Tag Archives: music

Singles Night at the Virtual Hot Tub #5

Posted on by
Reply

It’s been a while, but time to work through that stack of 7″ singles again.  I had a few beers and listened to the tunes in my collection – good and bad – in order, both sides.

There have been a few stinkers in previous editions.  This week, however, the good outweighed the cheesy for once.  Just about.

Here we go:

  1. Jimmy Barnes & INXS – “Good Times” / “Love is Enough”
  2. Tubeway Army – “Are ‘Friends’ Electric?” / “We Are So Fragile?”
  3. Black Sabbath – “Paranoid” / “Snow Blind”
  4. Rod Stewart – “Sailing” / “Stone Cold Sober”
  5. The KLF – “Justified and Ancient: Stand by the Jams” / “Justified and Ancient: The White Room Version”
  6. Bobby Gentry – “Ode to Billy Joe” / “Mississippi Delta”
  7. Sweet – “Fox on the Run” / Miss Demeanor”
  8. Generation X – “Ready Steady Go” / “No No No”
  9. Atomic Rooster – “Devil’s Answer” / “Tomorrow Night”
  10. Blondie – “Call Me” / “Call Me (Instrumental)”
  11. The Incredible Bongo Band – “Bongo Rock” / “Bongolia”
  12. All About Eve – “What Kind of Fool” / “Gold and Silver”
  13. Level 42 – “Something About You” / “Coup D’Etat (Version)”
  14. Dave Brubeck Quartet – “Me and My Shadow” / “At a Perfume Counter” / “Frenesi” / “Mamselle”
  15. Herb Alpert & the Tijuana Brass – “Casino Royale” / “The Wall Street Rag”
  16. ABBA – “Does Your Mother Know” / “Kisses of Fire”
  17. Hank Williams – “Honky Tonkin'”/ “Howlin’ at the Moon” / “I Ain’t Got Nothin’ But Time” / “You’d Better Keep it on Your Mind”
  18. The Rolling Stones – “19th Nervous Breakdown” / “As Tears Go By”

Krull – The Black Coast Album Review

Posted on by
Reply

Here’s my latest album review from EVER METAL, reproduced here with permission.  Enjoy! 

Krull – The Black Coast

Iron Shield Records

Release date: 27/04/2018

Running Time: 42.32

Review by: Alun Jones

6/10 

KRULL!  Did you ever see the movie?  It’s GREAT!  On the ancient world of Krull, Prince Colwyn brings together a band of scoundrels to help him rescue Princess Lyssa from the clutches of the evil Beast, who threatens to conquer the planet.  It’s a sci-fi fantasy adventure with a Cyclops, cool weapons, vile baddies, Tucker Jenkins and Lysette Anthony.  I mean seriously, you need to see this film.  How metal does it sound?  Even the bad guys are called “Slayers”!

The band Krull occupy a musical space which is openly very inspired by fantasy, battles and all things sword and sorcery.  And right from the off, it’s a whole lot of fun.  The atmospheric intro “In the Woods” grabs the listener and plunges them into the ethereal world that Krull have concocted, and it’s pretty much full on from there.

Pace-wise, “The Black Coast” is like riding shotgun in a barbarian’s chariot, charging an army of Orcs.  Stand out tracks for me included “By Steel” and “The King and the Sword”, but the whole album is energetic traditional metal.  If you’re a fan of Priest, Maiden and the mighty Manowar you’ll find something to enjoy here.  Only midway track “Valhalla” slows things down a little, otherwise it’s a fast and brutal campaign.

So why only 6 out of 10?  Well there are lots of plus points with this album.  The vocals are suitably bonkers, ranging from powerful cries, deep growls to a high pitched, witchy cacophony.  The musicianship is great, and the rhythm section successfully keep the march relentless.  The songs are fast and filled with fantastic tales of battles and bravery.

But the guitar tone was just off for me.  I like something with more crunch; more skull smashing intensity.  After the cool intro, first track “The Witch”, whilst a great song, suffers from a languid guitar sound that slices the records hamstrings before the fight is really on.

Don’t misunderstand me, the playing is great – it’s the production that’s slightly lacking.  The guitars should be much more axe in the face, blood and brains everywhere.

There’s still a lot to recommend Krull’s “The Black Coast” though.  Especially if you dig your metal as a soundtrack to a rampaging berserker, attacking a horde of evil ghouls.

Oh, and get down to your local Blockbuster and rent the Krull video.  You won’t regret it.  It makes Lord of the Rings look like a bad Dungeons and Dragons game in a crack den.

Click here for the EVER METAL website, where you’ll find tons more reviews of albums and gigs by awesome bands!

www.facebook.com/krullheavymetal/

https://krullofficial.bandcamp.com/

www.instagram.com/krull.official/

Imperial State Electric – Anywhere Loud album review

Posted on by
Reply

Another album review wot I wrote has appeared on the excellent EVER METAL website.  Please go take a look at the website, it’s awesome!  My review is reproduced here for your pleasure:  

Imperial State Electric – Anywhere Loud

Psychout Records

Release date: 16/02/2018

Running Time:

Review by: Alun Jones

7/10

Live albums, eh?  I’m not a huge fan.  A lot of the time they’re just cynical exercises in fleecing fans, getting them to pay again for songs they’ve already got.  And usually poorer quality, due to being in a “live” setting.

There are exceptions to the rule, of course.  Back in my days with KISS, the boys were struggling to step up to the mega bucks level after their first few albums.  I proposed that they record a live album, in order to try and capture their incredible live show.  That was what they were good at, see?  The studio albums were good, but live – wow, those kids could rock.  So eventually the four prima donnas came round to my suggestion, released “KISS – Alive” – and their super star status was assured.  Bang!  Mega platinum seller, through the roof, KISS had arrived.

Thanks to me.

Which brings me to this live release from Imperial State Electric.  Although it’s called “Anywhere Loud”, it could’ve been another KISS live album.  It’s big, bold and brash in a very Seventies Rock kinda way.  It’s almost like we’ve stepped into a time machine and arrived back in 1976.  Not that I’m complaining – these guys are all about fun, over the top rock’n’roll – just how it used to be.

A whopping 23 songs, the album certainly doesn’t scrimp on the tunes.  There are plenty of them, and the sound is reassuringly good throughout.  Snippets of audience noise and banter, applause and well performed improvisations help keep the energy – and authenticity – pushing the meters to overload.

Outstanding tracks in this collection include the catchy riffs of “Apologize”, “Reptile Brain” and “Uh Huh” – plus there’s a hint of their punkier side with a blinding version of The Dead Boys’ “Sonic Reducer”.  If you’re a fan of KISS, Cheap Trick and Blue Oyster Cult then “Anywhere Loud” is for you.  If, however, you’re not a worshipper of Seventies Rock like those aforementioned bands, this release probably won’t change your mind.

Which brings me back to KISS.  Of course the masks were my idea.  Though originally, I’d planned on Peter, the drummer, wearing a samurai style number.  So, you’d have had the Star Child, the Demon, the Space Ace and the Samurai.  Pretty good, yeah?  Except Peter changed his mind last minute and decided to be a cat, for fuck’s sake.  And just look how that worked out.

Visit the Ever Metal website here.

Singles Night at the Virtual Hot Tub #4

Posted on by
Reply

Yes, it’s that time again – a playlist of 45rpm singles that have provided me with an evenings entertainment.

I have a stack of 7″ records that haven’t been listened and filed away yet.  So I spend a night listening to them, both sides, in order.

As you can imagine, there are some dodgy songs in amongst the good stuff.  And this week, there are some corkers.  However, the rules are: the songs MUST be listened to.  I own them, so I must be responsible!

Here’s the list:

  1. Joe Dolce – “Shaddap You Face” / “Ain’t No Hurry”
  2. Sinitta – “Shame Shame Shame” / “Maybe Someday”
  3. The Charlie Daniels Band – “The Devil Went Down to Georgia” / “Rainbow Ride”
  4. Rod Stewart – “Angel” / “What Made Milwaukee Famous (Has Made a Loser Out of Me)”
  5. Kate Bush – “Babooshka” / “Ran Tan Waltz”
  6. Tom Jones – “Help Yourself” / “Day by Day” / “Delilah” / “Smile”
  7. Bananarama – “Love in the First Degree” / “Mr Sleaze”
  8. The Timelords – “Doctorin’ the Tardis” / “Doctorin’ the Tardis”
  9. Pig Bag  – “Papa’s Got a Brand New Pigbag” / “The Backside”
  10. Blondie – “Union City Blue” / “Living in the Real World”
  11. The Sweet – “Hell Raiser” / “Burning”
  12. The Who – “I’m a Boy” / “In the City”
  13. Depeche Mode – “Enjoy the Silence” / “Memphisto”
  14. Free – “My Brother Jake” / “Only My Soul”
  15. Nazareth – “Love Hurts” / “This Flight Tonight” / “Broken Down Angel” / “Hair of the Dog”
  16. Lalo Schifrin – “Jaws” / “Quiet Village”
  17. Rainbow – “I Surrender” / “Vielleicht Das Nachster Zeit (Maybe Next Time)”

1968 – Ballads of the Godless album review

Posted on by
Reply

My review of the new 1968 album, “Ballads of the Godless”, has just appeared on EVER METAL.  Here’s the review again, just because:

 

1968 – Ballads of the Godless 

Release date: 06/07/2018

Running Time: 38:24

8/10

Sometimes, without warning, it all comes flooding back and I’m thrust into the nightmare of that jungle.  Thirty days on patrol with no chopper cover.  The heat, unbearable; sweat running in rivers down my spine.  Cradling my M16 like a good luck charm, praying under my breath that there ain’t no VC gonna unload a torrent of lead at me and my buddies.  Trudging on, hour after hour, waiting to get back to the LZ for evac.  Chukka-chukka-chukka, the Hueys overhead and the rush of wind from the blades.

Maybe these guys from 1968 were in Nam too.  Maybe this debut album, “Ballads of the Godless” is actually a lost relic from those days that’s just been unearthed.  Maybe 1968 invented heavy, psychedelic rock after hearing Hendrix and Cream and some of those old blues guys.  Certainly seems crazy enough to be true.

Opening with “Devilswine”, 1968 lay out their ground plan confidently.  It’s a mighty power groove that makes your head nod, setting the tone for the whole album.  “Screaming Sun” follows and adds a more psychedelic shine, Jimi Coppack’s vocals soaring while the riffs hammer.  “Temple of the Acid Wolf” adds further intricate detail, with shades of vintage Soundgarden.  1968 set about laying waste to all in it’s sights like Ozzy manning the Air Cav machine gun on a strafing run.

It’s not all Ride of the Valkyries mayhem however.  Last track on Side 1 (vinyl lovers!), “S.J.D.” is an instrumental that provides a more reflective tone.  Acoustic guitar and piano feature, in a stylistically fine salute to the classics of the genre.

This bleeds nicely into Side 2, track 1 – “Chemtrail Blues”, where guitarist Sam Orr gets chance to unleash Hendrixian guitar flourishes over a bluesy beat.  It’s like that time me and my buddy chewed acid in a fox hole while under fire.  The rocket traces in the sky lit up like God’s neon veins.

“McQueen” opens with some infectious bass, before melting out of a mellow vibe and into a crushing chorus.  The bottom end is nice and heavy throughout, The Bear delivering pummelling yet warm playing.

Rhythms are also tight and show a groove more contagious than jungle malaria.  Dan Amati on drums shines on “The Hunted” in particular.  Final track “Mother of God” brings on a deceptively laid back, acid dripping feel as we finally get some R’n’R in Saigon.

“Ballads of the Godless” reveals more and more depth, thought and intricacy with each listen.  On this first album, the band make good on a lifetime studying from the past masters.  My only question is how will 1968 continue to evolve and add to their sound?  I can’t wait to find out.

For now, it’s back to reality.  No more choppers overhead, cries in the jungle and that oppressive, relentless heat.  Until I spin “Ballads of the Godless” again…

 

You can read more about all things metal at the Ever Metal site.

Singles Night at the Virtual Hot Tub #3

Posted on by
Reply

No, not that kind of Singles Night!  This is all about working through the stack of 45 rpm singles that I’ve picked up from various sources over the last few months.  I play them in order, regardless of how good or bad they are, and whether I’m in the mood for a certain genre or artist or not.

And there are some stinkers in the collection.  Some ripe specimens that I just had to own for some reason or other.  Don’t ask me, none of it makes much sense to me either.

There are, of course, a few absolute gems in there too.  Let’s see how this current session played out…

  1. Sinitta – “Toy Boy” / “Toy Boy Instrumental”
  2. The Jam – “Beat Surrender” / “Shopping”
  3. Marc Bolan – “Sing Me a Song” / “Endless Sleep” / “The Lilac Hand of Menthol Dan”
  4. Herbie Hancock – “I Thought It Was You” / “No Means Yes”
  5. Debbie Harry – “Backfired” / “Military Rap”
  6. The Stranglers – “European Female” / “Savage Breast”
  7. The Cult – “Revolution (Remix)” / “All Souls Avenue” / “Judith” / “Sunrise”
  8. Status Quo – “What You’re Proposing” / “AB Blues”
  9. Johnny Cash – “25 Minutes To Go” / “I’m Gonna Try To Be That Way”
  10. Tom Jones – “It’s Not Unusual” / “To Wait For Love”
  11. All About Eve – “Martha’s Harbour” / “Another Door”
  12. The Tornados – “Telstar” / “Globetrotter”
  13. Dr Hook – “Sexy Eyes” / “Help Me Mama”
  14. Kim Wilde – “Chequered Love” / “Shane”
  15. Bow Wow Wow – “I Want Candy” / “King Kong”
  16. Blondie – “Hanging On The Telephone” / “Will Anything Happen?”
  17. Bananarama – “Na Na Hey Hey Kiss Him Goodbye” / “Tell Tale Signs”
  18. Althia & Donna – “Love One Another” / “Mighty Two”

Hey, you know what?  I think I acquitted myself quite well with that selection.  Despite kicking off with yet more Sinitta, there were definitely some great tracks in that list.  Let’s wait and see how I do next time…

Horrible Histories Playlist

Posted on by
Reply

My daughter Eloise had her 8th birthday last weekend.  At the moment, she’s a big fan of the BBC children’s TV series, Horrible Histories, and requested a party based on that theme.

If you’re not familiar with Horrible Histories, let me tell you it’s well worth checking it.  Both funny and informative, the show makes history appeal to kids (and adults) by illuminating some unusual – and sometimes gross – facts from various periods throughout the past.

We’ve all become big fans in our house, actually.  So the party was going to be fun – everyone could dress up as historical characters and entertainment geared to the theme.

Only one thing remained – some music suitable for days gone by.  Not having much music in my collection that was actually from previous ages, I had to dig out some tunes that could fit the bill.  Here’s what I came up with…

  1. Hanna-Barbera – “(Meet) The Flintstones [Main Title]”
  2. The Bangles – “Walk Like an Egyptian”
  3. Mikis Theodorakis – “Zorbas”
  4. Iron Maiden – “Alexander the Great”
  5. ABBA – “Waterloo”
  6. Chuck Berry – “Roll Over Beethoven”
  7. Boney M. – “Rasputin”
  8. Clutch – “Abraham Lincoln”
  9. Trio Guadalajara – “La Bamba”
  10. De Danaan – “The Cameronian Reel/The Doon Reel”
  11. Iron Maiden – “Ghengis Khan”
  12. Mariachi Mexico de Pepe Villa – “El Jarbe Tapatio (Mexican Hat Dance)”
  13. Jonathan Richman & the Modern Lovers – “Egyptian Reggae”
  14. Madness – “Night Boat to Cairo” 
  15. Sweet – “Alexander Graham Bell”
  16. Rodrigo Y Gabriela – “Vikingman”
  17. Iron Maiden – “Invaders”
  18. The Kinks – “Victoria”
  19. Boney M. – “Ma Baker”
  20. Sweet – “Wig Wam Bam”
  21. Mikis Theodorakis – “Varka Sto Gialo”
  22. Bananarama – “Venus”
  23. Tom Jones – “Delilah”
  24. The Beatles – “Roll Over Beethoven”
  25. Christina Aguilera – “Candyman”
  26. The City of Prague Philharmonic Orchestra – “The Raiders March”
  27. Eric Rogers – “Carry On Cleo”
  28. Eric Rogers – “Carry On Up the Khyber”

Ok, so some of those tracks are less scraping the barrell and more like digging the dust on an archaeological dig, but it did the job.  Basically, without Iron Maiden I’d have been screwed…

Singles Night at the Virtual Hot Tub #2

Posted on by
Reply

Here we go again!  Quick recap:

I’ve bought loads of 7″ singles; some good, some bad, some ugly.  I decided to listen through the pile by having an evening playing them all in the order in which they were bought; oldest first, A side then B side.  This is the list of what I played.

As before, some of these songs are absolute gems – some are absolute stinkers.  Don’t judge me; this is already difficult enough for me to confess.

Yes, there’s another Sinitta song.  I know it’s terrible, but in my defence she’s in my record collection ‘cos she’s a babe.  Trust me, she’s well foxy on the cover of this single.  So, sorry about that one.

All in all, though, I feel this is a much less cheesy selection than last time.  There might even be a few cool choices.  And remember – this is all 7 inch vinyl only!

Now, shall we proceed with the embarrassment?

  1. Steve Winwood – “Higher Love” / “And I Go”
  2. Sinitta – “Hitchin’ a Ride” / “I’m On My Way”
  3. Madonna – “Papa Don’t Preach” / “Ain’t No Big Deal”
  4. Bob Dylan – “Is Your Love in Vain?” / “We Better Talk This Over”
  5. Peter Gabriel – “Games Without Frontiers” / “The Start” / “I Don’t Remember”
  6. George Harrison – ” My Sweet Lord” / “What a Life”
  7. Madness – “Shut Up” / “A Town with No Name”
  8. Toyah – “Thunder in the Mountains” / “Street Addict”
  9. The Jam – “Town Called Malice” / “Precious”
  10. The Beat – “Ackee 1-2-3” / “Monkey Murders”
  11. The Selecter – “Missing Words” / “Carry Go Bring Home”
  12. Blondie – “Denis (Denee)” / “Contact in Red Square” / “Kung Fu Girls”
  13. Herbie Hancock – “You Bet Your Love” / “Knee Deep”
  14. Stevie Wonder – “Uptight (Everything’s Alright)” / “Yester-Me, Yester-You, Yesterday”
  15. Roxy Music – “The Same Old Scene” / “Lover”

Any comments/abuse on the above are welcome, I’m getting used to it.  Otherwise, I hope you enjoy – will be back soon with more.

Bring Your Own Vinyl Night #15

Posted on by
Reply

Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 22nd June 2018

The mixed grill on my plate was a massive meal, and I tucked in with ravenous glee.  For I knew that I would need my strength tonight; this would be Vinyl Night unlike any previous.  Tonight, I would test the mettle of all of us in attendance.

Otherwise, it was business as usual for Bring Your Own Vinyl Night at the Queen’s Head in Mold.  Beers, goods company and the opportunity to play whatever you liked during a fifteen minute set.  Vinyl only, mind!

Although I don’t always run with a theme, this evening I had a definite plan.  Ever since I’ve first attended one of these events, put on by the brilliant Halcyon Dreams and VOD Music, there was one song n my collection I really wanted to play.  It would inform the rest of my set and provide a connection between all the songs.  I decided to leave that track till last, and put together a collection of songs to accompany it.

The question was: How would my star track be received by the audience?

The Beatles – Here Comes the Sun

To start the set, a classic Beatles song written by George Harrison and needing no introduction.  Of course it’s from “Abbey Road”, and I love it as it instantly makes me think of summer days, sitting in the sun on the beach.  It’s a perfect song; beautifully written and with such an uplifting feel.

Nancy Sinatra + Lee Hazlewood – Summer Wine

Next up was this gem; a duet between Nancy Sinatra and Lee Hazlewood.  I have the album with this track on it, however this version was a 45rpm single that my friend Colin lent to me for the event.  “Summer Wine” reminds me in some ways of a Bond theme, it has a little of that drama, but somewhat more relaxed.  A wonderful song that brings back memories of holidays abroad and cocktails.

Black Sabbath – Laguna Sunrise

A brief interlude on side 2 of the absolutely essential “Volume 4 album”, here’s yet another tune that demonstrates just how versatile Black Sabbath were.  A beautiful relaxing instrumental that effortlessly conjures up an appropriate image, this shows perfectly the genius of Tony Iommi.  As good as any song you’ve ever heard.

The Cult – Sun King

After that, the tempo was raised with a full on turbo charge rocker from my old faves, The Cult.  This was the 7″ single version, edited down from the album track.  One of my preferred songs on the massively successful “Sonic Temple” album from 1989.  With a title referencing French King Louis XIV, this is a great fun fists-in-the air macho rocker that reeks of burning up desert highways in a hot rod.

Johnny Griggs/Simon May – When You Go Away (Eldorado Theme – Instrumental)

Could you tell what the theme was, reader?  All leading up to this final cut, I wanted to play songs related to summer and sunny days.  I used to be a huge fan of hyper naff BBC soap Eldorado when I was a student – so bad it was good, and the Spanish setting used to cheer me up on dreary wet days.  Sadly that amazing programme was canned, but I found the single in a Woolworths bargain bin (for 29p, I think) back in the day.  Along with my VHS cassette of “The Best of Eldorado”, that’s all the merch from this class show that I have.  I played the instrumental B-side here, but cocked up by playing it on 33rpm at the very start.  Years of planning, bollocksed. 

So there you have it – my summer sun themed set.  Although I was ridiculed for the Eldorado song – and quite rightly too – I loved playing it.  I managed to ruin my cool reputation with one song, though.

Never mind – as she was leaving, one old dear told me she enjoyed my set very much.  I’ll take that as a win.

She must have been an Eldorado fan as well.

Nice one Halcyon Dreams and VOD Music, yet another great Vinyl Night – more soon please.

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Hollywood Vampires – Gig Review

Posted on by
1

Hollywood Vampires + The Darkness + The Damned

Sunday 17th June 2017

Manchester Arena

It was a rare, but welcome night out for Mrs Platinum Al and myself in good old Manchester.  Tickets were booked and we were off to see the big rock show.  It promised to be an exciting evening, but I was unsure whether our expectations would be met.

First off the bat, our old chums The Damned!  This was a real bonus for me, though the handbrake is also a fan after all these years of putting up with me playing their records.  However I was a tad nervous, wondering how these esteemed gentlemen would go down with what appeared to be a more traditional rock crowd.  And in such a huge venue.

Now I know I’m biased, but we were both impressed by The Damned’s performance.  The band didn’t shy away from the large stage; they actually looked quite comfortable up there.  I was quite a way away, mind – I think our seats were in Stockport.

Opener “Street of Dreams” was a moody yet raucous number that’s become a bit of a live favourite of mine over the years.  Follow that with classic “Neat Neat Neat” and you’re off to a hell blazing start.  Just as the stars align and every single person in the huge arena is going “Oooh, they’re quite good, aren’t they?” we get a minor mishap with Captain Sensible’s guitar packing in and the moment seems lost…

Not to worry, before you can say “is he the bloke  who sang Shaddup You Face?” the band, old troopers that they are, are back in the game.  Dave Vanian steers the ship over stormy waters and is in fine, confident voice all through.

The Damned
The Damned

The icing on the cake – for me, at least – is the return of Paul Gray, a sight I’ve not witnessed since Sheffield, 1991!  Paul’s bass rumbles and sounds triumphant, particularly in the “Love Song” intro.  Fantastic.  There’s just a drop in volume during “Ignite”, other than that, Paul is a ninja master.

Pinch’s drums are perfect, you can hear Monty (and see him bouncing about); so other than a couple of technical issues The Damned performed superbly.  The set is far too short of course, but I was relieved that they seemed to go down well.  From where I was sat, the arena seemed mostly full, so they didn’t suffer from support-band-empty-hall syndrome either.

I felt like I was watching my child in the school play; happily no-one forgot  their lines and The Damned get a gold star.

You can certainly say that I got value for money for this gig, what with three bands on.  However I was feeling a little short changed after The Darkness performed.  Admittedly, I am biased in favour of The Damned.  Yet I’ve seen The Darkness before, at Download festival a couple of years ago, and was much more impressed.

Not that the Hawkins boys don’t give it a fair shot; a short tight set is delivered in inimitable style with splurges of Justin’s trademark wit and swagger.  Perhaps it’s just that the set is lacking some bigger numbers in the first half; following “Growing On Me” with “Love is Only a Feeling” as the third song is too much of a comedown so early on.

The Darkness
The Darkness

The crowd don’t seem to mind though, it all goes down very well.  Let’s be honest, most of ’em are happy because they’ve heard of The Darkness and haven’t got a clue who The Damned are.  Or, shock horror, don’t like punk rock.  For me, with no “Black Shuck” in the set, and a mediocre version of “Barbarians”, it’s good but not great from the Darkness.

I still can’t bring myself to dislike ’em, regardless.  At least The Darkness tried to bring loud, exuberant British guitar rock into the 21st century, and aren’t a wanky indie band.

There followed some musical chairs for Mrs Platinum Al and me, as we secured seats much nearer the front.  This pleased the other half immensely, she would now have a much better view of the headliners (or one of them, at any rate).

And so the Hollywood Vampires took the stage, and the Big Rock Show was in it’s final phase.  The air of tense expectation was only mildly subdued by the band’s arrival, as the audience were keen to experience what they could serve up.  Would this be a vanity project for ageing rock stars and their pirate actor buddy?  Or could they deliver something tangibly worth their collective prowess?

Led by the preposterously cool Mr Alice Cooper, the Vamps rattle through a few of their own original numbers at first, as if to prove a point.  Yes, they can play – and they can write, too.  It’s super confident and great fun – every song gets a chance to shine on it’s own merits.

Hollywood Vampires
HV
Yes, that Johnny Depp

The bulk of the set is a succession of expertly reproduced cover songs, each dedicated with respect to a fallen rock comrade.  Songs range from The Doors, to Motorhead, to AC/DC – with my favourite being a great version of The Who’s “Baba O’Riley”.

Joe Perry delivers a spine tingling “Sweet Emotion” complete with the extended intro that builds magnificently.  It’s a master class in rock star awesomeness, though Joe seems very much enjoying himself in a humble manner.

Despite the attention thrust upon him by a vast number of fans in attendance, Johnny Depp manages to not only look the embodiment of cool, but actually performs brilliantly.  He appears very much in his element as part of this massive spectacle, indeed his rendition of Bowie’s “Heroes” is one of the highlights of the night.

It’s one of several moments that manages to evoke the ghosts of heroes past, as  accompanying images are shown on the screen onstage.  It’s not altogether subtle, but rock’n’roll rarely is.  Instead the audience cheer their appreciation and nod sagely as our heroes are exhumed for us to behold.

Finally, Alice declares “School’s Out” yet again, as the whole show reaches it’s climax.  Cooper is an absolute delight, the demented circus master and ring leader of this crazy gang.  He is unbelievably cool and amazing at what he does: a true legend.

In the end, despite any doubts, it’s been a hell of a ride.  Despite whatever misgivings anyone may have had regarding authenticity, the Hollywood Vampires delivered an excellent, well performed show that was pure fun.  It was so much more than just athe world’s biggest covers band.  Abandon your cynicism, this was rock’n’roll for the sheer joy of it.  Which is what it’s all about, right?