Tag Archives: Christopher Lee

The Halloween Horror Fest Bride

Posted on by
Reply

OK, time is running out and there’s quite a few films to be covered.  Let’s go!

The Wicker Man (1973)

British horror classic, starring Edward Woodward as the policeman who travels to the remote Scottish island of Summerisle to search for a missing girl.  His investigations are fraught and the locals unhelpful.  Soon it becomes clear that the islanders are pagans, and totally at odds with the devout investigators beliefs. wicker

There is an air of sinister dread that pervades this film, and builds slowly to the shocking, yet inevitable climax.  Though there are no shocks, blood and gore, The Wicker Man creates a believably strange and foreboding world.

Excellent performances from Woodward and Christopher Lee as Lord Summerisle make the whole experience all the richer.  A film that gets better with every viewing.

9/10

The Corpse Bride (2005)

Beautiful animated wonder from Tim Burton, with the voice talents of many of the usual suspects, make this film a success on every level. cb

A marriage of convenience for Victor (Johnny Depp) and Victoria (Emily Watson) turns out to be a perfect match, until it all goes wrong and Victor finds himself married to Emily, the Corpse Bride (Helena Bonham Carter).  The tangled situation is complicated by trickery and treachery, as our hero tries to escape his situation and make wrongs right.

A superb voice cast and fabulous music enhance the spellbinding visuals, and not a moment is missed to dazzle the viewer.  In particular the scenes in the underworld are vibrant and thrilling, especially compared with the dull land of the living.

The Corpse Bride is great fun for Halloween and a film to enjoy again and again.

9/10.

The Halloween Horror Fest That Dripped Blood

Posted on by
Reply

The House That Dripped Blood (1971)

First off, The House That Dripped Blood is not a Hammer film.  It was, in fact, produced by rivals Amicus – though the film does share some familiar faces.  This is an anthology film, comprising of four short stories, wrapped up in to an overall narrative, concerning the spooky abandoned house of the title. thtdb

The first segment sees Denholm Elliott portray a writer, who slowly begins to lose his sanity whilst staying in the house.  Elliott gives a solid performance as he starts to crumble under the fear that his murderous creation has come to life.

Next up we have the story of two men – the always fantastic Peter Cushing and Joss Ackland – both obsessed with a waxwork dummy that resembles a lost love.  Both actors are great to watch, in a tale that seems fairly unbelievable but is probably the most gruesome of the four.

In the third instalment, the house is occupied by the legend that is Christopher Lee.  He lives with his young daughter and hired teacher (Nyree Dawn Porter).  The father’s strange, strict manner masks his daughter’s true heritage, and interest in witchcraft.  This is probably the best of the stories, with a stern Lee beginning to let fear get the better of him.  Genuinely creepy.

Finally, we have Jon Pertwee as a somewhat pompous horror movie actor, who acquires a cloak that bestows him with vampiric powers.  There’s a touch of comedy with this segment, plus some divine glamour in the form of Ingrid Pitt.  It’s all very enjoyable, and helps conclude the overall narrative in a suitably scary manner. ip

The House That Dripped Blood features a great cast and a fine writer in Robert Bloch, creator of Psycho.  On viewing, it’s surprisingly lacking in blood – however there are enough chills in each story to provide some frightful entertainment.  One of the best Amicus anthology movies, and well worth watching.

8/10.

Halloween Horror Fest Rides Out

Posted on by
Reply

droThe Devil Rides Out (1968)

Back to the Halloween Horror Fest reviews with this Hammer classic from 1968.  Based on the novel by Dennis Wheatley, Britain’s legendary film studio created a film to be proud of with The Devil Rides Out.

It tells the tale of a group of friends reunited to rescue one of their number from the clutches of a Satanic cult.  Simon (Patrick Mower) and Tanith (Nike Arrighi) are to be initiated into the evil group by their leader, Mocata (Charles Gray).  Old pals Rex (Leon Greene) and the incomparable Christopher Lee, as the Duc de Richleau, attempt to rescue their comrades from the forces of darkness.  There ensues a battle between good and evil, with our heroes very souls at risk.

Quite simply, this film looks superb – old houses, vintage cars and some fairly decent special effects amount to a successful production.  The various references to the occult – visual or spoken – seem creepily authentic, even if it’s all just entertainment.

There’s a rare good guy role for Christopher Lee – finally permitted some dialogue in a Hammer film, he delivers a confident and believable performance.  He’s nearly upstaged by Gray, however, whose portrayal of Mocata exudes a suave, sinister menace.

A fantastic film and one of Hammer’s best, it only falls down on a somewhat bizarre ending and a lack of the trademark Hammer Glamour.  Other than those small issues, The Devil Rides Out is a total success.  Such a shame that the studio never really capitalised on this with more of the same.

8/10

Halloween Horror Fest Hollow

Posted on by
Reply

Halloween is over, but as ever, I’m behind with reviewing the films I’ve watched this October.  So here we go…

Bigfoot Wars (2014)

Now I’m a big fan of Bigfoot movies.  The Legend of Boggy Creek is, in my book, a total classic.  So I was intrigued by Bigfoot Wars and definitely wasn’t put off by the obvious low budget, straight to video fest that I was letting myself in for. bigfoot

The story, in a nutshell, is this: a small town (named Boggy Creek, interestingly enough) has a problem with marauding Bigfoot abducting the local females.

Unfortunately it is all a bit cheap, at least as far as the script goes.  The sasquatch look pretty scary and manage to introduce a good dose of tension to the proceedings.  However the story is fairly lame and obvious, with rather poor acting and dialogue.  Some guy called C Thomas Howell is the token ex-big name slumming it; but his performance is unintelligible.

As a fan of Bigfoot movies, there was enough here for me to enjoy.  However I couldn’t really recommend Bigfoot Wars to anyone else.

5/10

Sleepy Hollow (1999)

Tim Burton directed this version of the Washington Irving story, and it really is superb.  The design and cinematography are spell binding; the story rattles along at a great pace, and the cast is rammed with an unbelievable level of talent. Sleepy

Our old mate Johnny Depp plays Ichabod Crane, who in this version is a detective, sent to the remote town of Sleepy Hollow to investigate some hideous murders.  It appears that the locals are being decapitated by a  Headless Horseman, though why is a mystery.  Crane must use his rational, scientific sensibilities to put a stop to the carnage – though it appears that the events may be of supernatural origin after all…

Apparently this film is Tim Burton’s tribute to Hammer horror; it’s easy to see why with the scenes of stage coaches rolling through gloomy forests.  A cameo from the late, great Christopher Lee further exaggerates the point.  Lashings of blood also help to underscore the tribute to sixties horror.

Sleep Hollow is exceptionally well made – it looks incredible and the story is riveting.  Whilst the motivations are a little convoluted, it all comes together in the end.  Highly recommended for some blood thirsty thrills, and worthy of repeated viewings.

9/10

Halloween Horror Fest: Prince of Darkness

Posted on by
Reply

Dracula: Prince of Darkness (1966)

I couldn’t have another Halloween Horror Fest without honouring the wonderful Sir Christopher Lee, who sadly died earlier this year.  So it’s time for another Hammer horror classic with Dracula: Prince of Darkness!

This was the first time that Lee reprised the role of the Count since his performance in the legendary Dracula (or Horror of Dracula in the US) in 1958.  Bizarrely, this time Dracula is silent throughout – not uttering a single word – as Lee claimed he refused to speak the atrocious dialogue.

Following on from the previous film some years later, we encounter four British travellers who wind up at Castle Dracula, despite warnings against going there.  The travellers face some strange goings on, leading ultimately to the true purpose of their welcome at the castle – being used as sacrifice to resurrect the Count.

dpod

It takes a while to get to the key scene of murder and resurrection, though there are several creepy elements in the lead up to it.  This revival of Dracula is quite a blood thirsty and shocking scene, even now.

The rest of the movie sees our heroes trying to evade the vampire whilst finding refuge at a monastery, where Father Sandor (a superb Andrew Keir) steadfastly defends against the Count.

Lee’s Dracula still manages to menace despite the lack of speech, exuding power and malevolence.  Barbara Shelley also gives a fine performance, switching from peevish Helen to deadly yet alluring vampiress.

Dracula: Prince of Darkness is not without it’s faults, but it does posses some witty ideas and a few sly winks to the original source novel.  Add in some terrific performances and the result is Hammer horror defined; it’s worth seeing to witness these traits before they became a cliché.  All the great elements of the famous studio are here – including the greatest Dracula of them all.

8/10

You can read my full tribute to Sir Christopher Lee here.

Halloween Horror Fest Circus

Posted on by
Reply

Vampire Circus (1972)

Yes it’s Hammer time at the Virtual Hot Tub, with this macabre classic from the legendary British studio!

A remote village, quarantined due to a strange plague, becomes the host to a travelling circus.  The circus entertain the villagers and distract them from their everyday woes; though they hide another motive.  That secret agenda involves a vanquished vampire count, and a despicable plot for revenge!

There’s no Cushing or Lee in this early seventies curiosity, yet Hammer are able to create a new spin on their Gothic tales with this unusual and striking film.  The boobs and gore identify the seventies vintage of this film, yet there’s plenty of atmosphere to embellish the tale.  Vampire Circus is a novel idea, and proves what the studio could do even without relying on the big names (stars or monsters).

Sadly this isn’t a feat that Hammer would replicate often in their twilight years.  Never the less, Vampire Circus is much more hit than miss.  The viewer will witness some real spectacle, some real frights – and the dark atmosphere of Hammer horror at it’s best.  Recommended.

8/10 vampire circus

From Hell (2001)

The crimes of Jack the Ripper are given a fictionalised re-telling in this 2001 Hughes brothers film.  It’s based – very loosely – on the Alan Moore graphic novel; relying heavily on conspiracy theory, a dash of clairvoyance and Johnny Depp as Inspector Abberline. from hell

The conspiracy at the heart of the story is, of course, absolute nonsense, but then the original source novel didn’t set out to identify the culprit.  Rather, From Hell was a dense tome covering the mythology and occult roots of London and it’s citizens.

The film version goes for a more straightforward dramatic approach, as we follow the case and slowly unravel the mystery of the killer’s identity.  If you can suspend disbelief, forget the ridiculousness of it all and enjoy the ride, it’s a great film.  Fantastic sets give From Hell a very genuine feel, along with some decent performances (though not all) and enough shadows and murder to make it an effective thriller.

Go and read the book – it’s an incredible work.  But I’ll happily state that despite the clichés and the total fudging of fact and fiction – let alone disregard for the source material – the film From Hell is definitely worth a watch.

8/10

In Memoriam – Sir Christopher Lee

Posted on by
1

Lee

Sir Christopher Lee

27.05.1922 – 07.06.2015

I was genuinely saddened to hear that Sir Christopher Lee had passed away.  Over the years Lee had become one of my favourite actors.  Perhaps my absolute favourite.  I certainly own more DVDs of his work than any other star.

My first encounter with Lee’s films would have been the brilliant, still unsurpassed The Three Musketeers (1973).  Or perhaps his turn as one of the best Bond villains ever – in one the best Bond films – Scaramanga, in The Man with the Golden Gun.

It wasn’t until my teens that I was able to catch up with his work for Hammer (and Amicus), when ITV started showing old horror films way past the witching hour with the advent of all night television.  I stayed up late, or recorded them all on the VCR to ensure I saw them all.  Those classic British horror movies captivated me – and still do. Whether playing Frankenstein’s Creature, Dracula, The Mummy – Lee was central to their success.

Monsters had always fascinated me.  I remember drawing them from an early age, though I wasn’t old enough to watch the films.  My early horror experiences came from Marvel comics, and a few movies such as King Kong and Boggy Creek.  Oh, yes – and the series of Fu Manchu movies shown on BBC2; again starring Christopher Lee.

The link to Hammer came from Star Wars.  I loved the cantina scene – still do – with its bizarre creatures; after all, I loved monsters.  Later, a connection from Star Wars would lead me to Hammer – I discovered that Peter Cushing wasn’t just Grand Moff Tarkin.  It was inevitable that I would explore the Gothic creations of the great British horror studio.  So I was understandably thrilled to find out that Christopher Lee would become part of the Star Wars family, as Count Dooku in Attack of the Clones.

Lee had something of a resurgence from the late 1990s.  He started to work with Tim Burton and seemed like he’d found a new home.  Sleepy Hollow (1999) was Burton’s love letter to the old Hammer movies, and Lee would return again and again to participate in the Director’s dark tales.

The fact that Christopher Lee found a new audience over the last decade and a half – with the Lord of the Rings films, even a return to Hammer with The Resident (2011) – is wonderful.  And gratifying for those, like me, who’ve admired his work for a long time.

Let’s not forget the many other talents Lee displayed.  How about releasing Heavy Metal albums in his nineties?  Check them out – they’re great.  And his wartime exploits (Google it) are worthy of a film in their own right.  A life time of incredible achievement.

I had hoped, as people often do, to one day meet my hero in person.  Unrealistic, I know – but Christopher Lee was always the top of my list for the old “three people you would invite to dinner” game.  I would have loved to tell him how big a fan I am of the films he’s helped create.  Alas, that will never happen now.  It’s sad that tiny bit of a dream will never come true.

Thank you Sir Christopher Lee.  Your constant creative progression is an inspiration.  The impact you have had on our imagination – both dreams and nightmares – is your greatest gift.

Bizarre Magazine Playlist

Posted on by
Reply

The most recent issue of that misfit of British publications, Bizarre magazine, was sadly the last.

Over the years, Bizarre magazine featured articles that astounded, amazed, and entertained as it explored the fringes of popular culture.  Sometimes gross, sometimes weird, always entertaining – each issue offered content that would never be published elsewhere. Biz

Amongst the counter culture oddness and thought provoking investigations, I found many an interesting film to track down in their review pages.

Bizarre also covered many musicians/bands that strayed from the familiar paths.  Whether in the regular monthly review section or in the excellent “Bizarre Albums” features, I found a few favourites and some new treasures.

This playlist is comprised of just some of the bands featured in the magazine over the years, in some form or other.  As a sort of tribute (hell, I’ve even got the first issue lurking around in the garage…).

Bizarre Magazine Playlist

  1. Christopher Lee – “The Impossible Dream (The Quest)”
  2. Fantomas – “One Step Beyond”
  3. The Moog Cookbook – “Basket Case”
  4. Mr Bungle – “Chemical Marriage”
  5. Jean Jacques Perry – “E.V.A.”
  6. Lord Sitar – “I Can See For Miles”
  7. Alice In Chains – “Heaven Beside You”
  8. Yma Sumac – “Malambo #1”
  9. Spike Jones – “Power House”
  10. Hanna-Barbera – “Tra La La Song (Banana Splits Theme)”
  11. Christopher Lee – “Act V: Starlight”
  12. Zombina and the Skeletones – “Punk Rock Vampires Destroy!”
  13. Electric Eel Shock – “Goodbye Peach”
  14. Ween – “Spinal Meningitis (Got Me Down)”
  15. Nick Cave & The Bad Seeds – “Stagger Lee”

There are tons more bands I could add to this list.  Many more covered by the magazine can be found in the catacombs of my iPod.  But this will do nicely for now.

Thanks and goodbye Bizarre magazine.  In particular for the wonder of Christopher Lee’s albums; not to mention Zombina and the Skeletones and Electric Eel Shock – two of the best live bands I’ve ever seen!

Hallowe’en Horror Fest AD 1972

Posted on by
Reply

Dracula AD 1972 (1972)

1872: Count Dracula is locked in mortal combat with arch enemy, Lawrence Van Helsing.  The Count (Christopher Lee) is destroyed, though Van Helsing (Peter Cushing) also perishes from his wounds.  A disciple of the vampire collects some of the ashes, and Dracula’s ring; burying them at the site of a church.

1972: A group of young London groovers are persuaded to take part in a satanic mass “for kicks”.  Amongst the group is Jessica Van Helsing (Stephanie Beacham), grand daughter of Lorrimer Van Helsing (Cushing again) and descendent of the original vampire slayer.  Little do they know that one member of the group, Johnny Alucard (Christopher Neame), is himself a disciple of Dracula – and intends to resurrect the Count.  dracula_ad_1972_poster_06

Following a bloody ritual in a deconsecrated church, Dracula (Lee) is revived, and he begins to plan his revenge against the House of Van Helsing…

With this film Hammer attempted to drag their Gothic horror films into the modern era.  So in Dracula AD 1972, we’re presented with a Dracula in (then) modern day swinging London, complete with cars, rock’n’roll bands and hip young kids out for a good time.  It’s for this reason that the film is most often derided as silly, if not damn near sacrilegious.

The young hippies are given a look and slang that most surely must have been out of place by 1972.  Viewed now, the dialogue is sometimes hilarious.

Despite the harsh opinions held by many about Dracula AD 1972, I love it.  As a confirmed fan of all things from the seventies, I find it outrageously good fun to see Dracula in this anachronistic setting.  What we lose with the lack of traditional Gothic period setting, we gain in a campy, retro London with funky Blaxploitation style music and cool sets.Yes, the kids’ dialogue is ridiculous, but it’s also great fun if the audience just accepts it.

Draculaad1972

My VHS and DVD copies

As a glimpse of an imaginary 1970’s London, I find this film really enjoyable.  Part Hammer and part The Sweeney, if you will.  That it was an inspiration for Tim Burton on Dark Shadows is well documented, and hopefully means that Dracula AD 1972 is finally getting some recognition for it’s attempt to inject new blood (haha!) into the Count.

There are some bloody moments, but nothing too shocking for a modern audience.  What we do get is a great performance by Peter Cushing, who really embodies his role as occult expert with authority.  Lee, too, is imposing and majestic as Dracula, truly menacing and physically powerful.  It would’ve been great though to see the Count stalking around London for victims at night more, certainly a missed opportunity.

The youngsters give it a good go despite the atrocious (or funny) lines – Beacham and Neame are both great.  Plus Michael Coles as the Inspector gives us a character that is actually believable.

My personal favourite element of this film though is the wonderful, bewitching Caroline Munro.  Here Ms Munro appears in one of her most iconic roles as Laura Bellows, and she has never looked lovelier.  Good performance too, though it would’ve been great to see Caroline resurrected as a Bride of Dracula.

So despite some utter ridiculousness and a couple of wasted opportunities, I can only recommend Dracula AD 1972 as not only one of my favourite Hammer films, but one of my favourite films ever.  Cool soundtrack, too.

“Dig the music, kids!”

10/10 for me

9/10 for everyone else

Dark Shadows Playlist

Posted on by
Reply

Dark Shadows Soundtrack – Playlist

Recently I posted my Hallowe’en Horror Fest mini-review of the film Dark Shadows.  It’s a great film from Tim Burton, in my opinion.  One of the best things about that movie is the soundtrack.

The film is set in 1972, so the soundtrack consists of songs from that era.  Contrasting heavy rock, pop and a bit of soul, there are a few cuts that fit the Gothic mood; and others that are just cool.

I put together this playlist – utilising songs from my collection – meaning I didn’t need to buy the soundtrack album…

1. The Moody Blues – “Nights in White Satin”

This classic soundtracks the opening of Dark Shadows, chronicling Victoria’s journey to Collinwood Manor.  Sets up a moody(!) atmosphere.

2. Iggy Pop & The Stooges – “I’m Sick Of You”

I love it when Iggy gets some respect.  Cool tune, as heard in Carolyn’s room.

3. Donovan – “Season of the Witch”

Carolyn Stoddard plays this on vinyl.  Wish I had this on wax.  A Hallowe’en necessity.

4. Deep Purple – “Highway Star”

I can’t remember where this song appears in the movie.  It’s in there though, apparently.  One of the must-have Deep Purple tracks, find it on “Machine Head”.  Or any “Best of”, for that matter.

5. Curtis Mayfield – “Superfly”

Barnabas takes a walk through Collinsport, soundtracked with this mighty slab of Mayfield funk.  Not an obvious vampire tune, but so right for the era.

6. The Carpenters – “Top of the World”

“Reveal yourself, tiny songstress!”

7. Elton John – “Crocodile Rock”

Off to the pub we go, we might bump into Christopher Lee…

8. Black Sabbath – “Paranoid”

It’s the early 70’s.  It’s a dark film.  It needs, no – demands – Sabbath.  Timeless genius from the originators of all that is dark and heavy.  On “Paranoid”, of course.

9. Barry White – “You’re the First, the Last, My Everything”

The Love Machine’s tune is an apt choice for the scene it appears in.  What a song!

10. T.Rex – “Get It On”

So evocative of the time, a welcome airing for this track in the movie.

11. Alice Cooper – “No More Mr Nice Guy”

12. Alice Cooper – “The Ballad of Dwight Fry”

A special mention here for Alice Cooper, who has a cameo role as himself in 1972.  Two classic Coop songs are on this soundtrack.  “The Ballad of Dwight Fry” is possibly my favourite song ever from Alice, so it was great to hear it in the movie.

There you go, twelve songs and 54 minutes of music.  If Tim Burton chose these songs, he has great taste.  Except for that awful Killers song on the end credits.

I guess I’m a bit obsessed with this this film…

You can read my review here.