Halloween Horror Fest Land

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Zombieland (2009)

I can’t believe this film is nearly ten years old.  It seems like only yesterday I saw Zombieland in the cinema.  This movie is a horror comedy, set in a post apocalyptic America over-run with zombies.  And it’s brilliant.

We begin with shy, nerdy student Columbus (Jesse Eisenberg), who is trying to make his way home to Columbus, Ohio to see if his parents are still alive.  He has developed a series of rules to stay alive such as “Beware of bathrooms” – thus far, these guides have proven solid. 

On his journey, Columbus meets Tallahassee (Woody Harrelson), a zombie killing machine who’s looking for the last Twinkie.

These two then meet up with two sisters, Wichita (Emma Stone) and Little Rock (Abigail Breslin), who are on their way to a California amusement park which is supposedly zombie free.

On the way there are several adventures, not least a surprise encounter with a legendary Hollywood star.  And zombies, of course.  Lots of zombies.

Zombieland is really well put together, and gets better with repeated viewings.  There’s  a lot of subtle humour that might not be obvious at first.  There are plenty of big obvious laughs too, of course, amongst nice pop culture references.

There are some jumpy scares, and a fair dose of tension, but this film is mainly all about the laughs, with some charming moments too.  If you like Shaun of the Dead, you’ll probably like Zombie land too.  But for my money, I prefer Zombieland.

Plus, Emma Stone is a total babe.  Thank you.

9/10

The Uncanny Halloween Horror Fest

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The Uncanny (1977)

Horror anthology time again now – and though this isn’t Amicus, that company’s Milton Subostky is co-producer.  In The Uncanny, a writer (Peter Cushing) is discussing his new book with his publisher (Ray Milland).  This latest work promotes the concept that cats – ordinary household moggies – are in fact evil.

The writer elaborates on three of his examples.  In the first, an elderly widow leaves all of her wealth to her cats in her will.  She’s killed by her maid, who’s trying to scupper this plan.  The cats then exact a nasty revenge… 

In the second segment, an orphan girl goes to live with her mean relatives, her cat being her only companion.  The girl and her pet receive some pretty bad treatment, until she uses a book of witchcraft to settle the score.

Finally, Donald Pleasence pops up as a dodgy actor in 1930s Hollywood, who bumps off his wife to install his young mistress in her place.  Of course, the cat of the dead ex decides to avenge her death.

All in all, very silly.  Household felines being exposed as malicious masterminds, intent on revenge and controlling the human world?  Utterly ridiculous, of course.  But the film managed to entertain me, despite the dubious premise – largely due to the presence of some fine actors.  The Uncanny is worth exploring if this kind of portmanteau tale intrigues you.

Now – must dash, got to feed the cat.

7/10

Scream and Scream Halloween Horror Fest

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Scream and Scream Again (1970)

Now this is a strange little film.  Another Amicus production, though not an anthology this time, Scream and Scream Again is a baffling amalgam of sci-fi, horror, and at least three plots that seem totally unrelated at first.  So in a way, it almost is like a portmanteau horror, bizarrely.

Here we have a vampire killer in London, draining his victims of blood.  There’s also another thread relating to a dictatorship in an obscure European country.  Plus, someone is removing limbs – one by one – from hospital patients.  All very odd and with no connection at all, the audience may assume at first. 

The plot strands eventually come together by the end, but most viewers will be confused beyond caring if they get that far.

Scream and Scream Again proudly proclaims that it stars Vincent Price, Peter Cushing and Christopher Lee all in the same film.  However, Cushing is only in one scene (with neither of the other two stars).  Lee and Price both pop up in cameo roles, having only one scene together.

The film does have it’s moments, however.  There’s an extended chase scene as the police pursue the serial killer which is actually quite exciting, despite being dragged out.  And Alfred Marks as the detective in charge puts in an admirable effort.

So yes, a strange little film, and not one with much to recommend it.  Unless, like me, you’re fairly obsessed with British horror films from this time – in which case Scream and Scream Again is worth ticking off your list.

6/10

The Halloween Horror Fest Zone

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The Dead Zone (1983)

More Stephen King for our latest helping of Halloween Horror Fest movie madness.  The Dead Zone, directed by David Cronenberg, is based on the King novel of the same name.

In this film, we meet Johnny Smith (Christopher Walken), a down to earth school teacher who falls into a five year coma following a horrendous car accident.  When he comes to in hospital, Johnny finds that he has gained psychic powers.

Johnny’s new-found abilities lead him to intervene in some potential disasters, and help the police in their search for a serial killer. 

But an encounter with dodgy politician Greg Stillson (Martin Sheen) leaves Johnny with a vision of Stillson becoming the US President and causing mass destruction.  Smith has no choice but to ensure that this never happens…

Walken is superb in the lead role, always believable despite the fantastic premise.  The audience can’t fail to empathise with the character- Johnny has lost everything following his accident – and Walken’s performance is spot on.  Johnny Smith isn’t a hero, he’s just a normal guy who has found himself thrust into bizarre circumstances.

Sheen is chilling as the unhinged senatorial candidate.  Brooke Adams, as Johnny’s lost love Sarah, is very moving and Tom Skerrit is note perfect as the beleaguered Sheriff.

Cronenberg gets the best out of his cast and manages to distil the novel into an authentic and highly entertaining thriller.  The Dead Zone is not the scariest Halloween movie, but it is immensely watchable.

King’s original novel is also highly recommended.  For a book nearly 40 years old, it’s unnervingly relevant in showing how a political outsider manages to gain mass appeal.  Almost like the writer had psychic powers…

8/10 

Halloween Horror Fest’s Lot

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Salem’s Lot (1979)

Next up for Halloween Horror Fest 2018, an absolute horror classic!  Based on the book by horror master Stephen King, directed by the great Tobe Hooper, Salem’s Lot really is a fantastic piece of spine chilling story telling.

Originally a TV mini series, Salem’s Lot manages to cram in a great deal of the detail from King’s exceptional novel.  Although it’s been released as an edited version, it was the full 3 hour plus version that I indulged in. 

Ben Mears (David Soul), a slightly successful writer, returns to his home town of Salem’s Lot.  There he intends to write his next work, inspired by the local haunted house.  That particular building has recently been bought by newcomers to Salem’s Lot, antique dealing duo Mr Barlow and Mr Straker (James Mason).

Before long, the town is plagued by disappearances and then deaths, as the populace become victims of a tide of – vampirism!   Can Ben and his cohorts destroy the menace before it’s too late?

Salem’s Lot is a definite favourite of mine.  I first saw a short segment when I was a kid, only to have my mum switch the TV off in shock when confronted by a particularly startling moment!  I don’t think I slept for several nights afterwards. Years later I managed to make it all the way through, though Salem’s Lot still has an almost uncanny power to chill.

Seeing the entire movie, I was also inspired to read King’s novel – it became the first volume of his that I’d read.  It’s still my favourite.

Both James Mason and David Soul are excellent in their roles.  Mason you know will be top class; watching Soul the viewer realise how good an actor he really is.  Both are ably supported by a talented cast who create some of the huge tapestry of small town life that’s integral to both book and film.

Tobe Hooper weaves all this together with incredible skill, resulting in a film which although made for TV, still has plenty of chills.  Hooper can’t rely on gore or any shocks that would have been allowed in the cinema.  He’s forced to use other tricks to create an air of suspense – or outright horror – and Salem’s Lot is all the better for it.

All these years later, Salem’s Lot is still spectacularly entertaining – and very, very frightening.  I still don’t sleep with the curtains open.  Do you?

10/10

Halloween Horror Fest 2018

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Yes, it’s that time of year again!  The nights are getting shorter, the wind is howling and strange things are afoot.  Halloween is almost upon us – so what better than watching a load of old scary movies to creep you out of an evening?  Yes, it’s time for another Halloween Horror Fest!

I’m starting a bit late this year, but once again I’ll be watching some fantastic (or not so fantastic) horror movies and writing bite-sized reviews.

Let’s start with…

Tales from the Crypt (1972)

Classic British horror of the seventies, but from Amicus Productions, not Hammer – this film stars many a great actor in another anthology movie.  The concept is basically a film version of some of the stories featured in the old EC horror comics of the same name (though only a couple are actually from that title).

Five strangers encounter The Crypt Keeper (Ralph Richardson), deep in the catacombs of a tourist attraction.  The Crypt Keeper then reveals a story for each of the protagonists.   

The first segment features a very lovely Joan Collins, as a housewife who murders her husband on Christmas Eve.  However a homicidal maniac is on the loose, which complicates Joanie’s plan to dispose of her deadly doings.  Despite the festive setting, this is a good start to proceedings.  I may dig this one out again to watch with the family at Christmas – it’ll make a change from Home Alone.

Up next is what I considered the weakest of the stories, though I can imagine it working better in comic book form.  Ian Hendry leaves his wife and family to take off with his bit on the side.  A dream premonition and nasty car crash result in a change of plans.

Peter Cushing pops up in the third tale, putting in a brilliant performance as a kindly old widower.  His snobbish neighbours decide to grind the old gent down so they can get rid of him – but revenge is on the cards.  Although Cushing’s casting is no surprise at all, he does a superb job in this role.

The fourth story is a chilling warning to be careful what you wish for; a ruthless business man (Richard Greene) comes a cropper in what is the most gruesome tale of the five.

Finally, a repugnant ex-army Major gets his comeuppance, after mistreating the inhabitants of the hoe for the blind that he’s supposed to be in charge of.  His fate is grim but well deserved!

Tales from the Crypt offers only mild innovation from the usual Amicus product, but is remarkably well done.  Freddie Francis directs and puts together a highly entertaining film that has spine chilling horror and genuinely repulsive moments.  Although a little dated, there’s still plenty to recommend this movie.

8/10 

Imperial State Electric – Anywhere Loud album review

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Another album review wot I wrote has appeared on the excellent EVER METAL website.  Please go take a look at the website, it’s awesome!  My review is reproduced here for your pleasure:  

Imperial State Electric – Anywhere Loud

Psychout Records

Release date: 16/02/2018

Running Time:

Review by: Alun Jones

7/10

Live albums, eh?  I’m not a huge fan.  A lot of the time they’re just cynical exercises in fleecing fans, getting them to pay again for songs they’ve already got.  And usually poorer quality, due to being in a “live” setting.

There are exceptions to the rule, of course.  Back in my days with KISS, the boys were struggling to step up to the mega bucks level after their first few albums.  I proposed that they record a live album, in order to try and capture their incredible live show.  That was what they were good at, see?  The studio albums were good, but live – wow, those kids could rock.  So eventually the four prima donnas came round to my suggestion, released “KISS – Alive” – and their super star status was assured.  Bang!  Mega platinum seller, through the roof, KISS had arrived.

Thanks to me.

Which brings me to this live release from Imperial State Electric.  Although it’s called “Anywhere Loud”, it could’ve been another KISS live album.  It’s big, bold and brash in a very Seventies Rock kinda way.  It’s almost like we’ve stepped into a time machine and arrived back in 1976.  Not that I’m complaining – these guys are all about fun, over the top rock’n’roll – just how it used to be.

A whopping 23 songs, the album certainly doesn’t scrimp on the tunes.  There are plenty of them, and the sound is reassuringly good throughout.  Snippets of audience noise and banter, applause and well performed improvisations help keep the energy – and authenticity – pushing the meters to overload.

Outstanding tracks in this collection include the catchy riffs of “Apologize”, “Reptile Brain” and “Uh Huh” – plus there’s a hint of their punkier side with a blinding version of The Dead Boys’ “Sonic Reducer”.  If you’re a fan of KISS, Cheap Trick and Blue Oyster Cult then “Anywhere Loud” is for you.  If, however, you’re not a worshipper of Seventies Rock like those aforementioned bands, this release probably won’t change your mind.

Which brings me back to KISS.  Of course the masks were my idea.  Though originally, I’d planned on Peter, the drummer, wearing a samurai style number.  So, you’d have had the Star Child, the Demon, the Space Ace and the Samurai.  Pretty good, yeah?  Except Peter changed his mind last minute and decided to be a cat, for fuck’s sake.  And just look how that worked out.

Visit the Ever Metal website here.

Singles Night at the Virtual Hot Tub #4

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Yes, it’s that time again – a playlist of 45rpm singles that have provided me with an evenings entertainment.

I have a stack of 7″ records that haven’t been listened and filed away yet.  So I spend a night listening to them, both sides, in order.

As you can imagine, there are some dodgy songs in amongst the good stuff.  And this week, there are some corkers.  However, the rules are: the songs MUST be listened to.  I own them, so I must be responsible!

Here’s the list:

  1. Joe Dolce – “Shaddap You Face” / “Ain’t No Hurry”
  2. Sinitta – “Shame Shame Shame” / “Maybe Someday”
  3. The Charlie Daniels Band – “The Devil Went Down to Georgia” / “Rainbow Ride”
  4. Rod Stewart – “Angel” / “What Made Milwaukee Famous (Has Made a Loser Out of Me)”
  5. Kate Bush – “Babooshka” / “Ran Tan Waltz”
  6. Tom Jones – “Help Yourself” / “Day by Day” / “Delilah” / “Smile”
  7. Bananarama – “Love in the First Degree” / “Mr Sleaze”
  8. The Timelords – “Doctorin’ the Tardis” / “Doctorin’ the Tardis”
  9. Pig Bag  – “Papa’s Got a Brand New Pigbag” / “The Backside”
  10. Blondie – “Union City Blue” / “Living in the Real World”
  11. The Sweet – “Hell Raiser” / “Burning”
  12. The Who – “I’m a Boy” / “In the City”
  13. Depeche Mode – “Enjoy the Silence” / “Memphisto”
  14. Free – “My Brother Jake” / “Only My Soul”
  15. Nazareth – “Love Hurts” / “This Flight Tonight” / “Broken Down Angel” / “Hair of the Dog”
  16. Lalo Schifrin – “Jaws” / “Quiet Village”
  17. Rainbow – “I Surrender” / “Vielleicht Das Nachster Zeit (Maybe Next Time)”

Smurfs

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How did the Smurf fascination begin?  I remember being a little kid in the late 70s and everyone in my class loving the “The Smurf Song” by Father Abraham and the Smurfs.  We were little and I guess we thought they were cute.

Then a couple of years later, on a family holiday in West Wales, I got one of the promotional Smurf figures from a petrol station.  It was the artist smurf.  I chose him because, even though he was a painter, I liked art.

Papa and friends
Gargamel and Azrael

I may have never bought another Smurf at all, after that first one, except that he got chewed up by our dog.  So I went to buy a replacement but couldn’t find the same one, and bought another.  So the collection began…

Smurfs became another one of the toys that would get played with, amongst me and my friends.  Some of the other kids had smurfs too, so we could put them all together and create little stories.  I have loads of fond memories of playing with them, outdoors on warm summer days.

Of course, there was the Hanna-Barbera cartoon too, which kept interest rolling along. 

Over time, I picked up more smurfs to add to the collection.  On holidays, sometimes a souvenir would be a Star Wars figure; other times a smurf or a comic book.  I remember my Gran always used to buy my sister and I a smurf when we went shopping with her.

Occasionally, I’ll find a character that I don’t already have at a toy collector fair or Comic Con.  Maybe even a carboot sale.  It’s still fun to find a new one to add to the collection.

I think the attraction of smurfs was the variety; like may other things I’ve collected, it’s fun to have a diverse collection of different characters.  I used to draw designs for my own Smurfs when I was a kid, too – just the same way as I designed my own superheroes.

Anyway, you can see here most of my collection (and some of my sister’s that I have for “safe keeping”).  Some of the classic characters, like Papa Smurf, Smurfette, Brainy – even Gargamel and his cat, Azrael.

Some of my favourites are the Clown, which is really detailed.  Plus of course the Skateboarder, which I’m really proud of.  I bought him before I’d ever stepped on a skateboard, so I have a real fondness for that one.

There’s loads of others out there, and I’d really love a smurf house for them.  Or several houses, to make a smurf village!  Unlikely that’ll ever happen.

That “Smurf Song” found it’s way into my burgeoning vinyl collection a while ago.  I did eventually replace the artist smurf, too.  Still got my first one, though, mangled and chewed up though he may be.

Dedicated to my great childhood friend Brendan O’Neil, who inspired my imagination all those years ago.  RIP.

1968 – Ballads of the Godless album review

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My review of the new 1968 album, “Ballads of the Godless”, has just appeared on EVER METAL.  Here’s the review again, just because:

 

1968 – Ballads of the Godless 

Release date: 06/07/2018

Running Time: 38:24

8/10

Sometimes, without warning, it all comes flooding back and I’m thrust into the nightmare of that jungle.  Thirty days on patrol with no chopper cover.  The heat, unbearable; sweat running in rivers down my spine.  Cradling my M16 like a good luck charm, praying under my breath that there ain’t no VC gonna unload a torrent of lead at me and my buddies.  Trudging on, hour after hour, waiting to get back to the LZ for evac.  Chukka-chukka-chukka, the Hueys overhead and the rush of wind from the blades.

Maybe these guys from 1968 were in Nam too.  Maybe this debut album, “Ballads of the Godless” is actually a lost relic from those days that’s just been unearthed.  Maybe 1968 invented heavy, psychedelic rock after hearing Hendrix and Cream and some of those old blues guys.  Certainly seems crazy enough to be true.

Opening with “Devilswine”, 1968 lay out their ground plan confidently.  It’s a mighty power groove that makes your head nod, setting the tone for the whole album.  “Screaming Sun” follows and adds a more psychedelic shine, Jimi Coppack’s vocals soaring while the riffs hammer.  “Temple of the Acid Wolf” adds further intricate detail, with shades of vintage Soundgarden.  1968 set about laying waste to all in it’s sights like Ozzy manning the Air Cav machine gun on a strafing run.

It’s not all Ride of the Valkyries mayhem however.  Last track on Side 1 (vinyl lovers!), “S.J.D.” is an instrumental that provides a more reflective tone.  Acoustic guitar and piano feature, in a stylistically fine salute to the classics of the genre.

This bleeds nicely into Side 2, track 1 – “Chemtrail Blues”, where guitarist Sam Orr gets chance to unleash Hendrixian guitar flourishes over a bluesy beat.  It’s like that time me and my buddy chewed acid in a fox hole while under fire.  The rocket traces in the sky lit up like God’s neon veins.

“McQueen” opens with some infectious bass, before melting out of a mellow vibe and into a crushing chorus.  The bottom end is nice and heavy throughout, The Bear delivering pummelling yet warm playing.

Rhythms are also tight and show a groove more contagious than jungle malaria.  Dan Amati on drums shines on “The Hunted” in particular.  Final track “Mother of God” brings on a deceptively laid back, acid dripping feel as we finally get some R’n’R in Saigon.

“Ballads of the Godless” reveals more and more depth, thought and intricacy with each listen.  On this first album, the band make good on a lifetime studying from the past masters.  My only question is how will 1968 continue to evolve and add to their sound?  I can’t wait to find out.

For now, it’s back to reality.  No more choppers overhead, cries in the jungle and that oppressive, relentless heat.  Until I spin “Ballads of the Godless” again…

 

You can read more about all things metal at the Ever Metal site.