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Pentre Fest 2018

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Pentre Fest

Friday 23rd – Saturday 24th February 2018

McClean’s Pub, Pentre, Deeside

And lo, the marauding hordes converged once more, reconvening from their travels far and wide.  In the Great Hall they would gather, trading tales of daring and adventure, as they caroused with rebellious abandon.  Much ale would be drunk, for tomorrow many a skull would be split asunder.

So began the revelry of Pentre Fest, wherein the brave and mighty warriors celebrated their many victories and remembered comrades long fallen.

The first of the tribes to address the throng were The Forgotten Age, young but mighty in their conviction.  Hailing from the Western Shores of Bangor, their stories were exciting yet accomplished, embellished with some fine melodies.  An exceptional and heartening start to the evening’s merriment.

Next to command the stage were Obey, who were indeed a revelation to behold.  Their immense riffs were sheer brutality, heeding no compromise as they delivered tales of destruction.  Obey were champions of the event to my ears; voraciously did I consume their merchandise (CD and patch!).  May the wind fill their sails and carry them to successful conquests aplenty.

Our next heroes were Torqued, a merciless crew who had engaged in a gruelling voyage from the far kingdom of Devon to regale us with their musical fables.  The clash of metal was devastating, the battle cries rousing.  A superb performance.  Safe voyage home, brothers – for ye shall be missed for now and welcomed warmly again.

The night’s final victors were the relentless, uncompromising Foetal Juice.  Looming over all with a malevolent thunder, the band decimated all in their path.  With grim intent they vanquished the unworthy, leaving only the gratefully redeemed in their wake.

Thus was the first part of Pentre Fest concluded.  Sadly I would embark on a personal quest of my own the next day; therefore being unable to rejoin the ceremony.

Regardless, though our warriors’ hearts were sated, for yet more metal majesty do we crave.  Till the next Pentre Fest, my brothers (and sisters) – stay strong and may your adventures be praised in Valhalla.

The McClean’s Pub Live FB page is here. 

Pentre Fest 2017

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Pentre Fest

Friday 23rd – Sunday 25th June 2017

McLean’s Pub, Deeside

Three days of the heaviest of metal, featuring underground, unsigned bands from across the UK, walking distance from my house.  How could I resist?

I’ve been to McLean’s pub in Pentre, Deeside several times over the years – usually for functions such as birthdays.  I had no idea, though, that they were regularly hosting gigs of the rock/metal variety.  Pentre Fest came out of the blue, but I managed to make it down for Saturday evening.

Pentre is a small area within Deeside, North Wales – and McLeans a fairly well known pub/function place.  Take it from me, the fact that Pentre Fest existed was a surprise at first.

As I was late arriving, I missed the first few bands, including the excellent Bad Earth.  I’ve seen them a while ago supporting Karma to Burn and they were excellent.  A bad start for me, I fully intend to see Bad Earth again sometime.

The first band I witnessed were Pelugion – they were a great introduction to the festival.  A metal band with a healthy element of stoner/doom, Pelugion rocked out in a Judas Priest or Megadeth vein.  They also excelled when they got into a slower, Sabbath like groove – bringing to mind Alice in Chains or Soundgarden.  Really impressive.

Outside the actual venue was a marque hosting acoustics acts.  This was proved handy between bands, especially on a sunny day like this when you could sip a beer outside with some live entertainment.

I saw Pelugion again performing a great acoustic set, which culminated in a heartbreakingly good version of Soundgarden’s “Black Hole Sun”.  Serious hairs standing up on back of the neck time.  Wonderful stuff – the Pelugion singer has pipes indeed.

The names of other acts in the acoustic tent escaped me (sorry everyone), but I did see a fantastic one-man rendition of Tenacious D’s “Tribute”, and a band doing some classic rock covers.  And I do love me some classic rock.

Back inside, next up were Impavidus from Manchester way.  Their set consisted of some incredibly locked in, expertly performed and aggressive metal.  With a sound not too far away from Carcass, the pleasant surprise with this band is the amazing singer, who happens to be female.  There just aren’t enough girls in rock/metal, but Michelle impressed with a vocal ranging from slinky Siouxsie Sioux to a commanding metal growl.  Excellent show from all of the band, across the board – and a decent bunch of folks, too.

Up next on the indoor main stage were thrash titans Incinery.  Their scorching hot set of purest thrash metal glistened with speed and precision.  Obvious comparisons would be Slayer at their fastest, with the riffs of Testament or even Sepultura.  Absolutely no fucking about delivery and really gripping viewing, Incinery bring back the best of old school thrash and drag it with them into the future.

Amusingly, in a very Phoenix Nights kind of way, whilst all this blistering metal was being unleashed on the main stage, there was 60th birthday party in the next room.  Absolutely bloody hilarious!  I wonder what Granny made of it…?

But back to the music, and next on the bill were Haerken (apologies for the spelling, I can’t find the right symbol on my keyboard).  A different tale altogether from what we’ve experienced so far, Haerken introduced some Medieval themed mayhem with a killer presentation.  Dressed like knights or druids etc, their Olde Worlde death fest was brilliantly presented and featured some intricate musicianship.  Sharp as a gleaming sword and just as lethal.

Finally, headlining Saturday night, were the exquisitely named Sodomized Cadaver, from good old South Wales.  With a band name and song titles in the classic controversy baiting death metal style, it was obvious what we would be getting.  The heaviest band of the day, with a brutal rip-your-face-off  musical attack, these boys mercilessly slaughtered the gathered metal hordes.  Vastly entertaining, their savage yet brilliantly played Metel Angau* was murderously superb.

And that was it.  At least for me, as I could only attend Saturday.  Next year, I’m attending all three days and YOU’RE COMING TOO.

Awesome live music from the metal underground, Pentre Fest also delivered a great atmosphere and camaraderie amongst some very cool people.  Let’s have another!

The Facebook page for Pentre Fest is here.  There are links to all the bands over the full weekend – do the research, it’s worth it.

The McLeans Pub Live FB page is here.

* I am reliably informed that this is Welsh for Death Metal.

1968 – Gig Review

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1968

Friday 12th May 2017

Telfords Warehouse, Chester

The road to Telfords Warehouse was littered with walking corpses, stumbling clumsily with clothes falling from their limbs.  The zombified masses were yet again evacuating Chester Races, bumbling along in a drunken stupor.  I was on my way to Telfords to witness something far more intriguing – local band 1968 playing live, in a safe haven away from the riders of the apocalypse outside.

Telfords Warehouse is always a great place to visit, though it’s not famed for showcasing music like we were looking forward to tonight.  I’ve enjoyed music from other genres at the venue, but it was good to be expecting some noisy rock.  I met up with old buddy Dan and waited for the sonic attack to begin.

As you’d expect with a name like 1968, this band has Sabbath, Mountain, Blue Cheer and others of that ilk in their DNA.  It’s heavy, stoner rock with a reverence for the originals, proudly worn on their sleeves like old sewn on patches.  The bass chugs, the drums pound, the guitars wail and the vocals soar – all classic stuff.

It’s not just about the originators in this sonic stew though.  I could hear hints of epic Soundgarden, crunchy Kyuss riffs and even some COC style southern groove.

Enough of the band comparisons.  1968 are taking their influences and weaving new landscapes, using their own talents to create something energetic and new.  The band present a crushing presence on stage, performing their material with a killer confidence.

There’s even a progressive, experimental edge to some songs, with short instrumental sections lowering the volume and creating a mellower vibe.  If anything, I’d like to hear more of this develop in the songs – if only to provide a psychedlic contrast before the guitars thunder in again.

Any race goers who had wandered into Telfords soon left, slain by the merciless onslaught of 1968.  A superb band, I can’t wait to see them live again.  They have the riffs, the power and the vision to take them far.

It’s 1968.  The revolution is now.

Visit the 1968 Bandcamp page and download their awesome “Fortuna Havana” EP here.

1968 are on Facebook here.

The Telfords Warehouse website is here. 

Black Sabbath – The End

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bs

Black Sabbath + Rival Sons

Saturday 4th February 2017

Genting Arena Birmingham

The mighty Black Sabbath.  They created down tuned, dirty, doom laden heavy metal aeons ago.  Wrote songs that defined an entire genre and inspired millions of people.  Lived the rock’n’roll lifestyle to legendary excess, managing to survive through some miraculous method or other.  Black Sabbath are musical titans.

And this was The End – their last ever gig.  At least as far as we know at this point in time, and taking into consideration the band members current situations.

This was The End – Black Sabbath’s last live performance, ever – in their home city of Birmingham.

Through a result of pure luck I was able to blag myself on a trip to witness the event.  Sabbath are one of those bands that I’ve long been obsessed with, going on nearly thirty years now.  They’ve created fantastic albums that I’ve listened to again and again, so it was great to be able to catch this gig, before it was all over.

The support band were Rival Sons, a younger band that’s regarded very positively by fans and press alike.  I’m only familiar with one album or so worth of songs, but can safely say that they put on a very impressive performance.  Their music is rooted in the classic rock of yore, so it was an apt choice to support.  I didn’t recognise any of the material, but then Rival Sons are a band that definitely require some homework on my part.

A confident and popular support act, Rival Sons coped with the huge arena well.  They merit further investigation – I’m sure that classic song to get me hooked is tucked away on an album somewhere.

And so to the headliners, the incredible but sadly not immortal, Black Sabbath.  Of course they opened with the legendary “Black Sabbath” – what else? – the eerie three note, devil’s tritone that heralded the birth of metal years since.  A perfect start to the evening, Black Sabbath then proceeded to entertain with two hours of solid classics.

From my vantage point, standing in the massive arena hall near the sound desk, I couldn’t see great deal.  In fact, I could see more of Kelly and Sharon Osbourne, in the nearby VIP area,  than I could of Ozzy.  The sound however was superb and the set loaded with classics.  Plus I don’t think Ozzy (or Tony or Geezer) did much running around the stage anyway. bs1

Most of the songs were from the first four albums, which was cool by me.  Highlights were “Into the Void”, “Snowblind”, “Children of the Grave” and an unexpected showing of “Hand of Doom”.  Brilliant bass from Geezer Butler on “N.I.B.” too.

My absolute favourite Sabbath track, “Supernaut”, was unfortunately relegated to being sandwiched in as part of a medley (along with “Sabbath Bloody Sabbath”, another fave) – and therefore sadly under exposed.  A shame that, I went mental when the opening riff started.  No “Sweet Leaf” either.

“Supernaut” should have been in the set, certainly it was preferable to “Dirty Women” which was hauled out of the cellar and into the light one more time.  Although not their best material, this song did give Tony Iommi a chance to shine, the final guitar solo was absolutely explosive.

There were sadly no extra special moments, such as famous guests getting up to join in – maybe that would’ve diluted the spotlight on Sabbath.  It was nice to let them have their final moment of glory.  I think we were all hoping Bill Ward would make an appearance behind the drum kit for one last time though.

And finally, it was all over – with one last rendition of the genius song that is “Paranoid”.

Their final  gig was set to be emotional, set in their hometown for one last time.  In fact it was a hugely uplifting experience, rather than sombre – hundreds of the faithful showing their respect for all the music we love.  Not just Sabbath, but every metal band that’s followed in their sepulchral wake.

Black Sabbath – their legacy lives on.  They are the ultimate metal band and they leave us with a back catalogue beyond compare.  It’s never really The End.

The full setlist is here.

Scorpion Child – Gig Review

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Scorpion Child + Jared James Nichols + The Bad Flowers

Tuesday 1st November 2016

The Live Rooms, Chester

Almost a year to the day since I last saw the mighty Scorpion Child rocking out, and in the same venue too.  This time the crowd numbers are down, but hell – it was a bleak Tuesday evening.  No excuse though – people should have been at the Live Rooms for this gig.

I just managed to catch the end of the first set, by UK band The Bad Flowers.  This three piece were all power and chunky riffs – think Motorhead menace with some ZZ Top rock in there.  Very appetising and well worth keeping an eye on.

Next up was Jared James Nichols, with his two bandmates, bringing us our second three piece of the night.  This American band play a fine blend of bluesy hard rock, delivered with a confident, killer attack.  Mountain were a fair comparison – they rocked out a crunching “Mississippi Queen” just to prove it.  Quality entertainment with a boogie groove!

The last time I saw Scorpion Child, they were here on tour with Crobot (another superb band).  Now with their second album – the extremely brilliant Acid Roulette – firmly under their belt, I was keen to witness these new rock’n’roll superstars-to-be again.

Scorpion Child deliver music that is well schooled in the classics of the past – Zeppelin, Sabbath, Purple.  And like those bands they’re able to deliver monster rockers like “Liqour” and “She Sings, I Kill” along with some superbly epic moments that build beautifully (“Survives” and “Acid Roulette”).

There’s also a thinly disguised darkness about the bands sound, not exactly doomy but much more in the vein of 80’s bands like the Mission and the Sisters of Mercy.  At their most bombastic, Scorpion Child are reminiscent of The Cult (from whence they claimed their name).  Apologies for endless musical comparisons – but this band really have some classic style that merits a bigger fan base.  Throw in some Danzig and Soundgarden and you’ve got a list of some of my favourite bands.

A great deal of the set is from the new album, showing justified confidence on the bands part.  Songs like “My Woman in Black” and “I Might Be Your Man” are thundering hard rock compositions that are classics in the making.

A great gig, shame about the low attendance (and the lack of merch!) – but brilliantly infectious modern hard rock.  I’m off for fish’n’chips.

The Scorpion Child website is here.

You can find Scorpion Child, Jared James Nichols and the Bad Flowers on Facebook.

The Live Rooms website is here.

 scorpion-child

Sci Fi Weekender 2016 – part 2

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Phoenix

Sci Fi Weekender 17th – 20th March 2016

Hafan Y Mor Holiday Park, Pwllheli

Day 2 at SFW, and again it’s all a blur.  I recall it was a lazy start to the day for me, breakfast and chilling in the caravan.  Kurt was feeling better, but Greeny was starting to suffer with the illness.  It would be mostly be another day of watching Star Trek, Big Bang Theory and Top Gear for those two.

Adam had got up early and made it to see a showing of a new independent film called Pandorica.  Classed as an action-horror, reports about the film were very enthusiastic.  The Q&A with Director and cast was my first event of the day – it was interesting although I’d not seen the film!  Definitely one to keep and eye out for: word of mouth was very positive.

Wheres Blessed?
Jokes
Rey and Leia
Papa Johns is just ahead of you…
Massive Wampa
Marvel gang

The highlight of the afternoon was, undoubtedly, an appearance by the incomparable Brian Blessed.  Larger than life and twice as loud, Blessed’s sci-fi credentials are suitably top notch.  A life long fan of science fiction, as well in starring in numerous genre pieces – you may have heard of Flash Gordon – his enthusiasm was both apparent and infectious.

Professor Elemental hosted the Q&A with Brian Blessed, who wisely let the great man get on and tell his tales!  A solid job from the Professor – a daunting task well executed.

Blessed’s talk ranged from his acting work to his many explorations and mountaineering adventures.  His recollections of the Flash Gordon movie, and it’s well deserved appreciation by audiences the world over, were affectionately told.  An unmissable audience with a real living legend.

Judges
Dr Strange and pals
Black Cat
Vinz Clortho and pals!
Chewie with friends

In the afternoon I took some photos and looked around the stalls again.  Unfortunately, this years SFW again clashed with MCM Memorabilia in Birmingham, so genre based merchandise was thin on the ground.  I picked up some cool Elvira cocktail glasses though!

A good feature this year was the retro gaming section, where numerous old consoles could be played for free.  This was very popular, and although I don’t play video games it meant I always knew where to find my crew if we split up.  They were always playing games…

Every year at SFW, the Cosplay final is something to behold.  There’s always a sense of excitement in the air, as the costumed competitors take the stage.  And every year, the audience and competitors are enthusiastic and good natured.  Everyone cheers for each other, and there’s a real sense of community.  It’s nice to witness all the attendees rooting for each other; even though there will always be favourites, there is no bitterness.

Wolverine
Rocket and Gamora
Urban Troopers
Tank Girl and friends
Aquaman

The costumes were exceptional, as you can see (hopefully) from the photos here.  Not everyone entered the competition, but there were so many great costumes whether they were entering or just dressing up for fun.  Massive respect to everyone.

I find it great fun spotting and naming the characters.  The variety and imagination on show is consistently astounding, not to mention the talent that goes into making the costumes.  So again, thanks to all the Cosplayers for letting me take your photos.  Too many of my pics didn’t work out.  I also missed far too may opportunities.  But I hope that the photos here capture some of the creativity I witnessed.

And I sincerely apologise for not dressing up!  I lost count of the number of people who chastised me (with good humour, of course) for not dressing as Tony Stark…

Mario and friends
Dungeons and Dragons
Captain America
Edward
My Little Pony ladies

Anyway, there can only be one winner of the Cosplay final, and that was the Robot Overlord fellow.  I can’t remember the character’s name, but I swear it was truly incredible!

Later on in the evening, I zoomed over to the Prog Rock area to catch some music.  I was very happy to catch the Focus set; the song “Hocus Pocus” was an obvious highlight.  I only saw a couple of songs by Ian Anderson (of Jethro Tull fame) – though they were impressive – before heading back to the spaceport.

Nostromo crew
Mr Tumble!
Arrow and Canary
Zombies
Wonder Woman

For the rest of the evening, my compadre, Ste and myself had a few beers and hung around with various SFW attendees.  We saw some old pals and met a few new ones.  I took more photos – including the now traditional “no photos” social media-proof shades pics.  And we managed to stay up partying till after 2 in the morning!

Not such a good thing going home Sunday…

Still, another great time at Sci Fi Weekender.  And yes, Greeny and Kurt got better, thanks for asking.

If you were there, it was good to see you.  Hopefully we’ll see you next year.

And big thanks to Adam, who organised the whole thing for us!

The Sci Fi Weekender site is here.

The HRH Prog site is here.

PS: There are photos left unpublished, so there will be Bonus Scenes in a few weeks.  Be warned!

Party
Rebel pilots
Alien girl
Indy and friends
Oscar D2
Two Face
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Cosplay winner!

Tragedy – Gig Review

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Tragedy

Wednesday 9th March 2016

The Live Rooms, Chester

It’s my first gig of the year, and another visit to the ever reliable Live Rooms in Chester for some rock’n’roll.  I’ve had a few rockin’ parties at this venue, but this night was destined for greatness.  The exquisite Disco Metal of the one and only Tragedy was scheduled to set the sky on fire with dazzling party anthems.

Finding common ground between the opposing world of heavy metal and disco was never going to be an easy task.  They’re two genres of music that repel like the same sides of a magnet.  But with Tragedy, the water and oil can, and do, mix.  It’s a hard rockin’ combination of guitar and high pitched disco vocals in a totally crazy metal tribute to the Bee Gees (and beyond).

A heavy metal tribute to the Bee Gees is only the beginning, you see.  As well as Brothers Gibb classics like “Staying Alive” and “Night Fever”, their set is expanded to take in other disco and pop classics.  The mutated songs feature glimpses of riffs from Van Halen, Pantera and more.  One of my highlights was the ridiculously fun idea of warping the intro from Slayer’s “Raining Blood” into “It’s Raining Men”!

Part of the fun of this Tragedy gig was spotting chunks of recognisable metal riffs, and then being dumbfounded by how the band weave them into a late 70’s disco style.  The mash up is suitably gory too – these gruesome Frankensteins have no qualms when it comes to hacking limbs from one sweet pop track and stitching them maniacally to a heavy metal corpse.

With a light show and numerous skits introducing the songs (not to mention Lance the towel boy bumbling across the stage) it’s all very entertaining.  And professional, without being soulless.

For any metal fan with a sense of humour, Tragedy are well worth seeing.  You’ll have a hard time finding a more bonkers night out anywhere.  Great fun!

The Tragedy website is here.

The Live Rooms website is here. Tragedy

Crobot/Scorpion Child/Buffalo Summer – Gig Review

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Crobot + Scorpion Child + Buffalo Summer 

Wednesday 11th November 2015

The Live Rooms, Chester

Wednesday night, but that doesn’t stop me.  When there is a need to rock, I rock.  I ain’t no weekend greaser.

The crowd in the Live Rooms was a healthy size, and quite rightly too.  Three bands for a tenner – and all of them up and coming hard rock superstars.  It’s a night of 21st century music that has one foot in 70’s classic rock, though striding confidently in to the modern realm.

Up first were Buffalo Summer, four lads from South Wales (yay!) who command the stage like seasoned masters.  Their mix of classic Free and Southern Skynyrd boogie is enhanced with some Sonic Temple era Cult swagger.  Powerful and melodic with a rough edge, their songs are anthemic but still have guts.  “Down to the River” was just one highlight in a terrific set, but take my word for it and check ’em out for yourself.

Next up were Scorpion Child, all the way from Texas.  Their version of classic rock was part Zep deep fried in Purple, and all tasty goodness.  These guys go for epic and do not compromise.  The songs build with purpose and create huge sonic vistas that hint at their geographic origin.  “Liqour”, “Kings Highway” and “Antioch” are all songs that capture Scorpion Child’s ability to meld molten riffs with a truly grand vision.  Fantastic.

Our final band of the night were Crobot, who erupt on the stage with electrified enthusiasm.  Their first album, “Something Supernatural”, is awesome – but the songs have even more groove live; Crobot are hugely powerful, with riffs that are simply titanic.  There are tons of highlights, “Skull of Geronimo”, “The Necromancer” and “Chupacabra” being just a few.  If you dig Clutch or Wolfmother, welcome to your new favourite band.  You need Crobot in your life sooner rather than later!

Reporting from the front lines, I’m happy to say that rock – classic, heavy, groovy rock – is alive and well.  Do not hide, do not run for cover – get out there and catch Crobot, Scorpion Child and Buffalo Summer now!

The Live Rooms website is here.

You can follow Crobot, Scorpion Child and Buffalo Summer on Twitter.  Get on it, you need to be ready.

crobot-scorpion-child-uk-tour

The Holy Rollers – Gig Review

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The Holy Rollers

Saturday 3rd October 2015

The White Bear, Mancot, Deeside

Now I may not know much, but I do know two things very well: the first one is ROCK and the second one is ROLL.  And so I was looking forward to finally seeing The Holy Rollers play, bringing their unique brand of rock star to a local venue.

The White Bear is a great pub; featuring live acts every Saturday in addition to all the other wonderful things they do (like the food).  It’s also very close to home for me, luckily.  Though I was a bit worried I might end up hosting the after gig party for The Holy Rollers, being so close to the place.  Luckily that never happened – otherwise my TV would surely have been thrown out of the window…

Wrexham’s finest – The Holy Rollers – are a covers band par excellence; expertly rendering classics across various genres from different decades.  I understand they’re also debauched rock’n’rollers with a penchant for chaos and partying.

Whilst anticipation mounted, the band took their places and the intro tape played the start of the A-Team.  You know, “In 1972, a crack commando unit was sent to prison for a crime they didn’t commit…”  This was the first stroke of genius of the night.  If ever I’m in a band, I want the A-Team intro before I go on.  Awesome.

The Holy Rollers, crack commando rock stars that they are, launched into their first set of the night setting the tone nicely, with well chosen songs that skipped across styles effortlessly.  There’s some Oasis (“Rock’n’Roll Star”); some Stones (“Jumpin’ Jack Flash”) and even a classy “Beat It” to get the party started.  An early highlight for me was the Weezer classic “Buddy Holly”, just ‘cos I love Weezer. HR

The band confidently raided the back catalogue of numerous great bands to deliver a quality set, impressing with their craft.  Vocals and guitar duties are shared (and alternated) between Rob Roxx and G Bomb, adding some variety to the delivery.  Both of them delivered the tunes with a cool tenacity that made it all look easy.

The first set featured a storming final run through “Should I Stay of Should I Go”, “Hard Day’s Night”, “You Really Got Me” and Primal Scream’s “Rocks”.  You can’t fault that for a set list.

After a short break, the second half of the gig was back on.  We get ‘Phonics classic “Local Boy in the Photograph” and a bit of Bon Jovi.  The Holy Rollers version of Bad Company nugget “Feel Like Makin’ Love” was another highlight and a nice change of pace.

A mini punk rock section followed with “Teenage Kicks” (Undertones) and “Ever Fallen In Love…” (Buzzcocks).  The rhythm section did a fine job of keeping everything together as the pace changed through out the gig.  Bass player Maxx stalked the room like a rock’n’roll avenger with mayhem in mind.  Drummer Good Boy Roy pummelled the skins as if they’d insulted his mother.

Although delivering familiar material, The Holy Rollers always have an element of surprise tucked up their sleeves.  Case in point is the genius mash up of “Seven Nation Army” and “I Heard It Through the Grapevine” – two songs melded together to create a whole new monster.  It shouldn’t work, but it does – incredible.  The White Stripes and Marvin Gaye?  Who knows what other Frankensteins  these mad scientists can create?

The joy of The Holy Rollers gig was the fearless renditions of songs regardless of musical styles; be it “Uptown Funk”, Bowie’s “Let’s Dance” or the Smiths.  They are unafraid to play great songs, whether old or new, and regardless of genre.  It made a refreshing change to hear this four man mobile juke box playing songs that were well known, but given an exciting make over.

When the gig was over, The Holy Rollers dispersed.  Probably off to some rock star mansion to drive a Rolls Royce into the pool.  Or setting off fire works in expensive hotels.  Whatever they got up to; we, the people can rest assured.  Rock’n’roll is in safe hands.

Melvins – Gig Review

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Melvins + Big Business

Friday 9th October 2015

Gorilla, Manchester

I had been waiting for this for a long time.  As a long time fan of the Melvins, it seems inexplicable that I’ve never seen them live before.  But then I rarely travel to Manchester for gigs.  2015 has been the year of live music for Platinum Al; as such the planets aligned, the tickets were bought, the wheels were rolling towards the big city and it was on.  Finally, I would witness the wonder of the Melvins.

And not just the Melvins – the support slot went to Big Business, a two piece of bass and drums in a similar mould to the mighty headliners.  Of course, anyone who knows their Black Flag from their Black Sabbath will tell you that Jared and Coady of this band also perform with Buzz and Dale to create the steaming sonic soup with lumpy riff croutons that is the Melvins. Melvins

The Big Business set was extremely impressive in it’s own right.  As I said, the band is just bass and drums, yet the almighty noise they make is astounding for a two piece.  They play a solid set that could’ve been a main course of the evening’s entertainment.  Big grooves, pounding drums and awesome sound scapes create a fine appetiser.

Gorilla in Manchester is some sort of restaurant/bar thing, with a stage at the back for live shows.  It’s seems more in scale with stand up comedy gigs, but despite the modest size it’s a great place to see the band – close up, good views and sound.  The beer is a bit expensive, but I got a Melvins (official!) t-shirt for a tenner!  Yeah!!!

So anyway, the Melvins arrive on stage as a four piece – Buzz, Dale, Jared and Coady – and we’re off.  It’s a gig unlike any I’ve experienced ever before.  There’s no breaks; no chat with the audience; no introducing the songs – the band just plough through their catalogue of fantastic songs and drag the audience along with them.  The audience follow willingly, of course – and the band don’t ignore us – it’s a unique unspoken agreement that we’re all along for a hell of a musical journey.

The music is heavy, sludgy, intense – exactly what I expected and wanted.  There are several songs from newer albums (“The Water Glass”, “Evil New War God” – both superb).  Older classics like “Sweet Willy Rollbar” and “It’s Shoved” are given a welcome play too.  The absolute high light for me though is “Civilised Worm” – what a riff!

The power of the riff is what the Melvins are all about.  Buzz’s guitar is astoundingly heavy, yet also shines with artistic flourishes and strange sounds to keep the listener guessing.  The bass is relentless yet groovy, hammering home the riffs.  Add dual drummers and ears were ringing for days.

It was a truly intense live experience and one I’m really glad I saw.  Unlike anything else and worthy of the hype, the Melvins are a unique band and I love them.

Did I mention I got a t-shirt for a tenner??!!