

AAARRRGGH!!  Run for your lives!  The machines have risen, they’ll destroy us all!  Humanity can never survive the relentless, cruel onslaught of metal machinery in revolt!

Wait, no – it’s OK.  It’s just the start of the first track, “Forgotten Soul”, on Torqued’s brutal “Resurgence” EP.  Phew, thank goodness for that…

Bursting out of the gates, this “groove laden heavy metal” trio call the southern UK their home.  This is their debut EP, one I was keen to review having caught them live at last year’s Pentre Fest.

Both the opening song and the follow up, “Follow Me”, rage with a Machine Head like power.  It’s full on, crunching metal – like Robocop driving a Mustang full-pelt into a tin can factory.  Lead vocals are barked by Marc, who also handles the bass duties in satisfyingly chunky fashion.

Third track, “Overload, I Die Inside” changes gears with a spellbinding instrumental opening section.  I really loved the slow build up, starting with Kurt’s tribal pounding as Rimmy’s melodic guitar begins to chime.  It builds to an Eastern sounding riff, before settling into a huge groove that would make classic Pantera jealous.

“Hollow Core” then shifts the pace up a bit, with another fierce yet catchy riff.  Great spooky breakdown in the middle, too!

The final two tracks are live versions of tracks 3 and 4.  Usually I’m sceptical about live tracks as just filler, but here they do serve to demonstrate that Torqued can dish this stuff up in a live setting.

The “Resurgence” EP is a great introduction to a band with a hell of a lot going for them.  I’d like to hear a full album rather than just an EP, but have no fear – the next EP is on its way very soon.  In the meantime, enjoy this initial sampler from Torqued.  Before your toaster or lawnmower try to kill you.

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Gama Bomb – Speed Between the Lines Album Review

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Here’s my recent review of the new Gama Bomb album, which appeared on the Ever Metal website.  Reproduced here with permission; enjoy! 

Gama Bomb – Speed Between the Lines

AFM Records

Release date: 12/10/2018

Running time: 35.07

Review by: Alun Jones

8/10

Hello and welcome to Thrash School.  For today’s lesson, you will need:

  • Skin tight jeans (preferably with ripped knees)
  • Faded Acid Reign t-shirt
  • Studded leather belt and 1x studded leather wrist band
  • White hi-top leather Converse
  • Black leather jacket (denim vest over jacket optional)
  • Baseball cap with “NOT” written under the peak

Because today we will be listening to the new album by Gama Bomb, entitled “Speed Between the Lines”.

These merry metallers have an uncanny ability to rewind the cassette of time to a simpler age.  It’s like grunge never happened.  Instead, we get twelve face-lacerating tunes that rush by in uncompromising fashion.  This is thrash metal, kids, buckle up for the ride.

Eighties thrash was often pre-occupied with party bum-out vibes like nuclear destruction.  Apparently, it’s a post-Cold War world though, so these boys don’t wallow in misery for too long.  Not that they don’t have a social conscience: witness the admirable stab at the current political climate in “Alt Reich”.

But they’re just as happy dedicating an ode to Kurt Russell, which is perfectly justified in my opinion.  Kurt is, of course, an icon of twentieth century popular culture.  Not convinced? Go watch The Thing and Big Trouble in Little China and you can thank me later.

Back to the music.  Although diversity isn’t Gama Bomb’s strong point – Master of Puppets this ain’t – the listener is rewarded with a dozen tracks that speed by relentlessly.  The musicianship is amazing, with blitzkrieg lead guitar all over the place.

The occasional change of pace would add some additional colour, but you can’t fault the commitment and enthusiasm of this band.  This album is the full package with cool themes and some of the best song titles I’ve heard in a long time (666teen? Give them an award NOW).  The music is intense and exciting in equal measure, bringing to mind classic Overkill, Anthrax and Nuclear Assault.

So dig out your old Variflex skateboard and ask your big brother’s mate to buy you a two litre bottle of cider from the Co-op.  With Gama Bomb you can party like it’s 1987.  This history lesson is over.

Visit the Ever Metal website here.

Krull – The Black Coast Album Review

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Here’s my latest album review from EVER METAL, reproduced here with permission.  Enjoy! 

Krull – The Black Coast

Iron Shield Records

Release date: 27/04/2018

Running Time: 42.32

Review by: Alun Jones

6/10 

KRULL!  Did you ever see the movie?  It’s GREAT!  On the ancient world of Krull, Prince Colwyn brings together a band of scoundrels to help him rescue Princess Lyssa from the clutches of the evil Beast, who threatens to conquer the planet.  It’s a sci-fi fantasy adventure with a Cyclops, cool weapons, vile baddies, Tucker Jenkins and Lysette Anthony.  I mean seriously, you need to see this film.  How metal does it sound?  Even the bad guys are called “Slayers”!

The band Krull occupy a musical space which is openly very inspired by fantasy, battles and all things sword and sorcery.  And right from the off, it’s a whole lot of fun.  The atmospheric intro “In the Woods” grabs the listener and plunges them into the ethereal world that Krull have concocted, and it’s pretty much full on from there.

Pace-wise, “The Black Coast” is like riding shotgun in a barbarian’s chariot, charging an army of Orcs.  Stand out tracks for me included “By Steel” and “The King and the Sword”, but the whole album is energetic traditional metal.  If you’re a fan of Priest, Maiden and the mighty Manowar you’ll find something to enjoy here.  Only midway track “Valhalla” slows things down a little, otherwise it’s a fast and brutal campaign.

So why only 6 out of 10?  Well there are lots of plus points with this album.  The vocals are suitably bonkers, ranging from powerful cries, deep growls to a high pitched, witchy cacophony.  The musicianship is great, and the rhythm section successfully keep the march relentless.  The songs are fast and filled with fantastic tales of battles and bravery.

But the guitar tone was just off for me.  I like something with more crunch; more skull smashing intensity.  After the cool intro, first track “The Witch”, whilst a great song, suffers from a languid guitar sound that slices the records hamstrings before the fight is really on.

Don’t misunderstand me, the playing is great – it’s the production that’s slightly lacking.  The guitars should be much more axe in the face, blood and brains everywhere.

There’s still a lot to recommend Krull’s “The Black Coast” though.  Especially if you dig your metal as a soundtrack to a rampaging berserker, attacking a horde of evil ghouls.

Oh, and get down to your local Blockbuster and rent the Krull video.  You won’t regret it.  It makes Lord of the Rings look like a bad Dungeons and Dragons game in a crack den.

Click here for the EVER METAL website, where you’ll find tons more reviews of albums and gigs by awesome bands!

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1968 – Ballads of the Godless album review

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My review of the new 1968 album, “Ballads of the Godless”, has just appeared on EVER METAL.  Here’s the review again, just because:

 

1968 – Ballads of the Godless 

Release date: 06/07/2018

Running Time: 38:24

8/10

Sometimes, without warning, it all comes flooding back and I’m thrust into the nightmare of that jungle.  Thirty days on patrol with no chopper cover.  The heat, unbearable; sweat running in rivers down my spine.  Cradling my M16 like a good luck charm, praying under my breath that there ain’t no VC gonna unload a torrent of lead at me and my buddies.  Trudging on, hour after hour, waiting to get back to the LZ for evac.  Chukka-chukka-chukka, the Hueys overhead and the rush of wind from the blades.

Maybe these guys from 1968 were in Nam too.  Maybe this debut album, “Ballads of the Godless” is actually a lost relic from those days that’s just been unearthed.  Maybe 1968 invented heavy, psychedelic rock after hearing Hendrix and Cream and some of those old blues guys.  Certainly seems crazy enough to be true.

Opening with “Devilswine”, 1968 lay out their ground plan confidently.  It’s a mighty power groove that makes your head nod, setting the tone for the whole album.  “Screaming Sun” follows and adds a more psychedelic shine, Jimi Coppack’s vocals soaring while the riffs hammer.  “Temple of the Acid Wolf” adds further intricate detail, with shades of vintage Soundgarden.  1968 set about laying waste to all in it’s sights like Ozzy manning the Air Cav machine gun on a strafing run.

It’s not all Ride of the Valkyries mayhem however.  Last track on Side 1 (vinyl lovers!), “S.J.D.” is an instrumental that provides a more reflective tone.  Acoustic guitar and piano feature, in a stylistically fine salute to the classics of the genre.

This bleeds nicely into Side 2, track 1 – “Chemtrail Blues”, where guitarist Sam Orr gets chance to unleash Hendrixian guitar flourishes over a bluesy beat.  It’s like that time me and my buddy chewed acid in a fox hole while under fire.  The rocket traces in the sky lit up like God’s neon veins.

“McQueen” opens with some infectious bass, before melting out of a mellow vibe and into a crushing chorus.  The bottom end is nice and heavy throughout, The Bear delivering pummelling yet warm playing.

Rhythms are also tight and show a groove more contagious than jungle malaria.  Dan Amati on drums shines on “The Hunted” in particular.  Final track “Mother of God” brings on a deceptively laid back, acid dripping feel as we finally get some R’n’R in Saigon.

“Ballads of the Godless” reveals more and more depth, thought and intricacy with each listen.  On this first album, the band make good on a lifetime studying from the past masters.  My only question is how will 1968 continue to evolve and add to their sound?  I can’t wait to find out.

For now, it’s back to reality.  No more choppers overhead, cries in the jungle and that oppressive, relentless heat.  Until I spin “Ballads of the Godless” again…

 

You can read more about all things metal at the Ever Metal site.

Singles Night at the Virtual Hot Tub

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Regular readers will be aware of my love for vinyl records: beautiful, spinning discs revealing a world of aural pleasure.  Most of my attention is devoted to albums, though I’ve also amassed a fair collection of 7 inch singles over time.

Back in my younger days, I would pick up singles to embellish my album collection with b-side tracks excluded from the main release.  I’d also pick up some interesting, groovy records that were within my budget and offered something different to my music library.

Over the last couple of years, I originally ignored the 45 rpm singles, but gradually I’ve started picking a few up.  One of the main influences for this was my friend Greeny’s jukebox, installed in his home, which I though was really cool.  It inspired me to pick up a few classics, in order to compile a wider range of musical genres on 7″.

You never, know, I may just get my own jukebox one day.

And so I’ve bought singles from record fairs, charity shops and car boot sales to complete gaps in my collection.  This has left me with a stack of 45s that I haven’t got round to playing yet.

So I had the idea for Singles Night:  I would play the records, both sides (A then B) from the top of the pile down, oldest to newest.  Regardless of genre, or what ever mood I was in.  Almost like the random playlists I’ve posted here before, but analogue.

The reader will notice that there are some cheesy, if not disgusting, purchases included amongst the gems in this list.  Everyone has some guilty pleasures; in the land of the 7″ single, my love of the truly awful can be fully exposed.

Here’s the list of what I played.  May the gods of music forgive me…

  1. Dave Edmunds – “Queen of Hearts” / “Creature from the Black Lagoon”
  2. Lipps, Inc – “Funkytown” / “All Night Dancing”
  3. Depeche Mode – “New Life” / “Shout”
  4. Carrie – “The Birds” / “Sugar Fan (Demo Version)”
  5. Deborah Harry – “I Want That Man” / “Bike Boy”
  6. Lovebug Starski – “Amityville (The House on the Hill)” / “Amityville (The House on the Hill) (Dub Mix)”
  7. Sinitta – “So Macho!” / “Cruising”
  8. Sinitta – “GTO (Radiomix)” / “GTO (Instrumental)”
  9. The Firm – “Star Trekkin'” / “Dub Trek”
  10. Herb Alpert & The Tijuana Brass – “Mame” / “Our Day Will Come”
  11. Dannii Minogue – “Show You the Way to Go” / “Show You the Way to Go (Dub)”
  12. Partners in Kryme – “Turtle Power” / “Splinter’s Tale 1” + “Splinter’s Tale 2”
  13. MC Hammer – “U Can’t Touch This (LP Version)” / “U Can’t Touch This (Instrumental)”
  14. Selena – “Shotgun” / “Shotgun (Instrumental Version)”
  15. Roxy Music – “Jealous Guy” / “To Turn You On”
  16. Senseless Things – “Hold It Down” / “Crucial Juvenalia”
  17. The Silent Underdog – “Papa’s Got a Brand New Pig Bag” / Pigbag – “Papa’s Got a Brand New Pig Bag”
  18. The Beach Boys – “Breakaway” / “Celebrate the News”
  19. Black Box – “Ride On Time Massive Mix (Remix)” / “Ride On Time Epsom Mix (Remix)”
  20. Genesis – “Invisible Touch” / “The Last Domino”
  21. Quincy Jones – “Razzamatazz (Edit)” / “Velas”
  22. Hawkwind – “Silver Machine” / “Silver Machine (Full Version)” + “Psychedelic Warlords”
  23. David Bowie – “Sorrow” / “Amsterdam”

I could write notes about pretty much every one of those songs to elaborate on why they’re in my collection.  Some are classics – Bowie, Hawkwind, Beach Boys etc. and need no introduction.

But as a means of explanation for some of the really ripe songs, let me say this: Sinitta and Dannii are in my collection ‘cos they’re well fit.

Oh, and “Turtle Power” is an awesome song and needs to be heard again!

I hope you enjoyed that playlist, reader.  I certainly did, and there will be more of this in the future.

Bring Your Own Vinyl Night #12

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Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 30th June 2017

A warm welcome back to Bring Your Own Vinyl Night, at the Queens Head pub in Mold, North Wales.  It’s been a while since the last event, so I had plenty of ideas for what to play.  Events would alter those plans somewhat, however…

To recap, Bring Your Own Vinyl Night is exactly what it says on the tin: you bring along some records, and get a fifteen minutes slot to play whatever you like.

I’d originally planned an entirely different set list, but following the tragic news of Chris Cornell’s passing, I developed a tribute set instead.  As one of my favourite ever musicians, it wouldn’t have been right not to.

My set went as follows:

Temple of the Dog – Hunger Strike

Mother Love Bone were primed to be next big thing in rock; sadly the death of their singer Andrew Wood from a heroin overdose put an end to that.  The Temple of the Dog album came about as a tribute to Wood, from his band mates Stone Gossard and Jeff Ament, and his friend Chris Cornell.  Joining them were Soundgarden drummer Matt Cameron and guitarist Mike McCready.  The music showcased a different aspect of Cornell’s writing, and provided a heartfelt tribute.  On this song, vocalist Eddie Vedder makes his debut, sharing the vocal spot with Cornell on a superb performance.  Of course, many of those names would go on to form Pearl Jam.  This album has tons of memories for me and features some amazing music, Hunger Strike being a highlight.

Soundgarden – The Day I Tried To Live

I was a huge Soundgarden fan; trying to select just a couple of songs was immensely difficult.  I chose this song as it showcases Chris’ amazing voice to great effect, plus the composition is superb: the song builds brilliantly to the massive chorus.  The effect is a song that sounds exactly like carpe diem gone wrong, thwarted by a frustration that is captured brilliantly in the vocal.  Taken from the completely essential “Superunknown” album, which is crammed full of absolute gold.  A record I played non-stop in my younger days, and still return to regularly.

Temple of the Dog
Superunknown

Soundgarden – Burden In My Hand

“Down on the Upside” was the follow up to “Superunknown”, though to me it never reached the heights of it’s predecessor.  This song was one of the best on that set, written by Cornell and again featuring that incredible voice.  A fairly jaunty number to, so I wasn’t ending on too much of a downer.  I’ve re-visited “Down on the Upside” recently and it’s far better than I remembered it.  However making this selection was very difficult, as it meant nothing from the wonderful “Badmotorfinger” record would get a look in. 

So there you have it, my tribute set to the late, great Chris Cornell.  A fantastic musician, singer and song writer – and someone who has written music that has been a massive part of my life, through the ups and the downs.

A great night with some awesome sets, including from my buddies Adam and Graham.  Not to mention Kev playing a lethal track by Electric Wizard, which I didn’t expect!  Here’s hoping there will be another Bring Your Own Vinyl Night soon.

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Pentre Fest 2017

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Pentre Fest

Friday 23rd – Sunday 25th June 2017

McLean’s Pub, Deeside

Three days of the heaviest of metal, featuring underground, unsigned bands from across the UK, walking distance from my house.  How could I resist?

I’ve been to McLean’s pub in Pentre, Deeside several times over the years – usually for functions such as birthdays.  I had no idea, though, that they were regularly hosting gigs of the rock/metal variety.  Pentre Fest came out of the blue, but I managed to make it down for Saturday evening.

Pentre is a small area within Deeside, North Wales – and McLeans a fairly well known pub/function place.  Take it from me, the fact that Pentre Fest existed was a surprise at first.

As I was late arriving, I missed the first few bands, including the excellent Bad Earth.  I’ve seen them a while ago supporting Karma to Burn and they were excellent.  A bad start for me, I fully intend to see Bad Earth again sometime.

The first band I witnessed were Pelugion – they were a great introduction to the festival.  A metal band with a healthy element of stoner/doom, Pelugion rocked out in a Judas Priest or Megadeth vein.  They also excelled when they got into a slower, Sabbath like groove – bringing to mind Alice in Chains or Soundgarden.  Really impressive.

Outside the actual venue was a marque hosting acoustics acts.  This was proved handy between bands, especially on a sunny day like this when you could sip a beer outside with some live entertainment.

I saw Pelugion again performing a great acoustic set, which culminated in a heartbreakingly good version of Soundgarden’s “Black Hole Sun”.  Serious hairs standing up on back of the neck time.  Wonderful stuff – the Pelugion singer has pipes indeed.

The names of other acts in the acoustic tent escaped me (sorry everyone), but I did see a fantastic one-man rendition of Tenacious D’s “Tribute”, and a band doing some classic rock covers.  And I do love me some classic rock.

Back inside, next up were Impavidus from Manchester way.  Their set consisted of some incredibly locked in, expertly performed and aggressive metal.  With a sound not too far away from Carcass, the pleasant surprise with this band is the amazing singer, who happens to be female.  There just aren’t enough girls in rock/metal, but Michelle impressed with a vocal ranging from slinky Siouxsie Sioux to a commanding metal growl.  Excellent show from all of the band, across the board – and a decent bunch of folks, too.

Up next on the indoor main stage were thrash titans Incinery.  Their scorching hot set of purest thrash metal glistened with speed and precision.  Obvious comparisons would be Slayer at their fastest, with the riffs of Testament or even Sepultura.  Absolutely no fucking about delivery and really gripping viewing, Incinery bring back the best of old school thrash and drag it with them into the future.

Amusingly, in a very Phoenix Nights kind of way, whilst all this blistering metal was being unleashed on the main stage, there was 60th birthday party in the next room.  Absolutely bloody hilarious!  I wonder what Granny made of it…?

But back to the music, and next on the bill were Haerken (apologies for the spelling, I can’t find the right symbol on my keyboard).  A different tale altogether from what we’ve experienced so far, Haerken introduced some Medieval themed mayhem with a killer presentation.  Dressed like knights or druids etc, their Olde Worlde death fest was brilliantly presented and featured some intricate musicianship.  Sharp as a gleaming sword and just as lethal.

Finally, headlining Saturday night, were the exquisitely named Sodomized Cadaver, from good old South Wales.  With a band name and song titles in the classic controversy baiting death metal style, it was obvious what we would be getting.  The heaviest band of the day, with a brutal rip-your-face-off  musical attack, these boys mercilessly slaughtered the gathered metal hordes.  Vastly entertaining, their savage yet brilliantly played Metel Angau* was murderously superb.

And that was it.  At least for me, as I could only attend Saturday.  Next year, I’m attending all three days and YOU’RE COMING TOO.

Awesome live music from the metal underground, Pentre Fest also delivered a great atmosphere and camaraderie amongst some very cool people.  Let’s have another!

The Facebook page for Pentre Fest is here.  There are links to all the bands over the full weekend – do the research, it’s worth it.

The McLeans Pub Live FB page is here.

* I am reliably informed that this is Welsh for Death Metal.