Tag Archives: Heavy Metal

The Best of 2024

Posted on by
Reply

Happy New Year, loyal friends and followers of Platinum Al’s Virtual Hot Tub! We’re now striding into 2025 with confidence and glee, but as is customary, our first post of the year is a round up of the previous year’s successes.

So here are the Top Ten most read posts from 2024 – the ones that grabbed your attention, and briefly lit up the internet with enthusiasm.

10. New Skateboard 2024 – Death Blinky 

The most read posts on this blog relate to skateboarding, you may be surprised to know. But they’re usually slow burners, attracting attention year after year, rather than big hitters. So it was nice to see this update about my latest skate set up make it into the Top 10 list. Nice photos may have helped.

9. Platinum Al’s Top 10 Rock & Metal Albums of 2023 

My pick of the best in Rock and Metal albums for 2023 was published by Ever Metal, and I then posted it on my blog, too. Nice to know that you guys must trust my judgement. The 2024 Top 10 will follow soon.

8. UK Subs – Gig Review

I went to quite a few amazing gigs in 2024, the UK Subs in Wrexham being one of them. This was a great gig and I finally got to see this classic band live.

7. Anti Racism Poem 

Anything my daughter Eloise contributes to my blog is always well received, and this school poem was no exception. A great piece of work and wonderful sentiment.

6. GBH – Gig Review 

Another legendary punk band live review in the 2024 Top 10! This concert by punk legends GBH was fantastic, good to see the review proved popular.

5. Liverpool Comic Con

Comic conventions always perform well on the blog, and this experience from May was no exception. I also paid a visit to Liverpool Comic Con in November too, but sadly the photos from that have evaporated and the blog is redundant.

4. Whitby Road Trip – On the Trail of Dracula 

In February 2024, we went on a family road trip to the beautiful seaside town of Whitby. It wasn’t just tourism travel though, we were on the trail of Count Dracula, himself. Our vampire hunt made it to number 7 on the list.

3. UK Subs – Jet Age Review

One of my Ever Metal album reviews proved a big success: this review of the 5 CD set of UK Subs albums from Cherry Red Records.

2. Comic Con Mania – Chester 

Another Comic Convention in the Top 10! Chester was good fun, and great to see it back after it first looked like it wouldn’t happen at all.

And so we reach the top of the pile, the cream of the crop! Drum roll, please, as I reveal the most popular blog post of 2024…

  1. Wales Comic Con 

Wales Comic Con made a return to Wrexham, and Platinum Al’s Virtual Hot Tub was there for it. This event was a scaled down affair, and sadly turned out to be a bit of a fraud. The organisers still owe us money for celeb autographs we booked but never got – and it looks like we’ll never get that cash back.

Every cloud and all that, though: Wrexham’s Wales Comic Con is under new management and hopefully will regain the heights of previous years. Let’s see…

2024 was a reassuringly successful year for the Virtual Hot Tub. Fifty posts were published, reaching the highest number of views per year since 2018.

Thanks to all of my readers for helping create this magnificent achievement – I really appreciate everyone who reads, likes and shares this content. All the best to you and your families for 2025 – I hope the year ahead brings you health and happiness.

Stay tuned to Platinum Al’s Virtual Hot Tub, folks – there’s no stopping us now!

Nebula/Black Rainbows – Album Review

Posted on by
Reply

Nebula/Black Rainbows – “In Search of the Cosmic Tale: Crossing the Galactic Portal” Split 

Heavy Psych Sounds 

Release date: 28/06/2024 

Running time: 32 minutes 

Review by: Alun Jones 

8.5/10 

What’s that old saying?  Oh yeah, “I get by with a little help from my friends”.  Now neither Nebula or Black Rainbows could possibly fail on their own, so together these cosmic psychonaut supertroopers should absolutely RULE.  These guys aren’t leaning on each other, they’re building each other up to stratospheric heights. 

“In Search of the Cosmic Tale: Crossing the Galactic Portal” is the longest title I’ve ever had to type (thank the gods for copy and paste).  It’s a six-track album split between those two bands, and released by one of the most on-the-money record companies around at the moment, Heavy Psych Sounds.  So the pedigree is off the charts. 

The first three tracks are from our old buddies, the psychedelic warriors, Nebula.  There are three brand new tracks here, of which ‘Acid Drop’ is the pinnacle – a chugging, unstoppable mammoth tune that’s fuzzier than a caveman’s armpits.  ‘Eye pf the Storm’ chills the mood out a bit with an infectious, spaced-out groove that fits perfectly.  Things get a bit weirder with ‘Ceaser XXXIV’, with a lolloping riff that wiggles into your mind. 

Black Rainbows present us with ‘The Secret’, which really shouldn’t be a secret to anyone: it’s a boisterous, Sabbath style good time and probably my favourite track here.  Ah, I shouldn’t pick – but there you go.  The galactic groove continues with ‘Thunder Lights on the Greatest Sky’, another joyous ode to fuzz.  ‘Dogs of War’ wraps things up nicely with a psych wander through the sky that gradually builds to exhilarating levels.   

At just over half an hour long, this mini album/EP or whatever simply isn’t long enough.  The quality of music is fantastic though, as well it should be.  No surprises there.  Both Nebula and Black Rainbows are awesome bands that you can trust to conjure up the goods.  This beauty’s available on several different versions of sexy vinyl too, so worth shelling out for.

Check out Nebula on Facebook, Instagram, Spotify and their own website here.

Check out Black Rainbows on Facebook, Instagram, Spotify, Bandcamp and their own website here.

This review is brought to you by Platinum Al in association with Ever Metal. 

Devil Moon Risen – Album Review

Posted on by
Reply

Devil Moon Risen – Fissures of Men 

Self-released 

Release date: 06/06/2024 

Running time: 36 minutes approx 

Review by: Alun Jones  

7.5/10 

Ready for something a little different?  Something born from the familiar, but tantalisingly different?  Then step right this way, Platinum Al has a musical odyssey that will intrigue you.  We’re talking about the debut album from Devil Moon Risen, a trio out of Phoenix, Arizona, and it’s all kinds of unexpected. 

We’re starting in the realm of desert rock, but Devil Moon Risen have added some spice to their chimichanga with elements of punk, sludge and doom metal.  So, off we go with a thuddingly heavy, groovy chugger in ‘Bad Sketch of a Killer’ that twists into a creepy waltz and back again. 

Like Primus playing QOTSA songs on an album produced by the late great Steve Albini, the songs feature unpredictable, powerful bass and thrashing guitars.  It doesn’t always quite gel, ‘The Rim’ is more of a challenge to get into, but “Fissures of Men” is always surprising and brave.  

When everything falls into place though, the results are superb, as with the full-on rock-out distorted delight that is ‘Shaun Powell’.  Elsewhere, there’s more Frankenstein-like craziness such as ‘D.T.T.B.O.W.T.B.’, which launches like later era Danzig before offering some more laid-back grooves, then morphing to a black metal wail. 

“Fissures of Men” is a journey and then some: Devil Moon Risen have taken the obvious starting point and run off in a totally different direction (or three).  Whether it’s noise rock or some as yet uncharted genre of music, the album is sometimes demanding and always unpredictable.  If – or when – you’re ready, “Fissures of Men” could be just the education you need. 

Check out Devil Moon Risen on Facebook, Instagram, Twitter, Spotify and Bandcamp.

This review is brought to you by Platinum Al and Ever Metal. You’re welcome.

Saltpig – Album Review

Posted on by
Reply

Saltpig – Self Titled 

Heavy Psych Sounds 

Release date: 31/05/2024 

Running time: 39 mins approx 

Review by: Alun Jones 

8.5/10 

Here go with a tasty treat, the wonderfully named Saltpig with their self-titled debut album.  And who are Saltpig?  The band are a duo consisting of drummer Fabio Alessandrini (formerly of Annihilator) and Mitch Davis (formerly of everyone from Mark Lanegan and U2 to Damon Albarn, crazy!) on everything else.  Together they have created this mysterious yet compelling piece of work, released by the ever-reliable Heavy Psych Sounds. 

The musician’s previous experience is superficially surprising, as Saltpig’s album is a rutting beast comprised of doom, stoner, psych and occult rock parts in equal measure.  Filthy, fuzzy riffs and manically clattering drums are what we get, and we get it good – right from the rolling, rollicking menace of ‘Satan’s War’ onwards.    

Gutsy and powerful, not bloated, the next four tracks follow the opener in a similar unforgivingly retro style.  Songs like ‘Demon’ and ‘Burning Water ‘ go unashamedly full throttle, proto metal with bouncy rhythms, aggression and melody.    

‘When You Were Dead’ slows the pace slightly for a classic Sabbath gloom rocker.  ‘Burn the Witch’ has a slinkier, groovier feel and ticks the obscure horror film dialogue box, too.  No idea where that sample is taken from, but I feel I should… 

Finally, this all leads up to a mega epic called ‘1950’, nigh on twenty-minutes of repetitive, fuzz drenched pummelling guitar and distorted vocals that builds slowly, has only subtle variation for the most part and threatens to drive the listener mad.  That may sound like hell to some, but I bloody loved it.  It’s a dark, tormenting, almost religious experience and strangely intriguing. 

Saltpig’s first album is an enigma: heavy as hell, brutal, surprising, hypnotic and fascinating.  I’ve slapped on an easily deserved score of 8.5, but this could go higher over time. 

Anyone fancy a bacon sandwich? 

Check out Saltpig’s website here, or find them on Facebook, Instagram or Bandcamp.

This review is brought to you by Platinum Al and Ever Metal.

Black Tusk – The Way Forward Album Review

Posted on by
Reply

Black Tusk – The Way Forward

Season of Mist

Release date: 26/04/2024

Running time: 35:54

Review by: Alun Jones

9/10

Black Tusk return with their seventh album (no, I can’t believe it, either), which they’ve entitled “The Way Forward”. It’s their first as a four piece, with Andrew Fidler (guitar/vocals) and drummer James May now augmented by guitarist Chris “Scary” Adams and bassist Derek Lynch.

The past few years have been tough for the band members, but their indestructible determination and formidable will has seen them stride onward regardless. It’s this perseverance that provides the album with its title and its unifying theme. Undeniably, the sludge metal sound is there as expected, but with additional guitar parts and a feeling of relentless tenacity.

Lead track ‘Out of Grasp’ and ‘Brushfire’ are both furious samples of big, dirty riffs played with furious conviction. It’s a fast paced set of aggressive yet entertaining energy – as a listener, I was dragged along with the band and could appreciate their steadfast refusal to let the ills of the world conquer them.

Many of the songs are around the three-minute mark, meaning we rarely get chance for a breather. ‘Breath of Life’ and the title track both have the opportunity to expand a little, though neither relinquishes their sheer intensity. The instrumental ‘Ocean of Obsidian’ is the slowest, trippiest number here, featuring a cavernous, cathedral-like sound.

So welcome back, Black Tusk. With “The Way Forward” they’ve dredged the swamp and pulled up a steaming, ruthless slab of metal that sounds unforgiving but positive. Absolutely bloody great!

For more Black Tusk, check out their website, Facebook, Instagram, Twitter, Bandcamp and Spotify.

This review is presented by Platinum Al and Ever Metal.

Singles Night at the Virtual Hot tub #34

Posted on by
Reply

Here we go with another Singles Night! Just like Kool and the Gang said – no wait, that was “Ladies Night”. Totally different event altogether. Well, don’t let that be any concern for you, good reader – let’s spend an evening of musical fun and adventure anyway!

What, you may well ask, is “Singles Night at the Virtual Hot Tub”? If you know, feel free to skip this bit. Otherwise, I’ll explain.

Singles

In essence, I have a huge stack of 7 inch vinyl singles that I haven’t played yet. And they need to be played before I can add them to my super sophisticated filing system. So on Singles Night, I grab a bunch of these records and play ’em, A side then B side, one after the other, whilst having a wee drinkie or three.

It’s great fun. It rocks. Here’s the latest playlist:

  1. The Rezillos – “I Can’t Stand My baby” / “I Wanna Be Your Man”
  2. The Rezillos – “Top of the Pops” / “20,000 Rezillos Under the Sea”
  3. The Ruts – “Something That I Said” / “Give Youth A Chance”
  4. Sweet Dreams – “Honey Honey” / “I Surrender”
  5. The Steve Gibbons Band – “Tupelo Mississippi Flash” / “Till the Fire Burns Out”
  6. Showaddywaddy – “You Got What It Takes” / “Showboat”
  7. Goombay Dance Band – “Sol de Jamaica” / “Isla de Suenos”
  8. KC & The Sunshine Band – “That’s the Way (I Like It)” / “Ain’t Nothin’ Wrong”
  9. Dollar – “Mirror Mirror” / “Radio”
  10. Siouxsie & The Banshees – “Hong Kong Garden” / “Voices”
  11. Suzi Quatro – “I Go Wild” / “I’m a Rocker”
  12. Rose Tattoo – “Rock’n’Roll is King” / “I Had You First”
  13. Deep Purple – “Black Night” / “Speed King”
  14. Elton John – “Blue Eyes” / “Hey Papa Legba”
  15. Berlin – “Take My Breath Away” / Giorgio Moroder – “Radar Radio”
  16. Motley Crue – “Primal Scream” / “Dancing on Glass”
  17. The Damned – “White Rabbit” / “Rabid (Over You)” / “Seagulls”
  18. Booker T & The MGs – “Green Onions” / “Boot Leg”
  19. Bobby Brown – “On Our Own” / “On Our Own (with Rap)”
  20. De La Soul – “Ring Ring Ring (Ha Ha Hey)” / “Pile and Piles of Demo Tapes Bi-Da Miles”

And there we go, mes amis. A right old concoction and no mistake. But you know what? The odd dud in the playlist only makes the good stuff sweeter. And when you’re having fun, those duds ain’t so bad anyway.

The odd horror from the fabled car boot box of doom still lingering here, but they’re slowly dying off. Instead, a veritable feast of punk rock wonders, from the Rezillos, Ruts, Siouxsie and The Damned. That Damned track is, of course, a cover of the Jefferson Airplane song, and not one of my favourites – though the two songs on the B side are absolutely wonderful.

Plenty of other delights with Rose Tattoo and a double sided banger from Deep Purple, not to mention a Crue song I actually really like.

I hate the film Top Gun – never managed to see it all the way through – and not a huge fan of the Berlin track, but hey, it was a freebie. Likewise, that Bobby Brown song from Ghostbusters II is a huge drop in quality from the Ray Parker Jr classic. Some pop genius from KC & the Sunshine Band and Booker T keeps us on track nicely, though.

All in all, another successful night’s entertainment. Stay tuned for more soon, folks – I’ve got loads of these discs for ya and they’re itching for a spin!

Acid Mammoth – Album Review

Posted on by
Reply

Acid Mammoth – Supersonic Megafauna Collision

Heavy Psych Sounds

Release date: 05/04/2024

Running time: 41 mins approx

Review by: Alun Jones

9/10

Your scribe is beleaguered. Beset by enemies on all fronts, every step forward an excruciating endeavour that may only force me further back than when I started. Such is life as my trusty steed, my desktop PC, has been sabotaged by scurvy knaves, and died at the side of the track. This unfortunate scenario has resulted in yours truly patching together a network of ancient laptop (unused these last four years); a dodgy Word type program that might not even be recognised by the notoriously fussy Ever Metal website; and an iPod to complete this review.

Because I’m a professional, goddamnit. I don’t quit. Not when I could actually finish a review before the album release date and avoid yet more scorn from my EM peers. This review is on, mofos – oh yes, it is on.

And what is this review? Why, none other than a spanking new release from the mighty pachyderms of Doom Metal, the wonderful Acid Mammoth. Hailing from Athens in Greece, this four piece trample everything else under their hefty hooves, with just over forty minutes of heavy riff based, crushing rock music.

Acid Mammoth consist of Chris Babalis Jr (vocals and guitar) and Chris Babalis Sr – Junior’s dad – also on guitar. So it’s an unusual, but obviously well functioning, band of family members. Rounding out the Mammoth are Dimosthenis Varikos on bass and Marios Louvaris on drums. This is their fourth full album, and it won’t disappoint any previous fans.

Thundering tribal drums open our first track, the brilliantly named ‘Supersonic Megafauna Collision’ (also the title track, obvs). Fuzzy guitars are soon added to the mix, with a pulverising pace that’s set at head nod/foot stomp. It’s a template that the album sticks to, but then this Doom Metal is of the true kind – with riffs this good, progressive excursions aren’t required.

“Come feel the fuzz”, then, on ‘Fuzzorgasm’: where the band throw in a groovetastic riff that will get your body moving like a caveman in an itchy loincloth. Great lead guitar too. The behemoth lumbers on through the ‘Garden of Bones’, where an ominous bass takes the front of the herd. The vocals remind me of Tobias Forge of Ghost, which is no bad thing.

‘Atomic Shaman’ provides more Sabbath worship, though with a slightly faster approach. ‘One with the Void’ adds a melancholic, ethereal feel that actually gave me early Soundgarden vibes. Finally, ‘Tusko’s Last Trip’ is a nearly twelve minute long opus that takes all the heavy drama we’ve already encountered and dials it right up, with some of the most crushing playing yet.

Huge is the word to describe this album. Just like the bands namesake, “Supersonic Megafauna Collision” is a gigantic, powerful beast from another age that could flatten all that stand in it’s way. Another great release for 2024, I’ve got the vinyl copy on order and Acid Mammoth look set for a high end of year Top Ten placing.

I can’t believe I’ve managed to get this review finished. In the end, the worst part was that little paper clip guy popping up. Thought he was long gone? Not on this ancient Antikythera device.

Check out Acid Mammoth on their website, Facebook, Bandcamp, Instagram and Spotify.

This review is presented to you by Platinum Al and Ever Metal.

Goat Major – Album Review

Posted on by
Reply

Goat Major – Ritual

Ripple Music

Release date: 08/03/2024

Running time: 41 mins approx

Review by: Alun Jones

9/10

“Ritual” is the debut album of Occult Doom Metal band Goat Major. The band, comprising Jammie Arnold (guitar), Simon Bonwick (drums) and Tom Shortt (bass and vocals) came together as a three piece during the pandemic and the frustration of lockdown. They hail from Haverfordwest, Pembrokeshire in Wales, which makes a lot of sense. Wales is steeped in ancient legends, historic monuments and plenty of castles, druids, standing stones, devil dogs and faerie folk – a rich landscape for inspiration.

Musically, we have here eight songs that follow the classic doom/stoner template of fuzzy guitars, rumbling bass and crashing drums. The first track, ‘Snakes (Goddess of the Serpent)’ offers up a burning, slow riff before launching into a dirtier, groovy rhythm. The title track has a driving pace with a hypnotic feel, induced by backing vocals and a relentless grind.

The songs aren’t all just freaked out, fuzztastic trips though. There’s a palpable air of Dennis Wheatley and Hammer horror permeating the whole affair, best demonstrated by ‘Mountains of Madness’, with its slow, atmospheric start. Goat Major bring the gloom to the doom with a touch of malevolence.

Rounding off the album is a short, melodic track called ‘Lay Me Down’, which reminds me of the sort of mellow insert that Budgie (or Sabbath, for that matter) would employ. Appearing last, it’s a lovely oasis of calm after the preceding murkiness. It’s easy to compare the album to Electric Wizard, Uncle Acid and Cathedral, but the foreboding feel Goat Major have created shows they have ideas of their own.

Bubbling away in Goat Major’s coffin is a recipe for some classic Occult Doom Metal. They’ve taken the original sources, added some sinister seasoning of their own, and delivered a hell of a debut album. “Ritual” is easily qualified to make my end of year Top Ten.

PS: in no way has the fact that this band is from Wales influenced my high opinion of this excellent album. Diolch yn fawr, Goat major!

Check out Goat Major on Facebook, Instagram, YouTube and Spotify.

This review is brought to you by Platinum Al and Ever Metal.

N.E.W. Metal Productions Alldayer

Posted on by
Reply

N.E.W. Metal Productions Alldayer  

McLean’s Pub, Pentre, Deeside 

08/06/2024 

Live review by Alun Jones 

Photos by Rachel Sian Photography 

Following in the wake of Pentre Fest earlier this year, McLean’s Pub in Pentre, Deeside North Wales was again the home of a bunch of raging metal/rock bands for a day. The good chaps at North East Wales Metal Productions held one of their fantastic alldayers, featuring several bands from all over, gracing up with their magnificent music. 

Sadly, a couple of bands couldn’t make it on the day. I was gutted that Master Charger dropped out (great band), and also The Human Condition have sadly decided to call it a day. But never mind, we soldier on, and there was plenty of music still to enjoy. 

Kicking things off in good style was Victim of Damp, aka Frank – a long-time supporter at NEW Metal Prods events. VOD opened with some lovely Pink Floyd acoustic guitar, before launching into a rousing set consisting of amusing anecdotes, shots of booze for the crowd, and sing-a-long humour. And yes, Bean’s car is still full of shit. 

Check out Victim of Damp on Facebook.

Any Given Reason were on stage next, a six headed monster of a band with two (two! Count ’em!) vocalists. Neither vocalist stayed on stage for long, preferring to take their brand of in your face metalcore right out into the audience. Great musicians too, giving us prime chunky riffs with dynamic skills. One to watch for, AGR are very entertaining with a super confident delivery all round. 

Any Given Reason on Facebook.

All the way from Belfast, Northern Ireland, to good ol’ Deeside were Nomadus – on the last date of their tour before returning home. If they were tired, it didn’t show at all – these guys are a devastating live band that left us all exhausted. A powerful combination of groove and thrash metal, with songs that are mature and progressive, make sure you see Nomadus live whenever you can. 

Nomadus on Facebook.

Surprise of the day was Crisis, who I was embarrassingly oblivious of. I was tipped off that Crisis were a NWOBHM band, which was true but doesn’t explain enough. The bands playing was razor sharp, and the songs varied from aggressive rockers to more epic, expansive numbers. This ability to let the songs breathe and grow, explore ideas and still remain in musical control set Crisis apart. If Iron Maiden were a Rush covers band, they would be Crisis.  

Crisis on Facebook.

There’s been a bit of a buzz about Warlockhunt recently, so I was very happy to finally get to see them. This band are unlike anything else: a three-piece consisting of two bass players (one singing) and drums. It’s the gloomiest of treacly doom metal decorated with beautiful, ethereal female vocals, like a dark fairy tale that may not end happy ever after. Doom pop, anyone? It’s enthralling stuff: I loved it and you need to check them out asap. 

Warlockhunt on Facebook.

Finally, our headliners for tonight, the mighty Scarfoot were back, and justly bumped to top of the bill. These guys were not fazed at all, powering through another set of intense stoner rock with a hint of grunge (at least to my ears!). The electric steel and 12 string guitars lend Scarfoot a characteristic edge, but the whole band pounding away is like Godzilla knocking at the front door. As well as being joyously heavy, Scarfoot’s songs are also epic and engrossing. Scarfoot did a superb job and closed the evening with conviction. 

Scarfoot on Facebook.

Variety was the secret spice for tonight’s event at McLean’s. Each band offered something unique and each played their hearts out. A thoroughly enjoyable event, thanks to all involved. If you couldn’t make it, readers – please try next time: nights like this need your support. 

N.E.W. Metal Productions on Facebook.

This review presented to you by Platinum Al and Ever Metal.

Ancient VVisdom – Album Review

Posted on by
Reply

Ancient VVisdom – Master of the Stone

Argonauta Rcords

Release date: 26/01/2024

Running time: 31 minutes

Review by: Alun Jones

9/10

Ancient VVisdom have never graced my ears before, so I was very keen to dive into their latest creation, “Master of Stone”, and share with you, good reader, my thoughts.

The band burst forth with ‘Sold My Soul to Satan’, which bounces along with a hook-riddled riff and captures the listener from the get-go. This song nicely encapsulates the style and theme for the album with absolutely no mercy. It’s a head banging, fuzz drenched rocker that’ll drag you along like a tin can hanging from the back of Lucifer’s wedding hearse.

That opener wasn’t a fluke, either: ‘The Adversary’ and ‘The Apollyon’ are both infectious blasts of hard rock with an air of the strange and arcane. The next track, ‘World’s Demise’, is a stomping, eerie acoustic number – all of a sudden Ancient VVisdom sound like Satanic troubadours heralding the end of the world. It’s a dramatic and clever display of skill and variety of musicianship.

If that acoustic approach reminded me of New Model Army, then ‘Ashes from On High’ is the most Metal track here. It chugs along like Slayer playing a retro style Sabbath cover. Brothers Nathan Opposition and Michael Jochum have obviously studied the masters well. If you like old school doom rock, maybe some Type O Negative and Danzig, right on up to modern scene stealers like Uncle Acid and the Deadbeats and Green Lung, you’re bound to love this album.

With songs that are catchy and memorable, and also dripping with a melancholy other-worldliness, ‘Master of Stone’ is a fantastic album. The only true wisdom is in knowing you know nothing. This may be true in my case, but Ancient VVisdom are here to educate us all.

Find out more about Ancient VVisdom on Facebook, Instagram and Spotify.

This review is brought to you by Platinum Al and Ever Metal.