In part 1 of my report from Liverpool Comic Con, we looked at the event overall and I shared some Cosplay photos. This time around, let’s take a look at the vehicles and props that were on display in the huge arena.
I’ll keep the words brief, as it’s the photos that tell the story. All I need to point out is the huge arena housed numerous vehicles, including some very cool cars from TV and Film (the Starsky & Hutch Gran Torino was probably my favourite).
There were also various props and sets for photo opportunities, including some great Star Wars items. The absolute highlight for me was the full scale AT-ST – otherwise known as a Scout Walker – towering over everything, including a mock up of the Imperial bunker on Endor.
Of course there were still plenty of attendees in costume wandering about, lots more stalls and even live bands on stage. Overall great entertainment and an action packed day out. Liverpool Comic Con must be the biggest convention in the country now? It certainly offers a fun filled event for all.
Now, I need to start this blog post with an apology. The last time I went to Liverpool Comic Con in November 2024, I took my trusty Canon camera and took loads of photos of Cosplayers and props etc. But, when I got home, the memory card died on me. Meaning that all of those photos were lost forever before I could back them up. So no November 2024 blog or photos.
This time around, I just used my brand spanking new Samsung phone for the photos, and they turned out pretty good. I’m going to keep the words to the minimum this time around though, and let the pictures fo the talking.
I will mention that there were some big guests again at this event. Star Wars was well represented by Hayden Christensen and the very lovely Rosario Dawson. I may well have a huge crush on Rosario Dawson, but decided not to meet her as autographs cost an absolute fortune. And she would’ve immediately fallen for me and wanted to elope, which would be kind of unfair on our families. So it was for the best.
But yeah, lots of interesting guests including a load of Starship Troopers people (Denise Richards!), Michael Ironside, Dirk Benedict and so on.
As these photos hopefully show, there was a respectable number of amazing Cosplayers frequenting the event. Daugthertron went dressed a Monster High character this time, but again I’m forbidden from sharing the pics. Well done to all the other costumed visitors, you were fantastic. Thanks for letting me take your photo.
Other than that, there were some great props and famous vehicles, plus dozens of stalls selling all manner of wonders. But we’ll cover those in Part 2 – stay tuned!
What an excellent way to spend Star Wars Day. May the Force Be With You!
A crack of lightning; the roll of thunder; rain lashing at the window. Night has fallen, and the cold air nags at your bones with a morbid persistence. The wind moans, but cannot hide the strange calls off in the mountains. The children of the night, what music they make… Come closer, friend. It is time once again for Halloween Horror Fest…
That’s right, kids – Halloween Horror Fest! Throughout the month of October, I watch as many films that are appropriately fearsome, frightening, or just pure fun! Here at the Virtual Hot Tub is where you can catch up on my mini reviews of each movie, and enjoy spooky season and all it’s macabre delights!
The Ghost of Frankenstein (1942)
We’ll start this year with a gem from good old Universal. You really can’t beat these old black & white movies for sheer atmosphere and nostalgia. I’ve never seen The Ghost of Frankenstein before, so was keen to tick it off my list.
Following on from the previous film in the series, Son of Frankenstein (1939), we again meet Ygor (Bela Lugosi), who discovers and rescues his old friend The Monster. This time, Frankenstein’s creation is played by Lon Chaney Jr, rather than Karloff. The pair travel to a new town to locate the younger son of Frankenstein, Ludwig (Cedric Hardwicke), where Ygor blackmails the doctor into revitalising the creature. A plan is set in motion to replace the monster’s criminal brain with a “good” brain, but some have their own ambitions motivating them…
Plot wise, I could tell exactly where this movie was headed from the off – there are no real surprises. And the lack of Karloff as the monster made me somewhat wary. But Chaney Jr has a good crack at it, and the rest of the cast (including Lionel Atwill) keep proceedings on track. Moody sets, great soundtrack and an enjoyable (though somewhat obvious) storyline helped make this film another triumph for Universal.
Opening with a Bladerunner-style synth led track that features a spoken word delivery of Asimov’s Three Laws of Robotics, is a bold (and different) move for a Stoner/Doom band. In a genre where, thematically, we’re usually content to contemplate the joys of weed consumption and the mysteries of the occult – usually via a 1970s Hammer horror aesthetic – this sci-fi launching point is a welcome breath of fresh air.
This is where we enter the album “A.I.” by Spanish doomsters Greengoat. It’s a great band name, and one that harks back to those pot and patchouli, candles and Peter Cushing tropes we’re used to. But ‘The Void’ takes us on a different tangent, with the Rutger Hauer voice over. Second track ‘The Seed’ takes this mellow intro and runs with it, till 30 seconds in – yes, it’s big fat chunky riff time! And what a big, fat chunky riff it is – slow and grinding, developing an irresistible groove with the drums dropping in, eventually exploding into a full force rocker.
The line-up of singer/guitarist Ivan Flores and drummer Ruth “Kalypso” Moya invoke a moody soundscape that borrows from spacey, harmonic passages of Pink Floyd and adds crunchy hard rock. It’s a euphoric concoction as the music builds. And oh, how it builds…
A more traditional stoner groove pervades the other songs on the album, with groovy riff workouts showcased across tracks like the head-nodding, tripped out title track and the fuzzy, Fu Manchu-like ‘Burn the End’.
Throughout the album, Greengoat weld together a progressive, futurist theme with some good, old fashioned, retro Sabbath style rockin’. “A.I.” will no doubt entwine itself around my conscious all the more as I play it in the weeks to come. This is a fine album with great ideas – the analogue age and the digital age tentatively strolling forward together.
The last time I was at Wales Comic Con in Wrexham was back in August 2022, and a lot has changed since then. That last event I called “a triumphant return”, though it seems that everything moved back to the substitute venue in Telford. Now the convention appears to be back in North Wales for good, which I’m very happy about.
I mean, I don’t even know where Telford is. Somewhere near Birmingham, I think, so a couple of hours away. Whereas Wrexham is fifteen minutes away from home. It’s easier for me to get to Liverpool, so why would I go to Telford?!
Wales Comic Con was certainly more modest this year. I could tell right away, as I was able to park on the University grounds. The event was reduced to just one sports hall, rather than sprawling over the campus. There were less people milling about, which was actually a bonus, as in previous years the halls could get very crowded.
As always, there were plenty of vendors selling all manner of wierd and wonderful merchandise. My family and I had a right old time adding paraphernalia to our respective collections, and were well satisfied by the wonders on offer.
Our only issue with the event was that some of the celebrity guests had cancelled. In particular, Christopher Lambert of Highlander and Greystoke fame was a temptation we couldn’t resist. I’ve given up on the celeb autograph hunting game as an expensive disappointment, but I was ready to come out of retirement for Connor McLeod.
Unfortunately, M. Lambert had cancelled his appearance (possibly some time earlier), though there had been no warning from the event organisers. In fact, event staff on the day were somewhat vague as to whether he’d cancelled or not. Refunds will be provided, but the Highlanders absence was quite a blow. This was not a kind of magic.
The cosplayers saved the day, as always, with some great displays of imagination and creativity. There were fewer than previous years, obviously, but were still very impressive. Thanks to everyone who posed for photos!
A reminder re the photos on this blog: I am not a professional photographer. I have a nice (but old) camera, and I’ve recently been beset with technical difficulties. My trusty PC has died and I’m cobbling this together on an old laptop running Windows 7 and no photo editing software. So I hope the pics are OK – feel free to share etc as you please, cosplayers.
In conclusion, it was great to have Wales Comic Con back in it’s proper home, and despite a few issues, we all had a great day. Let’s hope the move back to Wrexham will herald a return to form and this convention can get back on its feet.
Good evening, fiends! Welcome yet again to my abode, come inside and warm your bones by the fire. Take a seat, make yourself comfortable. Forget the howling wind and lashing rain outside. My faithful servant, Ygor, will bring you refreshment. And when you are ready, I’ll begin my tale…
Halloween Horror Fest 2023 is upon us – which means watching lots of spooky movies and sharing my mini reviews with you, lucky reader. As always, I intend to view a variety of films that are in the Halloween tradition. Whether old or new, frightful or fun – let’s indulge in a season of entertainment that’s truly fantastic!
Dr. Terror’s House of Horrors (1965)
A British horror classic, this film was made by Amicus Productions – not Hammer, as many would assume – though this rival picture features some familiar faces in it’s starry cast. Amicus are well remembered for their anthology movies, featuring several short stories within a framing narrative, a device that’s well utilised here.
Five strangers on a train journey meet Dr Schreck (Peter Cushing) – his name being German for “terror” – and his deck of tarot cards (his “House of Horrors”). Each passenger in turn has their future told by Schreck’s cards. There are tales of werewolves, vampires, voodoo and malevolent plants, as the passengers fates are revealed.
Some tales work better than others. The voodoo based segment, starring none other than Roy “Record Breakers” Castle and Kenny Lynch, is simple but effective with garish lighting and exotic jazz. You can’t go wrong with the legendary Christopher Lee, in his art critic/revenge from beyond the grave story, nor a young Donald Sutherland as a New England doctor with a vampire bride – even though the stories can seem too short, due to the portmanteau style.
I was less intrigued by the tale featuring Alan Freeman (yes, “Fluff” Freeman!) and his dangerously intelligent plant, so I guess even my ability to suspend disbelief can be pushed too far.
Despite the rushed nature of the stories, I consider Dr Terror’s House of Horrors a must see. The film looks great, boasts a formidable cast, and goes all out to entertain – even if it’s sometimes a bit creaky and dated. Worth watching for Cushing and Lee alone, there’s actually a lot more to enjoy in this Amicus thriller.
9/10
The Devil Commands (1941)
We’re going further back for our next spooky movie, where we’ll meet another horror legend, the one and only Boris Karloff! In this B&W B-movie, dear old Boris is less mad scientist, more frustrated professor led astray by the machinations of others.
Dr Blair (Karloff) is researching brain waves, when following the shock death of his beloved wife, he decides to use his research to speak to the dead. Under the conniving influence of a fraudulent medium, the doctor’s research becomes more dangerous and deadly…
I prefer my horror supernatural rather than sciencefictiony, but this is a neat, stylish little film. Despite a simple, perhaps obvious plot, the performance of the wonderful Karloff the Uncanny entices the viewer to keep watching, The Devil Commands is a great watch for those, like me. who like a bit of old school scary.
OK here we go – a family trip out to Liverpool Comic Con! And boy, this convention was BIG. I made the journey to this con last year and had a fairly damn good experience, so it was exciting to return. A wet and chilly day was on the cards, but there’s always a warm welcome in good ol’ Liverpool. And we’d be inside all day, anyway.
Last time around, the queueing situation was a proper nightmare. This time, I made the wiser decision of not having “early bird” tickets and arriving at 9am. I didn’t even bother to get to the event for our allotted time (11am) – we strolled along at 12.30pm and pretty much avoided any queueing whatsoever.
That’s the way to do it. There’s no point in standing in a line, outside, in November.
To tell you the truth, I wasn’t even aware that there was a time we were supposed to go in. I hadn’t looked that closely at the ticket, we were just late. But as they were still letting the last of the 11am people in when we arrived much later, I think this result was a winner.
Anyone who attended this convention (on either day, Saturday or Sunday, from what I’ve heard) had a hard time with the sheer amount of people there. It was rammed. But it seems like Sunday was the better of the two days, so again a stroke of luck. The Exhibition Centre was very busy, but just about manageable.
Several interesting guests were present, but no one I was too concerned about. Meeting guests isn’t that big a deal to me (unless they’re Hammer Horror related!). And the prices were not cheap. It was an impressive bunch of celebs, though, with Stranger Things featuring highly.
Vader and pramdav
Instead, I had my fun perusing the fabulous stalls, buying merch and taking photos of the wonderful Cosplay crowd.
There seemed to be fewer people in costume at this event, but that could be down to the weather (can’t have been fun for some of those who did dare); and the sheer numbers of people there, hiding the view.
StevedavFam and Mike
What Cosplayers I did encounter, however, were superbly talented and spectacular, as always. And lovely people too! Thanks to all of you who let me take your photo, it’s very much appreciated.
Merch wise, my crew and I went a bit crazy – but Christmas is looming on the horizon, so to hell with the cost of living crisis. I picked up a couple of Star Wars figures and a few Marvel comic books, so was happy. There was a distinct lack of action figures across the board though – a result of the clash with the event in London? Not enough Star Wars, MOTU or ReAction figures to be found.
mde
The retailer we were most excited to see again was Cult Locations Ink, who create intricately detailed, framed art prints of film and TV locations. A couple more were added for our new collection, including my favourite, the Munsters’ House.
We’d been on our feet for hours, when finally the time came for us to wander off home. Yes, it was a busy day, but still good fun and a good atmosphere. I’ll be back.
At long last, Wales Comic Con made a triumphant return to it’s home at Glyndwr University in Wrexham, North Wales. Recent events had moved to Telford, which isn’t even in Wales. The thing about staging the convention in Wrexham is, on a personal level, it’s much closer to home and thus makes a great family day out. Telford, not so much.
On a slightly smaller scale, but with a great sense of good natured fun, Wales Comic Con returned to the sports halls of Glyndwr Uni. And of course there was all the usual special guests (always impressive), stalls selling merch, and cosplay enthusiasts.
This year, Stranger Things was the buzz at the Con. Not surprising at all, and neither was the number of folks dressed as Eddie Munson. Eddie is easily the best character in the show, so it was nice to see so many people pay tribute to the lovable metal head by dressing up as him.
In previous years (and at various cons), Harley Quinn has been the most popular choice of outfit for convention goers. This year, Eddie and other Stranger Things characters were number one, by far.
Grace Van Dien, who played Chrissy on the show, was a very popular guest. My daughter queued for ages to meet her, along with dozens of other fans. I’m happy to report that Grace was charming, cheerful and very nice indeed.
I was able to meet and chat with the very lovely Tabitha Lyons, super talented cosplayer and model – and her dad Nic Samiotis, prop builder extraordinaire. Two very skilled and very cool people who were a delight to meet. Photos of Tabitha have appeared in previous blogs of mine, there’s another below, where the lucky lady is pictured with yours truly. I nearly didn’t post it – I need to go on a diet, quick fast!
My merch buying plans didn’t quite do so well on the day. I did pick up a Star Wars figure (naturally), but despite there being a number of stalls, there was a distinct lack of comic books for sale. I’d been hoping to add to my Bronze Age Marvel collection, but never mind.
Welcome back, Wales Comic Con. We had a memorable day out, looking forward to more!
Chester Comic Con was held recently, on a mild summer Sunday afternoon at Chester Racecourse. It was Father’s Day, and I made sure that my personal choice for the day was to attend this event for a fun filled afternoon.
I’ve not been to a comic con in Chester for a couple of years, due to the pandemic and all that kinda shiz. As previous, the racecourse hosted the event and it made for a good venue, with plenty of open outdoor space. Indoors was a bit more compact, but there were enough trader tables to fill the place without getting too manic.
There were also a few showbiz and comic book guests in attendance, though my main aim was to plunder as much action figures and comic books as possible. But have no fear, I also had my camera with me, to take some photos and hopefully provide an idea of what it was like to be there.
Here you’ll see some photos of the excellent Cosplayers, who were all very friendly and gallantly agreed to pose for pic. Thank you all.
Despite the smaller scale of Chester Comic Con – in comparison to some of the bigger events at Liverpool or the NEC for example – it’s a fantastic convention with a good family atmosphere. I had an excellent time, and bought a load of old 70s Marvel comics. Very happy indeed.
OK, here we go! The clue’s in the title, folks – you can probably figure out where we’re headed with a band called Lugosi straight off the (vampire) bat. If not, let me give you some pointers…
To get to Lugosi’s haunted house, depart from the Ramones’ basement, travel up Misfits Avenue, take a left at Danzig Drive, head on past Lemmy’s Bar’n’Grill till you get to 1313 Mockingbird Lane. And you’ve arrived: horror themed punk’n’roll with fast’n’furious tunes and daft lyrics about dodgy old horror and sci-fi movies. In other words, exactly the kind of goth rock Halloween shindig that your ol’ Uncle Al loves to crash.
Let’s get the devil-locked elephant in the room dealt with first: ‘cos there’s going to be a Misfits reference in nearly every sentence I write of this review! To be fair, although there’s an undoubted Misfits influence in Lugosi’s work, it’s more in the lyrical content: songs about vampires, Dawn of the Dead and devil worship are aplenty, but in a tongue in cheek, Hammer horror style rather than any serious Satanic pretence. This is music made by fans of cheesy, campy horror classics for other fans of the same.
The music itself has less of the big “WOAH” Danzig choruses and a more Motorhead inspired punk’n’roll sound, like Supersuckers or Zeke. There’s even a really cool instrumental in the middle of “They Came from Outer Space” that has an Iron Maiden feel. The riffs not too far from Clutch, and – is that a Thin Lizzy influence? Well, I was surprised to learn that Lugosi are from Dublin – I imagined they were from a remote cabin in the Texas backwoods somewhere…
“Late Night Slasher Movie” starts things off perfectly, in the speedy rockin’ style I mentioned, with hilarious lyrics! “We’re Here to Drink Blood” is one of the punkier paced, Ramones tracks – and it’s catchier than a zombie plague. Then there’s “Soylent Green”, which reminds me of Jerry Only era Misfits (this is a good thing). A heavier, Sabbath feel rocks right out of the grave on “The Vampyre” and “Hellfire Club”. There’s an almost doom sound to “1313”, augmented by high-pitched, theremin like weirdness. I think you get the idea.
“Video Nasty” is a great album, thoroughly enjoyable in many ways: a successful Frankenstein bolting together of B-movies, punk and heavy metal – ideal for your next gathering on All Hallows Eve. Kitsch, ridiculous, over the top – and FUN. Lugosi have really reanimated the corpse of horror punk, and – it’s alive!!!
Platinum Al's Virtual Hot Tub 