Tag Archives: groove metal

N.E.W. Metal Productions Christmosh – Gig Review

Posted on by
Reply

N.E.W. Metal Productions Christmosh

6th December 2025

Mcleans Pub, Pentre, Deeside North Wales

Have you been good all year? Have you eaten your greens, minded your Ps and Qs, and got your Ever Metal reviews in on time? If yes, then good news: the final North East Wales Metal Productions shindig of the year is here – the annual Christmosh party! A fabulous six bands appearing at Mcleans Pub in Pentre, Deeside, covering a wide variety of Rock/Metal music and all gathered together to celebrate a festive end to 2025.

Warming us up like a welcome open log fire was Victim of Damp, alias N.E.W. Metal Prods ally Frank Williams, here given a seasonal makeover as Christmas of Damp. With Christmas jumper and trusty guitar in hand, COD gave us some choice cuts including new additions such as Therapy?’s ‘Screamager’ along with free shots and a melancholy Pink Floyd cover. The promise of Crimbo tunes wasn’t forgotten, with a rousing version of Slade’s evergreen ‘Merry Xmas Everybody’ – event guru Fozzy (in Santa suit) on vocals.

Victim of Damp

‘Agro’ by The Raging Mabels is one of the Greatest Songs Ever. Their entire set of high speed, thundering yet melodic Zeke-like Punk Rock was an absolute, total joy from start to finish. I cannot praise this band highly enough, even though they forgot to bring merch (again). There should be a new Raging Mabels album out in the New Year, so be prepared for a cultural explosion of Nirvana ‘Nevermind’ levels. And if that doesn’t happen, every single one of you can suck balls.

The Raging Mabels

Sadly, last time SOOTO (Something Out Of The Ordinary) played Pentre a couple of months back, I failed to write up my review. That cruel oversight is about to be reversed. SOOTO deal in classic Hard Rock/Metal, and with the female vocals they’re like Stevie Nicks singing for Thin Lizzy. Professional but not superficial, SOOTO have a raw energy and love of the riff, combined with dynamic songcraft and expert playing. A fantastic set that was over too soon.

SOOTO

The only band I’d never seen before, Heroes of the Gauntlet were a pleasant surprise indeed. Billed as “Symphonic Power Metal”, I was concerned these guys would be a full-on cheese fest. They have two singers (male and female) with fantastic voices, and a microphone that turns into a sword. Add in some serious Power Metal riffage and super confident stage personas, and you’ve actually got one hell of a show. Heroes of the Gauntlet were gloriously over the top and it’s impossible not to love them! All they need is a live drummer and these Heroes cannot fail.

Heroes of the Gauntlet

Bad Earth we have met before, and yes – hands up, I am a bit of a fanboy. But when a band deliver this much power and presence on stage, how can anyone not be? A “Rockcore” trio from the North Wales area, what that genre entails is dishing out filthy Punk/Metal riffs and pummelling, killer rhythms that you can feel as well as hear. They get better and bolder all the time – though the silly buggers are very humble about it – and this night was no exception. New recorded material is due soon, so beware: Bad Earth have never shied away from delivering crushing, groove infused Rock and I don’t think they will.

Bad Earth

To say I was excited about the return of the fuzzed out, sludgy sound of Master Charger to Mcleans would be an understatement. Their album “Posthumous Resurrection” was one of the never ending delights of 2025, plus last time they were here, these boys absolutely killed it. Make no mistake, Master Charger can and will deal out a mighty, megalithic slab of Stoner/Doom that will make the earth tremble. And that’s exactly what they did, with every asteroid-heavy riff and mammoth beat ploughing through the audience mercilessly. Another off-the-charts performance and a great finale.

Master Charger

What a night. Quite possibly the strongest line-up at Mcleans that I’ve ever witnessed, featuring many of my personal favourites.

But now it’s down to you. Christmosh was the last North East Wales Metal Productions event of the year, till the return of Pentre Fest in February 2026. These events, these bands need your support. If you’ve ever considered a trip to Mcleans, then you need to be there on 27th and 28th Feb 26. No excuses!

N.E.W. Metal Productions All Dayer – Nov 2025

Posted on by
Reply

N.E.W. Metal Productions All Dayer

22nd November 2025

Mcleans Pub, Pentre, Deeside North Wales

Saturday night, and I was off to another Leo Sayer (that’s an All Dayer) at Mcleans Pub In Pentre, Deeside. North East Wales Metal Productions have been getting pretty regular hosting these events recently, and I didn’t want to miss this one. Seven bands of the Rock/Metal variety were on the bill, only one had played this venue before, so things were looking promising.

I wanted to get to Mcleans from the start to see the first band, Onion Mash. Intrigued by the name, I wasn’t sure if they were a comedy band or experimental nutters. They were neither. Onion Mash were a very capable Hard Rock five piece, and not silly at all! Solid musicianship and excellent female vocals provided a thoroughly enjoyable set. Onion Mash seemed a little concerned they weren’t “Heavy” enough – no need to worry, they added further variety to a stacked bill.

Onion Mash

Another somewhat different band name was on the stage next: Napierdalać. That may be Polish, it certainly stands out and is very cool. As a band described as “Symphonic, Blackened Death Metal” these guys shouldn’t have been able to set my church on fire, but I actually really enjoyed them. More old school Venom than I’d anticipated, Napierdalać played an outstanding set with their cheeky, confident stage presence and quality playing. Thoroughly evil and thoroughly good at the same time.

Napierdalać

Rattlesnakes are a young band with their feet firmly in the traditional metal of Iron Maiden, Judas Priest, Saxon and the like. Their early 80s sound was phenomenal, every note, every chord, every crash of the drums was perfect and played with an obvious joy and real talent. Then you have the voice: female vocals again this evening, and OH MY GOD this woman has the skills beyond skills! A sneaky Dio cover was irrefutable proof. Rattlesnakes live were an event – everyone loved them and if they don’t go far, this world is a disgrace.

Rattlesnakes

I’m hit and miss with Metalcore, but if Gnawing Hunger are a Metalcore band, then I’m a convert. These brawlers from Brum have enough classic metal riffs to get the blood flowing, melded to tight rhythms and a Hardcore intensity. With a new drummer and guitarist in place, they were all the same pretty damn tight. Ferocious fun, but sadly the crowd was too thin for a mosh pit! Hopefully Gnawing Hunger will return.

Gnawing Hunger

The only band on the bill that I was familiar with was Omega Throne, who played Pentre Fest in 2024. Very impressive previously, I thought I knew what t o expect from this band, but Omega Throne have developed nicely since then. Still brutal and uncompromising, they’ve developed some groove along with their Thrash/Death/Black Metal and are all the better for it – there are even more textures to their lethal sound. Performed with clear emotion and conviction, this set was unmissable.

Omega Throne

The Machinist are well loved by Ever Metal (Dark Juan, take a bow) but they were a new listen for yours truly. I was looking forward to hearing what all the fuss was about, and these guys pretty much ambushed me and kicked my ribs in. Black/Death Metal dragged through a filthy factory of Industrial tension, The Machinist are a law unto themselves. There’s even glimpses of melody amongst the dense noise. I think they threatened to physically harm me if this review wasn’t positive, but no worries there: honestly, a tour de force set.

The Machinist

The initial surprise I had at first sight of the final act, Foul Body Autopsy, didn’t last long. As the headliner, I wasn’t expecting a one man show – but this was far from Extreme Metal karaoke. The guy has serious chops! Perfectly in sync with backing tracks, the lead guitar was ridiculously technical – but more importantly, Foul Body Autopsy has RIFFS! Riff after stinking, fat, nasty riff, to be precise. An illuminating and impressive one man show, Foul Body Autopsy brought the evening to a triumphant end.

Foul Body Autopsy

And that’s it for November at Mcleans. but I’ll be back soon for more. And if you can get there, please do: N.E.W. Metal Productions work really hard to put these gigs on, and bands travel from all over the country – so if you can support them, please do. Ten quid for seven bands of this variety and quality? You’d be crazy not to.

King Kraken – March of the Gods Album Review

Posted on by
Reply

King Kraken – March of the Gods 

Self-released 

Release date: 18/04/2025 

Running time: 40 mins approx 

Review by: Alun Jones 

9.75/10 

Ahoy there, shipmates!  Look lively with that cargo, we’re ready to set sail on these treacherous seas.  Be wary, for there are many tales in these waters of fearsome beasties, rising from the depths to swipe a man from the deck and carry him to a watery grave.  Here are ten such omens from the murky waves, tales of King Kraken! 

Sorry folks, I got a little carried away there.  We’re taking a considered view of the latest album from the mighty band known as King Kraken, though this is pretty exciting news.  Their last album, MCLXXX, was a bona fide banger, and I’ve been looking forward to hooking this new release for quite a while.   

From the opening track, it’s anchors away as the boys unleash ten tracks of compelling rock/metal that’s loaded with powerful riffs and greater depth than before.  ‘Scream’ blazes out of the speakers and it’s obvious right away that the Kraken boys have been focussed on creating adrenaline spiking music, wasting not a second of listening time.  ‘El Giganto’ is another sonic smasher, big sing-along choruses and relentless, skyscraper crushing enegy. 

The guitars of Pete Rose and Adam Healey are constantly ingenious, throwing out titanic riff and lethal lead like they’ve discovered a sunken treasure chest of hidden invention.  See ‘Berzerker’ as a prime example.  Title track ‘March of the Gods’ deals out more mayhem, this time with a galloping, martial feel.  Get in step and march along, or be bowled out of the way! 

The track ‘Hero’ adds different textures to the Kraken sound, with bluesy leads embellishing a plaintive atmosphere.  Mark Donoghue’s astounding vocals shine thoughout this album, but never more so than here.  It ain’t exactly a ballad, it’s too damn heavy – but ‘Hero’ is an excellent emotional counterpoint. 

After that, ‘Vigilante’ steers us into more familiar, Clutch-like waters: it’s a proper groove rocker with a crunchy middle section.  ‘Preacher’ resonates on a grinding, Alice in Chains style rhythm, whilst ‘Magnum Opus’ ups the pace with a full-on, diesel-powered Mad Max urgency.  Both tracks demonstrate the feel and sheer talent of the rhythm section, Karl Meyer on bass and Richard Lee Mears on drums. 

‘Chainsaw Saviour’ is another stand out track, with a menacing, pummelling riff.  No prizes for guessing who inspired that lyric!  The final song, ‘Under the Sun’, has yet another pulverising pace, tempered with mellower verses that remind me of the epic song writing of classic Soundgarden. 

So is it any good, then??!!  Well yeah – “March of the Gods” promised a huge amount and it delivers in spades.  King Kraken have obviously worked hard here, striving to push their musicianship and their song writing to a higher level than ever before.  It’s a gripping listen, with new ideas and dynamics aplenty.  We’re only a third of the way through the year, and we could have a contender for Best Album of 2025. 

But don’t just heed this old seadog’s tall tales, go and catch this monster yourself. 

Visit King Kraken here. You can also check them out on Facebook, Instagram, Twitter, Spotify and YouTube.

This review is brought to you by Platinum Al in association with Ever Metal.

Ilex – Mutatio Album Review

Posted on by
Reply

Ilex – Mutatio

Self released

Release date: 05/04/2024

Running time: 47 minutes

Review by: Alun Jones

8/10

There I was, just casually chilling between sets at McLeans in Pentre, when Frank – AKA Victim of Damp – said to me: “Hey Al, you should check this band out. They’re a Spanish Metal band, and they’re really good.” Frank sent me a link, and I gave said Spanish Metal band a listen. They’re called ILEX, and the album is called “Mutatio”, and he wasn’t wrong, to be fair.

“Mutatio” was actually written and worked on beginning some years ago, and eventually released back in April 2024. Even though it’s not a new release, I figured it was worth a review. What we have here is some fine thrash metal, with plenty of groove and some gargled Death vocals, with a nice experimental edge to set it off.

We start with some fine acoustic guitar on ‘Ardet Nec Consumitur’. a moody piece which erupts into the furious death-thrash of ‘F.P.T.S’. This track is fast, with a brutal chugging riff and growled vocals. Next is ‘Changing the Archetype’, where Ilex play with some contrasting tempos and sections. As we listen through the album, they’ve obviously challenged themselves to create progressive, expansive soundscapes and channel different styles.

‘Iceberg’ then begins with a slow, melodic intro: it’s an extended, progressive piece that really starts to evolve the sound. The aggressive metal in this track diverges brilliantly from the excellent, mellow middle section. The crunchier, ruthless riffs of tracks like ‘Rubble Survivor’ manage to comfortably nestle next to the spooky sound of instrumental ‘Omnia Mutantor, Nihil Interit’, as well as the bouncy groove of ‘Eyes of the Messiah’.

There’s the old school Metallica/Testament Thrash of ‘Cambrian Explosion’, but one of the highlights of the album is ‘The Pilgrimage’. Here the vocals are cleaner. but it’s the almost NWOBHM gallop of the track that really captures the groove here. Nice Purple style skronky organ at the end, too!

The production on “Mutatio” is really impressive, everything sounds clear but also has plenty of guts. The real success though is the mix of genres that Ilex are comfortable in exploring, whether that be Hardcore/Crossover, trad Thrash, Death or Groove metal – as well as the exquisite delicate moments. “Mutatio” has been maturing for a while, it’s well worth seeking out and dusting off.

Check out Ilex on Facebook, Spotify and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

North West Doom Fest – Part 2

Posted on by
Reply

North West Doom Fest 

4th – 5th April 2025 

The Saddle, Chester 

Saturday 5th April 

Following a blinder of an evening’s entertainment for Day the First of North West Doom Fest, I was rested and ready to go for Saturday.  Beginning at an earlier time in the afternoon, I unfortunately missed the first band of the bill, Hand of Omega, who played while I was still travelling into town.  Sincere apolgies for this to all, I must catch them again sometime. 

Arriving at the Saddle, the festivities were well and truly underway already.  A decent sized crowd were in attendance in the rear courtyard, cradling beers and nursing themselves back to full health.  There was no downer atmos that I could discern at all  however, everyone seemed amped for the music ahead. 

Moss Valley were the first band of the day that I actually got to see, and they were pretty damn good.  This three piece straddled a retro seventies vibe with added desert rock Kyuss stylings.  Great riffs and warm female vocals adding to the melodies, Moss Valley really made a huge impression.  It’s tough to pick favourites at an event like this, but MV were definitely contenders. 

https://www.facebook.com/mossvalleyband/

Up next we had a visit from the Pagan lords of the north, Sabbat Wolf.  This Leeds based band featured exemplary musicianship, again with a commanding female vocalist.  What I enjoyed here were the Sabbath worshipping riffs augmented by beautifully tuneful, mellow passages that reminded me of Pink Floyd.  Sabbat Wolf really stood out with these psychedelic flourishes and their unashamed occult theme – their song ‘Pagan Bloody Pagan’ tells you all you need to know! 

https://www.facebook.com/sabbatwolf/

Warpstormer had travelled up from Londonium to the ancient, walled city of Chester. These guys mix full throttle Metal with their Doom, think Orange Goblin rocking out at their trippiest.  It’s a Stoner Metal attack that could have been related somewhere to Entombed or Motorhead, but had enough power and groove to fit in perfectly at this gig. Warpstomer were real crowd pleasers and also really nice guys. 

https://www.facebook.com/Warpstormer/

Get your flat caps on and forget your fear of heights, it’s time for Shred Dibnah!  The world’s premier Steeple Jack Rock band graced the stage of NW Doom Fest, amid clouds of smoke and a pummelling performance.  With a portable chimney on stage belching out clouds, Shred Dibnah demolished the audience with roaming riffs and contrasting mellow sections that added to the hypnotic drill. 

https://www.facebook.com/shreddibnah/?locale=en_GB

Borehead were the next band of the day, and again a different take on the Doom template.  In contrast to other bands, these Londoners were largely instrumental – except for some weird and wonderful samples – with slow, fuzzy riffs more spaced out than Buck Rogers on a Venusian hookah pipe.  Cerebral stuff that you’d assume would be better appreciated on headphones with some refreshment, but it went over very well. 

https://www.facebook.com/boreheadofficial/

I was already familiar with the mighty Deathfiend – I caught them live a while back, and was happily smashed to pieces with their ferocious onslaught.  With elements of Death Metal and even Hardcore Punk in the Deathfiend sound, I wasn’t sure if they’d be too damn nasty for this festival, but they slotted right in neatly.  Outrageously heavy Doom riffs delivered with a fiery intensity, this band are a force to be reckoned with. 

https://www.facebook.com/DeathFiend1/?locale=en_GB

You know how sometimes you see a band that looks so cool, you want to join up?  Kill The Witch were that band at NW Doom Fest.  These guys meld together the Sludgiest of Stoner and Doom Metal, traversing varying tempos and styles but always remaining true to The Riff.  Roaring vocals top off a faster, more furious Sabbath sound that’s not without its clever invention and serpent-like surprises, throwing in some brutal hardcore along the way. 

https://www.facebook.com/killthewitchband/

Finishing off NW Doom Fest 2025 were the mighty Amon Acid. Another Yorkshire based band, their distorted Doom Metal was part Electric Wizard style occult Metal, with hypnotic, psychedelic passages added for kicks.  Yet again a different take on Doom with Hawkwind Space Rock and amazing Middle Eastern sounding passages seeping through the acid drenched fuzzy guitar, Amon Acid were a thoroughly entertaining musical experience, finishing the event in style. 

https://www.facebook.com/amonacidband/?locale=en_GB

And that, kids, was your lot.  Everything was wrapped up in a timely fashion so that the punters could make buses and trains home, all of us with beaming, happy faces – gorged on the joy of The Riff.  North West Doom Fest was a resounding success and I have to say I enjoyed every band I saw.  All of them had their own unique identities, whichever winding track they took from the original concept of Doom.  Cool venue, too.  Now I feel really stupid for not going last year.            

https://www.facebook.com/Thesaddleinnchester/?locale=en_GB

North West Doom Fest – Part 1

Posted on by
Reply

North West Doom Fest 

4th – 5th April 2025 

The Saddle, Chester 

Friday 4th April 

Friday 4th April 

The Saddle is the number one – and surely only – Rock based pub in the City of Chester.  A town more famed for drunken shenanigans and expensive outfits for the Races, this is the playground of the Cheshire Set and the wannabes.  A home of Metal it is not.  Not usually, anyway – except for the welcoming haven of The Saddle. 

And for one weekend in April, the tiny G21 venue at the back of the pub hosted the second North West Doom Fest: two days of the heaviest, doomiest metal in the land.  Absolutely fan-fucking-tabulous! 

The evening began with Druid’s Cross, from not far away at all Liverpool.  I’ve seen this band before, and knew they would be ideal to commence the festivities.  Harsh vocals lead relentless, dynamic riffs with a traditional metal feel as well as a slow, doomy pace.  There’s a dark, gothic edge to the music as well, resulting in a compelling sound that grabbed everyone’s attention from the start.. 

https://www.facebook.com/druidscrossband/?locale=en_GB

Festival organisers Lorraine and Mark were up next, with their amazing three-piece band, Warlockhunt.  I’d also seen this band before, and I’m always amazed by the complexity of their dual bass and tribal drums sound.  The other worldly female vocals have led to this band being described as Doom Pop (I coined that phrase, actually, thank you very much) and it’s easy to see why.  Always different and always captivating. 

https://www.facebook.com/warlockhunt/

Grim skeletal figures flanking the stage, inverted crosses and a duo wearing dark cloaks: Tumanduumband aren’t exactly shy of revelling in their ominous personas.  What they are, is a West Midlands based Satanic Doom band, and their music is both atmospheric and heavy as hell itself.  Fuzzed out, crushing riffs mean that the visuals aren’t inappropriate – this band is growing a cult based on their own dark riff-tuals. 

https://www.facebook.com/tumanduumband/

Headlining tonight, and admittedly one of my favourite bands out there these days, the mighty Son of Boar rightfully took their place at the top of the bill.  I became a big fan after seeing them play Pentre Fest some years ago.  Bass wrangler Gaz is also an Ever Metal scribe, not that I’m biased at all, honest!  Son of Boar played a set that was tight and forceful, with ear-worm riffs and thundering rhythms.  Tusks up!  The boys brought the HEH-VEEE, then slept the night on the floor of the venue, ‘cos they rock that hard.      

https://www.facebook.com/SonOBoar/

That’s it for Day One. Stay tuned for Day 2 – which will follow very soon!

The Saddle is on Facebook.

Pentre Fest 2025

Posted on by
Reply

Pentre Fest 2025

Mclean’s Pub, Pentre, Deeside

Friday 21st & Saturday 22nd February 2025

Here we go with another Pentre Fest, the absolute highlight of my musical calendar! This is the crowning glory of North East Wales Metal Productions‘ festivals – and a huge deal to both the bands and the fans. I couldn’t wait to get to Mclean’s in Deeside and enjoy the music!

This year, another stellar line-up of bands from both near and far, with a good spread of genres. Ever Metal was in full force, with Beth and Mare joining myself for the festivities. With all of us in attendance, we split reporting duties to cover as much as possible as easily as we could.

And so, here are the reviews I composed all by my lonesome, concentrating on musicians that I wanted to contribute to (rather than all of them).

If you want to read the full review, try this here link to Ever Metal.

Friday 

Mother Thunder 

I saw Mother Thunder play in Pentre a few months back, they were superb.  This time around, they were even better.  MT play a hard hitting, groove laden take on classic rock/metal – think Thin Lizzy twin guitars with a bit of Maiden chug – and sublime female vocals.  Heavy rock with irresistible riffs, Mother Thunder lit up the room and could’ve (should’ve) been higher up the bill.  

Apollyon Rising 

Filling in last minute, Apollyon Rising were a man down as their bass player was on holiday in Morocco.  The selfish git.  But with a bit of soundboard wizardry, the remainder of the band confidently gave us a set of prime thrash metal that didn’t shame their reputation one iota.  I knew they could pull it off.  As a wise man once said, never doubt a band with a killer logo (and the talent to match). 

Saturday 

DXRK Winter 

Thankfully, I managed to catch the latter half of DXRK Winter’s set and I glad I did.  They were on first on the main stage in the afternoon, their brutal metal attack was brilliantly performed and went down really well with a crowd that could’ve been chilling, but didn’t.  A worthy act to play higher up the bill. 

Cry for Mercy 

You can’t go wrong with the blues based classic rock swagger of Cry for Mercy.  Great tunes, all built around the majesty of the riff and a persuasive groove.  I loved every second, it’s a shame they were on so early.  Never miss a chance to see Cry For Mercy if you get it.  Their new songs were just as good as old, new album is out soon! 

Victim of Damp 

Frank Williams, aka Victim of Damp, is becoming a popular mainstay of Pentre gigs.  His bipolar set comprises one half of mellow, hangover curing melody followed by a series of playful, Pythonesque parodies.  And he gets more confident every time. 

Bad Earth 

It just wouldn’t be Pentre Fest without these guys!  Bad Earth delivered a reliably ferocious set of raucous biker rock and despite sound hiccups on the first couple of songs, soldiered on admirably.  This was take-no-prisoners rock’n’roll to make Lemmy proud.  Their acoustic set was also a blinder, cooking up some awesome sing-a-long responses from the crowd outside. 

Mike West & the Missing Links 

It’s been a good few years since I saw Mike West play a solo acoustic show at Pentre.  Mike’s brand of dark country and bluegrass is now augmented by a band of drums and fiddle, adding a certain folky, Levellers feel to the tracks.  A brilliant diversion under the surprisingly blue skies of the late afternoon, this set was further proof that a metal festival can experiment with genres. 

The Raging Mables 

Now I was really looking forward to seeing this band.  I’d enjoyed viewing their Pentre Fest pre-event interview with Beany, plus they have one of the best band names ever.  No arguments.  The Raging Mables were like the Ramones playing ZZ Top, a 200mph Zeke-like melodic explosion of punk’n’roll.  One of the most perfect bands ever.  

Toranaga 

Back to some welcome thrash metal, it was indeed a huge bonus to get to witness the power of Toranaga at Pentre.  These guys are exceptional musicians, their shredding guitars creating a sound akin to classic Bay Area Thrash from the likes of Exodus and Testament.  And that is very, very good.  Their cover of ‘Mad House’ by Anthrax warmed my ancient heart, too.    

Stuntface 

Stuntface hail from just up the road in Wrexham, and it was great to see them finally bring their brand of flat-out, relentless hardcore punk to Pentre Fest.  Their songs are furious yet melodic, played super-fast and with a huge grin on bass player/vocalist Wayne’s face.  An absolute treat – Stuntface must play here again! 

What a blast that was! The guys at NEW Metal Productions always put on a heck of a show and this was no exception. Didn’t get tickets for the Black Sabbath gig this summer? Get yourselves out there and support underground metal, you’ll feel better.

My favourite Pentre Fest so far? Only time will tell…

Orange Goblin – Album Review

Posted on by
Reply

Orange Goblin – Science, Not Fiction 

Peaceville 

Release date: 19/07/2024 

Running time: 51 minutes approx 

Review by: Alun Jones 

9/10 

Pointless review of the month time!  But why, pray tell, is this review of the new Orange Goblin album “pointless”?  Because, old pal, literally everyone knows that Orange Goblin are a BIG THING.  And they haven’t released an album for seven years.  So this release, surely, will be near the top of everyone’s wish list for 2024.  Especially in the case of our esteemed Ever Metal readers, who as we all know, are a cut above the rest of the uncultured rabble out there. 

Without patronising our dear readership in anyway, a new release from these London doom/stoner/heavy metal scoundrels is, and should be, a BIG THING. 

Anyone who’s already a fan of Orange Goblin can expect more of what has come before, but it’s safe to say, “Science, Not Fiction” is amped up a little more than usual.  The same killer riffs, powerful delivery, ace musicianship, clever style variations are all in place as expected, but tweaked just a little higher.  Right from first listen, it’s obvious that quality control has been merciless on this recording, resulting in a collection of peak songcraft.    

‘The Fire at the Center of the Earth is Mine’ opens the engines in fine form.  After a cacophonous intro marked by belching bass, the riff kicks in and the ride begins.  A furious “death boogie” with a super catchy, uplifting chord structure for the chorus, this is prime Goblin. 

There’s no room for a breather, with second track ‘(Not) Rocket science’ bolting out next – a relentless hell ride that features a killer lead bass break (courtesy of new four stringer Harry Armstrong).  It’s probably my favourite song on the album: Ben Ward’s voice booming and Joe Hoare’s guitar threatening to jump the gate and roar off into the night on its own. 

An epic, mid-seventies Sabbath-doom vibe pervades ‘False Hope Diet’, with its bouncing groove and changes.  ‘Cemetary Rats’ starts with a gloomy, gothic vibe before exploding into something akin to old school thrash a la Testament.  Through all tracks, Chris Turner’s drums are dependably solid and thunderous. 

‘The Justice Knife’ is another fast rocker that benefits from some outer space wah-wah guitar, though generally speaking, the latter half of the album doesn’t quite have the heights of invention that earlier tracks possess.  The last song, ‘End of Transmission’, fields a suitably epic and raucous finale, however – soaring through sections with determined power. 

My only slight gripe with “Science, Not Fiction” is that the bonus track ‘Eye of the Minotaur’ appears to be CD only – which means vinyl fanatics like yours truly will miss out.  Nevermind, this album is a devastating power house of modern metal.  Orange Goblin have created a record that demonstrates all we love them for, and ladled on a good-sized helping of extra sauce to sweeten the deal.  One of THE albums of 2024, “Science, Not Fiction” will be guaranteed a place in my annual Top10.      

Check out Orange Goblin on Facebook, Instagram, Spotify and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal. 

Platinum Al’s Top 10 Rock & Metal Albums of 2024

Posted on by
Reply

2024 was a fantastic year for new music. As previous, I was asked to compile my Top 10 of the year for Ever Metal, which wasn’t easy. That list has already been published on the EM website, but I’ve replicated it here for anyone who missed it…

Every year, it’s a struggle to whittle down tons of superb albums to just ten.  This year has been just as difficult (if not more so) and I’ve had to leave off a few great releases that just didn’t make the cut, for one reason or another.  I’m sure I’ll regret leaving a few of those off the final 2024 list, even if it’s just because they’re still very new I’ve not had chance to grow into them yet.   

Anyway, here’s the best of 2024 as it feels right now: 

10. Goat Major – Ritual 

Released in March, this debut from Welsh Occult Doom Metal band Goat Major announced a formidable new talent to the scene.  Building on their love of the classic bands that defined the genre, Goat Major add plenty of their own character to a magnificent album. 

9. Crobot – Obsidian 

Crobot’s latest release certainly has a darker, heavier atmosphere than previous albums, but the unmistakeable groovy riffs are well in place and ready to unleash the Hard Rock mayhem.   

8. Acid Mammoth – Supersonic Megafauna Collision 

Greek Doom-mongers Acid Mammoth delivered another heavy weight slab of fuzzy Stoner Metal, with a variety of moods and hefty groove.  Neolithic Rock with a touch of the ethereal. 

7. Duel – Breakfast with Death 

Amazing album title.  Fantastic cover artwork to compliment said title.  And guess what?  This latest release by Texan Stoner Metal gang Duel is even better than first impressions would suggest: Doomy Stoner Biker Rock from hell! 

6. The Obsessed – Gilded Sorrow 

Wino’s legendary Doom Metal crew returned in early 2024, to remind everyone how it should be done.  Infectious, groovy riffs, heavy as shittery songcraft and head spinning melody collide in a perfect meltdown. 

5. Orange Goblin – Science, Not Fiction 

The definitive Orange Goblin album?  Could be.  This latest OG album demonstrates all of their strengths, welding together the various sounds and genres they’ve mastered over the years.  Bursting with energy and invention. 

4. Torso – Brain Cells 

More exhilarating chainsaw Garage Metal from Torso, this lo-fi masterpiece arrived with all the subtlety of a brick to the forehead.  Less John Carpenter this time, but definitely slasher-splatter death-mosh a go go! 

3. Zombina and the Skeletones – The Call of Zombina 

They’re back!  One of the most wonderful live bands I’ve ever witnessed, Zombina and crew finally returned with a non-stop Horror Punk party, just in time for Halloween.  Long may they continue!   

2. Fu Manchu – The Return of Tomorrow 

The only downside of a new Fu album is waiting for it to be released!  Their first new album in six years was everything I hoped for, a double album split between a first half of fuzzy rockers and a second of slower tempo groovers. RAD! 

1 Sergeant Thunderhoof – The Ghost of Badon Hill 

The ‘Hoofs last album was number 1 in my 2022 Top Ten – and whaddya know, they’ve done it again!  Slightly less bombastic then their previous, but even more engrossing, “The Ghost of Badon Hill” is a mature and thrilling record to get lost in. 

So that’s ten.  Honourable mentions go out to Melvins, Lucifer, Black Tusk, Alunah and Barbarian Hermit amongst many others.   

Here’s hoping 2025 can match this… 

Keep coming back to Ever Metal and Platinum Al’s Virtual Hot Tub for all the best rock and metal reviews!

N.E.W. Metal Productions Alldayer

Posted on by
Reply

N.E.W. Metal Productions Alldayer  

McLean’s Pub, Pentre, Deeside 

08/06/2024 

Live review by Alun Jones 

Photos by Rachel Sian Photography 

Following in the wake of Pentre Fest earlier this year, McLean’s Pub in Pentre, Deeside North Wales was again the home of a bunch of raging metal/rock bands for a day. The good chaps at North East Wales Metal Productions held one of their fantastic alldayers, featuring several bands from all over, gracing up with their magnificent music. 

Sadly, a couple of bands couldn’t make it on the day. I was gutted that Master Charger dropped out (great band), and also The Human Condition have sadly decided to call it a day. But never mind, we soldier on, and there was plenty of music still to enjoy. 

Kicking things off in good style was Victim of Damp, aka Frank – a long-time supporter at NEW Metal Prods events. VOD opened with some lovely Pink Floyd acoustic guitar, before launching into a rousing set consisting of amusing anecdotes, shots of booze for the crowd, and sing-a-long humour. And yes, Bean’s car is still full of shit. 

Check out Victim of Damp on Facebook.

Any Given Reason were on stage next, a six headed monster of a band with two (two! Count ’em!) vocalists. Neither vocalist stayed on stage for long, preferring to take their brand of in your face metalcore right out into the audience. Great musicians too, giving us prime chunky riffs with dynamic skills. One to watch for, AGR are very entertaining with a super confident delivery all round. 

Any Given Reason on Facebook.

All the way from Belfast, Northern Ireland, to good ol’ Deeside were Nomadus – on the last date of their tour before returning home. If they were tired, it didn’t show at all – these guys are a devastating live band that left us all exhausted. A powerful combination of groove and thrash metal, with songs that are mature and progressive, make sure you see Nomadus live whenever you can. 

Nomadus on Facebook.

Surprise of the day was Crisis, who I was embarrassingly oblivious of. I was tipped off that Crisis were a NWOBHM band, which was true but doesn’t explain enough. The bands playing was razor sharp, and the songs varied from aggressive rockers to more epic, expansive numbers. This ability to let the songs breathe and grow, explore ideas and still remain in musical control set Crisis apart. If Iron Maiden were a Rush covers band, they would be Crisis.  

Crisis on Facebook.

There’s been a bit of a buzz about Warlockhunt recently, so I was very happy to finally get to see them. This band are unlike anything else: a three-piece consisting of two bass players (one singing) and drums. It’s the gloomiest of treacly doom metal decorated with beautiful, ethereal female vocals, like a dark fairy tale that may not end happy ever after. Doom pop, anyone? It’s enthralling stuff: I loved it and you need to check them out asap. 

Warlockhunt on Facebook.

Finally, our headliners for tonight, the mighty Scarfoot were back, and justly bumped to top of the bill. These guys were not fazed at all, powering through another set of intense stoner rock with a hint of grunge (at least to my ears!). The electric steel and 12 string guitars lend Scarfoot a characteristic edge, but the whole band pounding away is like Godzilla knocking at the front door. As well as being joyously heavy, Scarfoot’s songs are also epic and engrossing. Scarfoot did a superb job and closed the evening with conviction. 

Scarfoot on Facebook.

Variety was the secret spice for tonight’s event at McLean’s. Each band offered something unique and each played their hearts out. A thoroughly enjoyable event, thanks to all involved. If you couldn’t make it, readers – please try next time: nights like this need your support. 

N.E.W. Metal Productions on Facebook.

This review presented to you by Platinum Al and Ever Metal.