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N.E.W. Metal Productions All Dayer Oct 25

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N.E.W. Metal Productions All Dayer

18th October 2025

Mcleans Pub, Pentre, Deeside North Wales

Halloween is over, so time for yours truly to get back to being the legendary Rock Journo that I was born to be. Spooky month is a big deal chez moi, so we’re taking a trip back a couple of weeks here for a fairly recent All Dayer at Mcleans, Pentre, which was organised by our good friends North East Wales Metal Productions.

As usual, there was a great selection of bands playing throughout the late afternoon and evening, though sadly there’s always some last minute shuffling of the line up where someone can’t make it. No matter, there was more than enough to get your fangs stuck into.

First up, all the way from North Yorkshire way, were Alt Rock trio Kath and The Kicks. I was most excited to see this band, as they’d been unable to make a previous appearance here. A really solid, professional set with a machine-like drummer, powerhouse bass and Kath herself on super compelling guitar and voice. A bit like Joan Jett fronting Soundgarden but much more fun, it was loud, intense and grungy and a great start to the day. I loved them, and hope they come back soon!

Kath and The Kicks

Syntara were next, a young group who took to the stage with supreme confidence. Their music is best described as “Modern Metalcore”, which is not really my scene, man – but their performance was captivating. They owned the stage like they’d been born behind the drum kit. My only advice would be they need a live bass player to fill out the sound. Oh, and they need to get rid of the utterly vile looking, funny shaped, headless guitars. Other than that, very impressive.

Syntara

Travelling up to Pentre from Leicester, Voidwalker brought the Technical Death Metal along with them to bedazzle us all. Another ultra confident band, Voidwalker unleashed a Tsunami of sonic venom, a dual guitar attack driven by a relentless rhythm section. Their front man prowled the room and growled and roared above the thunder. Powerful and performed with obvious fervour, Voidwalker’s set was brutal but unmissable.

Voidwalker

When a bloke stands on stage wielding a huge medieval broad sword, you kinda sit up and take notice. This was how Hiraeth began their set, and though the sword soon disappeared I stuck around anyway, ‘cos they were great. Playing black metal inspired by Welsh folklore, history and culture, the band are excellent performers and obviously have a passionate message to get across. They’re also a lovely bunch of people. BENDIGEDIG!

Hiraeth

Deified were our final band of the evening, and they were very worthy headliners. A five piece band from Merseyside, they’ve been around a few years now and have developed a confident presence to deliver their mighty Metal. They didn’t bring any merch, but they did bring a set of huge, aggressive and uncompromising Metal that devastated the entire building. Here’s hoping we get a new Deified album soon.

Deified

And that’s your lot, kids! Another successful N.E.W. Metal Productions event showcasing some fine musical talent. More soon!

KASP – Gig Review

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KASP

Friday 11th July 2025

The Crown & Liver, Ewloe

The good old Crown & Liver in Ewloe used to be my home from home for many years. In fact, it was utilised as a club house of sorts not just by myself, but the members of KASP and a large chunk of tonight’s audience. Quite apt, then, to see these guys crank out some tunes that effortlessly recreated the sounds of the 1990s in this venue. The Crown may have been jazzed up over the decades, but it’s the same old boozer at heart.

KASP are four mates who got themselves together and formed a band, performing well known and appreciated cover songs. They’ve been gigging in the local area for a while, but this was the first time I’d caught up with them. It was a nice reunion of sorts with several welcome faces and a good atmosphere.

Wouldn’t you just know it, things didn’t get off to a stellar start: the set opener was ‘Rock’n’Roll Star’ by Oasis, and I’m not a big fan! To be fair, it’s one of the better Gallagher brothers songs, and KASP rattled the song out in confident fashion. Simon on lead vocals and guitar slotted right into the role with ease. Next up was ‘You Stole the Sun From My Heart’, a killer Manics cover where Adam ably took over lead vocals from Si and still delivered a formidable guitar part. Now we were starting to get bouncing!

Solid musicianship all round to be fair, meaning that a couple songs I’m not a fan of (that James monstrosity, ‘Sit Down’, being a prime offender) were superbly delivered with self assured style. Of course, this means that the quality songs in the rest of the set couldn’t really go wrong – especially with genuine energisers from Green Day, Stereophonics and even Steppenwolf’s old evergreen, ‘Born to be Wild’!

A special shout out to the closing song of the first set, a devastatingly great rendition of ‘Hate to Say I Told You So’ by The Hives. Classic track, rendered brilliantly by KASP. Kev’s nimble bass playing was particularly impressive, shining in that solo middle section; and Pete’s drums managing to keep everyone on track with all cylinders firing .

The band returned for part 2 after a short break, though I have to admit that my memories of the second set started to get a bit fuzzy…

I do remember a rousing version of Lenny Kravitz’s ‘Are You Gonna Go My Way’ getting the crowd moving. And a nice dedication for yours truly from Si in his introduction for Foo Fighters’ ‘Times Like These’ (thanks!). There was more dancing for this set as the audience started to really warm up. More first rate tunes by White Stripes, Kings of Leon and Stereophonics kept the mood high and feet moving as everyone sang along.

KASP at the Crown turned out to be a fun night of solid musicianship and camaraderie. A great band who possess some real skills, delivering a non-stop run of hit songs for all to enjoy. It was kind of cool to have that gig with that band in that pub, too. The evening wasn’t just about nostalgia, though. It was about good times with good people, and that’s what live music’s all about, right?

Check out KASP on Facebook.

The Cult – Gig Review

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The Cult + Jonathan Hultén

Friday 25th October 2024

02 Apollo Manchester

November 25 1991, Manchester G-MEX. That was the last (and first) time I saw The Cult perform live. They were my favourite band and being there to witness them in person was a hell of a thrill, I was barely 19 years old and I’d never been to a gig of that scale before. Years go by, and I’m finally going to see The Cult again, this time at the far more atmospheric Apollo, rather than the cavernous aircraft hanger of the old G-MEX.

Yes indeed, it had been a long time since I saw my old mates Billy and Ian up on a stage. A lot had happened during that time – for all of us – but the music was always there.

Our support act this evening, in a seemingly incongruous move, was Jonathan Hultén. Standing solo on stage, swathed in veils and enigmatic face paint, Hultén was not what many were expecting to open the show. His music was dark, ethereal folk, with acoustic guitar and haunting vocals. At first I was intrigued, as the music continued I became thoroughly engaged. Just a few days before Halloween, this Scandinavian folk horror and gothic bombast was entirely appropriate to open this event.

More surprises, even more pleasant, revealed themselves when The Cult took to the Apollo stage – accompanied by a sample of ‘Ride of the Valkyries’ from Apocalypse Now (a genius move in itself). Launching into an earth-shaking ‘In The Clouds’, followed by ‘Rise’, from the insanely underrated “Beyond Good and Evil” album, this was not what I was expecting at all. Both songs are later entries in the band’s cannon, and sit gloriously at the heavier end of their repertoire. I adore both tracks – this was going to be interesting.

“Electric” album cut ‘Wildflower’ was next. One of my favourite Cult songs, I could’ve left at that point and been satisfied. More hard hitting classics followed with the swagger of ‘Star’ and Charlie Jones’s thudding bass introducing ‘The Witch’. New track ‘Mirror’ slots in seamlessly, then we get another mighty song from “Beyond Good and Evil”, ‘War (The Process’). All well known songs to Cult freaks like me, but not obvious choices by any means.

Billed as “The Cult 8424” – a 40 year anniversary tour – I’d expected a Greatest Hits set, culled mainly from the bands mid 80’s days. Early non-album single ‘Resurrection Joe’ was therefore no surprise, otherwise, this set spanned eras and albums confidently. Next was an acoustic ‘Edie (Ciao Baby)’ – I’ve always preferred this song in stripped down form to the “Sonic Temple” production.

‘Sweet Soul Sister’ was my chance for a quick “comfort break” – I’ve never been a huge fan. Great riff, overblown chorus! Another surprise followed, with ‘Lucifer’ from the “Choice of Weapon” record. The huge, epic riff of this song has made it one of my favourites, so a real bonus to hear live. John Tempesta on drums really powered all these songs home flawlessly, with both groove and power.

The latter part of the set delivered all the big crowd pleasers; an anthemic ‘Firewoman’, a truly captivating ‘Rain’ (surely one of the greatest rock riffs of the era), the tribal beauty of ‘Spiritwalker’. Billy Duffy, playing to a home town crowd, performed guitar magic throughout: from gutsy, gritty riffs to mesmerising yet direct, never fancy melodies. Lightning bolt energy from Ian Astbury galvanised the audience, as he revelled in the role of shamanic leader. And with a final roar through ‘Love Removal Machine’, it’s over.

Except it isn’t! Of course not, we all know The Cult will be back for an encore. But what will it be? Any more surprises?

‘Brother Wolf, Sister Moon’ is a classic track from the wonderful “Love” album, but wasn’t a single and so a very welcome reward. Finally, of course, the legendary ‘She Sells Sanctuary’ rings out and unites the crowd in a euphoric shared moment – Astbury’s air raid siren vocals leading the throng. I swear that man doesn’t need a microphone.

My return visit to The Cult’s sonic temple took a few years longer than anticipated. It was great to see them on such fine form, revelling in the classics and confident in their position as genuine, treasured heroes. What really made the gig for me though, was the sheer joy of hearing a very generous helping of less obvious, but very beloved tracks that I wasn’t expecting. No ‘Lil’ Devil’, but the rest of the set made up for it. I’ll return sooner next time.

PS: we need “Beyond Good and Evil” re-releasing on vinyl, please lads!

Singles Night at the Virtual Hot Tub #14

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And lo, it was time for another Singles Night at Platinum Al’s Virtual Hot Tub.  Join me yet again, as I play through my stack of freshly acquired 7″ vinyl singles – A side then B side – on a musical odyssey that will thrill and amaze.

You may want a few drinks as well.

Here’s the playlist this time:

  1. Elvis Presley – “Love Me Tender” / “Anyway You Want Me (That’s How I Will Be)”
  2. Small Faces – “Lazy Sunday” / “Rollin’ Over”
  3. Boney M – “Painter Man” / “He Was a Steppenwolf”
  4. Beastie Boys – “She’s On It” / “Slow and Low”
  5. Zodiac Mindwarp & The Love Reaction – “Backseat Education” / “Whore of Babylon”
  6. Madness – “Baggy Trousers” / “The Business”
  7. The Osmonds – “Crazy Horses” / “That’s My Girl”
  8. Ian Dury & The Blockheads – “Hit Me With Your Rhythm Stick” / “There Ain’t Half Been Some Clever Bastards”
  9. The Jam – “When You’re Young” / “Smithers-Jones”
  10. Kim Carnes – “Bette Davis Eyes” / “Miss You Tonite”
  11. Toyah – “Brave New World” / “Warrior Rock”
  12. The Who – “You Better You Bet” / “The Quiet One”
  13. Suzi Quatro – “The Wild One” / “Shake My Sugar”
  14. Madness – “Night Boat to Cairo” / “Deceives the Eye” / “The Young and the Old” / “Don’t Quote Me On That”
  15. Bon Jovi – “You Give Love a Bad Name” / “Let It Rock”
  16. Freddie Mercury – “Love Kills” / Giorgio Moroder – “Rotwang’s Party (Robot Dance)”
  17. Siouxsie & The Banshees – “Dear Prudence” / “Tattoo”
  18. The Kinks – “Good Day” / “Too Hot”
  19. Bob Marley & The Wailers – “No Woman, No Cry” / “Kinky Reggae”
  20. Dexy’s Midnight Runners – “Geno” / “Breakin’ Down the Walls of Heartache”
  21. Toy Dolls – “Nellie the Elephant” / “Fisticuffs in Frederick Street”
  22. Rainbow – “All Night Long” / “Weiss Heim”
  23. The Motors – “Forget About You” / “Picturama”
  24. Angelic Upstarts – “Never ‘Ad Nothin'” / “Nowhere Left to Hide”

Wow.  That was a spectacular evening’s music.  Just look at the quality tunes in that list!  I think the Zodiac Mindwarp track was my favourite, but there are loads of legendary artists and great songs there.

Don’t laugh at the Osmonds track – that song is amazing.  I’m more embarrassed about the Bon Jovi number – but what the hell, it was fun.

And Nellie the Elephant by Toy Dolls was just superb – took me right back to my childhood, the day after hearing that song on Top of the Pops.  A school playground classic, along with “Baggy Trousers”.

All of the records are in a random order, so there’s no guessing what might appear next in the queue.  But that turned out to be one of the best nights of music listening in a long while, with a wide variety of genres represented.

Back soon with more…

Sweet – Gig Review

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Sweet + Novatines

Wednesday 11th December 2019

Buckley Tivoli

What could be better at this time of year than a bit of proper, 1970’s glam rock?  Sweet never had a world conquering Crimbo hit like Slade, but they did have a ton of mega singles that are totally inextricable from the days of seventies glam.  After missing the band when they played Buckley Tivoli last year, I wanted to make sure I was there this time around.

Support band The Novatines seemed like a decent hard rock proposition, however I arrived late and missed the bulk of their set.  Worthwhile checking out another time though.

Andy Scott is the only remaining member from this version of Sweet’s classic line-up.  He’s a local lad – well, Wrexham is just a few miles away – so it’s nice to see him and the band on near enough home ground.  Andy Scott is also a bona fide rock god: his guitar playing is exceptional; the trademark high pitched backing vocals are ball-squeezingly present and correct; his banter funny and his charisma epic.  He’s the real deal.

The rest of the band are a fine bunch of musicians, and together they smash out both the bubblegum pop hits and the rockier tracks.  It’s this combination of pop sensibilities and rock skills that have made Sweet inspirational for generations of music fans.

Starting off with one of my absolute favourite tracks, “Action”, it’s clear that this is going to be a night of delivering the goods.  The set features all the obvious gems: “Hellraiser”, “The Six Teens”, “Sweet F.A.”, “Wig Wam Bam” and “Little Willy” before closing with another personal fave, “Fox on the Run”.

Everything is performed brilliantly, and the audience clearly love every second.  It’s also nice to note that I’m in the younger age range at this particular gig!

Finally, the band return for an encore of “Blockbuster” and “Ballroom Blitz” – two songs that are really no surprise, but could not be left out.  No way, Jose – there’s have been a blitz at the Tivoli Ballrooms had they been omitted.

So a rare Wednesday night out at a gig for me, but well worth the effort.  Some may find Sweet too lightweight in an era that gave us Alice Cooper and Bowie; I thoroughly enjoyed it.  A solid band of fantastic musicians performing well loved (and under rated) songs.

This is one Sweet I’d like a second helping of.  I’ve definitely got a Sweet tooth.  And so on.

Singles Night at the Virtual Hot Tub #10

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Playing music, having a few drinks – it’s fun.  In this case, what I do (as regular readers will know), is play through a stack of 45 rpm singles and see what Lady Luck decides to bestow on me.

Some of the singles are classic, some less so.  Some are cheesy, some have at least some small notion of integrity.  One thing’s for sure: one way or another, all of the following 7 inch singles are part of my vinyl collection – there’s no hiding from the shame.

Lets see what we got this time:

  1. Elvis Presley – “The Wonder of You” / “Mama Like the Roses”
  2. Chris Isaak – “Wicked Game” / Angelo Badalamenti – “Cool Cat Walk”
  3. Ned’s Atomic Dustbin – “Happy” / “Twenty Three” / “Hour Toothache”
  4. Duran Duran – “The Reflex” / “Make Me Smile (Come Up and See Me) – Live”
  5. Inspiral Carpets – “This Is How It Feels (Radio Mix)” / “Tune For a Family”
  6. Transvision Vamp – “Sister Moon” / “Oh Yeah” / “Walk On By”
  7. WAR – “I’m the One Who Understands” / “Corns & Callouses (Hey Dr. Shoals)”
  8. Frank Sinatra – “My Way” / “Blue Lace”
  9. Rocky Sharpe & The Replays – “Rama Lama Ding Dong” / “When the Chips Are Down”
  10. Gene Vincent – “Say Mama” / “Be Bop Boogie Boy”
  11. Herb Alpert & The Tijuana Brass – “Without Her” / “Sandbox”
  12. Tracey Ullman – “Move Over Darling” / “You Broke My Heart in 17 Places”
  13. Billy Joel – “Uptown Girl” / “Careless Talk”
  14. Boney M. – “I’m Born Again” / “Bahama Mama”
  15. The KLF – “What Time Is Love? (Live At Trancentral)” / “What Time Is Love? (Techno Gate Mix)”
  16. Billy Fury – “Because of Love” / “Running Around”
  17. Nat King Cole – “Let’s Face the Music and Dance” / “Let There Be Love”
  18. The Crusaders – “Stomp and Buck Dance” / “A Ballad for Joe (Louis)”
  19. Bobby G – “Big Deal” / “It’s All for Jan”
  20. Duane Eddy – “Rebel-Rouser” / “Stalkin'”
  21. Ricky Nelson – “It’s Late” / “Never Be Anyone Else But You”
  22. Tears For Fears – “Shout” / “The Big Chair”
  23. Yannis Markopoulos – “Who Pays the Ferryman?” / “Fanfare for Charon”

 

a selection

There you go: and those selections (random as they are) weren’t all that cheesy after  all.  Boney M.?  Under rated.  And that b-side reminds me of summer.  So rather than a few pungent offerings, there’s quite a few great ol’ rock’n’rollers dominating that playlist.

A final word regarding Ned’s Automatic Dustbin and Inspiral Carpets.  Both indie bands, my least favourite genre of all.  I found those singles super cheap in a charity shop, tried ’em and they weren’t too bad, really.

Still hate indie music though.

Singles Night at the Virtual Hot Tub #8

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OK, so Singles Night at the Virtual Hot Tub is not a dating service.  What it is, is me spending an evening playing through my ever growing stack of 45 rpm vinyl singles and having a drink or three.

Here’s the latest batch of 7 inch goodness:

  1. Elvis Presley – “You Don’t Have to Say You Love Me” / “Patch It Up”
  2. Siouxsie & The Banshees – “Song From the Edge of the World” / “The Whole Price of Blood”
  3. The Rolling Stones – “Undercover of the Night” / “All the Way Down”
  4. Queen – “Headlong” / “All God’s People”
  5. Ozzy Osbourne – “Shot in the Dark” / “Rock’n’Roll Rebel”
  6. The KLF – “What Time is Love? (Live at Transcentral)” / “What Time is Love? (Techno Gate Mix)”
  7. Linda Lusardi – “Eye Contact” / “Eye Contact (Club Mix)”
  8. Philip Bailey – “Easy Lover (with Phil Collins)” / “Woman”
  9. Albert King – “Born Under a Bad Sign” / “I Got the Blues”
  10. Isaac Hayes – “Do Your Thing” / “Ellie’s Love Theme (Instrumental)”
  11. Billy Idol – “Rebel Yell” / “(Do Not) Stand in the Shadows”
  12. Kim Wilde – “Love Blonde” / “Can You Hear It”
  13. Aerosmith – “Love in an Elevator” / “Young Lust”
  14. Talking Heads – “And She Was” / “Perfect World”
  15. Shakin’ Stevens – “Because I Love You” / “Tell Me One More Time”
  16. Samantha Fox – “Do Ya Do Ya (Wanna Please Me)” / “Never Gonna Fall in Love Again”
  17. Can – “I Want More” / “More”
  18. ABBA – “Knowing Me, Knowing You” / “Happy Hawaii”
  19. KC & The Sunshine Band – “That’s the Way (I Like It)” / “Queen of Clubs”
  20. Madonna – “Into the Groove” / “Shoo-Bee-Doo”
  21. Dean Martin – “Return to Me” / “Forgetting You”
  22. Roxy Music – “Pyjamarama” / “The Pride and the Pain”
  23. Steve Winwood – “Valerie” / “Talking Back to the Night (Instrumental Version)”
  24. Glen Campbell – “Why Don’t We Just Sleep on it Tonight (with Tanya Tucker)” / A Daisy a Day”

The selection above was, as always, determined by whatever was next on the pile.  There’s no choosing songs involved, it’s just playing the records in order.

But what a great selection that was!  Not one, but two 1980’s Page 3 legends; plus a load of tunes from classic rock to pop, country and soul.

By the way: What’s Madonna and a piece of toilet paper got in common?

They both get into the groove!  HAHA!

I had a great time spinning these tunes, more soon.

Ozzy
Queen
Foxy
Aero
Linda

Singles Night at the Virtual Hot Tub #2

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Here we go again!  Quick recap:

I’ve bought loads of 7″ singles; some good, some bad, some ugly.  I decided to listen through the pile by having an evening playing them all in the order in which they were bought; oldest first, A side then B side.  This is the list of what I played.

As before, some of these songs are absolute gems – some are absolute stinkers.  Don’t judge me; this is already difficult enough for me to confess.

Yes, there’s another Sinitta song.  I know it’s terrible, but in my defence she’s in my record collection ‘cos she’s a babe.  Trust me, she’s well foxy on the cover of this single.  So, sorry about that one.

All in all, though, I feel this is a much less cheesy selection than last time.  There might even be a few cool choices.  And remember – this is all 7 inch vinyl only!

Now, shall we proceed with the embarrassment?

  1. Steve Winwood – “Higher Love” / “And I Go”
  2. Sinitta – “Hitchin’ a Ride” / “I’m On My Way”
  3. Madonna – “Papa Don’t Preach” / “Ain’t No Big Deal”
  4. Bob Dylan – “Is Your Love in Vain?” / “We Better Talk This Over”
  5. Peter Gabriel – “Games Without Frontiers” / “The Start” / “I Don’t Remember”
  6. George Harrison – ” My Sweet Lord” / “What a Life”
  7. Madness – “Shut Up” / “A Town with No Name”
  8. Toyah – “Thunder in the Mountains” / “Street Addict”
  9. The Jam – “Town Called Malice” / “Precious”
  10. The Beat – “Ackee 1-2-3” / “Monkey Murders”
  11. The Selecter – “Missing Words” / “Carry Go Bring Home”
  12. Blondie – “Denis (Denee)” / “Contact in Red Square” / “Kung Fu Girls”
  13. Herbie Hancock – “You Bet Your Love” / “Knee Deep”
  14. Stevie Wonder – “Uptight (Everything’s Alright)” / “Yester-Me, Yester-You, Yesterday”
  15. Roxy Music – “The Same Old Scene” / “Lover”

Any comments/abuse on the above are welcome, I’m getting used to it.  Otherwise, I hope you enjoy – will be back soon with more.

Hollywood Vampires – Gig Review

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Hollywood Vampires + The Darkness + The Damned

Sunday 17th June 2017

Manchester Arena

It was a rare, but welcome night out for Mrs Platinum Al and myself in good old Manchester.  Tickets were booked and we were off to see the big rock show.  It promised to be an exciting evening, but I was unsure whether our expectations would be met.

First off the bat, our old chums The Damned!  This was a real bonus for me, though the handbrake is also a fan after all these years of putting up with me playing their records.  However I was a tad nervous, wondering how these esteemed gentlemen would go down with what appeared to be a more traditional rock crowd.  And in such a huge venue.

Now I know I’m biased, but we were both impressed by The Damned’s performance.  The band didn’t shy away from the large stage; they actually looked quite comfortable up there.  I was quite a way away, mind – I think our seats were in Stockport.

Opener “Street of Dreams” was a moody yet raucous number that’s become a bit of a live favourite of mine over the years.  Follow that with classic “Neat Neat Neat” and you’re off to a hell blazing start.  Just as the stars align and every single person in the huge arena is going “Oooh, they’re quite good, aren’t they?” we get a minor mishap with Captain Sensible’s guitar packing in and the moment seems lost…

Not to worry, before you can say “is he the bloke  who sang Shaddup You Face?” the band, old troopers that they are, are back in the game.  Dave Vanian steers the ship over stormy waters and is in fine, confident voice all through.

The Damned
The Damned

The icing on the cake – for me, at least – is the return of Paul Gray, a sight I’ve not witnessed since Sheffield, 1991!  Paul’s bass rumbles and sounds triumphant, particularly in the “Love Song” intro.  Fantastic.  There’s just a drop in volume during “Ignite”, other than that, Paul is a ninja master.

Pinch’s drums are perfect, you can hear Monty (and see him bouncing about); so other than a couple of technical issues The Damned performed superbly.  The set is far too short of course, but I was relieved that they seemed to go down well.  From where I was sat, the arena seemed mostly full, so they didn’t suffer from support-band-empty-hall syndrome either.

I felt like I was watching my child in the school play; happily no-one forgot  their lines and The Damned get a gold star.

You can certainly say that I got value for money for this gig, what with three bands on.  However I was feeling a little short changed after The Darkness performed.  Admittedly, I am biased in favour of The Damned.  Yet I’ve seen The Darkness before, at Download festival a couple of years ago, and was much more impressed.

Not that the Hawkins boys don’t give it a fair shot; a short tight set is delivered in inimitable style with splurges of Justin’s trademark wit and swagger.  Perhaps it’s just that the set is lacking some bigger numbers in the first half; following “Growing On Me” with “Love is Only a Feeling” as the third song is too much of a comedown so early on.

The Darkness
The Darkness

The crowd don’t seem to mind though, it all goes down very well.  Let’s be honest, most of ’em are happy because they’ve heard of The Darkness and haven’t got a clue who The Damned are.  Or, shock horror, don’t like punk rock.  For me, with no “Black Shuck” in the set, and a mediocre version of “Barbarians”, it’s good but not great from the Darkness.

I still can’t bring myself to dislike ’em, regardless.  At least The Darkness tried to bring loud, exuberant British guitar rock into the 21st century, and aren’t a wanky indie band.

There followed some musical chairs for Mrs Platinum Al and me, as we secured seats much nearer the front.  This pleased the other half immensely, she would now have a much better view of the headliners (or one of them, at any rate).

And so the Hollywood Vampires took the stage, and the Big Rock Show was in it’s final phase.  The air of tense expectation was only mildly subdued by the band’s arrival, as the audience were keen to experience what they could serve up.  Would this be a vanity project for ageing rock stars and their pirate actor buddy?  Or could they deliver something tangibly worth their collective prowess?

Led by the preposterously cool Mr Alice Cooper, the Vamps rattle through a few of their own original numbers at first, as if to prove a point.  Yes, they can play – and they can write, too.  It’s super confident and great fun – every song gets a chance to shine on it’s own merits.

Hollywood Vampires
HV
Yes, that Johnny Depp

The bulk of the set is a succession of expertly reproduced cover songs, each dedicated with respect to a fallen rock comrade.  Songs range from The Doors, to Motorhead, to AC/DC – with my favourite being a great version of The Who’s “Baba O’Riley”.

Joe Perry delivers a spine tingling “Sweet Emotion” complete with the extended intro that builds magnificently.  It’s a master class in rock star awesomeness, though Joe seems very much enjoying himself in a humble manner.

Despite the attention thrust upon him by a vast number of fans in attendance, Johnny Depp manages to not only look the embodiment of cool, but actually performs brilliantly.  He appears very much in his element as part of this massive spectacle, indeed his rendition of Bowie’s “Heroes” is one of the highlights of the night.

It’s one of several moments that manages to evoke the ghosts of heroes past, as  accompanying images are shown on the screen onstage.  It’s not altogether subtle, but rock’n’roll rarely is.  Instead the audience cheer their appreciation and nod sagely as our heroes are exhumed for us to behold.

Finally, Alice declares “School’s Out” yet again, as the whole show reaches it’s climax.  Cooper is an absolute delight, the demented circus master and ring leader of this crazy gang.  He is unbelievably cool and amazing at what he does: a true legend.

In the end, despite any doubts, it’s been a hell of a ride.  Despite whatever misgivings anyone may have had regarding authenticity, the Hollywood Vampires delivered an excellent, well performed show that was pure fun.  It was so much more than just athe world’s biggest covers band.  Abandon your cynicism, this was rock’n’roll for the sheer joy of it.  Which is what it’s all about, right?