Bring Your Own Vinyl Night #5

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 4th December 2015

Unlike the last event, I didn’t have a theme for Bring Your Own Vinyl Night this time around.  Just some tunes I fancied playing.  I hadn’t even decided exactly what they would be till the show was on.

For anyone still uninitiated, the night is hosted in the Queen’s Head pub in Mold, North Wales.  There are two turntables and each participant gets to play 15 minutes of whatever music they want, vinyl only.

I had myself a couple of beers and rattled out this selection:

Motorhead – Ace of Spades

When you buy your first Motorhead album, you know you’ve entered the world of grown up music.  Big, nasty unapologetic rocking grown up music.  A song that never gets old, I was introduced to “Ace of Spades” when the band performed it on the classic “University Challenge” episode of The Young Ones.  It’s just a non-stop, joyous racket that simply will not stop or slow down for anyone.  Absolute perfection.  I played this in memory of drummer Phil “Philthy Animal” Taylor, who sadly passed away recently.

The Vapors – Turning Japanese

A New Wave/Punk Rock classic, I was donated the brilliant “Turning Japanese” by a friend.  Thank you, Simon.  It was supposed to be part of a tribute set that I’m still working on.  It was going to be hard to follow up the adrenaline rush of the previous song, The Vapors pulled it off here though.  A great power pop song that kept the pace of the set nicely.

Dinosaur Jr. – Freak Scene

A slight fast forward to the late 1980’s for this next track.  The first track on Dinosaur Jr.’s album “Bug”, this track nicely covers the appeal of early American alternative rock.  Born out of punk and hardcore, with one foot in old Black Sabbath and one in jangly pop; Dinosaur Jr. constantly delight.  Reminds me of my skateboarding youth.

Beastie Boys – Sabotage

I couldn’t decide which track to play last, so I let the audience choose the album.  The Beastie Boys “Ill Communication” won hands down, and I chose “Sabotage” as the track to play.  Another unrelenting monster of a song, “Sabotage” has a funky groove delivered with a rocking style.  Again, a song I never tire of.  Plus the Spike Jonze video, with it’s 70’s cop show homage, is a work of genius.  It’s been over twenty years and I still want to dress up and play Sabotage Cops for a day.

My buddy Adam strode up to the decks next, and delivered another fine set.  It went something like this:

  • Queen & David Bowie – Under Pressure
  • The Blasters – I’m Shakin’
  • Mark Ronson/Bruno Mars – Uptown Funk
  • DJ Kool – Let Me Clear My Throat

Four top songs from Adam there, the Queen track was a load of fun and had me doing my world renowned Freddie Mercury impression.  It was nice to hear a modern song on vinyl too, with the Ronson/Mars number.

Great night, great songs – well done all on another fine evening’s entertainment.  I’m currently stumped what to play next time.  I’ll work on it.

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all of the songs played on the night.

The Halcyon Dreams Facebook page is here.

Melvins – Gig Review

Melvins + Big Business

Friday 9th October 2015

Gorilla, Manchester

I had been waiting for this for a long time.  As a long time fan of the Melvins, it seems inexplicable that I’ve never seen them live before.  But then I rarely travel to Manchester for gigs.  2015 has been the year of live music for Platinum Al; as such the planets aligned, the tickets were bought, the wheels were rolling towards the big city and it was on.  Finally, I would witness the wonder of the Melvins.

And not just the Melvins – the support slot went to Big Business, a two piece of bass and drums in a similar mould to the mighty headliners.  Of course, anyone who knows their Black Flag from their Black Sabbath will tell you that Jared and Coady of this band also perform with Buzz and Dale to create the steaming sonic soup with lumpy riff croutons that is the Melvins. Melvins

The Big Business set was extremely impressive in it’s own right.  As I said, the band is just bass and drums, yet the almighty noise they make is astounding for a two piece.  They play a solid set that could’ve been a main course of the evening’s entertainment.  Big grooves, pounding drums and awesome sound scapes create a fine appetiser.

Gorilla in Manchester is some sort of restaurant/bar thing, with a stage at the back for live shows.  It’s seems more in scale with stand up comedy gigs, but despite the modest size it’s a great place to see the band – close up, good views and sound.  The beer is a bit expensive, but I got a Melvins (official!) t-shirt for a tenner!  Yeah!!!

So anyway, the Melvins arrive on stage as a four piece – Buzz, Dale, Jared and Coady – and we’re off.  It’s a gig unlike any I’ve experienced ever before.  There’s no breaks; no chat with the audience; no introducing the songs – the band just plough through their catalogue of fantastic songs and drag the audience along with them.  The audience follow willingly, of course – and the band don’t ignore us – it’s a unique unspoken agreement that we’re all along for a hell of a musical journey.

The music is heavy, sludgy, intense – exactly what I expected and wanted.  There are several songs from newer albums (“The Water Glass”, “Evil New War God” – both superb).  Older classics like “Sweet Willy Rollbar” and “It’s Shoved” are given a welcome play too.  The absolute high light for me though is “Civilised Worm” – what a riff!

The power of the riff is what the Melvins are all about.  Buzz’s guitar is astoundingly heavy, yet also shines with artistic flourishes and strange sounds to keep the listener guessing.  The bass is relentless yet groovy, hammering home the riffs.  Add dual drummers and ears were ringing for days.

It was a truly intense live experience and one I’m really glad I saw.  Unlike anything else and worthy of the hype, the Melvins are a unique band and I love them.

Did I mention I got a t-shirt for a tenner??!!

Bring Your Own Vinyl Night #4

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 2nd October 2015

For this month’s Bring Your Own Vinyl Night, I decided to have a theme for my set.  Although it was only early in the month of October, I decided to opt for a Halloween theme.  My music choices would have a horror element, or something dark and macabre.

If you’re not familiar with vinyl night, here’s the basic outline:

  • Hosted in the Queen’s Head pub in Mold, turn up and play a fifteen minute set of songs – vinyl only, no CD’s, mp3s, tapes or anything else.
  • Put your name on the list and wait your turn, have a few drinks, listen to the collection of tunes played by other vinyl fans.
  • There are two turntables plus mixing equipment to play your set, plus assistance if you need technical help.

Adam was first up tonight, his set list went as follows:

  • Amen Corner – (If Paradise is) Half As Nice
  • Los Lobos – C’mon Let’s Go
  • Jim Steinman – Surf’s Up
  • Guns’n’Roses – You Could Be Mine

Then it was my turn…

Bobby “Boris” PIckett and the Crypt-Kickers – Monster Mash

What better way to start than with this ghoulish classic?  I found this album a few months ago in a charity shop, and couldn’t believe my luck.  It was only a couple of quid, and worth the investment even though I don’t usually spend more than a pound!  This is of course the sixties gem that sound checks various monsters, with Pickett impersonating Karloff (and Lugosi too).  It’s great fun and essential for any Halloween party!

The Damned – Nasty

The first time I ever heard the Damned was when “Eloise” got to number 3 in the charts.  The second time was this fast paced, tongue in cheek ode to horror movies, on the brilliant Young Ones horror spoof episode “Nasty”.  The Damned appear and play this song in the Young Ones’ kitchen.  I was hooked straight away, saved up some money and bought an album with both tracks on it.  Given the exposure this song had, it constantly amazes me that “Nasty” was relegated to a B-side and hardly ever shows up on Damned compilation albums.  I’ve seen the band live more times than any other, but only saw this song performed for the first time a few weeks ago!  Anyway, the Damned are another essential for a Halloween theme.  Still a great song.

Danzig – Sistinas

Although not a horror related song as such, I couldn’t resist the chance to play something by the Dark Lord of rock himself, Danzig.  Instead of a more obvious bone rattling heavy rock number, I chose this incredible ballad that was hidden away on Danzig III: How the Gods Kill.  Glenn shows off his great vocal abilities here on a song that is more Roy Orbison than Black Sabbath.  Appropriately dark and wind swept, this is a morose beauty of a song.

The Misfits – Vampira

To be honest, I was spoiled for choices for a horror theme, there are tons of songs I could’ve played.  Despite risking a Glenn Danzig overdose, I just had to spin a Misfits song.  This band took the horror punk template established by the Damned, the Ramones and the Cramps and ran with it, off into a creepy cemetery populated by every 1950’s B-movie monster ever.  “Walk Among Us” is one of my favourite albums ever, and this short sharp song dedicated to proto Goth babe Vampira is one of their best.

So there you have it – another triumphant evening for Bring Your Own Vinyl Night.  There were old songs, new songs, obscure and obvious songs.  There’s always something to make you go away and research another band, that’s the beauty of these nights.  My personal favourite was hearing “Gut Feeling” by Devo!  Already looking forward to the next one.  A theme?  We’ll see…

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all of the songs played on the night.

The Halcyon Dreams Facebook page is here.

Public Image Ltd – Gig Review

PIL

Public Image Ltd + The Hexmen

Saturday 26th September 2015

The Tivoli, Buckley

Well it’s been an amazing couple of weeks for gigs.  And what’s that?  Public Image Ltd playing up the road at the Buckley Tivoli?  Featuring the living legend that is John Lydon?  There’s absolutely no way this extravaganza can be missed!

It was England vs Wales in the Rugby World Cup that night, and the Tiv had decided to show the game on a large projector screen above the stage.  A bizarre idea but it worked out OK – happily Wales won.  Had they lost that could’ve put a right downer on the evening.

Support band The Hexmen are a non-stop R’n’B party.  And by R’nB I mean as in Rhythm and Blues, not as in Kanye West.  They’re a solid band with an unmissable skill in abstract between song banter.  Solid rhythm section, stellar guitar and soaring harmonica.  Pretty damn good.  They appear to play in these parts quite often, so check ’em out.

The Tiv was packed out for Public Image Ltd.  I think most of the punters were in a daze, unbelieving that the band would actually appear.  But lo and behold PiL did appear – the real PiL, not a tribute act featuring some Johnny Rotten wannabe.  The reception was warm, but the crowd really revved up when the third song in the set turned out to be the masterpiece that is “This Is Not a Love Song”.

There was a fair mix of tracks old and new, with “Death Disco” and “Warrior” standing out from the well known singles.  I’ve not got the new album yet (hangs head in shame), but the tracks of that and This is PiL (got that one) were all extremely impressive.  The massive bass groove of Scott Firth and precision drums of Bruce Smith created a throbbing tribal rhythm that brought these songs to life.

Lydon himself seemed to be having a good time, for the most part.  I couldn’t always tell.  He definitely got stuck in and delivered some quite stunning vocals.  His style is almost operatic; combined with his commanding presence at the front of the stage we are given a captivating performance.

I should also mention guitar maestro and all round talented bloke Lu Edmonds – he played a blazing gig.  I have no idea how he made all those sounds.  It was very hard to believe that there were only four people on stage.

The encore provides the songs “Public Image” and “Rise”, two fantastic songs that the audience were thrilled with.  I still remember seeing “Rise” performed on Top of the Pops when I were a lad.  That was my first experience of PiL.  The other kids thought Lydon was weird; I thought he looked cool.  It’s a perfect end to the chapter.

Oh, and I WILL go and buy the new album – promise.

The Public Image Ltd website is here.

The Hexmen website is here.

The Tivoli website is here.

Another Damned Gig Review

DamnedCHThe Damned

Thursday 17th September 2015

The Live Rooms, Chester

Hello, chums!  How about another review of a musical concert?  How about another review of a Damned musical concert?  Very well, off we go…

It was my birthday on Saturday, so it was very kind of The Damned to play a gig on Thursday night for me.  They are my favourite band, after all.  Not many bands would go to all the trouble of playing for their number one fan in a nearby locale.  I don’t know who invited all the other people who turned up, mind – wasn’t me.  I hardly knew any of them.

The Damned sold out The Live Rooms in Chester, which is pretty impressive.  The place was packed out with all manner of discerning music fans, and by golly those punk rock chaps put on a hell of a good show.

From the moment Captain Sensible uttered the immortal phrase “Ladies and Gentlemen, ‘Ow do”, I knew it would be a blinder.  Straight off into “Love Song”, a rollicking locomotive of a song all about trainspotting.  Then it was “Machine Gun Ettiquette” and “I Just Can’t Be Happy Today” – top tunes all, and the running order gave something of a clue as how things would develop set wise.

The evening was an almost chronological journey to the centre of the Damned, with tracks following from the Black Album, through Strawberries and onto their later 80’s catalogue.  Until they messed that plan up by going back to the start with the always excellent “New Rose” and “Neat Neat Neat”.  I defied my OCD and enjoyed the travelling back through time regardless.

The band were on excellent form, Dave Vanian in fine voice and Sensible throwing some amazing guitar noises around (“Ignite” is always mental).  Pinch on drums and Stu on bass are in control and drive the machine ever onward.  Monty was, of course, his usual crazy and lovable self; always entertaining and adding an extra dimension with his keyboard skills.

A couple of “firsts” for me tonight – I’ve never heard “Alone Again Or” performed live, or the totally amazing “Nasty”.  This song was one of my earliest experiences of The Damned, when they roared through it on the Young Ones.  Relegated to a B-side and rarely cropping up on compilations, I’d given up on hearing this one in the flesh.  “Nasty” was dedicated to previous bass player Bryn Merrick, who had died recently.

Throw in another appearance of “Stranger on the Town” (see my last Damned review for how big a deal this is) and the song that kick started the whole fandom thing from my point of view, “Eloise”, and it was a quality set list.  Not to mention punk rock classics such as “Disco Man” and “Smash It Up” – what a result!

Any complaints?  Well there was no “Plan 9 Channel 7”, which is absolutely criminal.  Nothing from the two most recent albums either, which is a bit worrying – there’s some great tunes on those records.  The Live Rooms is a brilliant venue, but they seem a bit keen to send people home when they could’ve made a few quid more at the bar, if they’d kept it open half an hour.  Strange.

All in all though, it was a fantastic night.  The Damned threw me a very nice birthday party and I thoroughly enjoyed myself.  Wonder if they’re free same time next year?

Here’s The Damned’s website: http://www.officialdamned.com/

The Live Rooms web site is here.

You can read the set list for this gig here.

Here’s a link to my previous review of The Damned live: click me

R.I.P. Bryn Merrick

Bring Your Own Vinyl Night #3

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 21st August 2015

And we’re back spinning wax in the Queen’s Head pub in Mold.  The crew and I made the trip, armed with stacks of vinyl, for our fifteen minutes of fame playing records.  The premise is simple:

  • Two turntables and all the equipment to spin your discs, plus PA
  • A 15 minute slot to play whatever you like, so long as it’s vinyl

Plus there’s a bar for drinkies, which helps if you need a bit of dutch courage to get up and get your DJ on.

The crew and I – Adam, Greeny and Ben the Swede – made sure we got there early this time.  Good job we did, as the throng of vinyl faithful had grown and the list of would be DJs was growing.  Nice to see this event gaining popularity – the cult of vinyl grows ever stronger.

Here’s my set:

Killing Joke – Pandemonium

The title track from Killing Joke’s classic 1994 disc of the same name, this tune boasts a devastating bass and rhythmic rumble.  “Pandemonium” erupted from the speakers and announced the start of my set in crushing style!

The Stooges – I Wanna Be Your Dog

This slice of messed up Detroit proto punk is a Stooges classic.  Ron Ashetons wah-wah guitar and Iggy’s snarl show just how great this band were.  I first investigated the Stooges as other bands I was a fan off (Sex Pistols, The Damned) had covered their songs – so I picked up this compilation to learn more.  I was instantly smitten by this dirty racket and never looked back.

Descendents – Clean Sheets

I first heard the Descendents on an old Vision skateboarding video, soundtracking a fantastic Gonz section.  This was the late 80’s, and with no Soundhound I had to work out from the credits what I thought the song was.  I figured it was “Coolidge” by the Descendents.  A while later I found some Descendents albums in a Manchester record store, and took a punt on the “All” album as it contained the aforementioned track.  Luckily, I was right.  For this occassion though, I decided to play another piece of US pop punk genius from the same album, “Clean Sheets”.

Temple of the Dog – All Night Thing

To finish off the set, I brought the pace down with a mellow number from this Seatlle grunge super group.  Featuring members of Pearl Jam and Soundgarden, this LP really takes me back to the early 90’s.  A must have for any fan of alt rock from the period, you can read up online how this recording came to be.  Chris Cornell’s vocals are sublime here, showing to great effect how he would become the best vocalist of his generation.

Greeny hadn’t organised any vinyl (again), so it was Adam up next with another varied and entertaining set.  His was unfortunately cut short, due to the number of people who’d turned up necessitating a reduction in playing time.

  • Natalie Prass – Violently
  • David Bowie – Absolute Beginners
  • Otis Redding – (Sittin’ On) The Dock of theBay

I have to say, I’d forgotten how good that Bowie tune was.

Finally Ben the Swede took to the decks and span his tunes, with a “guess the odd one out” theme.  He played:

  • Jimi Hendrix Experience – Wait Till Tomorrow
  • Fleetwood Mac – Isn’t It Midnight
  • AC/DC – Girls Got Rhythm

I believe the last song Ben intended to play was A rainbow song, with Ronnie James Dio on vocals.  Can you guess the odd one out?  Answer below…

So another superb night of music at the Queen’s Head.  We heard some great music, made some new friends and went away to scout for more quality tunes.  Here’s to next time!

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all the songs played on the night.

The Halcyon Dreams Facebook page is here.

Toyah – Live Review

Toyah

Saturday 27th August 2014

The Tivoli, Buckley

It was Saturday night, live music on at the Tiv from alternative 80’s legend Toyah – where was everybody?  The place was mostly empty!

Yes, it’s another live music review at Platinum Al’s Virtual Hot Tub – and this time we’re back to that old favourite, The Tivoli in Buckley.

I remember seeing Toyah Wilcox on Tiswas one Saturday morning, when I was about eight.  I thought she was cool (and a bit cute).  I’ve also seen Toyah live before at the Tiv, in the early 90’s when she appeared there with Girlschool.  So I got to hear a few of Toyah’s hits in a rocked up style, along with some Girlschool tunes and some covers (I remember a bit of Zeppelin in the set).

And many of my Virtual Hot Tub pals will also be aware of the time last year at Birmingham NEC Memorabilia, where I met the star in question.  She signed my old Official Toyah Annual and I grabbed a sneaky photo.

You can probably imagine that I was quite stoked to hear that Toyah would be performing just up the road in Buckley.

The date for the gig had been changed previously, so maybe this re-scheduling was to blame for the low turn out.  The Tiv was about a quarter full, prompting Toyah herself to declare “It’s like playing a private party!” – she was far from disheartened.  Toyah was in fine voice and full of energy, bouncing around on the stage.  Between songs, there’s a brief introduction which really does make the whole gig a very intimate experience.

Obviously we get the established songs: “It’s a Mystery”, “I Want to be Free”, “Be Proud Be Loud Be Heard” and many more.  Plus there are some welcome covers such as “Rebel Yell” and “These Boots Are Made for Walking”, which fit in really well with the more expected numbers.  The band are also very impressive and the whole performance is professional, but down to earth.

It’s over far too soon.  Despite a small audience, it was a great gig with a relaxed atmosphere.

Random Longboard Playlist

A longboard is, for those who don’t know, a skateboard.  A very long skateboard.  It’s great for just cruising around on, carving, getting a little speed.  Recently I went for a skate on my longboard, and hit shuffle on Ipodicus.

I was rewarded with the following soundtrack.  The random tunes varied across numerous genres and kept surprising me as I rolled around.

  1. AC/DC – “This House Is On Fire”
  2. Television – “Prove It”
  3. Thin Lizzy – “Mama Nature Said”
  4. Kool & The Gang – “In the Hood (Beat System Remix)”
  5. Pixies – “Tame”
  6. Dead Kennedys – “Hellnation”
  7. Weezer – “Run Away”
  8. Syd Dale – “Disco Tek”
  9. Black Flag – “Out of This World”
  10. El Cabrero with Pedro Bacan – “Con Tristeza Y Con Locura”
  11. Volbeat – “Magic Zone”
  12. Robert Johnson – “Cross Road Blues”
  13. Queen – “Made in Heaven”
  14. The Monkees – “Words”
  15. Public Enemy – “Incident at 66.6 FM”
  16. No Doubt – “Don’t Speak”
  17. Yomanda – “Synth and Strings”
  18. Viking Skull – “Beers, Drugs and Bitches”
  19. Hysterica – “Devil in Me”
  20. Discharge – “The Nightmare Continues”
  21. Camarosmith – “Choker”
  22. Britney Spears – “Boys”

There you go – some interesting choices from Ipodicus there.  The highlight was Syd Dale, that is a tune!

If you’d like to read more about my longboard, you can check it out here.

Classic Albums

The first in an ongoing series, where I will be discussing some of the best records ever made.  These are the “classics” of my record collection, that no-one should be without.

1. The Cult – “Love”

Released in 1985, The Cult’s album Love still sounds fantastic to this day.  It’s a potent cocktail of resurrected blues-rock riffs, screaming psychedelia and murky atmosphere that transcended music of the time.  Listening to it now, it seems unbelievable that the record was created in the mid eighties.  And yet it has enough power – and melodic charm – to still sound great.

In late 1988 I had become obsessed with Electric, the full-on rock monster that the Cult had released a year earlier.  A friend lent me a copy of Love, promising that the songs contained therein were the best the band had recorded.  cult-love

At this point I had explored some rock, metal and punk.  Love was to be a bridge between these genres in many ways.  Happily it was (what would become) “alternative” rock – though it worshipped at the altar of Hendrix, The Doors and Led Zeppelin, it was birthed from the fire of punk rock.

Opening track “Nirvana” kicks things off in blazing style.  It has a fast pace and contains a euphoric instrumental section.  Both “Big Neon Glitter” and the title track “Love” offer up the Big Zep riffs and allow guitarist Billy Duffy to add a psychedelic shimmer.  Then “Brother Wolf, Sister Moon” provides a quieter moment.  If the earlier tracks were ideal for blasting out the windows of a 1970 Dodge Challenger, this track is more singer Ian Astbury sitting on a pony surveying the prairie.  As the song ends, rumbling clouds herald the next track: “Rain”.  One of the best songs the Cult have ever recorded, “Rain” has a truly classic riff that is instantly recognisable and never forgotten.

Side Two (!) opens with “Phoenix”.  This track, unashamedly adorned with Hendrix inspired acid rock guitar, hints at the heavier sounds to come in later chapters of the bands story.  “Hollow Man” provides more driving bass (Jamie Stewart) and a simpler, melodic lead guitar.  Astbury has the chance to really shine on ballad “Revolution”, with a calmer moment that harks back to the bands Goth post-punk phase.

Next we have the mother of all Cult songs – “She Sells Sanctuary”.  A vaguely Eastern sounding intro leads into a stomping rhythm as the song grabs the listener and drags them along for the sheer hell of it.  This song became an instant favourite and still has an impact all these years later.  Final track, “Black Angel”, is a sombre Velvet Underground do Spaghetti Western affair that again adds some darkness to the proceedings.

The band received a lot of criticism for having a somewhat “hippie-ish” element to their sound, and look, on this album.  There are a few moments where the “peace and love” vibe wear a bit thin (see “Revolution”), however the overall sound of the record retains a dark edge to it – more decadent than naive.

The Cult would go on to fully embrace their heavy rock interests with Electric.  But for a kid who had never heard Zeppelin or Hendrix, Love was a monumental discovery.  Put it on and listen to it now, this record has a magic that is of it’s time and yet speaks of the past and future.

The Cult – Love

  1. Nirvana
  2. Big Neon Glitter
  3. Love
  4. Brother Wolf, Sister Moon
  5. Rain
  6. Phoenix
  7. Hollow Man
  8. Revolution
  9. She Sells Sanctuary
  10. Black Angel

Best tracks: Rain, She Sells Sanctuary, Nirvana, Brother Wolf, Sister Moon

Other cool points: great cover!

Buy this Classic Album here.