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Pentre Fest 2024

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Pentre Fest 2024

McLean’s Pub, Pentre, Deeside

Friday 23rd & Saturday 24th February 2024

Pentre Fest is a big deal to me.  And I’ll bet it means a lot to plenty of other people too, who are just as keen to enjoy this festival of underground – but not unloved – metal bands.  I look forward to this event every year.  I mean, after the Christmas festivities, how else are you gonna survive the misery of January? 

Yours truly was the lone representative for Ever Metal at Pentre this year, so all the reviews were my responsibility.  I tried to see as many acts as I could, but it wasn’t always possible.  And so I can cover as much ground as poss, the summaries will be short and sweet this year.  But trust me, I’ll keep you on the straight and narrow.

The festival began on Friday evening, Edd Case and his acoustic set on the new outdoor Keymo stage being my introduction.  It’s a proper stage this year, with steps and everything.  Edd played a great set of acoustic tracks, including some Maiden, Neil Young (nice Soundgarden segue/tribute) and plenty more.  Most impressive.

Heading inside, Omega Throne was on next.  Their set was an exciting blend of Death/Black Metal, with some intriguingly dark, gothic elements peppered through the songs.  A great set that combined power and fury with a little mystique. 

That was followed by the lunatic genius of Mad Spanner.  Now a one-man band of crazed thrash metal with a backing track, Mike aka Mad Spanner offers brilliant musicianship, wry humour and furious energy.  I’m still recovering from this set, God know how he does it.

Back inside and Bloodmores were up next.  This was a great set of pounding, heavy Thrash/Death metal, excellently played and with a surprising amount of foot stomping groove.

Tonight’s original headliners, I Saw The World Burn, were sadly unable to play.  We sincerely hope all is well in that camp.  At the final hour, however, Cadence Noir were able to fill the headline spot with their gothic tinged folk punk’n’roll.  Cadence can always be counted on to get everyone jumping and jigging around, and they did a fine job of finishing Day the First of Pentre Fest.  

Saturday’s wake-up call was DAM.G, alias Rob from Thrashatouille’s “grown up band” (not my observation, but one overheard on the day!).  A melting pot of progressive metal with Rob’s growl augmented by phenomenal female co-lead vocals, it was certainly a powerful and memorable set.

Outside was a pleasant surprise: the disco funk of Mrs Gizlo.  Who’d have expected that?  Not me, but it was great fun to hear something different and it certainly got the crowd moving. 

In Which It Burns took to the indoor stage next, and gave as a relentless set of thrash metal.  It was only mid-afternoon and these Pembrokeshire ragers delivered the goods with super-fast, aggressive tracks.  Nice work.

Liverpool’s Ogun were on the main stage next, with some meaty thrash metal of their own.  Fast and brutal, I really enjoyed these guys and their total take-no-prisoners approach.  Wish I’d bought a t-shirt. 

It was freezing outside, so deep apologies from me to the various artists I missed outside, whilst huddled inside with a pint.  North Wales Deathcore deviants Dystopian Sun kept the fires burning with some intense yet bouncy metal that roared by like a Sasquatch driving a stolen pick-up truck.

Rule of Six had an early start on Saturday morning.  Whilst most of us were still hiding from encroaching hangovers, these lads set off at 4am to get from Northern Ireland to North East Wales for this gig.  I’ve never seen so many guitars on stage (four plus a bass!) but all Rule of Six’s instruments were well employed, with their melodic metal proving an uplifting and thrilling experience.  Maiden comparisons are a bit obvious, but apt.  Great show and nice contrast to much of the bands so far.

From one band who crowded out the main stage, to another band who spent little time on it: Broken Jaw refused to be restrained and preferred to wander around the room!  Their blend of punk energy and attitude with metal riffery made sure no-one in the audience was allowed to put their feet up.

Afterward, I dared to make a rare venture outside to witness Skinflick, who I’d heard very good things about.  This two-piece outfit gave us some filthy Industrial EDM dripping with sleazy beats – another very cool divergence from the expected.

Beyond Salvation made their way to Pentre from Manchester, and pretty much laid waste to all with a blistering set of thrash metal.  The band were both brutal and energetic, with superb playing, that kept the gig going on full steam.  There was no chance for the audience to flag here!

I’m actually gutted that I missed SOOTO out on the Keymo Stage.  Blame the cold, blame the drink, blame me for being useless: I should’ve been there, sorry.  Can we get SOOTO back please?  I promise I’ll pay attention this time.

Every year at Pentre Fest, there’s at least one band that I go full-on Fan Boy for.  This year’s recipients of the accolade were the amazing Struck/Down, who played huge sounding groove metal riffs that immediately had me hooked like a fish.  For me, Struck/Down were the best band of the weekend by a distance.  T-shirt purchase?  Tick.  CD purchase?  Tick.

Finally, our last band of a fantastic event were Extreme Metal leviathans Krysthla.  The foot was down on the pedal as Krysthla hurtled us through the last set of the weekend with a rapid fire, unrelenting batch of songs.

And that was it, Pentre Fest was over for another year.  I’ve been downhearted ever since, missing the camaraderie and fell-good vibes of the event – not to mention the out of this world music.  Thanks and huge respect to Fozzy and Beany, North East Wales Metal Productions, McClean’s, and all the bands and crew who made this happen.

I wish it could be Pentre Fest every day.    

Catch up with news at the following pages: N.E.W. Metal Productions, Goodfor Audio, McLeans Pentre.

This review is brought to you by Platinum Al in association with Ever Metal.   

Trouble – Run to the Light Album Review

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Trouble – Run to the Light (Expanded Edition)

Metal Blade Records

Release date: 16/06/2023

Running time: 58 minutes

Review by: Alun Jones

8.5/10

Emergency!  Emergency!  Quick – this is urgent!  Due to a slight administrative cock-up (that might be my fault, I’m not telling), a review for this reissue of Trouble’s classic third album almost slipped through the net.  But there is no way I’m going to let that happen.  Absolutely everything Trouble related should be treated with total respect and receive the maximum coverage.  Hence, here’s my review to commemorate the re-release of this landmark album.

Metal Blade, who released the original version of “Run to the Light” in 1987, have been gracious enough to give us all a chance to rediscover this album from Chicago metal legends Trouble.  Trouble is, as I’m sure you know, one of the great doom metal bands that originated the style back in the eighties – before the sub-genre even had a name.  Whilst everyone else was speeding up and thrash metal was coming to the fore, Trouble were one of the few bands who took their inspiration from early Black Sabbath.  They played slower, griding riffs resonating with melancholic power.     

‘On Borrowed Time’, with its funereal intro and gloomy pace, illustrates the Trouble template well: and features a revved-up section in the latter half.  The title track has a bouncy intro riff reminiscent of ‘Symptom of the Universe’ that’s married to a crushing, slower section.  It’s this multi part approach to song writing, contrasting sections of heavy and light, that most recalls Tony Iommi and crew.  Trouble isn’t directly stealing guitar lines or concepts, it’s the spirit and craft of Sabbath that they emulate.       

The bonus tracks in this Expanded Edition include three demos of album tracks that are interesting, but for fans only.  The real curio is the cover of The Beatles classic ‘Come Together’, which originally appeared on “The Best of Metal Blade Vol. 2” in 1987.  Fans of the band will be aware of Trouble’s affection for 60s psychedelia, so this track will make perfect sense.  ‘Come Together’ is no real surprise – it sounds exactly how you’d imagine it would – but it’s a nice temptation for the faithful.

“Run to the Light” offers little in the way of new gems, but to lament that would be to miss the point.  It’s incredibly important to have albums like this in circulation, available for all to investigate and add to their collection.  I can only apologise to the band and record label for the tardiness of my review; if it’s any consolation, I’ve already bought a vinyl copy to cherish (to go alongside my ancient CD copy).  I’d encourage readers to buy a copy of this Trouble album and indulge in the joy of doom.      

If you’re looking for Trouble, try their website, Facebook or Bandcamp.

This review has been brought to you by Platinum Al in association with Ever Metal.

Chrismosh – King Kraken/Devil’s Henchmen/Divinitas Gig Review

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King Kraken + Devil’s Henchmen + Divinitas

Saturday 9th December 2023

McClean’s Pub, Pentre, Deeside, North Wales

It’s Christmas time, there’s no need to be afraid…  Certainly not when North East Wales Metal Productions are having their Christmas party!  Yes, it’s Chrismosh, an annual celebration featuring awesome metal bands, playing live in McClean’s pub in Pentre, North East Wales.  Also the site of Pentre Fest, an event I regularly go crackers for – not to mention other gigs aplenty – this evening was a special seasonal gathering.

First up were Divinitas, from over in Manchester, who stepped in to fill the bill at the last minute, saving the day like Prince Charming on a steed of steel.  These lads are loud and ferocious, unleashing chunky riffs that made the room bounce.  The songs (particularly the closer, ‘Mirror Fiction’ – if I recall the name correctly) feature harsh vocals wrapped in torment and frustration.  Divinitas played a devastating set that was energetic and performed with admirable conviction.

Next up were Liverpudlian metal titans Devil’s Henchmen, who not only have some of the best t-shirt designs I’ve seen in ages, they can also utterly destroy.  These guys play music that reminds me why I loved thrash so much back in the eighties.  Reminiscent of old school Slayer, Devil’s Henchmen are fast and utterly brutal.  They even play a Misfits cover (‘Where Eagles Dare’, YEAH!!!) in a set that had usjumping around like the Krampus with his hooves on fire.  Absolutely bloody marvellous.

Our final band of the night, the mighty, magnificent King Kraken, had travelled up from South Wales (a fair old trek, believe me) to deliver a sleigh full of Christmas cheer.  Since they played at Pentre Fest back in February, I’ve waited impatiently for the return of this band and their groove metal machine.  The boys don’t disappoint, with monsters like ‘Green Terror’ and ‘Devil’s Night’ as exciting and powerful as ever.  We’re even treated to a couple of new tracks, never performed live before – truly, Christmas has arrived early!  With a superb set, King Kraken are simply unstoppable, a perfect way to end the night.   

Three great bands, a welcoming venue, organised by the ever-reliable NEW Metal Productions.  Thank you.  Merry Chrismosh to all, and to all, a good night.

Check out Divinitas here.

Check out Devil’s Henchmen here.

Check out King Kraken here.

Visit McClean’s Pub here.

Show your support for North East Wales Metal Productions here.

Scrap Metal Vol. 2 – Album Review

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Various Artists – Scrap Metal Vol 2

RidingEasy Records

Release date: 10/02/2023

Running time: 41 mins

Review by: Alun Jones

8.5/10

All hail the return of the forgotten kings!  Yes, it’s another instalment of long lost and forgotten classics with the second “Scrap Metal” collection from RidingEasy Records!  Much like their Brown Acid series, which compiles obscure late 60’s/early 70’s psych hard rock, here we’re delving into the murky depths of early 80’s metal.  This is the realm of studded belts, band patch covered denim jackets and of course, mullets: prepare to ROCK!

We begin with ‘Running for the Line’ by JJ’s Powerhouse – a lightning-fast ripper that reminded me of Judas Priest playing a cover of Budgie’s ‘Breadfan’.  It’s a great, energetic start to the proceedings.  Next is Storm Queen, with another fast-paced attack in ‘Raising the Roof’.  Furious fun from this Welsh power house.

‘It’s a Crime’ declare Jameson Raid, and it is indeed a crime that these Brummie bruisers didn’t achieve more in rock’n’roll.  A.R.C. have a punk’n’roll edge that makes their song ‘Homemade Wine’ something to savour, it’s the rawest track here so far.  Metropolis hail from San Jose, and their track ‘The Raven’ has a dark, mid eighties thrash sound and killer intro riff.

Staying with the USA, Prowler from San Diego offer up ‘Temporary Insanity’ – more mid-eighties thrash infused metal that recalls early Anthrax.  Following that, Christian Steel deliver ‘Need Your Love’ – a fairly cliched, but still fun, banger.  If these guys are Christians, I’ll bet their church group won’t be impressed with what they’d like to do to a lady (outside of matrimony too, I suspect).  ‘Sidewinder’ is one of the best tracks gathered here, a punchy rocker from Black Rose.      

‘Star Trippin’’ is by Dark Age.  Dark Age are apparently a band of youngsters: the guitarist was jut 12, and his brother on vocals two years younger when this song was written.  It’s fun, but very strange listening to the helium high-pitched voices.  It’s like Alvin & The Chipmunks playing Crue covers.  Finally, we have Sorcery with their mystical Zep-a-thon ‘Whales’.  Crazy title for a crazy tune.  There’s a mellow hippyish intro, which is obliterated by the crushing mega riff which powers the song along.  Over the top magnificence.

From NWOBHM inspired tracks, to proto thrash and full-on goof ball metal ragers, Scrap Metal Vol 2 has plenty of variety.  Maybe not so much depth, but it’s not for want of trying with some of these bands.  At the end of the day, all of these songs are fun and it’s great to know they’ve been rescued from oblivion.  Now, raise those horns and roar!

Check out RidingEasy Records online, on Bandcamp, Facebook, Twitter and Instagram.

This review is presented by Platinum Al in partnership with Ever Metal.

Worselder – Album Review

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Worselder – Red Shift

Ellie Promotion/Seasons of Mist Distribution

Release date: 17/02/2023

Running time: 45 minutes

Review by: Alun Jones

8/10

January is over.  Yet the cold still lingers, steel grey skies still shroud us.  The iron glow on the horizon promises more snow.  We stumble like children through the deep snow drifts of the French Pyrenees, our bodily extremities feeling icy cold.  We are here in search of Worselder, metal warriors who hail from these parts… 

Here we have “Red Shift”, the latest endeavour from the mighty Worselder.  It’s their first LP since “Paradigms Lost” in 2017, no thanks to the delay caused by the bloody pandemic.  They’re back in full-on, skull crushing style here, though – picking up where they left off with the well-received success of the last album.

Part power metal, part thrash, with a bit of old school trad metal, Worselder’s music is aggressive and direct, no superfluous cheese.  Opening tracks ‘Para Bellum’ and ‘Point of Divergence’ are furious metal with chugging riffs and fast pace.  It’s infectious, head banging stuff.  There’s a ferocious metalcore attack embedded in there too, particularly on ‘Pillars of Smoke’.

It nearly goes wrong on ‘Absurd Heroes’, where a truly ugly slap bass stinks things up in the intro.  It’s only a minor setback though – ‘Atheist’ kicks the doors down with a killer riff and ‘The Exoteric Verses’ melds a haunting atmosphere with a death metal chant along.  ‘Insurgents (Part 1)’ is a smart instrumental and good change of pace, leading to the frenzy of ‘Insurgents (Part 2)’.  All wrapped up with the epic ‘Ascent to Rebirth’, it’s a solid effort.  

The production is top notch and the musicians are excellent, without being over indulgent or obvious with their playing.  Worselder are a far more formidable band than I had initially expected, and “Red Shift” is a pleasant surprise.

Find out more about Worselder on Facebook, Instagram, Spotify and Bandcamp.

This review has been brought to you by Platinum Al and Ever Metal.

Gang Green – Album Review

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Gang Green – We’ll Give It To You

Cherry Red Records

Release date: 13/01/2023

Running time: 2 hours 49 minutes

Review by: Alun Jones

8.5/10

As a teenaged skateboarder in the late 80’s, Boston hardcore legends Gang Green were definitely on my playlist.  They appeared on a Thrasher Skate Rock tape, what more do you need to know?! Merging hardcore punk with a more metallic edge, Gang Green added a technicality and rock’n’roll, beer drinking party vibe to their unique take on crossover/thrash.  It was mostly fun, though sometimes dumb, times – with a fast and crazy energy.  Eventually finding a home on Roadrunner records in 1987, the albums Gang Green recorded for that label are collected here by Cherry Red Records.

Working through the discs chronologically, we’ll start with the first Roadrunner release, “You Got It”.  Featuring what is possibly the worst album cover all time – the band in a sewer?  Why is (vocalist/guitarist) Chris Doherty jumping through a fence?  And where are his legs?!  This atrocious shot always bothered me, so I’m delighted I get to bitch about it now (though it only appears as a  small pic!).  Music wise, “You Got It” is chock full of belters: the storming thrash of ‘We’ll Give it to You’ setting out Gang Green’s goods; ferocious hardcore with ‘LDSB’ and ‘Born to Rock’.  There’s even a surprise social conscience (and mellow intro) on ‘Another Bomb’.  Plus, bonus track ‘Skate to Hell’ is worth the price of admission alone.

If Roadrunner were relieved they’d done the right thing signing this bunch of unruly punks after that first record, ‘Older… Budweiser’ went even better.  Armed this time with a great cover/title (thankfully), Gang Green delivered more of the same, but amped up even further.  ‘Church of Fun’ bolts out of the gates; ‘Just One Bullet’ and ‘We Can Go’ show exactly how to meld hardcore and thrash into a furious, fun time.  The rock’n’roll edge that began on the previous record becomes more prevalent, adding a distinct flavour to the band’s sound (see ‘Tear Down the Walls’).  The humour misfires on ‘Bedroom of Doom’, but the does-what-it-says-on the-tin ‘Ballad’ is a nice attempt to branch out musically before closing time.

On disc three, we have the live album “Can’t LIVE Without It”, recorded at the Marquee Club in London in 1990.  Most of the live tracks appear already on this compilation, but it’s a solid recording of an energetic, relentless show.  There are a bunch of non-Roadrunner tracks which add value for money; plus, the inclusion of the “I81B4U” EP and ‘Living Loving Maid’ single, which is great news for obsessive nerds like me.

Finally, the compilation album “King of Bands” rounds out the collection.  If you’ve not had enough of hearing some of these songs twice already, prepare to experience some of them yet again with this “greatest hits” set.  Although, there are two new tracks and three from Gang Greens first album on Taang! Records for VFM.  The two tracks – ‘Thunder’ and ‘Rub It In Your Face’ are OK, but not up to the standard of older material.  Still, this last disc seals the lid on this barrel of good times very nicely.

The history of Gang Green proves to be a fascinating tale.  Predating Jackass by some years, the party hard doctrine of the band remains resolutely in place.  Some of the lyrics are juvenile at best, out right sexist at worst (‘Cum In You’, oh dear); but if you can forgive that, the attitude and fun remains infectious.  Yes, it’s all about partying and beer, but the music is still great.  Not as metal as COC, or as punk as Circle Jerks, Gang Green added a rockin’ flare to their brand of crossover and brought the party home. 

A great compilation featuring tons of interviews, info and photos, “We’ll Give It To You” is a comprehensive guide to beer-soaked thrash punk.  It’s time to get out on your skateboard, rock out to Gang Green, and celebrate with a few beers.  Afterward, that is.  Ever Metal wants you to take care: don’t drink & skate.

Gang Green can be found on Facebook and Spotify.

Cherry Red Records do loads of good work, check ’em out online, on Twitter, Instagram and Bandcamp.

This has been a Platinum Al presentation, in partnership with Ever Metal.

Pentre Fest 2023

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Pentre Fest 2023

McLean’s Pub, Pentre, Deeside

Saturday 25th February 2023

A weekend of full on metal and hard rock, Pentre Fest is a highlight of my musical calendar. Held at McLean’s pub in Pentre, Deeside, North Wales over two days, the event always showcases some of the best bands from around a vast area of the UK.

This year I missed Friday’s gig as I was otherwise engaged. However, I was raring to go for Day 2, and a whole load of awesome music. Here’s my review for Ever Metal, covering everything I could of that day’s entertainment.

Day 2

Day 2 at Pentre fest – you could say I was a bit excited to get going.  The ever-reliable Edd Case was performing in the marquee outside as I arrived, so I missed a chunk of his set sadly, as I paid my hard earned coin to get in and neck my first ale.  Luckily, Edd did another slot of his excellent acoustic performance later on, so I got to catch him then.  I think he was filling in for some band called Trashatouille, who couldn’t be arsed to turn up and attempt to play their own acoustic effort.

Scarfoot

First band on the indoor main stage was Scarfoot, and they made a hell of an impression.  A three-piece band, they add an extra edge to their already formidable musicianship with the use of a 12 string guitar or a Dobro.  This gives the band a huge, Zep-epic and individual sound.  They all play with a convincing passion and were absolutely enthralling.  I’d never seen them before, but had caught singer/guitarist Oliver Carins last year doing a solo acoustic set.  Next time, these guys need to be higher up the bill!  Scarfoot also blazed all over the acoustic stage later on, with a similarly massive sounding set, even without the drums.

Frank Williams

Next on the second stage: a World Exclusive Live Debut!  Frank Williams in his first official live gig, though sadly not billed as Victim of Damp.  Frank is a Pentre Fest die hard, an unsung hero who has supported the event and pitched in with Fozzie and Beany from the beginning.  This afternoon, Frank graced us with some acoustic covers (nice bit of Floyd) and banter, then introduced some comrades to help with humorous originals such as ‘Beany’s Car is Full of Shit’.  Excellent crowd participation helped Frank’s set gallop home as a pedigree winner.

Lullaby for a Unicorn

It really wouldn’t be Pentre Fest without these guys.  With a line-up change – or should I say, addition – in the shape of new vocalist, Gaz (who used to be the drummer.  Come on, keep up!).  This latest incarnation of Lullaby for a Unicorn was a refreshed and fun stallion, rather than a lame pony.  There’s a little work to do to settle the new line-up in, but it was the same boisterous energy as ever as the Unicorn boys turned Pentre into a beautiful, rainbow adorned meadow.  Or blood-soaked battle field of metal mayhem, you choose.

Scarfoot was next on the second stage.  I’ve already covered that, go back and read it again.

The Human Condition

Despite a tech issue with the bass throwing a wangler with the first song, The Human Condition kept their shit together and provided another surprise.  I had done no research whatsoever and didn’t know what to expect.  By Odin’s beard, The Human Condition are a megalithic, doom metal colossus!   Doom in the vein of Candlemass, or think Geoff Tate screaming for Trouble.  Riffs are drip fed, leaving the audience begging for each new note.  Add the most powerful live vocals I’ve heard in eons, and you have a force of biblical proportions.  I bought a CD.  You should check them out NOW.

Back to the Second stage for an acoustic Pelugion set – but we’ll get to them later.

Portrayal of Ruinn

A melodic deathcore band from Manchester way, Portrayal of Ruinn isn’t quite my thing on paper, but fucking awesome live.  Possibly the most energetic band on stage at Pentre Fest all day, their combination of gutsy, nasty metal and bouncy, yet ferocious vocals proved a winner.  They also know how to pace their set brilliantly – a few mellow sections lull the crowd into a comfy security blanket, only to have it ripped maliciously away.  It’s the audio equivalent of a Video Nasty psycho killer – you’re never safe, Portrayal of Ruinn will never stop – and they will get you in the end!

Syncolima

Reading back my notes here, and I can’t make a thing out of them.  All I can fathom is that I REALLY liked this band: “Syncolima = great!” is about all I’ve got.  They were excellent.  Some kind of biker/stoner super heavy rock, they have groove aplenty and massive fuzzed out riffs.  This three-piece from Mansfield, Notts were unmissable.  New album “Wavelengths” is out soon, you’d be wise to watch out for it.

Miserable Sinner

Wait a minute – it’s that bloke from Bad Earth doing an acoustic set!  Yes, it’s Steve from one of Pentre Fest’s favourite bands, backed with the other two ‘orrible ‘erberts, Karl and Ben (so semi acoustic, then?).  The Bad Earth songs translate surprisingly well to the stripped-down sound, though they can’t compare to the full force fury of the full trio amped up and going for it.  But then, what could?   A great set that also included some cruel (ie hilarious) comedy signage behind Steve’s head, it also delivered a much needed bongo workout that was otherwise sadly lacking this year.

King Kraken

Mind.  Blown.  Thank the trident of Posiedon, King Kraken travelled up from South Wales (a right old trek) to play Pentre Fest, and I’m so glad they did.  The Kraken are a huge, boisterous metal machine with crushing riffs and awash with an almost psychedelic lead guitar.  My favourite band of the day, despite fierce competition – I made off with some booty from the merch desk and toasted their performance with a tankard of ale.  Please check this band out, you will not regret it.  Magnificent!        

Leatherback

Last year, one man electronica fiend Leatherback was first on the Pentre Fest main stage.  This year, it’s a second stage headlining slot, which worked well.  Nine Inch Nails comparisons are obvious, but relevant when there’s a cover of a Reznor classic included.  Leatherback ripped through a roaring set that went down extremely well with the lively crowd, even though it was freezing outside – receiving a well-deserved, enthusiastic reception.   

Pelugion

Pelugion had performed an excellent acoustic set on the second stage earlier, which seems to have been a great way for them to warm up for their main stage appearance.  I’ve seen these guys before at Pentre Fest and they never disappoint.  Skull smashing mega riffs, born from Sabbath and with a dose of Alice in Chains and early Soundgarden – a stoner/alt metal monster – is what you can expect.  These guys are super professional, but with grit and determination that keeps the performance compelling.

The K*nts

Headliners on the final day of Pentre Fest, The K*nts drove over five hours from down Essex way to entertain us.  With hits such as that Christmas favourite ‘Boris Johnson is a F*cking C*nt’ and ‘F*ck the Tories’, we knew we were in for a treat.  Hilariously, the Green Room reserved for the bands had been double booked with a meeting for a local Masonic Lodge.  I wonder how The K*nts and this bunch of blazer-and-badge wearing eighty-year-olds got along back stage.  Honestly, you can’t make this shit up.  It’s like Phoenix Nights on crack.

A strange choice to headline a metal festival for some, never the less The K*nts put on a top show and had the audience on their side before the first song was even finished.  Delightfully obscene, but with a political edge that helps retain a tiny bit of highbrow cred too, it’s like Sham 69 with Tourette’s.  Most of the song titles are unrepeatable for a family website like Ever Metal, but let’s just say that The K*nts and their filthy brand of punk rock and humour were a mad but genius way to finish Pentre Fest off.  And it probably will be finished off, if those old Masonic dudes have anything to say about it.

Oh, and yeah – Fuck the Tories.

It was my absolute pleasure to cover Pentre Fest for Ever Metal again this year. Huge thanks to the bands, the audience, and the staff at McLean’s for putting this on. And finally, thanks to Fozzy and Beany for daring to dream it up and make it happen.

I just wish Pentre Fest could be every weekend. Or once a month, at least.

Catch up with news at the following pages: N.E.W. Metal Productions, Goodfor Audio, McLeans Pentre.

Scrap Metal Vol 1 – Album Review

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Various Artists – Scrap Metal Volume 1

RidingEasy Records

Release date: 12/11/221

Running time: 34 mins

Review by: Alun Jones

9/10

Recently I’ve been razzing around this rundown town in Platinum Al’s Pimp Mobile (a 1980 Chrysler Cordoba, of course), blasting out this new compilation from those hard rockin’ duderinos at RidingEasy records.  And I haven’t had this much honest-to-rockness fun in goddamn ages!

You may recall RidingEasy’s previous comps, as reviewed by yours truly, from their Brown Acid collections of long lost proto-metal/stoner rock artifacts of the late 60s/early 70s.  Well, with Scrap Metal, they’ve taken the same approach (unearthing long-forgotten rare tracks, and releasing a carefully restored sonic document of said tunes) – but this time, applied it to the age of 70s/80s classic Heavy Metal. 

Listeners will discover a variety of styles of HM here, as the genre splits into numerous offshoots.  So, we get to hear the blossoming styles of NWOBHM, thrash, doom and glam at a time when they all still share a generous amount of DNA.  It’s classic metal, folks – and to be honest, I didn’t find that much difference between the “styles” on offer.  What I did find was ten blinding tracks of fun (and slightly dumb) rock’n’roll monsters.

Witness, for example, the wonder of “Headbang” by Rapid Tears.  Fast paced, dumb ass, dingus brained heavy rock for you to race to the chippy in a Trans-Am.  It’s glorious.  Then, with barely a rest, we’re assaulted by Air Raid’s “69 in a 55”: like early Maiden (even down to the Paul Di’Anno vocals) but with a cucumber stuffed down the spandex pants.

And the surprises keep on coming.  Hades are simply brilliant, their track “Girls Will Be Girls” venturing toward speed metal.  Resless have a crap name, but “The Power” is a Priest like power-thon that is bound to excite.  “Enemy Ace” by The Beast is a definite unrefined highlight; almost in the realms of crossover, it’s a particularly aggressive track that’s totally unsuitable for polite tea parties with grandma.

The compilation isn’t perfect: Don Cappa’s “Steel City Metal” ticks all the cliché boxes, but plods.  Yet adrenaline infused, urgent rockers like “Can’t Stop” by Dead Silence, “Iron Curtain” by Czar and “Viking Queen” by Real Steel keep the fists punching the air and a grin on the face.    

As with the Brown Acid series, it’s bewildering how at least some of the bands on Scrap Metal Volume 1 didn’t get any further.  I’ve heard a lot worse.  However, careers are built on consistently great song writing and performance – we only have one (admittedly brilliant) song by each band to testify here.

The lyrics and themes may wallow in the murky depths of the tired and obvious, but I challenge any of you to not enjoy the music on offer.  Park any pretentions of sophistication you may hold, the energy to be heard on these tracks is pure pleasure.  Pull on your super tight jeans, bullet belt and patch covered battle vest, let your hair down (if you still can), and rejoice in a simpler time.  Scrap Metal Vol 1 is a full on, beer swilling triumph of an album.  HEADBANG!!!

Visit the RidingEasy Records website here.

Or check them out on Facebook, Twitter, YouTube, Insta or Bandcamp.

Today’s review is brought to you by Platinum Al in association with Ever Metal.

Ryuko Interview

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In February last year, I interviewed Chester based punk/grunge band Ryuko at Pentre Fest. Due to numerous unavoidable issues – not least this blasted pandemic – the piece was unfinished till recently. Not long ago, this post finally appeared on Ever Metal, and I thought I’d republish it here too. Enjoy!

“Grandpa, what’s a gig?”

“Well son, a gig was what we used to call a band playing live music, in front of an audience.”

“What, people watching musicians play their instruments?  Crazy!”

“I know it seems like a strange idea to you youngsters, but it used to be a fantastic experience.  Actually being able to gather with friends and strangers to enjoy hearing music.  It was another world.”

That’s what the situation seems like right now: no gigs, no gatherings for entertainment – the old days sometimes feel like a lifetime ago.  At least it seemed a whole different world back in February 2020, before the pandemic, when I caught up with Chester based band Ryuko at Pentre Fest.

The three piece – comprising The Bobfather (guitars/vocals), Captain Andy (bass) and MattMan (drums) were something of an anomaly at the metal-centric Pentre Fest.  Not that Ryuko don’t rock out, but their brand of punky, alternative rock was a little different from the other bands on show.  I found their style of honest, yet far from pretentious rock’n’roll refreshing and it added a vital tone to the proceedings.

Post gig, I caught up with the band to pose some questions and contemplate the meaning of life.

First off, the cliched yet crucial discussion on influences:

Bob: It’s weird, ‘cos we’ve got influences from all over.  If you listen to one of our sets, it has stages: it starts off punky, then it goes alternative rock.  Then it goes a little metal/grungy, then back to punk at the end.

Matt: Drop D then back to punk!  I’m a huge fan of Motorhead and Metallica, the list goes on, so me being the drummer, I was always doing these thrash beats.  To go from that to stepping into this, this was more fun to me.  I really enjoy myself when I’m behind the kit with these guys.

Bob: When I write the songs, I listen to quite a broad variety of music, so I think that becomes apparent in my songs.  I don’t like to write the same song twice.  As far as when I started out, I would say when I was a teenager, I first started listening to Nirvana, Carter USM.  I also drew influences from a lot of electro – The Prodigy and stuff like that – so sometimes I’d try and work out how to play dance songs on a guitar.  And then that would give me the influence to write more interesting songs.  I like to try and fuse a bunch of different genres together, make it more interesting.

Andy: I listen to a lot of Neil Young, I think he’s a very diverse artist.  He’s done folk, he’s also done electric stuff.

How do you promote yourselves?

Matt: I’m more into social media than these guys are.  We’re promoting ourselves on Facebook, we’re gonna make a new YouTube account.  That’s kind of going up and down at the moment…

Bob: We don’t know how to work it!

Where does the name Ryuko come from?

Bob: I’m really into anime and all things Japanese, Japanese music… At the time I was watching an anime called Kill la Kill.  The main character is called Ryuko Matoi and I just thought it was a really cool name.  Some really fun facts: Ryuko is one of the least popular names in Japan.  It basically means “rebirth”, start over.  So I thought, we’re starting again, it’s a really cool name.

Andy: Well it’s not a cool name in Japan, is it?

Bob: It’s cool to me!  I think it’s cool!

Andy: I do wish we’d chosen a name that’s easier to spell and pronounce.

Bob: People can never say it.

Your cover of the Madness classic “Baggy Trousers” tonight was a surprising choice, but great!

Matt: We decided to spruce that up to make it ours.  The original is completely different to how I play it, I add extra little bits just to make it more funky.

Do you feel you’ve got the right band dynamic between the three of you?

Bob: We’re pretty good as we are.  More people add more complications cos you’ve got to think – are they free; do they drive, are they going to be available…

Matt: I’ve got a son, he’s 9, we discuss upcoming gigs before we agree to it.  If I’ve got my son and he comes along with us, if he’s allowed in the venue we play – he’s got his little ear defenders, he just sits in the corner and watches us or plays his game.

Bob: I’ve got three jobs…

Sounds like a positive environment to work in.

It’s got to be positive, if it’s not it just doesn’t work.  If no-one’s happy, nothing gets done.

So, what’s next?  What are your plans?

Bob: World domination!  One step at a time…

Andy: We’ve been working on re-doing our EP, we’ve been recording on and off.  Recording, playing as many gigs as we can.

And there you have it: an enjoyable chat with the gentlemen of Ryuko.  Make sure you check them out live, as and when we can return to the experience of live music.  If grungy, punky alt rock with some metallic crunch is your thing, then Ryuko will be just the antidote you need in these dreary times.

With apologies to Ryuko, who have waited months for this interview to see the light of day.

Check out Ryuko on Bandcamp and Facebook. Plus you can follow this link to listen to the interview on YouTube – yes, you can admire my fantastic interviewing skills for real!

And don’t forget to pay a visit to Ever Metal!

Platinum Al’s Top 10 Rock and Metal Albums of 2020

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Good riddance, 2020! Am I right, or what? Still, it’s not all bad. There were some absolutely magnificent albums released last year – some I reviewed for my buddies at Ever Metal, some I discovered through other means. Some were massive, huge hits; others were small yet mighty triumphs.

Despite a lack of live music, there was plenty to investigate music-wise. So much so that it was really difficult to compile my annual Top 10 Albums list for Ever Metal. A few giants of rock and metal, though they released highly accomplished work, were reluctantly forsaken in my search for the crème de la crop.

Here they are, in (natch) reverse order:

10. The Goners – “Good Mourning”

9. Supersuckers – “Play That Rock’n’Roll”

8. Testament – “Titans of Creation”

7. Weed Demon – “Crater Maker”

6. The Atomic Bitchwax – “Scorpio”

5. Volcanova – “Radical Waves”

4. The Brothers Keg – “Folklore, Myths and Legends of The Brothers Keg”

3. Son of Boar – “Stoned Wail”

2. Desert Storm – “Omens”

  1. AC/DC – “Power Up”

I thought that this year, one of the smaller, indie label bands was sure to get to number 1. It almost happened, but then AC/DC released the total brain melter of “Power Up”, pretty much saving 2020 in the process. Now if only Angus and Co could release an album monthly, we might be able to get through 2021.

A few shout outs for notable mentions who didn’t make the cut this year, such as Ozzy, Wino and others. Seriously can’t believe I left out “Danzig Sings Elvis”, though.

You can read my full Top 10 (plus plenty of others) on the Ever Metal website, which also features links to songs and videos. Highly recommended! The direct link is here.

All the best for 2021 – here’s hoping for more great music!