Green Goat – Album Review

Greengoat – A.I.

Self-released

Release date: 26/01/2024

Running time: 38 minutes

Review by; Alun Jones

8.5/10

Opening with a Bladerunner-style synth led track that features a spoken word delivery of Asimov’s Three Laws of Robotics, is a bold (and different) move for a Stoner/Doom band. In a genre where, thematically, we’re usually content to contemplate the joys of weed consumption and the mysteries of the occult – usually via a 1970s Hammer horror aesthetic – this sci-fi launching point is a welcome breath of fresh air.

This is where we enter the album “A.I.” by Spanish doomsters Greengoat. It’s a great band name, and one that harks back to those pot and patchouli, candles and Peter Cushing tropes we’re used to. But ‘The Void’ takes us on a different tangent, with the Rutger Hauer voice over. Second track ‘The Seed’ takes this mellow intro and runs with it, till 30 seconds in – yes, it’s big fat chunky riff time! And what a big, fat chunky riff it is – slow and grinding, developing an irresistible groove with the drums dropping in, eventually exploding into a full force rocker.

The line-up of singer/guitarist Ivan Flores and drummer Ruth “Kalypso” Moya invoke a moody soundscape that borrows from spacey, harmonic passages of Pink Floyd and adds crunchy hard rock. It’s a euphoric concoction as the music builds. And oh, how it builds…

A more traditional stoner groove pervades the other songs on the album, with groovy riff workouts showcased across tracks like the head-nodding, tripped out title track and the fuzzy, Fu Manchu-like ‘Burn the End’.

Throughout the album, Greengoat weld together a progressive, futurist theme with some good, old fashioned, retro Sabbath style rockin’. “A.I.” will no doubt entwine itself around my conscious all the more as I play it in the weeks to come. This is a fine album with great ideas – the analogue age and the digital age tentatively strolling forward together.

Find out more about Greengoat on Facebook and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

District 13 – Album Review

District 13 – Step into the Fire

Self-released

Release date: 20/10/2023

Running time: 66 minutes approx

Review by: Alun Jones

8/10

Back in October, London based heavy alt-rock band District 13 released “Step into the Fire”, their second album. Apologies District 13, this album has been hanging around for a little while. But in true Ever Metal “championing the underdog” style, we couldn’t let it slip by without a review. Not my fault for writing the review late for once, believe it or don’t. You don’t believe me, do you? Ah well, whatevs.

The prime motivators in District 13’s sound have been declared as Black Sabbath and The Ramones, two fine bands and exactly the type of thing that tickles my fancy. And it should yours, too. The crunchy metal riffs and gonzo punk attitude is obvious from the start, with opening track ‘Step into the Fire’ showing some hard rock guts and a big, hooky chorus.

‘Apologetic Trickster’ ups the punky pace somewhat, though there’s a vein of dark, melancholy longing running through all the tracks. One of the absolute highlights is ‘Burned out in Paradise’, which begins in an achingly morose fashion before bursting into an angst fuelled burner. If you dig Bleach era Nirvana, Therapy? and early QOTSA, I’m sure you’ll find something to love here: try ‘Emotive Addiction’ and ‘Red Flags’ for starters.

There’s plenty of melody mixed in with the ferocity. ‘Goodbye’ features a heart rending, uplifting chorus worthy of Seattle’s finest. That song and ‘Starry Eyes’ help to add texture to the album with a slower pace. The final song, the acoustic ‘Forever This Way’, is a really beautiful track that falls between Led Zep III, Bowie and REM. That one’ll melt your heart, if nothing else does.

“Step into the Fire” is definitely a solid album, full of great compositions and performances. My only complaint would be, with 14 songs running over an hour long, it’s a lot to take in. Trimming 3 or 4 songs off would make this feel more of a cohesive and easily absorbed album – though I wouldn’t like to be the one who had to decide which songs to drop. Otherwise, it’s great to hear music like this: District 13 have passion and ideas and are obviously not afraid to aim high.

Check out District 13 on their website, Facebook, Instagram, YouTube and Spotify.

This review is brought to you by Platinum Al and Ever Metal.

Singles Night at the Virtual Hot Tub #33

Yeah, it’s that time again! Time for another Singles Night at my Virtual Hot Tub. These nights are always huge amounts of fun, with some rockin’, some ripe cheese and some surprises. Plus the occasional dud, just to keep me on my toes.

Recap time, for the newbies: Singles Night is all about digging into my collection of 7 inch singles, which have come into my possession from various sources. I play through the pile, one after the other, A side then B side. There’s all sorts of genres and styles in that pile and sometimes the unexpected CAN happen.

So grab the’sen a drink (I recommend the booze) and let’s see what we get in this pile of 45rpm glory…

  1. Royal Blood – “Limbo” / “All We Have is Now”
  2. The Cult – “Spiritwalker” / “A Flower in the Desert”
  3. Zodiac Mindwarp & The Love Reaction – “Planet Girl” / “Dog Face Driver”
  4. Slade – “Mama Weer All Crazee Now” / “Man Who Speaks Evil”
  5. Kevin The Gerbil – “Summer Holiday” / “Hawaiian Holiday”
  6. Boney M – “Belfast” / “Plantation Boy”
  7. Elton John – “Part Time Love” / “Cry at Night”
  8. Chas & Dave w/ Rockney – “Strummin'” / “I’m in Trouble”
  9. Showaddywaddy – “Rock’n’Roll Lady” / “I’m a Traveller”
  10. Suzi Quatro – “She’s in Love with You” / “Space Cadets”
  11. Chuck Berry – “My Ding-A-Ling” / “Let’s Boogie”
  12. Queen – “Hammer to Fall” / “Tear It Up”
  13. Def Leppard – “Animal” / “Tear it Down”
  14. Queen – “I’m Going Slightly Mad” / “The Hitman”
  15. Gary Moore – “Parisienne Walkways” / “Fanatical Fascists”
  16. Music from ‘The Sting’ ft. Marvin Hamlisch on piano – “The Entertainer” / “Solace”
  17. Showaddywaddy – “Heartbeat” / “Lucy Jane”
  18. David Soul – “Silver Lady” / “Rider”
  19. Frank Sinatra – “I Believe I’m Gonna Love You” / “The Only Couple on the Floor”
  20. Hot Chocolate – “You Sexy Thing” / “A Warm Smile”

Who wants to guess the lamest track of the bunch? If you guessed Kevin the Gerbil’s song, you’d be dead wrong! I’m a lifelong Roland Rat Fan and anything from his world is golden to me. In actual fact, there’s noting awfully cheesy on that last – certainly not Chas & Dave or Showaddywaddy, either.

Starting off bang up to date with a great single from Royal Blood, the rock genre delivered the goods with bangers from The Cult, Zodiac Mindwarp, Queen and Def Leppard. I’ve only just noticed that Queen wanted us to “Tear It Up” whilst the Lepps wanted us to “Tear it Down” – crazy!

Talking of crazy, I love Slade and that single was a gift from my pal Greeny at his wedding (it was number 1 when I was born). A happy addition to the collection.

Another fun night, it got a bit hazy with the beverages piling up. I’ll keep you posted with more of these soon.

Oh, and one more thing: RIP David Soul.

Yawning Man – EP Review

Yawning Man – Pot Head

Ripple Music

Release date: 22/09/2023

Running time: 24 minutes

Review by: Alun Jones

9/10

Yawning Man are one of, if not THE, originators of Desert Rock.  Born from jam-style generator parties way out in the desert, this band pioneered the sound that would later be adopted by Kyuss, Fu Manchu and many others.  Ripple Music are reissuing the “Pot Head” EP, on vinyl and CD, for the first time in like, eons, man.  And it’s a great listen.    

“Pot Head” consists of four instrumental tracks, illuminating the template that others would follow.  Free form, jammed compositions that stretch out into the vast, starry night.  Awash with psychedelic flourishes, there’s a cinematic feel to songs like ‘Manolete’ and ‘Digital Smoke Signal’.  The listener can grasp the improvisational vibe, close your eyes and you’re a world away from anywhere as the music spirals endlessly into the universe.

Wow, I was off in the moment there for a moment reader.  How unprofessional – I do apologise.  I love the fact that all four songs are instrumental, ‘cos as we all know that the singer is the least important member of any band.  No vocals equals a psyche freak out that incorporates samba rhythms, wailing reverb drenched guitar and no distractions from the dusty, spaced out shenanigans.

Yeah.  Breathe out, breathe in.  Enjoy.

Find out more about Yawning Man on Facebook, Spotify, Instagram, Bandcamp and their website.

This review is brought to you by Platinum Al in conjunction with Ever Metal.

Singles Night at the Virtual Hot Tub #32

Here we go again, my little Hot Tub amigos! Yes it’s time for another Singles Night at Platinum Al’s Virtual Hot Tub – grab a cocktail and jump right in, we’ve got some listening to do!

Do I really need to explain what we’re up to, here? OK, well very quickly then: I have a pile of 7 inch singles that I’ve acquired from various places, all of different artists and genres. On Singles Night, I play through a stack of ’em in order, A side then B side, and we go on a musical odyssey.

Sound like fun? Well it is. Drink up and let’s rock with this latest selection:

  1. The Cult – “She Sells Sanctuary” / “No. 13”
  2. Iron Maiden – “Infinite Dreams (Live)” / “Killers (Live)”
  3. Rod Stewart – “Lost in You” / “Almost Illegal”
  4. Steve Miller Band – “Rock’n’Me” / “The Window”
  5. Bob Marley & The Wailers – “Mr Chatterbox” / “Mr Chatterbox (Version)”
  6. Wizzard – “Rock’n’Roll Winter (Loony’s Tune)” / “Dream of Unwin”
  7. Hot Chocolate – “A Child’s Prayer” / “Everything Should Be Funky”
  8. Mud – “Show Me You’re a Woman” / “Don’t You know”
  9. Bay City Rollers – “I Only Wanna Be With You” / “Rock’n’Roller”
  10. The Kartoon Krew – “Inspector Gadget” / “Inspector Gadget Dub”
  11. Snap! – “The Power” / “The Power (Dub)”
  12. Nicole – ” A Little Peace” / “Thank You, Mercy”
  13. Bob Marley & The Wailers – “Stir It Up (Alt. Jamaican Version)” / “Stir It Up (Alt. Jamaican Instrumental)”
  14. Katrina & The Waves – “Walking on Sunshine” / “Going Down to Liverpool”
  15. Hot Chocolate – “Disco Queen” / “You’re a Natural High”
  16. UK Subs – “She’s Not There” / “Kicks” / “Victim” / “The Same Thing”
  17. Run DMC – “Walk This Way” / “Walk This Way (Instrumental)”
  18. Iron Maiden – “Run to the Hills” / “Total Eclipse”
  19. The Nolans – “Attention to Me” / “Old Feelings Again”
  20. Chas & Dave – “Gertcha” / “The Banging in Your Head”

Another twenty 45 rpm slabs of varying quality there, but I’m not including Katrina (great song!) or Chas & Dave (who can do no wrong) in the dodgy list.

We started with possibly my favourite song of all time, the wonderful “She Sells Sanctuary”. Love that tune. I never had the 7″ as a kid, I bought the 12″ as it had an extra track on it, as I was always obsessed with collecting B sides. That was in 1989, however, well after the single was originally released in ’85.

Other highlights included a double dose of Iron Maiden, a UK Subs EP and the classic Run DMC single “Walk This Way”. Not to mention a couple of very cool Bob Marley singles, both of which were Record Store Day purchases.

As I said, Singles Night is always a journey, from well known paths to the very different excursions. I can recommend it as a fun evening.

I really should do this more often.

Loose Sutures – Album Review

Loose Sutures – Sado Sex for Dummies

Electric Valley Records

Release date: 26/05/2023

Running time: 36 minutes

Review by: Alun Jones

9/10

Now here’s a great album to play next time the vicar pops round for a cup of tea.  Invite him in, sit him down; offer a nice cuppa, custard cream perched tenderly on the side of the saucer, engage in some small talk about replacing the glass windows in the vestry.  “What’s this delightful music?” the padre is sure to enquire.  “Why, it’s the new album by Loose Sutures,” you reply helpfully, “it’s called “Sado Sex for Dummies””.

Of course, you’ll then be able to tell your friendly priest that Loose Sutures are a band from Sardinia, Italy – and that this is their third album.  They’re a threesome, (oo-er), consisting of Antonio Pilo (guitars/vocals), Marcello Meridda (bass/percussion) and Marco Angius (drums/vocals).  And what pleasant, well mannered young men they must be.

Their music is a divinely fuzzy, scuzzy stoner rock with an intoxicating slather of punk attitude.  You can both bop along enthusiastically together in your armchairs to the rolling, out of control ‘Highway Shooter’, or bounce about gleefully to ‘Sadism and Gallows’.  The fun continues with the sleazy punkorama of ‘White Line’, while ‘Kinky Katy’ (featuring Alain Johannes) and ‘He’s My Friend’ (featuring Nick Oliveri) offer cheap thrills and menacing rock, in that order.

If you, or your fellow upstanding members of society are fans of Kyuss, the first QOTSA album, fuzzy Mudhoney or maybe even a little Electric Wizard distorted doom, you’re sure to love this.  Loose Sutures have recorded an album of wholesome, frolicking rock’n’roll that’s drenched in filth.  Invite the neighbours round to sample it with coffee and a slice of Victoria sponge.  Maybe leave the gimp locked in the under stairs cupboard for now, though.  

Check out Loose Sutures on Facebook, Instagram and Bandcamp.

This review has been brought to you by Platinum Al and Ever Metal.

Platinum Al’s Top 10 Rock & Metal Albums of 2023

Just as per last year, I compiled my Top 10 Rock & Metal albums for Ever Metal, which was published on the site. Now you lucky devils over here at the Virtual Hot Tub get to take a look too!

Absolutely ridiculous, that’s what it’s been like trying to pick just 10 albums to make my “Best of the Year” list.  There’s been a ton of great music in 2023.  Here’s my attempt to pick out my favourites:

10. The Sound of Origin – Man in the Arena

Sludgy, Grungy, Stoner Metal from Huddersfield, this album features Trouble’s Kyle Thomas on a couple of tracks adding even more class to a solid record.

9. Church of Misery – Born Under a Mad Sign

Gruesome Doom from the Japanese masters of Sabbathian serial murderer Metal.  Killer!

8. Torso – A Crash Course in Terror

John Carpenter synths meet chainsaw guitars in this brutal, 80’s horror inspired monster of an album from Torso.  Short but evil.

7. The Lords of Altamont – To Hell with Tomorrow, The Lords are now!

Psyche Biker Rock with skronky keyboards and attitude, The Lords of Altamont deliver a slab of Garage Punk’n’Roll to keep the party going.  YEAH!!!

6. Tankzilla – Tankzilla

Debut album from this dynamic duo, a righteous cacophony of pounding, groovy riffs that’ll make your body move like a serpent. 

5. King Kraken – MCLXXX

These guys blew me away when I saw them live back in February.  Their album is also a work of Groove Metal wonder.

4. Kvelertak – Endling

Norwegian Punk Metal with a Classic Rock sheen?  Yes please!  More joyous tunes from Kvelertak is nothing short of a true gift.

3. Blood Ceremony – The Old Ways Remain

Folk Metal, flute infused Occult Rock that sounds both ancient and modern at the same time, we waited a long time but this album will cast a spell on you.

2. Green Lung – This Heathen Land

I was one of many waiting anxiously for the third Green Lung album, and it didn’t disappoint.  Exquisite Occult Rock that’s doomy and hook filled, Green Lung have exploded with this record.

And number one is…

1. Desert Storm – Death Rattle

Three years ago, Desert Storm were number 2 in my 2020 Top 10, after a little band called AC/DC.  This year they deservedly take the top spot, with a massive album that I’m still enjoying months later, up against some stiff competition.   

Plus some honourable mentions:

Baroness, who’s latest album “Stone” probably would’ve made the top 10 if I’d listened to it sooner.

The Damned – their “Darkedelic” album may not be for all of Ever Metal’s audience, but it’s bloody great all the same.

Metallica – that “72 Seasons” thing was good but too long.  Nice try.

Keep coming back to Ever Metal and Platinum Al’s Virtual Hot Tub for all the best rock reviews!

Tankzilla – Album Review

Tankzilla – Tankzilla

Heavy Psych Sounds

Release date: 19/05/2023

Running time: 44 minutes

Review by: Alun Jones

9.5/10

Let’s talk about Tankzilla.  To start, what a rad name!  According to the band’s PR, “Satan fucked a Panzer and the offshoot is Tankzilla”.  Which pretty much sums everything up nicely.  So nicely, in fact, that the rest of this review is a bit pointless.

Tankzilla are actually a duo consisting of Peter Van Elderen (guitar and vocals) and Marcin Hurkmans (drums), who started jamming together after their previous bands split.  Before you get clever and assume that these guys are gonna be just like Royal Blood, they’re not.  They have a whole lot more Motorhead in their dirty DNA.

‘Lucifer’, the first track, proves this nicely, with an opening riff reminiscent of ‘Deaf Forever’ by Lemmy’s crew.  The song quickly erupts into a bludgeoning juggernaut all of its own, crushing everything in its path and setting the course for the rest of this slab of sonic destruction.

Yes, the power of the mighty riff rules in Tankzilla’s blitzkrieg campaign.  ‘Crossroad’ drops more loud bombs adding a funky feel, while tracks such as ‘Wolfpack’ and ‘Soulsurfer’ have a hard rocking edge.  The assault slows a little with ‘Brother from Another Mother’, but keeps unleashing maximum firepower.  Bonus points for the sample from The Mandalorian too in ‘Mutant Freak’.  This is the way!

The final song, ‘Hard Way’, has a Melvins vibe to it – something else which makes me very happy indeed.  Whether firing on all cylinders or easing off the gas a little here and there, this debut album is devastatingly excellent.  Tankzilla are a relentless, riff loaded monster and nothing can resist their onslaught.  Definite Top Ten of the year list for me.

No time now, but remind me to tell you about that time with Motorhead in Europe, when we took the band to visit a military museum on a day off.  Philthy was hungover, so Lem let him sleep it off in an old Russian tank.  We closed the hatch and scarpered, leaving Phil in there all day.  He only just made it to the next gig in Copenhagen by the skin of his teeth.

Check out Tankzilla on Facebook, Instagram, Bandcamp and Spotify.

This review has been brought to you by Platinum Al and Ever Metal.

Living Colour – Gig Review

Living Colour + Red Zephyr

Saturday 2nd December 2023

Buckley Tivoli

Yet another massive coup for the good ol’ Tiv! The Tivoli Venue in Buckley, North Wales is a legendary spot and has attracted some amazing, big names over the years. The latest to pay a visit and astonish us with their prowess were alt-rock icons Living Colour. This was, indeed, a big deal. I bought my ticket as soon as it was announced.

No surprise, the Tiv was packed to the rafters on this Saturday evening. It was a good atmosphere from the start, a feeling of warm anticipation in the air. I caught up with several friends old and new, but that meant I didn’t get much experience of support band Red Zephyr. What I did hear, they seemed to be a supremely capable and enjoyable hard rock band – one to investigate further in the future.

Now me and Living Colour go back some way. I still have an old 7 inch vinyl Sounds EP featuring the band that a friend gave me in 1988, which is where my fandom began. I’ve never seen them live though (ah, if only I’d been able to go to Lollapalooza 1991!), so this gig was really something to look forward to.

Opening with their infectious track “Middle Man” before launching into playing their “Stain” album in full, it was immediately obvious that Living Colour were still at the top of their game and playing exceptionally well. It was also nice to be reminded just how many great songs – and of varying styles and grooves – this band have in their repertoire. Crunchy metal provided by guitar maestro Vernon Reid on “Go Away” nestles up comfortably with the sublime pop of “Nothingness”. On all tracks, the Haribo fuelled voice of Corey Glover roared majestically and crooned sweetly.

Post “Stain” run-through saw a jigsaw of originals and covers, the highlight being a 50 years of Hip-Hop medley featuring “White Lines” and “The Message”. Doug Wimbish, the king of bass, shone here, although his skills dazzled all night. And drum master Will Calhoun gets a well deserved solo spot: he ably showed both relentless power and effortless grace throughout.

Of course, two of the big crowd pleasers are “Love Rears It’s Ugly Head” – which is uncannily well played – and the crushing, monster riff of “Cult of Personality”. All the songs sound great, with Corey’s vocals in particular sounding like they came direct off the vinyl.

Well done to all at the Tiv for making this happen, and huge thanks to Living Colour for turning up and playing their hearts out. They had the musical skills, they were vibrant and entertaining on stage – Living Colour absolutely ruled one of the best Tiv nights in a long, long time.

Living Colour are online here.

Check what’s on at Buckley Tivoli here.

The Lords of Altamont – Album Review

The Lords of Altamont – To Hell With Tomorrow, The Lords Are Now!

Heavy Psyche Sounds Records

Release date: 17/03/2023

Running time: 35 minutes

Review by Alun Jones

9.5/10

Ladies and gentlemen, I am excited!  Why am I excited, you ask?  Because I freakin’ love this album by the Lords of Altamont, that’s why!  Here we have ten unrelenting tracks (plus a bonus) of fast and furious rock’n’roll, created by a gang of motorbikin’ miscreants on their own highway to hell.  It’s leather, denim, roaring hogs and cheap booze fuelled rock the way that it should be.

Now you may know I’m a tad dubious about live albums.  Often times, live records are fumbled contract fillers or a shoddy cash in.  Well, you can relax here, pilgrim – “To Hell With Tomorrow, The Lords Are Now!” is a live in the studio release with pristine sound.  It doesn’t lack the crowd atmos, but it does more than over achieve by being a rowdy collection of tunes performed as if the band are in the room, right there with you.

If you’re new to the Lords of Altamont, you can expect an explosion of gritty rock’n’roll instilled with the sound of garage rock, Detroit punk and 60’s R&B.  So hang on tight as The Lords tear through filthy, feel good tracks like “Going Nowhere Fast”, “Velvet” and “Going Downtown”.  Sing along with the wind in your face to “I Said Hey” and shake your booty to “7th Day” – all of these infectious tracks will hit their mark. 

This album works as a great introduction to the band and their two decades plus history, in a no nonsense, no holds barred presentation.  Like a forgotten B-movie soundtrack from 1969, “To Hell With Tomorrow…” is one for all the rebels and wild ones out there.  Park up, step inside the truck stop and let yourself go. 

The Lords are now!      

Find The Lords of Altamont on Facebook, Instagram, Spotify and Bandcamp.

This review has been brought to you by Platinum Al and Ever Metal.