Tag Archives: Gothic

Halloween Horror Fest – Vampire Hunter

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Captain Kronos – Vampire Hunter (1974)

I remember being about nine or ten years old, and my Dad telling me he’d stayed up late watching a vampire film the night before.  In it, the vampire hunters buried toads in the ground as a way to detect the undead.  Fast forward to my late teens, and I saw this very scene was part of Captain Kronos – Vampire Hunter.  That was pretty exciting, in a very nerdy way!

This film from Hammer studios was something of a departure, as they investigated ways to breathe new life into their usual formula.  Brian Clemens of television’s Avengers fame took on writing and directing duties; adding numerous flourishes to refresh the vampire mythology. Kronos

Captain Kronos (Horst Janson) is the hero of the piece, roaming Europe with his companion Professor Grost (John Cater) and beautiful Carla (Caroline Munro) to rid the land of the undead.  They receive a call for help from old friend Dr Marcus (John Carson), whose village is plagued by a strange form of vampirism.  There follows a hybrid of classic Gothic Hammer horror and swashbuckling adventure, that is full to the brim with novel ideas and variations on traditional vampire folklore.

Originally planned as the first in a series, unfortunately this was not to be.  Changing tastes in horror films led to a decline in the traditional Hammer approach; the studios waning success meant that Kronos was a one-off.  It’s a great shame, as the new approach really pays off.  It’s almost a prototype for Blade (or even the disastrous Van Helsing).

One of my favourite Hammer films, Captain Kronos – Vampire Hunter has everything you could want.  The level of detail with regard to vampire lore and the new twist on the familiar are just some of the films strengths.  This film is a true classic and should be enjoyed by all!

Furthermore, I usually hate sequels and remakes – but Captain Kronos would be a great franchise to rise from the dead.  Apparently Tarantino is a fan.  Now that would be interesting…

10/10

Did I mention that the stunning Caroline Munro appears in this film?  Here’s some proof…

Halloween Horror Fest of the Dead

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The Wolfman (2010)

Lawrence Talbot (Benicio Del Toro) returns to his ancestral home of Blackmoor in order to investigate the disappearance of his brother.  Reunited with this estranged father (Anthony Hopkins), it soon becomes apparent that something wild is stalking with the full moon.  When Lawrence is attacked by the werewolf, he too falls victim to the curse – destined to become the Wolfman when the moon is full… wolfman2

This remake of the classic Universal monster movie is something of an under rated treasure.  It was never going to have the charm of the Lon Chaney Jr original, but there’s a lot of craft and reverence gone into this movie.  The Gothic atmosphere is absolutely top notch and there’s enough blood and shocks to aid the spectacle.  It takes a while for our hero to get to his transformation, but it’s worth the wait.

My only criticism really is the werewolf versus werewolf showdown at the end.  Silly and unnecessary, at least this scene isn’t dragged out too long.

Otherwise The Wolfman is a great horror film in the classic tradition.  It really should have been much more successful.  The film is a much better revisit to the Universal vaults than the disastrous Van Helsing.  The only things they got wrong with this movie was not setting it in Wales, unlike the original.  Especially when you have the magnificent Anthony Hopkins in the cast!

8/10  

Halloween Horror Fest Circus

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Vampire Circus (1972)

Yes it’s Hammer time at the Virtual Hot Tub, with this macabre classic from the legendary British studio!

A remote village, quarantined due to a strange plague, becomes the host to a travelling circus.  The circus entertain the villagers and distract them from their everyday woes; though they hide another motive.  That secret agenda involves a vanquished vampire count, and a despicable plot for revenge!

There’s no Cushing or Lee in this early seventies curiosity, yet Hammer are able to create a new spin on their Gothic tales with this unusual and striking film.  The boobs and gore identify the seventies vintage of this film, yet there’s plenty of atmosphere to embellish the tale.  Vampire Circus is a novel idea, and proves what the studio could do even without relying on the big names (stars or monsters).

Sadly this isn’t a feat that Hammer would replicate often in their twilight years.  Never the less, Vampire Circus is much more hit than miss.  The viewer will witness some real spectacle, some real frights – and the dark atmosphere of Hammer horror at it’s best.  Recommended.

8/10 vampire circus

From Hell (2001)

The crimes of Jack the Ripper are given a fictionalised re-telling in this 2001 Hughes brothers film.  It’s based – very loosely – on the Alan Moore graphic novel; relying heavily on conspiracy theory, a dash of clairvoyance and Johnny Depp as Inspector Abberline. from hell

The conspiracy at the heart of the story is, of course, absolute nonsense, but then the original source novel didn’t set out to identify the culprit.  Rather, From Hell was a dense tome covering the mythology and occult roots of London and it’s citizens.

The film version goes for a more straightforward dramatic approach, as we follow the case and slowly unravel the mystery of the killer’s identity.  If you can suspend disbelief, forget the ridiculousness of it all and enjoy the ride, it’s a great film.  Fantastic sets give From Hell a very genuine feel, along with some decent performances (though not all) and enough shadows and murder to make it an effective thriller.

Go and read the book – it’s an incredible work.  But I’ll happily state that despite the clichés and the total fudging of fact and fiction – let alone disregard for the source material – the film From Hell is definitely worth a watch.

8/10

The Blood on Halloween Horror Fest

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Carrie (1976)

Poor Carrie White.  In high school she’s the butt of everyone’s jokes, the outcast, the loser.  At home, this shy and retiring girl is bullied by her religious mother.  And yet Carrie has extraordinary abilities.  Uncanny powers of the mind that will be unleashed, with all the pent up fury she can muster, when a trip to the end of year school prom leaves her the victim of another prank… carrie

Carrie is a total classic.  I watched it again for the umpteenth time and was still heart broken by Sissy Spacek’s performance as the title character.  The film manages to portray the real life awkwardness and isolation of teenage life, as well as the horror that is she creates.  Add a dose of seventies nostalgia and you’ve got one hell of a movie.

Brian de Palma condenses the narrative into an easy to follow, yet still coherent whole.  It’s shot superbly, with the school prom devastation effectively recreated on screen.  And if you like the movie, make sure you read the original Stephen King novel on which it was based!

9/10

The Blood on Satan’s Claw (1971)

This early seventies British movie – from Tigon, not Hammer – is a strange creation, but disturbing never the less.  Set in a rural 17th century locale, it’s somewhere between Witchfinder General and The Wicker Man, with a folk/Gothic feel. bloodosc

The plot is hard to describe, but generally encompasses the discovery in a ploughed field of a strange claw, ripe with evil.  Events lead on to a group of devil worshipping teenagers, causing murder and havoc in the countryside.  The film is disjointed and hard to follow at first, but is able to create some real feelings of dread.

The general feeling of unease builds, with a bizarre yet chilling atmosphere developing.  However there are some scenes that are quite harrowing to watch, so be warned.

Regarded as a master piece of British horror, The Blood on Satan’s Claw is worth watching if you’re a fan of this type of film (see the examples mentioned above).  Despite my misgivings about some of the nastier scenes, it’s certainly effective in creating a sense of evil in an innocent, remote place.

7/10

Another Damned Gig Review

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DamnedCHThe Damned

Thursday 17th September 2015

The Live Rooms, Chester

Hello, chums!  How about another review of a musical concert?  How about another review of a Damned musical concert?  Very well, off we go…

It was my birthday on Saturday, so it was very kind of The Damned to play a gig on Thursday night for me.  They are my favourite band, after all.  Not many bands would go to all the trouble of playing for their number one fan in a nearby locale.  I don’t know who invited all the other people who turned up, mind – wasn’t me.  I hardly knew any of them.

The Damned sold out The Live Rooms in Chester, which is pretty impressive.  The place was packed out with all manner of discerning music fans, and by golly those punk rock chaps put on a hell of a good show.

From the moment Captain Sensible uttered the immortal phrase “Ladies and Gentlemen, ‘Ow do”, I knew it would be a blinder.  Straight off into “Love Song”, a rollicking locomotive of a song all about trainspotting.  Then it was “Machine Gun Ettiquette” and “I Just Can’t Be Happy Today” – top tunes all, and the running order gave something of a clue as how things would develop set wise.

The evening was an almost chronological journey to the centre of the Damned, with tracks following from the Black Album, through Strawberries and onto their later 80’s catalogue.  Until they messed that plan up by going back to the start with the always excellent “New Rose” and “Neat Neat Neat”.  I defied my OCD and enjoyed the travelling back through time regardless.

The band were on excellent form, Dave Vanian in fine voice and Sensible throwing some amazing guitar noises around (“Ignite” is always mental).  Pinch on drums and Stu on bass are in control and drive the machine ever onward.  Monty was, of course, his usual crazy and lovable self; always entertaining and adding an extra dimension with his keyboard skills.

A couple of “firsts” for me tonight – I’ve never heard “Alone Again Or” performed live, or the totally amazing “Nasty”.  This song was one of my earliest experiences of The Damned, when they roared through it on the Young Ones.  Relegated to a B-side and rarely cropping up on compilations, I’d given up on hearing this one in the flesh.  “Nasty” was dedicated to previous bass player Bryn Merrick, who had died recently.

Throw in another appearance of “Stranger on the Town” (see my last Damned review for how big a deal this is) and the song that kick started the whole fandom thing from my point of view, “Eloise”, and it was a quality set list.  Not to mention punk rock classics such as “Disco Man” and “Smash It Up” – what a result!

Any complaints?  Well there was no “Plan 9 Channel 7”, which is absolutely criminal.  Nothing from the two most recent albums either, which is a bit worrying – there’s some great tunes on those records.  The Live Rooms is a brilliant venue, but they seem a bit keen to send people home when they could’ve made a few quid more at the bar, if they’d kept it open half an hour.  Strange.

All in all though, it was a fantastic night.  The Damned threw me a very nice birthday party and I thoroughly enjoyed myself.  Wonder if they’re free same time next year?

Here’s The Damned’s website: http://www.officialdamned.com/

The Live Rooms web site is here.

You can read the set list for this gig here.

Here’s a link to my previous review of The Damned live: click me

R.I.P. Bryn Merrick

In Memoriam – Sir Christopher Lee

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Lee

Sir Christopher Lee

27.05.1922 – 07.06.2015

I was genuinely saddened to hear that Sir Christopher Lee had passed away.  Over the years Lee had become one of my favourite actors.  Perhaps my absolute favourite.  I certainly own more DVDs of his work than any other star.

My first encounter with Lee’s films would have been the brilliant, still unsurpassed The Three Musketeers (1973).  Or perhaps his turn as one of the best Bond villains ever – in one the best Bond films – Scaramanga, in The Man with the Golden Gun.

It wasn’t until my teens that I was able to catch up with his work for Hammer (and Amicus), when ITV started showing old horror films way past the witching hour with the advent of all night television.  I stayed up late, or recorded them all on the VCR to ensure I saw them all.  Those classic British horror movies captivated me – and still do. Whether playing Frankenstein’s Creature, Dracula, The Mummy – Lee was central to their success.

Monsters had always fascinated me.  I remember drawing them from an early age, though I wasn’t old enough to watch the films.  My early horror experiences came from Marvel comics, and a few movies such as King Kong and Boggy Creek.  Oh, yes – and the series of Fu Manchu movies shown on BBC2; again starring Christopher Lee.

The link to Hammer came from Star Wars.  I loved the cantina scene – still do – with its bizarre creatures; after all, I loved monsters.  Later, a connection from Star Wars would lead me to Hammer – I discovered that Peter Cushing wasn’t just Grand Moff Tarkin.  It was inevitable that I would explore the Gothic creations of the great British horror studio.  So I was understandably thrilled to find out that Christopher Lee would become part of the Star Wars family, as Count Dooku in Attack of the Clones.

Lee had something of a resurgence from the late 1990s.  He started to work with Tim Burton and seemed like he’d found a new home.  Sleepy Hollow (1999) was Burton’s love letter to the old Hammer movies, and Lee would return again and again to participate in the Director’s dark tales.

The fact that Christopher Lee found a new audience over the last decade and a half – with the Lord of the Rings films, even a return to Hammer with The Resident (2011) – is wonderful.  And gratifying for those, like me, who’ve admired his work for a long time.

Let’s not forget the many other talents Lee displayed.  How about releasing Heavy Metal albums in his nineties?  Check them out – they’re great.  And his wartime exploits (Google it) are worthy of a film in their own right.  A life time of incredible achievement.

I had hoped, as people often do, to one day meet my hero in person.  Unrealistic, I know – but Christopher Lee was always the top of my list for the old “three people you would invite to dinner” game.  I would have loved to tell him how big a fan I am of the films he’s helped create.  Alas, that will never happen now.  It’s sad that tiny bit of a dream will never come true.

Thank you Sir Christopher Lee.  Your constant creative progression is an inspiration.  The impact you have had on our imagination – both dreams and nightmares – is your greatest gift.

30 Days of Hallowe’en Horror Fest

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OK: so I know Hallowe’en is all over.  It’s November.

And I also know that there are 31 days in October.

But I’ve still got a few short’n’sweet Horror movie reviews for you, which due to scheduling issues I haven’t had chance to write up till now.  So here we go!

30 Days of Night (2007)

The Alaskan town of Barrow is a remote place, and about to become more isolated once the month long night commences.  As the town readies itself, a number of bizarre occurrences foreshadow an unimaginable horror.  For the town will be besieged by a group of blood thirsty vampires, allowed free reign due to the towns people’s disbelief and the ongoing dark. 30-days-of-night-poster-1_6599

This film hauls vampire folklore into the 21st century and breathes life into the (undead) corpse.  The vampires are brutal, savage and powerful.  Their leader, played chillingly by Danny Huston brings an unrelenting nightmare to the people of Barrow.  This is how vampires are supposed to be – the portrayal of the undead in this film is like the re-imagining of the zombies in 28 Days Later.  Suddenly, we are confronted by vampires who are genuinely threatening.

The human leads – Josh Hartnett and lovely Melissa George – also give sympathetic performances.  The audience are presented with characters we can empathise with, and share their fear.

The bleak, snowy landscape creates a hopeless and claustrophobic atmosphere.  The premise of 30 Days of Night is ingenious, and the film delivers admirably.  Recommended viewing, if only to see how ancient vampire myth can be made relevant – and frightening – for today’s audience.

9/10

Carry On Screaming (1966)

Yes, it’s the Carry On gang in a homage of sorts to that other British film institution – Hammer.  Although the plot manages to mix up elements of House of Wax, Jekyll and Hyde, Frankenstein and the Addams Family, it still manages to make some sense and entertain along the way. Carry_on_screaming_(film)

Sid James is MIA, replaced in this film by Harry H. Corbett of Steptoe and Son fame.  Corbett does an impeccable job as Detective Sergeant Sidney Bung.  Also along are many of the usual faces, including Kenneth Williams, Jim Dale, Joan Simms and Charles Hawtrey.

The creepy show is stolen though by uber vamp Fenella Fielding as Valeria, in her tight red dress; who manages to smoulder like Lily Munster or (Carolyn Jones) Morticia.  Utterly gorgeous!

It’s one of the better Carry On films in my opinion, and manages to get a few good gags in along with the usual double entendres.  The monsters – Oddbod and Oddbod Junior – scared me to death when I was eight.

Carry On Screaming is great for a bit of light relief from other, truly scary films.  And it manages to create a spooky Gothic vibe, too.

7/10

The Woman in Black (2012)

Hammer studios really got back in the game with this film.  Starring Daniel Radcliffe (yes, Harry Potter) as a young lawyer sent to work in a remote old house, this film manages to inject some real frights. womaninblack

Arthur Kipps (Radcliffe) travels from London to his assignment in the North at spooky old Eel Marsh House.  He’s there to examine papers of the deceased owner, but soon finds himself caught between the superstitious (and downright unfriendly) locals and whatever the presence is up at the house.

The Woman in Black was only certified as a 12 in the UK.  Hammer (quite uncharacteristically) shed blood, gore, sex and violence and instead concentrate on a film that has an overdose of jumpy frights.  The film is a classic ghost story, featuring a lonely haunted house that leaves the viewer truly unnerved.  Brilliant!

9/10

And there we have it – the end of another Hallowe’en Horror Fest.  Thank you to anyone who has taken the time to read these reviews.  I hope you had a chillingHalloween!

Jenna Jameson Visits the Virtual Hot Tub!

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There was a very special guest today at Platinum Al’s Virtual Hot Tub.  A very special lady who I’m sure you will all be familiar with.

Yes, it’s the one and only, internationally famed adult super star Jenna Jameson!

Ms Jameson very kindly accepted my invitation to my Virtual Halloween Hot Tub party, and I was over joyed to welcome her.  Jenna looked fabulous in her sexy rubber witch dress, and had a fabulous time sipping cocktails and doing the Monster Mash.

Well not really, this is actually my Jenna Jameson Halloween action figure – but virtually anything can happen at the Virtual Hot Tub!

This Jenna figure has a broom stick and pumpkin to complement her revealing black dress.  She’s on a stand that features more Jack O’Lanterns and is adorned proudly with her name.

It’s a very cool figure, with amazing detail right down to the intricate tattoos.  And this ain’t no Barbie doll – Jenna is anatomically correct.  So if her dress and panties are removed, intimate details are revealed…

Anyway, a suitable spooky action figure for Halloween, I’m sure you’ll agree! P_20141030_140256

Dark Shadows Playlist

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Dark Shadows Soundtrack – Playlist

Recently I posted my Hallowe’en Horror Fest mini-review of the film Dark Shadows.  It’s a great film from Tim Burton, in my opinion.  One of the best things about that movie is the soundtrack.

The film is set in 1972, so the soundtrack consists of songs from that era.  Contrasting heavy rock, pop and a bit of soul, there are a few cuts that fit the Gothic mood; and others that are just cool.

I put together this playlist – utilising songs from my collection – meaning I didn’t need to buy the soundtrack album…

1. The Moody Blues – “Nights in White Satin”

This classic soundtracks the opening of Dark Shadows, chronicling Victoria’s journey to Collinwood Manor.  Sets up a moody(!) atmosphere.

2. Iggy Pop & The Stooges – “I’m Sick Of You”

I love it when Iggy gets some respect.  Cool tune, as heard in Carolyn’s room.

3. Donovan – “Season of the Witch”

Carolyn Stoddard plays this on vinyl.  Wish I had this on wax.  A Hallowe’en necessity.

4. Deep Purple – “Highway Star”

I can’t remember where this song appears in the movie.  It’s in there though, apparently.  One of the must-have Deep Purple tracks, find it on “Machine Head”.  Or any “Best of”, for that matter.

5. Curtis Mayfield – “Superfly”

Barnabas takes a walk through Collinsport, soundtracked with this mighty slab of Mayfield funk.  Not an obvious vampire tune, but so right for the era.

6. The Carpenters – “Top of the World”

“Reveal yourself, tiny songstress!”

7. Elton John – “Crocodile Rock”

Off to the pub we go, we might bump into Christopher Lee…

8. Black Sabbath – “Paranoid”

It’s the early 70’s.  It’s a dark film.  It needs, no – demands – Sabbath.  Timeless genius from the originators of all that is dark and heavy.  On “Paranoid”, of course.

9. Barry White – “You’re the First, the Last, My Everything”

The Love Machine’s tune is an apt choice for the scene it appears in.  What a song!

10. T.Rex – “Get It On”

So evocative of the time, a welcome airing for this track in the movie.

11. Alice Cooper – “No More Mr Nice Guy”

12. Alice Cooper – “The Ballad of Dwight Fry”

A special mention here for Alice Cooper, who has a cameo role as himself in 1972.  Two classic Coop songs are on this soundtrack.  “The Ballad of Dwight Fry” is possibly my favourite song ever from Alice, so it was great to hear it in the movie.

There you go, twelve songs and 54 minutes of music.  If Tim Burton chose these songs, he has great taste.  Except for that awful Killers song on the end credits.

I guess I’m a bit obsessed with this this film…

You can read my review here.

Hammer Glamour

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Through out its illustrious career, the Hammer film studio became synonymous with two things: horror and sex.  The studio’s reputation encompassed both the lurid Technicolor gore; and the heaving cleavages of its female stars.

To say that’s all Hammer movies were does them a great disservice, yet the two key elements of horror and glamour have become the trademarks for which the company was known.  Alongside the great Peter Cushing and Christopher Lee, numerous beauties also  graced these fine films. raquel-welch-one-million-years-de

There’s a great book, “Hammer Glamour” by Marcus Hearn (Titan Books, 2009).  If this topic is of interest to you, I recommend you pick it up.  I’ve been lucky to meet some of the female stars of classic Hammer movies at fan events, and they’ve been kind enough to autograph my copy of the book for me.

It’s no easy task, but here are my favourite ten Hammer actresses.  It’s been a pain-staking process analysing the contribution of each of these ladies, but my selection is below.

10. Martine Beswicke

Appearing in three Hammer movies (One Million Years BC, Prehistoric Women and Dr Jekyll & Sister Hyde), Martine Beswicke’s career with Hammer covered both gothic horror and dinosaur movies.  Dr Jekyll & Sister Hyde is her greatest contribution, where in a novel twist on the traditional tale, she plays the evil “sister” transformed from Dr Jekyll (Ralph Bates).  She also appeared in two Bond movies – From Russia with Love and Thunderball. I’ve met Martine and she happily signed my copy of “Hammer Glamour”.

9. Barbara Shelley

The lovely Barbara Shelley appeared in more Hammer movies than anyone else on this list.  Her films include The Gorgon, Rasputin the Mad Monk and Quatermass & the Pit.  Barbara’s best role, however, was in Dracula Prince of Darkness, where she is transformed from Victorian lady to vampiric creature of the night.  She also appeared in the great Village of the Damned.  Again, Ms Shelley has signed the book, I’m very happy to say – she was extremely nice, for a vampire.

8. Stephanie Beacham

I remember Stephanie Beacham from numerous television appearances growing up, notably Dynasty.  She appears in Dracula AD 1972 as Jessica Van Helsing, granddaughter of Peter Cushing’s Professor.  A great camp classic, this is one of my favourites, and Stephanie looks ravishing.  I’ve yet to meet Stephanie to ask her to sign the book, I’ve got my fingers crossed.

7. Veronica Carlson

Starring in three Hammer horror films, Veronica holds the distinction of having starred alongside two different Baron Frankensteins: Peter Cushing (in Frankenstein Must Be Destroyed) and Ralph Bates (The Horror of Frankenstein).  She also appeared in Dracula Has Risen From the Grave – all great films.  Ms Carlson was lovely when I met her not too long ago. proxy

6. Valerie Leon

Although she appeared in just one Hammer film, Blood From the Mummy’s Tomb, Valerie Leon makes a fantastic impression in it.  A great film and a beautiful actress.  She also appeared in Carry On and Bond movies, making her a true 70’s film sensation.  You can read more here.  Very charming and another welcome signature for the book. Countess-Dracula

5. Ingrid Pitt

No-one encapsulates Hammer Glamour more than Ingrid Pitt.  She seems synonymous with horror movies.  Classic films she starred in include the brilliant The Vampire Lovers and Countess Dracula, alluring as the evil Countess.  She also starred in genre classics for other studios, such as The House That Dripped Blood and The Wicker Man.  Sadly, Ingrid passed away in 2010.  A true legend. HAMMER GLAMOUR CARLSON OMARA 10

4. Kate O’Mara

Gorgeous Kate O’Mara appeared in The Vampire Lovers and Horror of Frankenstein.  Prim in the former and sexy in the latter, Kate’s contribution to Hammer is excellent.  Her exotic looks have been a regular on-screen ever since, I remember her well in Dynasty.  I’ve not met Kate, but would love her to sign my Hammer Glamour book.

3. Madeline Smith

madeline-smith-hammer-horrorAppearing very briefly in Taste the Blood of Dracula, Madeline Smith looks absolutely dazzling in The Vampire Lovers and Frankenstein and the Monster From Hell.  She also appeared briefly in Theatre of Blood and was a Bond girl in Live and Let Die, as well as numerous other film and TV credits.  Ms Smith has signed the book and was very nice too.

2. Raquel Welch

Possibly the most beautiful woman to ever walk the planet, Raquel Welch became a screen icon when she appeared in One Million Years BC.  Unfortunately, she never appeared in any more Hammer movies (hence she only reaches number two in this list).  Raquel has made many other great films in a pretty fabulous career, since her debut in that “silly dinosaur movie” (her words, not mine!). caroline-munro-dracula-a-d-1972-publicity-shot

1. Caroline Munro

The stunning Caroline Munro appeared in two of my favourite Hammer films, Captain Kronos: Vampire Hunter and Dracula AD 1972.  She’s also appeared in many other cult classics – try At the Earth’s Core and Starcrash, for starters.  Ms Munro is probably most famous for her role as Naomi in The Spy Who Loved Me.  With her beautiful, long brunette hair, I’ve been smitten with Caroline for a long time.  She’s also a very lovely person with plenty of time for her fans, as I found out when I met her.  Caroline Munro is a Queen of classic cult cinema, and top of the Hammer Glamour list!

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Meeting Caroline Munro at NEC Memorabilia

A special mention should be made to some of the lovely ladies who didn’t make the top ten, including Joanna Lumley (Satanic Rites of Dracula); Catherina Von Schell (Moon Zero Two); Julie Ege (The Legend of the 7 Golden Vampires) and Ursula Andress (She).  There are many more, of course.

If you’d like to buy a copy of “Hammer Glamour”, you can find it here.

www.hammerfilms.com