Singles Night at the Virtual Hot Tub #4

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Yes, it’s that time again – a playlist of 45rpm singles that have provided me with an evenings entertainment.

I have a stack of 7″ records that haven’t been listened and filed away yet.  So I spend a night listening to them, both sides, in order.

As you can imagine, there are some dodgy songs in amongst the good stuff.  And this week, there are some corkers.  However, the rules are: the songs MUST be listened to.  I own them, so I must be responsible!

Here’s the list:

  1. Joe Dolce – “Shaddap You Face” / “Ain’t No Hurry”
  2. Sinitta – “Shame Shame Shame” / “Maybe Someday”
  3. The Charlie Daniels Band – “The Devil Went Down to Georgia” / “Rainbow Ride”
  4. Rod Stewart – “Angel” / “What Made Milwaukee Famous (Has Made a Loser Out of Me)”
  5. Kate Bush – “Babooshka” / “Ran Tan Waltz”
  6. Tom Jones – “Help Yourself” / “Day by Day” / “Delilah” / “Smile”
  7. Bananarama – “Love in the First Degree” / “Mr Sleaze”
  8. The Timelords – “Doctorin’ the Tardis” / “Doctorin’ the Tardis”
  9. Pig Bag  – “Papa’s Got a Brand New Pigbag” / “The Backside”
  10. Blondie – “Union City Blue” / “Living in the Real World”
  11. The Sweet – “Hell Raiser” / “Burning”
  12. The Who – “I’m a Boy” / “In the City”
  13. Depeche Mode – “Enjoy the Silence” / “Memphisto”
  14. Free – “My Brother Jake” / “Only My Soul”
  15. Nazareth – “Love Hurts” / “This Flight Tonight” / “Broken Down Angel” / “Hair of the Dog”
  16. Lalo Schifrin – “Jaws” / “Quiet Village”
  17. Rainbow – “I Surrender” / “Vielleicht Das Nachster Zeit (Maybe Next Time)”

Smurfs

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How did the Smurf fascination begin?  I remember being a little kid in the late 70s and everyone in my class loving the “The Smurf Song” by Father Abraham and the Smurfs.  We were little and I guess we thought they were cute.

Then a couple of years later, on a family holiday in West Wales, I got one of the promotional Smurf figures from a petrol station.  It was the artist smurf.  I chose him because, even though he was a painter, I liked art.

Papa and friends
Gargamel and Azrael

I may have never bought another Smurf at all, after that first one, except that he got chewed up by our dog.  So I went to buy a replacement but couldn’t find the same one, and bought another.  So the collection began…

Smurfs became another one of the toys that would get played with, amongst me and my friends.  Some of the other kids had smurfs too, so we could put them all together and create little stories.  I have loads of fond memories of playing with them, outdoors on warm summer days.

Of course, there was the Hanna-Barbera cartoon too, which kept interest rolling along. 

Over time, I picked up more smurfs to add to the collection.  On holidays, sometimes a souvenir would be a Star Wars figure; other times a smurf or a comic book.  I remember my Gran always used to buy my sister and I a smurf when we went shopping with her.

Occasionally, I’ll find a character that I don’t already have at a toy collector fair or Comic Con.  Maybe even a carboot sale.  It’s still fun to find a new one to add to the collection.

I think the attraction of smurfs was the variety; like may other things I’ve collected, it’s fun to have a diverse collection of different characters.  I used to draw designs for my own Smurfs when I was a kid, too – just the same way as I designed my own superheroes.

Anyway, you can see here most of my collection (and some of my sister’s that I have for “safe keeping”).  Some of the classic characters, like Papa Smurf, Smurfette, Brainy – even Gargamel and his cat, Azrael.

Some of my favourites are the Clown, which is really detailed.  Plus of course the Skateboarder, which I’m really proud of.  I bought him before I’d ever stepped on a skateboard, so I have a real fondness for that one.

There’s loads of others out there, and I’d really love a smurf house for them.  Or several houses, to make a smurf village!  Unlikely that’ll ever happen.

That “Smurf Song” found it’s way into my burgeoning vinyl collection a while ago.  I did eventually replace the artist smurf, too.  Still got my first one, though, mangled and chewed up though he may be.

Dedicated to my great childhood friend Brendan O’Neil, who inspired my imagination all those years ago.  RIP.

1968 – Ballads of the Godless album review

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My review of the new 1968 album, “Ballads of the Godless”, has just appeared on EVER METAL.  Here’s the review again, just because:

 

1968 – Ballads of the Godless 

Release date: 06/07/2018

Running Time: 38:24

8/10

Sometimes, without warning, it all comes flooding back and I’m thrust into the nightmare of that jungle.  Thirty days on patrol with no chopper cover.  The heat, unbearable; sweat running in rivers down my spine.  Cradling my M16 like a good luck charm, praying under my breath that there ain’t no VC gonna unload a torrent of lead at me and my buddies.  Trudging on, hour after hour, waiting to get back to the LZ for evac.  Chukka-chukka-chukka, the Hueys overhead and the rush of wind from the blades.

Maybe these guys from 1968 were in Nam too.  Maybe this debut album, “Ballads of the Godless” is actually a lost relic from those days that’s just been unearthed.  Maybe 1968 invented heavy, psychedelic rock after hearing Hendrix and Cream and some of those old blues guys.  Certainly seems crazy enough to be true.

Opening with “Devilswine”, 1968 lay out their ground plan confidently.  It’s a mighty power groove that makes your head nod, setting the tone for the whole album.  “Screaming Sun” follows and adds a more psychedelic shine, Jimi Coppack’s vocals soaring while the riffs hammer.  “Temple of the Acid Wolf” adds further intricate detail, with shades of vintage Soundgarden.  1968 set about laying waste to all in it’s sights like Ozzy manning the Air Cav machine gun on a strafing run.

It’s not all Ride of the Valkyries mayhem however.  Last track on Side 1 (vinyl lovers!), “S.J.D.” is an instrumental that provides a more reflective tone.  Acoustic guitar and piano feature, in a stylistically fine salute to the classics of the genre.

This bleeds nicely into Side 2, track 1 – “Chemtrail Blues”, where guitarist Sam Orr gets chance to unleash Hendrixian guitar flourishes over a bluesy beat.  It’s like that time me and my buddy chewed acid in a fox hole while under fire.  The rocket traces in the sky lit up like God’s neon veins.

“McQueen” opens with some infectious bass, before melting out of a mellow vibe and into a crushing chorus.  The bottom end is nice and heavy throughout, The Bear delivering pummelling yet warm playing.

Rhythms are also tight and show a groove more contagious than jungle malaria.  Dan Amati on drums shines on “The Hunted” in particular.  Final track “Mother of God” brings on a deceptively laid back, acid dripping feel as we finally get some R’n’R in Saigon.

“Ballads of the Godless” reveals more and more depth, thought and intricacy with each listen.  On this first album, the band make good on a lifetime studying from the past masters.  My only question is how will 1968 continue to evolve and add to their sound?  I can’t wait to find out.

For now, it’s back to reality.  No more choppers overhead, cries in the jungle and that oppressive, relentless heat.  Until I spin “Ballads of the Godless” again…

 

You can read more about all things metal at the Ever Metal site.

Singles Night at the Virtual Hot Tub #3

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No, not that kind of Singles Night!  This is all about working through the stack of 45 rpm singles that I’ve picked up from various sources over the last few months.  I play them in order, regardless of how good or bad they are, and whether I’m in the mood for a certain genre or artist or not.

And there are some stinkers in the collection.  Some ripe specimens that I just had to own for some reason or other.  Don’t ask me, none of it makes much sense to me either.

There are, of course, a few absolute gems in there too.  Let’s see how this current session played out…

  1. Sinitta – “Toy Boy” / “Toy Boy Instrumental”
  2. The Jam – “Beat Surrender” / “Shopping”
  3. Marc Bolan – “Sing Me a Song” / “Endless Sleep” / “The Lilac Hand of Menthol Dan”
  4. Herbie Hancock – “I Thought It Was You” / “No Means Yes”
  5. Debbie Harry – “Backfired” / “Military Rap”
  6. The Stranglers – “European Female” / “Savage Breast”
  7. The Cult – “Revolution (Remix)” / “All Souls Avenue” / “Judith” / “Sunrise”
  8. Status Quo – “What You’re Proposing” / “AB Blues”
  9. Johnny Cash – “25 Minutes To Go” / “I’m Gonna Try To Be That Way”
  10. Tom Jones – “It’s Not Unusual” / “To Wait For Love”
  11. All About Eve – “Martha’s Harbour” / “Another Door”
  12. The Tornados – “Telstar” / “Globetrotter”
  13. Dr Hook – “Sexy Eyes” / “Help Me Mama”
  14. Kim Wilde – “Chequered Love” / “Shane”
  15. Bow Wow Wow – “I Want Candy” / “King Kong”
  16. Blondie – “Hanging On The Telephone” / “Will Anything Happen?”
  17. Bananarama – “Na Na Hey Hey Kiss Him Goodbye” / “Tell Tale Signs”
  18. Althia & Donna – “Love One Another” / “Mighty Two”

Hey, you know what?  I think I acquitted myself quite well with that selection.  Despite kicking off with yet more Sinitta, there were definitely some great tracks in that list.  Let’s wait and see how I do next time…

New deck – Death Skateboards Richie Jackson

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Time for another new deck.  I got this Death Skateboards Richie Jackson deck a while ago, thought I’d share some pics of it for posterity.

I bought the deck from Native Skate Store, who provided a really good online service.  I requested that it was gripped (as I’m crap at gripping decks) and it arrived all done and looking pristine.  It was very affordable and delivered quickly, no pain at all.

Regular readers will already know that I’m a big fan of Death Skateboards.  I’ve had several Death decks and I’ve loved ’em all.  A very cool company with a rad, individual approach to skating and a great aesthetic – their products are tough and reliable, always up to the job.

This time around I opted for the Richie Jackson pro model.  Richie is an inspirational skater who constantly evolves and develops new ideas.  His innovative style is just ridiculously creative and constantly forging new ground.  Google him now!

The extraordinarily detailed Art Nouveau graphic is breath-takingly detailed, I probably should’ve just kept the deck to put on the wall.  I’ve skated it and the graphics are shined from rock’n’rolls on curbs.  Should’ve bought two, I guess.  Such is the transient nature of skateboard graphics…

This phenomenal art is by Liane Plant, and I think her work is incredible.  Some of the best art I’ve seen on a skateboard since the eighties classics.  I apologise whole heartedly to Liane for destroying the graphic.  It may well be a crime for a skater as bad as me to defile something so beautiful.

So anyway, the deck is 8.25″ wide and I set it up with my trusted Independent trucks and Death wheels.  So far, it’s been a blast.

Thanks to all the above, long may you roll!

The Death Skateboards website is here.  Go take a look.

Richie Jackson is all over social media, just search – you won’t regret it.  There’s some stuff on the above Death website, too.

The amazing art of Liane Plant can be seen here.  I need some T-shirts and stickers.

You can visit Native Skate Store for all your needs by clicking here.

And finally, here’s a picture of me being a total dork, trying to ape Richie Jackson’s style, rocking an old paisley shirt.  Just thought some of his psychedelic magic might rub off.  I bought that shirt back in 1990, knew it was worth keeping hold of…  And no, I didn’t really wear the shirt to skate in, I chickened out.  As great as Richie is, even I am a little old for hero worship on that level…!

Horrible Histories Playlist

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My daughter Eloise had her 8th birthday last weekend.  At the moment, she’s a big fan of the BBC children’s TV series, Horrible Histories, and requested a party based on that theme.

If you’re not familiar with Horrible Histories, let me tell you it’s well worth checking it.  Both funny and informative, the show makes history appeal to kids (and adults) by illuminating some unusual – and sometimes gross – facts from various periods throughout the past.

We’ve all become big fans in our house, actually.  So the party was going to be fun – everyone could dress up as historical characters and entertainment geared to the theme.

Only one thing remained – some music suitable for days gone by.  Not having much music in my collection that was actually from previous ages, I had to dig out some tunes that could fit the bill.  Here’s what I came up with…

  1. Hanna-Barbera – “(Meet) The Flintstones [Main Title]”
  2. The Bangles – “Walk Like an Egyptian”
  3. Mikis Theodorakis – “Zorbas”
  4. Iron Maiden – “Alexander the Great”
  5. ABBA – “Waterloo”
  6. Chuck Berry – “Roll Over Beethoven”
  7. Boney M. – “Rasputin”
  8. Clutch – “Abraham Lincoln”
  9. Trio Guadalajara – “La Bamba”
  10. De Danaan – “The Cameronian Reel/The Doon Reel”
  11. Iron Maiden – “Ghengis Khan”
  12. Mariachi Mexico de Pepe Villa – “El Jarbe Tapatio (Mexican Hat Dance)”
  13. Jonathan Richman & the Modern Lovers – “Egyptian Reggae”
  14. Madness – “Night Boat to Cairo” 
  15. Sweet – “Alexander Graham Bell”
  16. Rodrigo Y Gabriela – “Vikingman”
  17. Iron Maiden – “Invaders”
  18. The Kinks – “Victoria”
  19. Boney M. – “Ma Baker”
  20. Sweet – “Wig Wam Bam”
  21. Mikis Theodorakis – “Varka Sto Gialo”
  22. Bananarama – “Venus”
  23. Tom Jones – “Delilah”
  24. The Beatles – “Roll Over Beethoven”
  25. Christina Aguilera – “Candyman”
  26. The City of Prague Philharmonic Orchestra – “The Raiders March”
  27. Eric Rogers – “Carry On Cleo”
  28. Eric Rogers – “Carry On Up the Khyber”

Ok, so some of those tracks are less scraping the barrell and more like digging the dust on an archaeological dig, but it did the job.  Basically, without Iron Maiden I’d have been screwed…

Singles Night at the Virtual Hot Tub #2

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Here we go again!  Quick recap:

I’ve bought loads of 7″ singles; some good, some bad, some ugly.  I decided to listen through the pile by having an evening playing them all in the order in which they were bought; oldest first, A side then B side.  This is the list of what I played.

As before, some of these songs are absolute gems – some are absolute stinkers.  Don’t judge me; this is already difficult enough for me to confess.

Yes, there’s another Sinitta song.  I know it’s terrible, but in my defence she’s in my record collection ‘cos she’s a babe.  Trust me, she’s well foxy on the cover of this single.  So, sorry about that one.

All in all, though, I feel this is a much less cheesy selection than last time.  There might even be a few cool choices.  And remember – this is all 7 inch vinyl only!

Now, shall we proceed with the embarrassment?

  1. Steve Winwood – “Higher Love” / “And I Go”
  2. Sinitta – “Hitchin’ a Ride” / “I’m On My Way”
  3. Madonna – “Papa Don’t Preach” / “Ain’t No Big Deal”
  4. Bob Dylan – “Is Your Love in Vain?” / “We Better Talk This Over”
  5. Peter Gabriel – “Games Without Frontiers” / “The Start” / “I Don’t Remember”
  6. George Harrison – ” My Sweet Lord” / “What a Life”
  7. Madness – “Shut Up” / “A Town with No Name”
  8. Toyah – “Thunder in the Mountains” / “Street Addict”
  9. The Jam – “Town Called Malice” / “Precious”
  10. The Beat – “Ackee 1-2-3” / “Monkey Murders”
  11. The Selecter – “Missing Words” / “Carry Go Bring Home”
  12. Blondie – “Denis (Denee)” / “Contact in Red Square” / “Kung Fu Girls”
  13. Herbie Hancock – “You Bet Your Love” / “Knee Deep”
  14. Stevie Wonder – “Uptight (Everything’s Alright)” / “Yester-Me, Yester-You, Yesterday”
  15. Roxy Music – “The Same Old Scene” / “Lover”

Any comments/abuse on the above are welcome, I’m getting used to it.  Otherwise, I hope you enjoy – will be back soon with more.

Two Bare Feet Longboard

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OK, so I admit: I don’t really need another longboard.  I already have Sector 9 and Mindless longboards.  But I found this Two Bare Feet set up for a crazy price and I couldn’t resist.

I first came across the brand in a surf shop in Rhosneigr, Anglesey.  They looked pretty cool and I looked them up online.  In particluar, I was interested to try out this type of shape, with the drop through trucks too.

This is a 42″ 821 complete longboard, and it’s ridiculously cheap to buy from the Two Bare Feet online store.  In fact, the low price made me cautious and it was a while before I clicked “purchase”.

I had to wait to get some spare cash together anyway, and in the end I figured the risk was minimal.

Glad I decided to buy: for a budget board, I’ve been very impressed so far.

As I stated, I really wanted to try out this “twin tip” shape deck and it’s turned out to be a lot of fun.  Although I had been curious about learning tricks on this shape deck, so far I’m not convinced that’s a good move (though that’s my problem, nothing to do with the board).  It has been good fun for cruising around on though.

I’ve never skated drop through trucks before, and I like the lower ride they provide.  I found these trucks a bit unresponsive at first however; this problem seems to be improving as they wear in a little.

The board comes with great, big, fat wheels that are nice and soft; they roll very comfortably with the ABEC 5 bearings supplied.

Graphics wise, it’s simple and clean with a slight retro 70’s style that I like a lot.  You can select different graphics and colours (including wheel colours) on the online shop.

The board arrived fully gripped (nice job).  Unfortunately the only major downer was that it was shrink wrapped, which takes ages to remove satisfactorily if you’re obsessive like me.  Still, the whole delivery and transaction was totally painless.  Well done, Two Bare Feet.

This has proven a great addition to my longboard collection, we’ll see how it performs longevity wise.  For now, I would say that this is an ideal skateboard for a more experienced rider to own as a back-up or for a different riding experience.  The real beauty of the 821 complete though, is as a budget price entry level board for a beginner who fancies trying out longboard riding.

Technical Specifications:

  • Length: 42″
  • Width: 9.5″
  • Canadian maple deck
  • 70mm x 51mm wheels
  • ABEC 5 bearings
  • Supplied set up and complete

Two Bare Feet are a British company offering lots of different board riding equipment.  You can visit their website here.

Bring Your Own Vinyl Night #15

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Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 22nd June 2018

The mixed grill on my plate was a massive meal, and I tucked in with ravenous glee.  For I knew that I would need my strength tonight; this would be Vinyl Night unlike any previous.  Tonight, I would test the mettle of all of us in attendance.

Otherwise, it was business as usual for Bring Your Own Vinyl Night at the Queen’s Head in Mold.  Beers, goods company and the opportunity to play whatever you liked during a fifteen minute set.  Vinyl only, mind!

Although I don’t always run with a theme, this evening I had a definite plan.  Ever since I’ve first attended one of these events, put on by the brilliant Halcyon Dreams and VOD Music, there was one song n my collection I really wanted to play.  It would inform the rest of my set and provide a connection between all the songs.  I decided to leave that track till last, and put together a collection of songs to accompany it.

The question was: How would my star track be received by the audience?

The Beatles – Here Comes the Sun

To start the set, a classic Beatles song written by George Harrison and needing no introduction.  Of course it’s from “Abbey Road”, and I love it as it instantly makes me think of summer days, sitting in the sun on the beach.  It’s a perfect song; beautifully written and with such an uplifting feel.

Nancy Sinatra + Lee Hazlewood – Summer Wine

Next up was this gem; a duet between Nancy Sinatra and Lee Hazlewood.  I have the album with this track on it, however this version was a 45rpm single that my friend Colin lent to me for the event.  “Summer Wine” reminds me in some ways of a Bond theme, it has a little of that drama, but somewhat more relaxed.  A wonderful song that brings back memories of holidays abroad and cocktails.

Black Sabbath – Laguna Sunrise

A brief interlude on side 2 of the absolutely essential “Volume 4 album”, here’s yet another tune that demonstrates just how versatile Black Sabbath were.  A beautiful relaxing instrumental that effortlessly conjures up an appropriate image, this shows perfectly the genius of Tony Iommi.  As good as any song you’ve ever heard.

The Cult – Sun King

After that, the tempo was raised with a full on turbo charge rocker from my old faves, The Cult.  This was the 7″ single version, edited down from the album track.  One of my preferred songs on the massively successful “Sonic Temple” album from 1989.  With a title referencing French King Louis XIV, this is a great fun fists-in-the air macho rocker that reeks of burning up desert highways in a hot rod.

Johnny Griggs/Simon May – When You Go Away (Eldorado Theme – Instrumental)

Could you tell what the theme was, reader?  All leading up to this final cut, I wanted to play songs related to summer and sunny days.  I used to be a huge fan of hyper naff BBC soap Eldorado when I was a student – so bad it was good, and the Spanish setting used to cheer me up on dreary wet days.  Sadly that amazing programme was canned, but I found the single in a Woolworths bargain bin (for 29p, I think) back in the day.  Along with my VHS cassette of “The Best of Eldorado”, that’s all the merch from this class show that I have.  I played the instrumental B-side here, but cocked up by playing it on 33rpm at the very start.  Years of planning, bollocksed. 

So there you have it – my summer sun themed set.  Although I was ridiculed for the Eldorado song – and quite rightly too – I loved playing it.  I managed to ruin my cool reputation with one song, though.

Never mind – as she was leaving, one old dear told me she enjoyed my set very much.  I’ll take that as a win.

She must have been an Eldorado fan as well.

Nice one Halcyon Dreams and VOD Music, yet another great Vinyl Night – more soon please.

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Hollywood Vampires – Gig Review

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Hollywood Vampires + The Darkness + The Damned

Sunday 17th June 2017

Manchester Arena

It was a rare, but welcome night out for Mrs Platinum Al and myself in good old Manchester.  Tickets were booked and we were off to see the big rock show.  It promised to be an exciting evening, but I was unsure whether our expectations would be met.

First off the bat, our old chums The Damned!  This was a real bonus for me, though the handbrake is also a fan after all these years of putting up with me playing their records.  However I was a tad nervous, wondering how these esteemed gentlemen would go down with what appeared to be a more traditional rock crowd.  And in such a huge venue.

Now I know I’m biased, but we were both impressed by The Damned’s performance.  The band didn’t shy away from the large stage; they actually looked quite comfortable up there.  I was quite a way away, mind – I think our seats were in Stockport.

Opener “Street of Dreams” was a moody yet raucous number that’s become a bit of a live favourite of mine over the years.  Follow that with classic “Neat Neat Neat” and you’re off to a hell blazing start.  Just as the stars align and every single person in the huge arena is going “Oooh, they’re quite good, aren’t they?” we get a minor mishap with Captain Sensible’s guitar packing in and the moment seems lost…

Not to worry, before you can say “is he the bloke  who sang Shaddup You Face?” the band, old troopers that they are, are back in the game.  Dave Vanian steers the ship over stormy waters and is in fine, confident voice all through.

The Damned
The Damned

The icing on the cake – for me, at least – is the return of Paul Gray, a sight I’ve not witnessed since Sheffield, 1991!  Paul’s bass rumbles and sounds triumphant, particularly in the “Love Song” intro.  Fantastic.  There’s just a drop in volume during “Ignite”, other than that, Paul is a ninja master.

Pinch’s drums are perfect, you can hear Monty (and see him bouncing about); so other than a couple of technical issues The Damned performed superbly.  The set is far too short of course, but I was relieved that they seemed to go down well.  From where I was sat, the arena seemed mostly full, so they didn’t suffer from support-band-empty-hall syndrome either.

I felt like I was watching my child in the school play; happily no-one forgot  their lines and The Damned get a gold star.

You can certainly say that I got value for money for this gig, what with three bands on.  However I was feeling a little short changed after The Darkness performed.  Admittedly, I am biased in favour of The Damned.  Yet I’ve seen The Darkness before, at Download festival a couple of years ago, and was much more impressed.

Not that the Hawkins boys don’t give it a fair shot; a short tight set is delivered in inimitable style with splurges of Justin’s trademark wit and swagger.  Perhaps it’s just that the set is lacking some bigger numbers in the first half; following “Growing On Me” with “Love is Only a Feeling” as the third song is too much of a comedown so early on.

The Darkness
The Darkness

The crowd don’t seem to mind though, it all goes down very well.  Let’s be honest, most of ’em are happy because they’ve heard of The Darkness and haven’t got a clue who The Damned are.  Or, shock horror, don’t like punk rock.  For me, with no “Black Shuck” in the set, and a mediocre version of “Barbarians”, it’s good but not great from the Darkness.

I still can’t bring myself to dislike ’em, regardless.  At least The Darkness tried to bring loud, exuberant British guitar rock into the 21st century, and aren’t a wanky indie band.

There followed some musical chairs for Mrs Platinum Al and me, as we secured seats much nearer the front.  This pleased the other half immensely, she would now have a much better view of the headliners (or one of them, at any rate).

And so the Hollywood Vampires took the stage, and the Big Rock Show was in it’s final phase.  The air of tense expectation was only mildly subdued by the band’s arrival, as the audience were keen to experience what they could serve up.  Would this be a vanity project for ageing rock stars and their pirate actor buddy?  Or could they deliver something tangibly worth their collective prowess?

Led by the preposterously cool Mr Alice Cooper, the Vamps rattle through a few of their own original numbers at first, as if to prove a point.  Yes, they can play – and they can write, too.  It’s super confident and great fun – every song gets a chance to shine on it’s own merits.

Hollywood Vampires
HV
Yes, that Johnny Depp

The bulk of the set is a succession of expertly reproduced cover songs, each dedicated with respect to a fallen rock comrade.  Songs range from The Doors, to Motorhead, to AC/DC – with my favourite being a great version of The Who’s “Baba O’Riley”.

Joe Perry delivers a spine tingling “Sweet Emotion” complete with the extended intro that builds magnificently.  It’s a master class in rock star awesomeness, though Joe seems very much enjoying himself in a humble manner.

Despite the attention thrust upon him by a vast number of fans in attendance, Johnny Depp manages to not only look the embodiment of cool, but actually performs brilliantly.  He appears very much in his element as part of this massive spectacle, indeed his rendition of Bowie’s “Heroes” is one of the highlights of the night.

It’s one of several moments that manages to evoke the ghosts of heroes past, as  accompanying images are shown on the screen onstage.  It’s not altogether subtle, but rock’n’roll rarely is.  Instead the audience cheer their appreciation and nod sagely as our heroes are exhumed for us to behold.

Finally, Alice declares “School’s Out” yet again, as the whole show reaches it’s climax.  Cooper is an absolute delight, the demented circus master and ring leader of this crazy gang.  He is unbelievably cool and amazing at what he does: a true legend.

In the end, despite any doubts, it’s been a hell of a ride.  Despite whatever misgivings anyone may have had regarding authenticity, the Hollywood Vampires delivered an excellent, well performed show that was pure fun.  It was so much more than just athe world’s biggest covers band.  Abandon your cynicism, this was rock’n’roll for the sheer joy of it.  Which is what it’s all about, right?