Tag Archives: classic rock

Pentre Fest 2017

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Pentre Fest

Friday 23rd – Sunday 25th June 2017

McLean’s Pub, Deeside

Three days of the heaviest of metal, featuring underground, unsigned bands from across the UK, walking distance from my house.  How could I resist?

I’ve been to McLean’s pub in Pentre, Deeside several times over the years – usually for functions such as birthdays.  I had no idea, though, that they were regularly hosting gigs of the rock/metal variety.  Pentre Fest came out of the blue, but I managed to make it down for Saturday evening.

Pentre is a small area within Deeside, North Wales – and McLeans a fairly well known pub/function place.  Take it from me, the fact that Pentre Fest existed was a surprise at first.

As I was late arriving, I missed the first few bands, including the excellent Bad Earth.  I’ve seen them a while ago supporting Karma to Burn and they were excellent.  A bad start for me, I fully intend to see Bad Earth again sometime.

The first band I witnessed were Pelugion – they were a great introduction to the festival.  A metal band with a healthy element of stoner/doom, Pelugion rocked out in a Judas Priest or Megadeth vein.  They also excelled when they got into a slower, Sabbath like groove – bringing to mind Alice in Chains or Soundgarden.  Really impressive.

Outside the actual venue was a marque hosting acoustics acts.  This was proved handy between bands, especially on a sunny day like this when you could sip a beer outside with some live entertainment.

I saw Pelugion again performing a great acoustic set, which culminated in a heartbreakingly good version of Soundgarden’s “Black Hole Sun”.  Serious hairs standing up on back of the neck time.  Wonderful stuff – the Pelugion singer has pipes indeed.

The names of other acts in the acoustic tent escaped me (sorry everyone), but I did see a fantastic one-man rendition of Tenacious D’s “Tribute”, and a band doing some classic rock covers.  And I do love me some classic rock.

Back inside, next up were Impavidus from Manchester way.  Their set consisted of some incredibly locked in, expertly performed and aggressive metal.  With a sound not too far away from Carcass, the pleasant surprise with this band is the amazing singer, who happens to be female.  There just aren’t enough girls in rock/metal, but Michelle impressed with a vocal ranging from slinky Siouxsie Sioux to a commanding metal growl.  Excellent show from all of the band, across the board – and a decent bunch of folks, too.

Up next on the indoor main stage were thrash titans Incinery.  Their scorching hot set of purest thrash metal glistened with speed and precision.  Obvious comparisons would be Slayer at their fastest, with the riffs of Testament or even Sepultura.  Absolutely no fucking about delivery and really gripping viewing, Incinery bring back the best of old school thrash and drag it with them into the future.

Amusingly, in a very Phoenix Nights kind of way, whilst all this blistering metal was being unleashed on the main stage, there was 60th birthday party in the next room.  Absolutely bloody hilarious!  I wonder what Granny made of it…?

But back to the music, and next on the bill were Haerken (apologies for the spelling, I can’t find the right symbol on my keyboard).  A different tale altogether from what we’ve experienced so far, Haerken introduced some Medieval themed mayhem with a killer presentation.  Dressed like knights or druids etc, their Olde Worlde death fest was brilliantly presented and featured some intricate musicianship.  Sharp as a gleaming sword and just as lethal.

Finally, headlining Saturday night, were the exquisitely named Sodomized Cadaver, from good old South Wales.  With a band name and song titles in the classic controversy baiting death metal style, it was obvious what we would be getting.  The heaviest band of the day, with a brutal rip-your-face-off  musical attack, these boys mercilessly slaughtered the gathered metal hordes.  Vastly entertaining, their savage yet brilliantly played Metel Angau* was murderously superb.

And that was it.  At least for me, as I could only attend Saturday.  Next year, I’m attending all three days and YOU’RE COMING TOO.

Awesome live music from the metal underground, Pentre Fest also delivered a great atmosphere and camaraderie amongst some very cool people.  Let’s have another!

The Facebook page for Pentre Fest is here.  There are links to all the bands over the full weekend – do the research, it’s worth it.

The McLeans Pub Live FB page is here.

* I am reliably informed that this is Welsh for Death Metal.

1968 – Gig Review

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1968

Friday 12th May 2017

Telfords Warehouse, Chester

The road to Telfords Warehouse was littered with walking corpses, stumbling clumsily with clothes falling from their limbs.  The zombified masses were yet again evacuating Chester Races, bumbling along in a drunken stupor.  I was on my way to Telfords to witness something far more intriguing – local band 1968 playing live, in a safe haven away from the riders of the apocalypse outside.

Telfords Warehouse is always a great place to visit, though it’s not famed for showcasing music like we were looking forward to tonight.  I’ve enjoyed music from other genres at the venue, but it was good to be expecting some noisy rock.  I met up with old buddy Dan and waited for the sonic attack to begin.

As you’d expect with a name like 1968, this band has Sabbath, Mountain, Blue Cheer and others of that ilk in their DNA.  It’s heavy, stoner rock with a reverence for the originals, proudly worn on their sleeves like old sewn on patches.  The bass chugs, the drums pound, the guitars wail and the vocals soar – all classic stuff.

It’s not just about the originators in this sonic stew though.  I could hear hints of epic Soundgarden, crunchy Kyuss riffs and even some COC style southern groove.

Enough of the band comparisons.  1968 are taking their influences and weaving new landscapes, using their own talents to create something energetic and new.  The band present a crushing presence on stage, performing their material with a killer confidence.

There’s even a progressive, experimental edge to some songs, with short instrumental sections lowering the volume and creating a mellower vibe.  If anything, I’d like to hear more of this develop in the songs – if only to provide a psychedlic contrast before the guitars thunder in again.

Any race goers who had wandered into Telfords soon left, slain by the merciless onslaught of 1968.  A superb band, I can’t wait to see them live again.  They have the riffs, the power and the vision to take them far.

It’s 1968.  The revolution is now.

Visit the 1968 Bandcamp page and download their awesome “Fortuna Havana” EP here.

1968 are on Facebook here.

The Telfords Warehouse website is here. 

R.I.P. Chris Cornell

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Chris Cornell

20.07.1964 – 18.05.2017

Writing this memorial piece is a hard thing to do.  I was a massive fan of Chris Cornell and had been for many, many years.  I was left stunned, then in disbelief, and finally great sorrow when I stumbled on news of his death early that morning.

I had discovered Soundgarden with their “Louder Than Love” album back around 1990.  Music back then was shifting; I’d been listening to what would become “alternative rock” for some time and Soundgarden fitted right in with my tastes.  Along with other bands of the time like Jane’s Addiction and Mudhoney, I liked these bands that were able to meld classic heavy rock with a punk approach.  Bands like Soundgarden threw influences across the musical landscape into one pot.

When “Badmotorfinger” was released, I became a full on Soundgarden devotee.  The band soundtracked the ups and downs of my student life, the good times and bad.  The excellent “Superunknown” album cemented this noise in my affections even further.

Their sound evolved as Soundgarden explored and developed.  The riffs could still be inhumanly heavy, but there other sounds filtering through – from the whimsical to the psychedelic.  Listening to those albums was an experience that took the listener on a journey through different sounds and textures, feelings and emotions.

And of course, there was that amazing voice.  Chris Cornell could croon soothingly or wail like a tormented banshee – an awe inspiring ability that added yet more colour to the band’s sound.

Following Soundgarden’s split, I followed Chris’s musical journey through his solo endeavours and work with Audioslave.  I also loved his Bond theme – “You Know My Name” from Casino Royale.  I’ve played that many times to psyche myself up before a challenging situation, I can tell you.

I’ve tried to edit these recollections down, but revisiting some of the touch points in my life – where the music of Chris Cornell (and band mates) has been integral – goes some way to understanding the respect I have for the man and his legacy.

Sadly, now he’s gone.  I never saw Chris Cornell live (I went to Reading festival in 1994 but Soundgarden pulled out at the last minute) and I’d been looking forward to more music in the future.

It’s heart breaking to know that Chris is gone, and there’s no more music.  We’ve reached the end of that journey.  But what a legacy he’s left.  I’ll revisit those records again and again.  Though full of reminiscences of my past, those songs and performances are immortal.

I won’t speculate on the nature of Chris’s death, it’s not my place.  There are dark places that the human soul can go to.  It’s just incredibly sad.

Thanks for the music, Chris Cornell.  An exceptional musician who has left an indelible mark on millions of us.

“Heaven send
Hell away
No one sings
Like you anymore”

Talacre Playlist

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Recently, we had a family weekend break in Talacre, North Wales.  It was to celebrate Mrs Platinum Al’s Dad’s big birthday.  We had a great couple of nights in a caravan at the Talacre Beach Holiday Park.

In the evenings, we often found ourselves having a drink and a chat whilst taking turns to select some music from the old iPods.  Here are the tracks I played.  Some were suggested or requested by others, some I chose to force on them!

  1. The Beatles – “Misery”
  2. The Beatles – “Anna (Go To Him)”
  3. Queen – Fat Bottomed Girls
  4. Queen – Flash
  5. Queen – Seven Seas of Rhye
  6. Suzi Quatro – “Can the Can”
  7. Suzi Quatro – “48 Crash”
  8. Johnny Cash – “Ring of Fire”
  9. Johnny Cash – “Orange Blossom Special”
  10. Johnny Cash & June Carter Cash – “Jackson”
  11. Chris Isaak – “Wicked Game”
  12. Chris Isaak – “You Owe Me Some Kind of Love”
  13. The Animals – “House of the Rising Sun”
  14. Eddie Cochran – “Summertime Blues”
  15. T.Rex – “20th Century Boy”
  16. The Kinks – “You Really Got Me”
  17. The Kinks – “All Day and All of the Night”
  18. The Kinks – “Tired of Waiting For You”
  19. Little Richard – “Good Golly Miss Molly”
  20. Roy Orbison – “Only the Lonely”
  21. Roy Orbison – “Crying”
  22. Roy Orbison – “Dream Baby”
  23. Roy Orbison – “Working for the Man”
  24. 2 Unlimited – “No Limit”
  25. The Clash – “I Fought the Law”
  26. The Clash – “Should I Stay or Should I Go”
  27. The Clash – “Rock the Casbah”
  28. The Damned – “Eloise”
  29. Rolling Stones – “Jumpin’ Jack Flash”
  30. Rolling Stones – “Honky Tonk Women”

Really nice place, Talacre.  Recommended.

Oh, and Happy Birthday Graham!

Bring Your Own Vinyl Night #11

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Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 24th February 2017

It’s the first Bring Your Own Vinyl Night of the year!  It was great to be back in the Queen’s Head in Mold for another Vinyl Night, and nice to see all the familiar faces after the Christmas break.

Most of all, it was great to have a few pints and hear some great music, old and new.

To recap how this works (though I’m sure you know by now): everyone gets 15 minutes to play whatever music they like, so long as it’s on vinyl.

Here’s my playlist for the evening:

Professor Elemental – I’m British

For my first song of the set, I craved something a little different. So I decided on a track from Professor Elemental, a gentleman of some repute who is known to fashion extraordinary “chap hop” tunes.  That is, steam punk hip-hop (sort of).  I’ve seen the good Professor live a couple of times (at Sci-Fi Weekender) and was astonished at this marvellous mash-up from the get go.  A few months back I tracked down some vinyl via the Prof’s Bandcamp page; lo and behold it was a sonic delight.  Lively beats and unusual samples – more brass band than James Brown – meld with humorous, uniquely British rap topics to create a wonderful new hybrid.  This track was the perfect primer for the uninitiated, but it’s all good.  Get over to the Professor’s Bandcamp now, you won’t regret it.  And catch him live if you can!

B-52s – Planet Claire

Next up in my musical feast was a fine little song from those lovable, quirky scamps the B-52s.  “Planet Claire” is a perfect slice of sci-fi flavoured rock’n’roll, straight out of a B-movie and into your brain like Invasion of the Body Snatchers.  I love it.  This version is from the B side of the “Rock Lobster” 12″ single, which I was lucky enough to pick up at a record fair not long ago.

Professor Elemental
B-52s

Thee Hypnotics – Come Down Heavy

In the late 80’s/early 90’s, just before Nirvana changed the world with “Nevermind”, I had discovered the Stooges via punk rock bands like the Damned and the Sex Pistols.  At the same time, there were bands coming out of the USA – such as Mudhoney – that utilised a very Stooges-like sound: fuzzed up guitars, wah wah pedals and so on.  Thee Hypnotics were a British garage band that followed a similar blueprint.  Though largely forgotten about now, they’re a fantastic historical anomaly and pre-cursor to the alt rock explosion of the early 90’s.  “Come Down Heavy” is from the album of the same name.  It seemed very popular on the night – highly recommended.

Iggy Pop – Cold Metal

I bought the Thee Hypnotics album from a Connah’s Quay record fair around 1990.  I also picked up Iggy Pop’s “Instinct” album at the same fair, as I’d heard the track “Cold Metal” on a Sounds sampler EP that a friend gave me.  I love – and still love – the amazing guitar riff.  I was instantly smitten; not just the riff but the incredible gritty yet finely produced guitar tone – courtesy of the one and only Steve Jones.  “Instinct” is a superb album – Iggy’s explored lots of sounds, but I do like it when he rocks out unashamedly.  A highlight of a varied and inspirational career.

Thee Hypnotics
Iggy

And that was the end of the set – hope everyone enjoyed it as much as I did!  Looking forward to the next Bring Your Own Vinyl Night – it can never come too soon.

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Black Sabbath – The End

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Black Sabbath + Rival Sons

Saturday 4th February 2017

Genting Arena Birmingham

The mighty Black Sabbath.  They created down tuned, dirty, doom laden heavy metal aeons ago.  Wrote songs that defined an entire genre and inspired millions of people.  Lived the rock’n’roll lifestyle to legendary excess, managing to survive through some miraculous method or other.  Black Sabbath are musical titans.

And this was The End – their last ever gig.  At least as far as we know at this point in time, and taking into consideration the band members current situations.

This was The End – Black Sabbath’s last live performance, ever – in their home city of Birmingham.

Through a result of pure luck I was able to blag myself on a trip to witness the event.  Sabbath are one of those bands that I’ve long been obsessed with, going on nearly thirty years now.  They’ve created fantastic albums that I’ve listened to again and again, so it was great to be able to catch this gig, before it was all over.

The support band were Rival Sons, a younger band that’s regarded very positively by fans and press alike.  I’m only familiar with one album or so worth of songs, but can safely say that they put on a very impressive performance.  Their music is rooted in the classic rock of yore, so it was an apt choice to support.  I didn’t recognise any of the material, but then Rival Sons are a band that definitely require some homework on my part.

A confident and popular support act, Rival Sons coped with the huge arena well.  They merit further investigation – I’m sure that classic song to get me hooked is tucked away on an album somewhere.

And so to the headliners, the incredible but sadly not immortal, Black Sabbath.  Of course they opened with the legendary “Black Sabbath” – what else? – the eerie three note, devil’s tritone that heralded the birth of metal years since.  A perfect start to the evening, Black Sabbath then proceeded to entertain with two hours of solid classics.

From my vantage point, standing in the massive arena hall near the sound desk, I couldn’t see great deal.  In fact, I could see more of Kelly and Sharon Osbourne, in the nearby VIP area,  than I could of Ozzy.  The sound however was superb and the set loaded with classics.  Plus I don’t think Ozzy (or Tony or Geezer) did much running around the stage anyway. bs1

Most of the songs were from the first four albums, which was cool by me.  Highlights were “Into the Void”, “Snowblind”, “Children of the Grave” and an unexpected showing of “Hand of Doom”.  Brilliant bass from Geezer Butler on “N.I.B.” too.

My absolute favourite Sabbath track, “Supernaut”, was unfortunately relegated to being sandwiched in as part of a medley (along with “Sabbath Bloody Sabbath”, another fave) – and therefore sadly under exposed.  A shame that, I went mental when the opening riff started.  No “Sweet Leaf” either.

“Supernaut” should have been in the set, certainly it was preferable to “Dirty Women” which was hauled out of the cellar and into the light one more time.  Although not their best material, this song did give Tony Iommi a chance to shine, the final guitar solo was absolutely explosive.

There were sadly no extra special moments, such as famous guests getting up to join in – maybe that would’ve diluted the spotlight on Sabbath.  It was nice to let them have their final moment of glory.  I think we were all hoping Bill Ward would make an appearance behind the drum kit for one last time though.

And finally, it was all over – with one last rendition of the genius song that is “Paranoid”.

Their final  gig was set to be emotional, set in their hometown for one last time.  In fact it was a hugely uplifting experience, rather than sombre – hundreds of the faithful showing their respect for all the music we love.  Not just Sabbath, but every metal band that’s followed in their sepulchral wake.

Black Sabbath – their legacy lives on.  They are the ultimate metal band and they leave us with a back catalogue beyond compare.  It’s never really The End.

The full setlist is here.

My Top 10 Christmas Songs

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I’ve chickened out of writing this list for a long time.  That’s because there are so many great Christmas songs, that it’s a real struggle to narrow it down to just 10.  There are a few songs that simply have to be on the list, but I cringe thinking about those that didn’t make the it.

But I’ve been really ruthless, and narrowed it down to ten classic Christmas tunes that I love:

10. The Waitresses – “Christmas Wrapping”

A great, funky little pop number that always gets me dancing in the aisles doing my Christmas shopping.  I know nothing about this group other than this song, but this is sheer class.

9. Ramones – “Merry Christmas (I Don’t Want to Fight Tonight)”

The Ramones hark back to their 70’s glam rock influences with this festive banger.  It’s great to have a really influential, cool band in the top 10 (much better than Wham! for example).

8. Showaddywaddy – “Hey Mr Christmas”

This Showaddywaddy song is criminally unknown these days.  It really is a classic bit of 70’s stomping/clapping/singalong fun.  Do yourself a favour and rediscover this gem now!

7. Dean Martin – “”I’ve Got My Love to Keep Me Warm”

There are loads of awesome Christmas tunes from the master, Dean Martin (Baby It’s Cold Outside, Let It Snow!…, etc).  But this track is my top pick from Deano, if only for the wonderfully uplifting instrumental introduction.  You can argue if this tune is actually a Christmas song or not, but it’s on the indispensable “Ultra Lounge Christmas Cocktails” album, so I’m claiming it.

6. Wizzard –  “I Wish It Could Be Christmas Everyday”

Another glam rock 70’s nugget.  Absolutely essential.  It seems like I’ve heard this song all my life – I probably have – and it never gets boring.  Christmas magic!

5. The Crystals – “Santa Claus is Coming to Town”

Timeless stuff from the wonderful “A Christmas Gift For You from Phil Spector” album.  You’ve heard this song on film soundtracks, everywhere – it instantly conjures up a vivid feeling of Christmas nostalgia.  Superb.

4. Darlene Love – “Christmas (Baby Please Come Home)”

Another track from the Phil Spector record (if you don’t own it, get it.  You need it).  The fantastic intro and Wall of Sound production are just perfect.  Sends a Christmassy shiver down your spine every time.

3. The Pogues featuring Kirsty MacColl – “Fairytale of New York”

Nowadays it’s as traditional as Christmas pud.  “Fairytale of New York” has grown on me massively over the years – it’s now an essential part of the festivities.

2. Shakin’ Stevens – “Merry Christmas Everyone”

Instantly recognisable, the Welsh Elvis rocks out a total seasonal masterpiece.  Newsflash: Shaky is, was, and always will be COOL.  This song is crucial for any Crimbo fun.

So what’s number one in my festive all time top ten?  It can only be…

1. Slade – “Merry Christmas Everybody”

Forget the Coca Cola truck, the official start of the Christmas (not “holiday”) season is when you first hear Noddy bellow “It’s Chriiisstmaaaaasss!”  In the 1970’s, Christmas was great.  This is the sound of every family get together from then and ever since.  Unbeatable.

There you go – my Top 10 Christmas songs.  I may need to re-visit this next year, maybe do a top 20 – just to cover off a few of the great songs that didn’t make this list.

Though there’s no way that East fucking 17 will ever get in here.

Merry Christmas to all my readers! 

Bring Your Own Vinyl Night #10

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 2nd December 2016

“Another Vinyl Night, Daddy?” my six year old daughter asked.  Yes, sweetie, another!  After a bit of a quiet stretch, there seems to have been a little more vinyl action recently.  Well I ain’t complaining!

Back to the Queen’s Head in Mold for another Bring Your Own Vinyl Night, arranged/organised by Halcyon Dreams and VOD music.  You know the routine by now: play a 15 minute set of whatever tunes you like, vinyl only.

I travelled up with my good pal Brother Adam.  We got to the pub nice and early and had some food before the music started.  Happy to report that the food was very good indeed – I ordered BBQ pulled pork tacos, and they were mighty fine!

Next up, it was my turn on the decks.  This time I played the following:

Revolting Cocks – Do Ya Think I’m Sexy?

I was in the mood for slaying with some off the wall crazy tunes.  Revolting Cocks (or RevCo, if you’re in polite company) are an offshoot of Industrial giants Ministry, so this take on the old Rod Stewart cheese fest was sure gonna rock the house.  Imagine the seventies original put in a blender with sleazy guitars and a big, head throbbing beat and you’re most of the way there.  Ideal for any strip club.  This song can be found on the “Linger Ficken’ Good” album, though my version was from a clear vinyl 12″ that came in a liquid filled plastic sleeve.  The liquid looks very dodgy.

Vince Taylor – Brand New Cadillac

Absolute classic old school rockabilly mayhem from Vince Taylor, this version is from a recent acquisition called “Rockabilly’s Gravest Hits”.  That record is well worth the money.  I originally heard The Clash’s cover version on their “London Calling” album; years later I wound up jamming this song in a band practice.  It’s highly addictive, full throttle rock and roll and I love it. dz

Dread Zeppelin – Heartbreaker (At the End of Lonely Street)

For anyone not in the know, Dread Zeppelin specialise in reggae styled covers of Led Zeppelin songs.  With an Elvis impersonator on vocals.  This song, from a 12″ single, is a mash-up of Zep’s “Heartbreaker”, with “Heartbreak Hotel” thrown in for good measure.  Great fun and surprisingly good – the novelty factor works well on this number.

So there you have it – another great Bring Your Own Vinyl Night.  As it was the Christmas special, there was a buffet to enjoy as well as the great music.  Thanks to everyone, it was a great night.  Looking forward to more in 2017!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

St. Andrew’s Day Playlist

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In the past I’ve posted playlists for St. David’s Day (obviously, home nation and that) and St. Patrick’s Day.  About time I posted something for my Celtic brothers up north.

The following list is not meant to be exhaustive, rather it showcases a number of bands/musicians who hail from Scotland.  In some cases, there’s just one band member who fits the bill – for example, Garbage (supervixen vocalist Shirley Manson being Scottish).  But there’s some connection to Scotland that means the artist is on the playlist.

  1. Nazareth – “Hair of the Dog”
  2. The Sensational Alex Harvey Band – “Faith Healer”
  3. The Average White Band – “Pick Up The Pieces”
  4. The Skids – “Into The Valley”
  5. The Jesus and Mary Chain – “April Skies”
  6. Primal Scream – “Jailbird”
  7. Alestorm – “Flower of Scotland”
  8. The Exploited – “Attack”
  9. The Proclaimers – “Born Innocent”
  10. Big Country – “In a Big Country”
  11. The Vaselines – “Molly’s Lips”
  12. Garbage – “Only Happy When it Rains”
  13. Eurythmics – “Here Comes The Rain Again”
  14. Mogwai – “San Pedro”
  15. The Rezillos – “Somebody’s Gonna Get Their Head Kicked In Tonight”
  16. Simple Minds – “Promised You a Miracle”
  17. Lulu – “The Man with the Golden Gun”
  18. Stiltskin – “Inside”
  19. Stealers Wheel – “Stuck in the Middle with You”
  20. Ultravox – “Vienna”
  21. Sean Connery – “in My Life”

There are a few other bands in my collection that probably could have made the list, like The Sweet for example (singer Brian Connolly was born in Glasgow).  But you won’t find any Wet Wet Wet, Travis or Texas anywhere near my record collection.

Yes, you did read number 21 correctly.

Should Rod Stewart be on the list…?

Bring Your Own Vinyl Night #9

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 4th November 2016

It was great to be back in Mold for another Bring Your Own Vinyl Night.  It’s been a long time since the last evening in the Queen’s Head, with summer holidays and whatnot getting in the way – so it was good to see the familiar faces and crank out some tunes.

The usual rules applied: each person got 15 minutes on the decks to play whatever they liked, genre free – vinyl only!

Adam went for it first, here’s an over view of his varied and very enjoyable set:

  • Voice of the Beehive – I Think I Love You
  • Grandmaster Flash – Whitelines
  • Queen – One Vision
  • Willie Nelson – On the Road Again

I am so jealous of that Willie Nelson single!

Halloween had just been and gone a few days earlier, so I was still in a spooky mood.  This time, my set went like this:

Monster Magnet – See You in Hell

One of the many stand out tracks from Monster Magnet’s classic “Powertrip” album, this is acid drenched stoner rock at its finest.  The retro sound is augmented by a churning organ that whirls around as the bass chugs.  Psychedelic wonderment from Monster Magnet that sounds like a forgotten late 60’s gem.  I’ve owned the “Powertrip” album for many years on CD, but recently acquired the new vinyl re-issue.  Money well spent.  A truly great, under appreciated band.

Donovan – Season of the Witch

This fantastic song was featured in the Tim Burton movie Dark Shadows, a film I’m a huge fan of (though it appears not many other people are).  Whilst the previous song sounds like something from the sixties, this one is.  It’s a mellow groover that manages to wander out of hippy territory and sound somewhat sinister… Love this track, I felt it was a suitable jam for a Halloween inspired set.

The Damned – Plan 9 Channel 7

Ah, the Damned!  Where would a Halloween themed set be, without a tune from these punk rock proto-Goths?  One of my favourite bands, one of my favourite songs – from the indispensable “Machine Gun Etiquette” album.  Every home should own this!  The song is, of course, written about a viewing of Ed Wood‘s infamous “worst film ever made” – Plan 9 From Outer Space – on American horror channel 9.  Vampira, James Dean, Hollywood after dark – it’s all here in a perfect slice of rampaging pop punk.

The Misfits – American Nightmare

Finally, more horror punk from the masters themselves – the one and only Misfits.  On this track, Danzig and pals abandon the usual Ramones inspired turbo punk and offer up a ridiculously catchy rockabilly number.  Complete with handclaps and Danzig crooning more like Elvis than ever, this track sounds like a lost piece of 50’s nostalgia.  Classic stuff.

There we have it ladies and gentlemen – another great night in Mold!  Thanks to the guys from Halcyon Dreams and VOD music – and Dylan who helped out with an extra turntable!  More soon…

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.