Tag Archives: punk

Satan’s Satyrs – The Lucky Ones Album Review

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Satan’s Satyrs – The Lucky Ones 

Riding Easy Records, Bad Omen, US/THEM

Release date: 19/10/2018

Running Time: 35 mins

Review by: Alun Jones

7/10

Satan, eh?  Old Beelzebub has had a long-established association with rock’n’roll.  Most notably there was dear old Black Sabbath, or as I knew them in the late 60s, a bunch of hippies called Earth.  I remember well the day I lent Tony and Geezer (let’s face it, the brains of the bunch) some cash to go to the cinema for a break in rehearsal.  Lo and behold, the pair were inspired by queues for a horror film to rename the band in a scary manner.  They called themselves Black Sabbath, and an unholy cacophony known as Heavy Metal was born.

These Satan’s Satyrs lads may well be in league with the devil himself, I don’t know.  They do peddle a very enjoyable mash up of garage punk and 70’s proto metal, however.  Like Motorhead covering T-Rex songs, whilst a bunch of rowdy werewolf bikers have a drug party.

Opener “Thrill of the City” rages out of the pit and sets the tone nicely.  Most of the album follows suit and it’s as greasy as a week-old chip pan.  Muscular yet melodic dual guitars from Jarrett Nettnin and Nate Towle, with Clayton Burgess providing vocals and deep-fried bass and solid drums by Stephen Fairfield.

“She Beast” offers up a beautiful, big fat riff that really greased my gears.  That glam rock sheen shines through nicely on “Trampled by Angels” and there’s a change of pace somewhat with “Take it and Run”, which has a pleasant jangle.

In honesty it took a couple of listens to begin to appreciate “The Lucky Ones” – deceptively simple at first, yet revealing more gleaming gems when the grime was rubbed off a little.  A great, satisfying record and I’ll be investigating more of Satan’s Satyrs in future.

Oh, and Ozzy, if you’re reading this: if I could have back that tenner I lent you in 1969, I could really do with it.  Cheers.

 

The above review was originally published by Ever Metal – go check ’em out for more rock and metal reviews!

Singles Night at the Virtual Hot Tub #5

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It’s been a while, but time to work through that stack of 7″ singles again.  I had a few beers and listened to the tunes in my collection – good and bad – in order, both sides.

There have been a few stinkers in previous editions.  This week, however, the good outweighed the cheesy for once.  Just about.

Here we go:

  1. Jimmy Barnes & INXS – “Good Times” / “Love is Enough”
  2. Tubeway Army – “Are ‘Friends’ Electric?” / “We Are So Fragile?”
  3. Black Sabbath – “Paranoid” / “Snow Blind”
  4. Rod Stewart – “Sailing” / “Stone Cold Sober”
  5. The KLF – “Justified and Ancient: Stand by the Jams” / “Justified and Ancient: The White Room Version”
  6. Bobby Gentry – “Ode to Billy Joe” / “Mississippi Delta”
  7. Sweet – “Fox on the Run” / Miss Demeanor”
  8. Generation X – “Ready Steady Go” / “No No No”
  9. Atomic Rooster – “Devil’s Answer” / “Tomorrow Night”
  10. Blondie – “Call Me” / “Call Me (Instrumental)”
  11. The Incredible Bongo Band – “Bongo Rock” / “Bongolia”
  12. All About Eve – “What Kind of Fool” / “Gold and Silver”
  13. Level 42 – “Something About You” / “Coup D’Etat (Version)”
  14. Dave Brubeck Quartet – “Me and My Shadow” / “At a Perfume Counter” / “Frenesi” / “Mamselle”
  15. Herb Alpert & the Tijuana Brass – “Casino Royale” / “The Wall Street Rag”
  16. ABBA – “Does Your Mother Know” / “Kisses of Fire”
  17. Hank Williams – “Honky Tonkin'”/ “Howlin’ at the Moon” / “I Ain’t Got Nothin’ But Time” / “You’d Better Keep it on Your Mind”
  18. The Rolling Stones – “19th Nervous Breakdown” / “As Tears Go By”

Imperial State Electric – Anywhere Loud album review

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Another album review wot I wrote has appeared on the excellent EVER METAL website.  Please go take a look at the website, it’s awesome!  My review is reproduced here for your pleasure:  

Imperial State Electric – Anywhere Loud

Psychout Records

Release date: 16/02/2018

Running Time:

Review by: Alun Jones

7/10

Live albums, eh?  I’m not a huge fan.  A lot of the time they’re just cynical exercises in fleecing fans, getting them to pay again for songs they’ve already got.  And usually poorer quality, due to being in a “live” setting.

There are exceptions to the rule, of course.  Back in my days with KISS, the boys were struggling to step up to the mega bucks level after their first few albums.  I proposed that they record a live album, in order to try and capture their incredible live show.  That was what they were good at, see?  The studio albums were good, but live – wow, those kids could rock.  So eventually the four prima donnas came round to my suggestion, released “KISS – Alive” – and their super star status was assured.  Bang!  Mega platinum seller, through the roof, KISS had arrived.

Thanks to me.

Which brings me to this live release from Imperial State Electric.  Although it’s called “Anywhere Loud”, it could’ve been another KISS live album.  It’s big, bold and brash in a very Seventies Rock kinda way.  It’s almost like we’ve stepped into a time machine and arrived back in 1976.  Not that I’m complaining – these guys are all about fun, over the top rock’n’roll – just how it used to be.

A whopping 23 songs, the album certainly doesn’t scrimp on the tunes.  There are plenty of them, and the sound is reassuringly good throughout.  Snippets of audience noise and banter, applause and well performed improvisations help keep the energy – and authenticity – pushing the meters to overload.

Outstanding tracks in this collection include the catchy riffs of “Apologize”, “Reptile Brain” and “Uh Huh” – plus there’s a hint of their punkier side with a blinding version of The Dead Boys’ “Sonic Reducer”.  If you’re a fan of KISS, Cheap Trick and Blue Oyster Cult then “Anywhere Loud” is for you.  If, however, you’re not a worshipper of Seventies Rock like those aforementioned bands, this release probably won’t change your mind.

Which brings me back to KISS.  Of course the masks were my idea.  Though originally, I’d planned on Peter, the drummer, wearing a samurai style number.  So, you’d have had the Star Child, the Demon, the Space Ace and the Samurai.  Pretty good, yeah?  Except Peter changed his mind last minute and decided to be a cat, for fuck’s sake.  And just look how that worked out.

Visit the Ever Metal website here.

Singles Night at the Virtual Hot Tub #3

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No, not that kind of Singles Night!  This is all about working through the stack of 45 rpm singles that I’ve picked up from various sources over the last few months.  I play them in order, regardless of how good or bad they are, and whether I’m in the mood for a certain genre or artist or not.

And there are some stinkers in the collection.  Some ripe specimens that I just had to own for some reason or other.  Don’t ask me, none of it makes much sense to me either.

There are, of course, a few absolute gems in there too.  Let’s see how this current session played out…

  1. Sinitta – “Toy Boy” / “Toy Boy Instrumental”
  2. The Jam – “Beat Surrender” / “Shopping”
  3. Marc Bolan – “Sing Me a Song” / “Endless Sleep” / “The Lilac Hand of Menthol Dan”
  4. Herbie Hancock – “I Thought It Was You” / “No Means Yes”
  5. Debbie Harry – “Backfired” / “Military Rap”
  6. The Stranglers – “European Female” / “Savage Breast”
  7. The Cult – “Revolution (Remix)” / “All Souls Avenue” / “Judith” / “Sunrise”
  8. Status Quo – “What You’re Proposing” / “AB Blues”
  9. Johnny Cash – “25 Minutes To Go” / “I’m Gonna Try To Be That Way”
  10. Tom Jones – “It’s Not Unusual” / “To Wait For Love”
  11. All About Eve – “Martha’s Harbour” / “Another Door”
  12. The Tornados – “Telstar” / “Globetrotter”
  13. Dr Hook – “Sexy Eyes” / “Help Me Mama”
  14. Kim Wilde – “Chequered Love” / “Shane”
  15. Bow Wow Wow – “I Want Candy” / “King Kong”
  16. Blondie – “Hanging On The Telephone” / “Will Anything Happen?”
  17. Bananarama – “Na Na Hey Hey Kiss Him Goodbye” / “Tell Tale Signs”
  18. Althia & Donna – “Love One Another” / “Mighty Two”

Hey, you know what?  I think I acquitted myself quite well with that selection.  Despite kicking off with yet more Sinitta, there were definitely some great tracks in that list.  Let’s wait and see how I do next time…

Horrible Histories Playlist

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My daughter Eloise had her 8th birthday last weekend.  At the moment, she’s a big fan of the BBC children’s TV series, Horrible Histories, and requested a party based on that theme.

If you’re not familiar with Horrible Histories, let me tell you it’s well worth checking it.  Both funny and informative, the show makes history appeal to kids (and adults) by illuminating some unusual – and sometimes gross – facts from various periods throughout the past.

We’ve all become big fans in our house, actually.  So the party was going to be fun – everyone could dress up as historical characters and entertainment geared to the theme.

Only one thing remained – some music suitable for days gone by.  Not having much music in my collection that was actually from previous ages, I had to dig out some tunes that could fit the bill.  Here’s what I came up with…

  1. Hanna-Barbera – “(Meet) The Flintstones [Main Title]”
  2. The Bangles – “Walk Like an Egyptian”
  3. Mikis Theodorakis – “Zorbas”
  4. Iron Maiden – “Alexander the Great”
  5. ABBA – “Waterloo”
  6. Chuck Berry – “Roll Over Beethoven”
  7. Boney M. – “Rasputin”
  8. Clutch – “Abraham Lincoln”
  9. Trio Guadalajara – “La Bamba”
  10. De Danaan – “The Cameronian Reel/The Doon Reel”
  11. Iron Maiden – “Ghengis Khan”
  12. Mariachi Mexico de Pepe Villa – “El Jarbe Tapatio (Mexican Hat Dance)”
  13. Jonathan Richman & the Modern Lovers – “Egyptian Reggae”
  14. Madness – “Night Boat to Cairo” 
  15. Sweet – “Alexander Graham Bell”
  16. Rodrigo Y Gabriela – “Vikingman”
  17. Iron Maiden – “Invaders”
  18. The Kinks – “Victoria”
  19. Boney M. – “Ma Baker”
  20. Sweet – “Wig Wam Bam”
  21. Mikis Theodorakis – “Varka Sto Gialo”
  22. Bananarama – “Venus”
  23. Tom Jones – “Delilah”
  24. The Beatles – “Roll Over Beethoven”
  25. Christina Aguilera – “Candyman”
  26. The City of Prague Philharmonic Orchestra – “The Raiders March”
  27. Eric Rogers – “Carry On Cleo”
  28. Eric Rogers – “Carry On Up the Khyber”

Ok, so some of those tracks are less scraping the barrell and more like digging the dust on an archaeological dig, but it did the job.  Basically, without Iron Maiden I’d have been screwed…

Singles Night at the Virtual Hot Tub #2

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Here we go again!  Quick recap:

I’ve bought loads of 7″ singles; some good, some bad, some ugly.  I decided to listen through the pile by having an evening playing them all in the order in which they were bought; oldest first, A side then B side.  This is the list of what I played.

As before, some of these songs are absolute gems – some are absolute stinkers.  Don’t judge me; this is already difficult enough for me to confess.

Yes, there’s another Sinitta song.  I know it’s terrible, but in my defence she’s in my record collection ‘cos she’s a babe.  Trust me, she’s well foxy on the cover of this single.  So, sorry about that one.

All in all, though, I feel this is a much less cheesy selection than last time.  There might even be a few cool choices.  And remember – this is all 7 inch vinyl only!

Now, shall we proceed with the embarrassment?

  1. Steve Winwood – “Higher Love” / “And I Go”
  2. Sinitta – “Hitchin’ a Ride” / “I’m On My Way”
  3. Madonna – “Papa Don’t Preach” / “Ain’t No Big Deal”
  4. Bob Dylan – “Is Your Love in Vain?” / “We Better Talk This Over”
  5. Peter Gabriel – “Games Without Frontiers” / “The Start” / “I Don’t Remember”
  6. George Harrison – ” My Sweet Lord” / “What a Life”
  7. Madness – “Shut Up” / “A Town with No Name”
  8. Toyah – “Thunder in the Mountains” / “Street Addict”
  9. The Jam – “Town Called Malice” / “Precious”
  10. The Beat – “Ackee 1-2-3” / “Monkey Murders”
  11. The Selecter – “Missing Words” / “Carry Go Bring Home”
  12. Blondie – “Denis (Denee)” / “Contact in Red Square” / “Kung Fu Girls”
  13. Herbie Hancock – “You Bet Your Love” / “Knee Deep”
  14. Stevie Wonder – “Uptight (Everything’s Alright)” / “Yester-Me, Yester-You, Yesterday”
  15. Roxy Music – “The Same Old Scene” / “Lover”

Any comments/abuse on the above are welcome, I’m getting used to it.  Otherwise, I hope you enjoy – will be back soon with more.

Hollywood Vampires – Gig Review

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Hollywood Vampires + The Darkness + The Damned

Sunday 17th June 2017

Manchester Arena

It was a rare, but welcome night out for Mrs Platinum Al and myself in good old Manchester.  Tickets were booked and we were off to see the big rock show.  It promised to be an exciting evening, but I was unsure whether our expectations would be met.

First off the bat, our old chums The Damned!  This was a real bonus for me, though the handbrake is also a fan after all these years of putting up with me playing their records.  However I was a tad nervous, wondering how these esteemed gentlemen would go down with what appeared to be a more traditional rock crowd.  And in such a huge venue.

Now I know I’m biased, but we were both impressed by The Damned’s performance.  The band didn’t shy away from the large stage; they actually looked quite comfortable up there.  I was quite a way away, mind – I think our seats were in Stockport.

Opener “Street of Dreams” was a moody yet raucous number that’s become a bit of a live favourite of mine over the years.  Follow that with classic “Neat Neat Neat” and you’re off to a hell blazing start.  Just as the stars align and every single person in the huge arena is going “Oooh, they’re quite good, aren’t they?” we get a minor mishap with Captain Sensible’s guitar packing in and the moment seems lost…

Not to worry, before you can say “is he the bloke  who sang Shaddup You Face?” the band, old troopers that they are, are back in the game.  Dave Vanian steers the ship over stormy waters and is in fine, confident voice all through.

The Damned
The Damned

The icing on the cake – for me, at least – is the return of Paul Gray, a sight I’ve not witnessed since Sheffield, 1991!  Paul’s bass rumbles and sounds triumphant, particularly in the “Love Song” intro.  Fantastic.  There’s just a drop in volume during “Ignite”, other than that, Paul is a ninja master.

Pinch’s drums are perfect, you can hear Monty (and see him bouncing about); so other than a couple of technical issues The Damned performed superbly.  The set is far too short of course, but I was relieved that they seemed to go down well.  From where I was sat, the arena seemed mostly full, so they didn’t suffer from support-band-empty-hall syndrome either.

I felt like I was watching my child in the school play; happily no-one forgot  their lines and The Damned get a gold star.

You can certainly say that I got value for money for this gig, what with three bands on.  However I was feeling a little short changed after The Darkness performed.  Admittedly, I am biased in favour of The Damned.  Yet I’ve seen The Darkness before, at Download festival a couple of years ago, and was much more impressed.

Not that the Hawkins boys don’t give it a fair shot; a short tight set is delivered in inimitable style with splurges of Justin’s trademark wit and swagger.  Perhaps it’s just that the set is lacking some bigger numbers in the first half; following “Growing On Me” with “Love is Only a Feeling” as the third song is too much of a comedown so early on.

The Darkness
The Darkness

The crowd don’t seem to mind though, it all goes down very well.  Let’s be honest, most of ’em are happy because they’ve heard of The Darkness and haven’t got a clue who The Damned are.  Or, shock horror, don’t like punk rock.  For me, with no “Black Shuck” in the set, and a mediocre version of “Barbarians”, it’s good but not great from the Darkness.

I still can’t bring myself to dislike ’em, regardless.  At least The Darkness tried to bring loud, exuberant British guitar rock into the 21st century, and aren’t a wanky indie band.

There followed some musical chairs for Mrs Platinum Al and me, as we secured seats much nearer the front.  This pleased the other half immensely, she would now have a much better view of the headliners (or one of them, at any rate).

And so the Hollywood Vampires took the stage, and the Big Rock Show was in it’s final phase.  The air of tense expectation was only mildly subdued by the band’s arrival, as the audience were keen to experience what they could serve up.  Would this be a vanity project for ageing rock stars and their pirate actor buddy?  Or could they deliver something tangibly worth their collective prowess?

Led by the preposterously cool Mr Alice Cooper, the Vamps rattle through a few of their own original numbers at first, as if to prove a point.  Yes, they can play – and they can write, too.  It’s super confident and great fun – every song gets a chance to shine on it’s own merits.

Hollywood Vampires
HV
Yes, that Johnny Depp

The bulk of the set is a succession of expertly reproduced cover songs, each dedicated with respect to a fallen rock comrade.  Songs range from The Doors, to Motorhead, to AC/DC – with my favourite being a great version of The Who’s “Baba O’Riley”.

Joe Perry delivers a spine tingling “Sweet Emotion” complete with the extended intro that builds magnificently.  It’s a master class in rock star awesomeness, though Joe seems very much enjoying himself in a humble manner.

Despite the attention thrust upon him by a vast number of fans in attendance, Johnny Depp manages to not only look the embodiment of cool, but actually performs brilliantly.  He appears very much in his element as part of this massive spectacle, indeed his rendition of Bowie’s “Heroes” is one of the highlights of the night.

It’s one of several moments that manages to evoke the ghosts of heroes past, as  accompanying images are shown on the screen onstage.  It’s not altogether subtle, but rock’n’roll rarely is.  Instead the audience cheer their appreciation and nod sagely as our heroes are exhumed for us to behold.

Finally, Alice declares “School’s Out” yet again, as the whole show reaches it’s climax.  Cooper is an absolute delight, the demented circus master and ring leader of this crazy gang.  He is unbelievably cool and amazing at what he does: a true legend.

In the end, despite any doubts, it’s been a hell of a ride.  Despite whatever misgivings anyone may have had regarding authenticity, the Hollywood Vampires delivered an excellent, well performed show that was pure fun.  It was so much more than just athe world’s biggest covers band.  Abandon your cynicism, this was rock’n’roll for the sheer joy of it.  Which is what it’s all about, right?

The Crippens – Gig Review

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The Crippens + Emissaries of Syn + Ballpein + Soulless System + Abominate + Spam Javelin

Saturday 19th May 2018

The Tivoli, Buckley

Six bands spanning a range of punk, hardcore, thrash and death metal – all for £7.50?  You count Platinum Al in, guv’nor!  Anticipating a night of good ol’ fashioned face melting tunes I was off to the Tivoli in Buckley for what seemed the first time in absolute yonks.

As I bounded into the Tiv and was drawn like a magnet straight to the bar, our first band of the evening – Spam Javelin – had started playing.  They play fast, loud and fun hardcore punk, with a dose of well placed humour.  I was very impressed by Spam Javelin’s set and need to check them out again.  Recommended and a good start to the night!

Up next were Abominate, who’s music was essentially a revved up a chainsaw thrown into a pit of acid vipers.  It’s full on death/thrash metal and by ‘eck, it is good.  Intense and with a crafty helping of heavy, crunching sludge to boot – Abominate are a force of nature and very superb indeed.

Local band Soulless System were up next.  Their sound is heavy, grinding and brutal thrash – though their set seems dogged by sound issues tonight.  It perhaps doesn’t help that they don’t use a live drummer.  It’s a shame as the band can obviously play and have some very tasty riffs.  Get these boys a drummer and sort the sound and they’ll light it up.

Then what happened?  Oh yeah, Ballpein played and smashed my face in.  Repeatedly.  Amazing band, full on hardcore punk with a metallic edge: if you want exciting, fast songs and brutal riffage this is the band for you.  Ballpein are also amazingly good on stage, confident and having fun as they grind out their (not very) delicate ballads about serial killers.

Another North Wales crew, Emissaries of Syn, played next – attacking with their blend of crusty grinding noise.  EOS are relentless and played a non stop set of mind warping punk thrash goodness.  Great stuff and again, confidently played on the big Tiv stage.  I’ll keep an eye open for more.

Finally, our revered headliners took to the stage and belted out some classic hardcore punk.  Once they were Doctor and, now they’re just The Crippens, but this reformed bunch of maniacs disguised as musicians are back and slaying all before them.  A great set, I have never before witnessed such a mesmerising gang of misfits in the wild.  Perhaps a tear escaped as I reminisced about long ago 80’s skate rock.  Whatever, I am SO glad I got to see this band live.

And that was it, another great night at the Tivoli.  Well done to the bands who played; thanks to the Tiv for being brave enough to put on something a bit different; and full marks to Knoxy who organised this and helped raise some funds for mental health care in the process.  A legend.

 

You can find all the bands above on Facebook, it’s easy.

The Tivoli website is here. 

Bring Your Own Vinyl Night #14

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Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 13th April 2018

It’s been a while since I last attended Bring Your Own Vinyl Night, and boy did I miss it.  It was great to be back in the Queen’s Head pub in Mold with the chaps from Halcyon Dreams and VOD Music to spin some records.

If you’ve missed previous episodes (where HAVE you been?), it works like this:  Each person gets a fifteen minute set to play whatever songs they like, but only on vinyl.  Simple as that.  Throw in some beer and some music based chat and you’re in for a great time.

As it was getting close to Record Store Day, Tom from Halcyon Dreams pitched a challenge for us would-be DJs: our set had to be comprised of artists who would be releasing music on the day.

No problem, I thought.  Here’s how my set went:

Killing Joke – The Wait

To begin, a thunderously loud track from the first Killing Joke album.  A riff so mighty that Metallica covered it for their $5.98 EP, this tune also has an incessant tribal beat under the choppy punk guitar.  A great song from an essential album, in my opinion.  I’ve been a fan of KJ for a long time and they’re still turning out screaming punk/metal/industrial noise to this day.

Johnny Cash – Folsom Prison Blues

Well you can’t go wrong with a bit of Johnny Cash, although I was surprised that this track really seemed to go down well with the pub crowd.  Regular readers will know how big a fan of Johnny Cash I am, he’s just unbeatable.  This classic song was taken from an old compilation I picked up at a record fair, crammed full of great tunes.  I’m glad to say this song seemed very popular!

L7 – Everglade

Another crushing riff, this time from the “Bricks Are Heavy” album from all-girl punk rock grungers L7.  My favourite song from that album, and one of my favourite bands from that era.  I saw the band live a couple of years ago at Download fest, they were amazing.  Don’t ever let anyone tell you that girls can’t rock – L7 were the best band of the day.

The Members – Sound of the Suburbs

And finally, an old punk rock classic on 45rpm courtesy of the Members.  This track also seemed popular!  I only have the 7 inch single of this song, so I could do with tracking down some more records by them.  Great fun.

So that wraps up another Bring Your Own Vinyl Night, and what a great night it was! My mixing skills need some sharpening up, but I really enjoyed myself.  Well done Tom and Colin, looking forward to another bash soon.  I know those guys are very busy, but the Vinyl Nights are always a treat.  See you soon!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

PS – Great food in the Queen’s Head too.  £6 for a massive mixed grill!

The Men That Will Not Be Blamed for Nothing – Gig Review

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The Men That Will Not Be Blamed for Nothing + IDestroy

Tuesday 20th March 2018

Live Rooms, Chester

Please do accept my humble apologies for the delay, good sirs and ladies – one has had a considerable amount of business to attend to before this esteemed review of the above musical personages could be completed.  I’ve been drinking gin, mostly.

Way back in March, I was indeed fortunate enough to witness a spectacle unlike any other in this historic town of Chester.  The Live Rooms: performance theatre hall, proprietor unknown, was the establishment in question; wherein I did encounter a motley band of anarchists known as The Men That Will Not Be Blamed For Nothing.

And what an encounter I did experience, dear reader.  Not since that time the circus arrived through town parading an ungodly assortment of freaks and oddities (a Mr Merrick included, no less) have I seen such debauchery.

First of all, the audience and I were entertained by three young ladies, though unlike any other maidens one could classify as such; the wonderful IDestroy.  They were excellent purveyors of the art form known as “punk rock”, wielding mighty instruments that wrought tuneage both aggressive yet delightful.  

I am sure that these estimable young ladies will not begrudge an old fool such as myself in proclaiming that they could not, or indeed should not, be considered “wall flowers”.  IDestroy possessed astonishing songs that proved highly enjoyable; energetic and confidently performed.

A most invigorating start to the evening’s proceedings; one can only ponder: “Why is there not more of this sort of thing readily available”?  Good show, indeed.

And so, our humble headline act claimed the theatre stage, and began a relentless musical bombardment that would be heard across the distant lands of the Empire’s colonies.  The Men That Will Not Be Blamed For Nothing were indeed a sight and sound to behold.

Modern listeners may be forgiven for assuming they have witnessed a grown up edition of successful children’s entertainment Horrible Histories, yet with added ferocious guitars.  Though the message within the music is not hidden, the glorious racket TMTWNBBFN portray is fine entertainment, even for those straight into the workhouse with no pretension of education.

The band had mischievousness in abundance; so whilst regaling the gathered revellers with mirth were able to determine their stage presence in a manner unlike any other I have before encountered. 

This, dear reader, is what I believe has been classified as “steampunk” – and what a jolly riot it was.  A cacophony of history, politics and humour accompanied by pulverising rock music – the perfect soundtrack to a evening on the gin in a Whitechapel boozer.

Afterward I departed for my carriage, grinning like a buffoon and clutching a new “record” to play on my phonograph.

With sincere thanks to all concerned, etc. etc.

Find out more about The Men That Will Not Be Blamed For Nothing here.

Find out more about IDestroy here.

The Live Rooms website is here.

Thanks to Lynda Rowlands for the brilliant live photos!