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N.E.W. Metal Productions Christmosh – Gig Review

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N.E.W. Metal Productions Christmosh

6th December 2025

Mcleans Pub, Pentre, Deeside North Wales

Have you been good all year? Have you eaten your greens, minded your Ps and Qs, and got your Ever Metal reviews in on time? If yes, then good news: the final North East Wales Metal Productions shindig of the year is here – the annual Christmosh party! A fabulous six bands appearing at Mcleans Pub in Pentre, Deeside, covering a wide variety of Rock/Metal music and all gathered together to celebrate a festive end to 2025.

Warming us up like a welcome open log fire was Victim of Damp, alias N.E.W. Metal Prods ally Frank Williams, here given a seasonal makeover as Christmas of Damp. With Christmas jumper and trusty guitar in hand, COD gave us some choice cuts including new additions such as Therapy?’s ‘Screamager’ along with free shots and a melancholy Pink Floyd cover. The promise of Crimbo tunes wasn’t forgotten, with a rousing version of Slade’s evergreen ‘Merry Xmas Everybody’ – event guru Fozzy (in Santa suit) on vocals.

Victim of Damp

‘Agro’ by The Raging Mabels is one of the Greatest Songs Ever. Their entire set of high speed, thundering yet melodic Zeke-like Punk Rock was an absolute, total joy from start to finish. I cannot praise this band highly enough, even though they forgot to bring merch (again). There should be a new Raging Mabels album out in the New Year, so be prepared for a cultural explosion of Nirvana ‘Nevermind’ levels. And if that doesn’t happen, every single one of you can suck balls.

The Raging Mabels

Sadly, last time SOOTO (Something Out Of The Ordinary) played Pentre a couple of months back, I failed to write up my review. That cruel oversight is about to be reversed. SOOTO deal in classic Hard Rock/Metal, and with the female vocals they’re like Stevie Nicks singing for Thin Lizzy. Professional but not superficial, SOOTO have a raw energy and love of the riff, combined with dynamic songcraft and expert playing. A fantastic set that was over too soon.

SOOTO

The only band I’d never seen before, Heroes of the Gauntlet were a pleasant surprise indeed. Billed as “Symphonic Power Metal”, I was concerned these guys would be a full-on cheese fest. They have two singers (male and female) with fantastic voices, and a microphone that turns into a sword. Add in some serious Power Metal riffage and super confident stage personas, and you’ve actually got one hell of a show. Heroes of the Gauntlet were gloriously over the top and it’s impossible not to love them! All they need is a live drummer and these Heroes cannot fail.

Heroes of the Gauntlet

Bad Earth we have met before, and yes – hands up, I am a bit of a fanboy. But when a band deliver this much power and presence on stage, how can anyone not be? A “Rockcore” trio from the North Wales area, what that genre entails is dishing out filthy Punk/Metal riffs and pummelling, killer rhythms that you can feel as well as hear. They get better and bolder all the time – though the silly buggers are very humble about it – and this night was no exception. New recorded material is due soon, so beware: Bad Earth have never shied away from delivering crushing, groove infused Rock and I don’t think they will.

Bad Earth

To say I was excited about the return of the fuzzed out, sludgy sound of Master Charger to Mcleans would be an understatement. Their album “Posthumous Resurrection” was one of the never ending delights of 2025, plus last time they were here, these boys absolutely killed it. Make no mistake, Master Charger can and will deal out a mighty, megalithic slab of Stoner/Doom that will make the earth tremble. And that’s exactly what they did, with every asteroid-heavy riff and mammoth beat ploughing through the audience mercilessly. Another off-the-charts performance and a great finale.

Master Charger

What a night. Quite possibly the strongest line-up at Mcleans that I’ve ever witnessed, featuring many of my personal favourites.

But now it’s down to you. Christmosh was the last North East Wales Metal Productions event of the year, till the return of Pentre Fest in February 2026. These events, these bands need your support. If you’ve ever considered a trip to Mcleans, then you need to be there on 27th and 28th Feb 26. No excuses!

Jonathan Hultén – Album Review

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Jonathan Hultén – Eyes of the Living Night 

Kscope Records 

Release date: 31st January 2025 

Running time: 43 mins approx 

Review by: Alun Jones 

9/10 

WARNING: This is NOT a Heavy Metal album.  If you’re the type of listener that only wants to hear the loudest of pummelling riffs and ear slashing vocal roars, this may not be for you.  And that’s fine.  We all like to rage like Satan with a stubbed toe.  This is Ever METAL, after all.  If, on the other hand, you’re the kind of discerning listener who likes to temper the ferocity with atmosphere and introspection, take a seat. 

Jonathan Hultén is a Swedish singer-songwriter who first arrived on my radar as the support act for The Cult on their 84/24 tour last year.  Hultén was not what I anticipated at all for a major rock show: his music, performed solo, is a dark yet beautiful expression of acoustic, gothic melody and ethereal charm.   

This second album, “Eyes of the Living Night”, takes the listener on another fairy tale like walk in enchanted woods.  Beginning with ‘The Saga and the Storm’, the music is more soundtrack for a folk horror movie than a typical rock album.  This opening track is like a lost Morricone classic and builds to a gloriously uplifting finale.  Just wait for that mid song moment when your neck hairs will raise to the sky. 

First single ‘Afterlife’ features swirling keyboards and angelic vocals, while ‘Riverflame’ has the plaintive ambience of a Nine Inch Nails/Alice in Chains mash up.  The dreamy folk of ‘The Dream was the Cure’ offers a widescreen Scandinavian epic of reflection, and is a highlight of the album.  Weaving genres further, ‘Through the Fog, Into the Sky’ is a wonderful classical piano piece whilst ‘Vast Tapestry’ sees Hultén n the role of gentle folk troubadour. 

The concluding track, ‘Starbather’, works more like a rock ballad and bookends the album with a final flourish of bright optimism.   

“Eyes of the Living Night” won’t destroy your speakers, but it will take you to a mystical and unforgettable place.  With its layers of gothic ambience and mood elevating nuance, this album deserves to be a part of the Ever Metal community’s world.  The music of Jonathan Hultén will be there for you when you need to reach inside yourself, to heal and unwind.  Or to transport your mind to another world.  I genuinely love this album and heartily recommend it, I hope you’ll give it a chance. 

Find out more about Jonathan Hultén on Facebook, Instagram, Spotify, YouTube and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Wax Mekanix – Album Review

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Wax Mekanix – Mobocracy

Electric Talon Records (Dewar PR)

Release date: 20/11/2020

Running time: 30 mins approx

Review by: Alun Jones

9/10

“Who the fuck is Wax Mekanix?” You may well ask.  Who is this enigmatic troubadour, this mysterious master musician, who has concocted this art for us to absorb?  Well, I’m not sure I can answer those questions, but I have done some research.  A bit late, I know, as this album was first released back in November.  But hey, I can’t be cutting edge all of the time.  Sometimes a scribe such as I must admit that changes of seismic consequence occur without my usual omniscient vision.  Hard to believe, I know.

And yet here we are.  Six tracks of exploration and wonder that plough a beguiling path through musical genres, from classic hard rock to folky musings, with an added sprinkle of the unexpected and alternative.

If you want big full-on metal with groove, you’ll find it with “Blood in my eyes”.  Huge chants and choruses?  Try the gladiatorial detonation of “Victorious”, where you’ll also witness Brandon Yeagley and Chris Bishop of the very awesome Crobot playing the funky, infectious riffs that they’re famed for.

Wax himself is something of a renaissance man: writing, singing and playing on all tracks.  Possessing a voice that can change from a warm country croon to a caramel Maynard James Keenan earnestness to a classic Alice Cooper roar, Wax morphs easily from one to another.  He’s like Mike Patton with a folk fixation, but dressed even more dapper.

“Mad World” is one of my favourite tracks here, starting off with some Mexican guitars before erupting in a NWOBHM stampede that also recalls The Crue at their pop metal best.

The absolute highlight, though, is the final track “Black”.  This song is all eerie acoustic guitar and minimal percussion, with a catchy melody that creates something hypnotic and other worldly.  Despite also reminding me of Johnny Nice Painter form the Fast Show (do a Google) on the chorus, this song exudes atmosphere.

Although the album is a little short, there’s plenty to investigate.  Listeners will be rewarded with additional revelations each time they delve into it.    

When I first heard Mobocracy, I rated it as good.  After a couple of listens, I’ve upgraded it to GREAT.  A welcome amalgamation of styles and influences, as well as exemplary song writing and musicianship, don’t let the endeavours of Wax Mekanix pass you by.  Who is Wax Mekanix?  The real question should be: “What’s next?”

Speaking of wax, did I ever tell you about that time when Ozzy and me decided to do a séance with some candles he pilfered from some hippies?  That did not end well.  There’s a little B&B in Carlisle that still has scorch marks up the walls.  Tony was not impressed in the slightest.  And I still have a phobia of barbecues to this day.

You can check out Wax Mekanix on Facebook, Twitter and Bandcamp.

This review was brought to you by Platinum Al and Ever Metal.

Random Driving Playlist

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And by that I mean the playlist is random, not the driving.  OK?

Driving back from the North Wales coast recently, here are the random songs that were chosen by the iPod for forty minutes of the journey.

  1. Propellerheads – “Bang On!”
  2. Ludacris feat. Shawna – “What’s Your Fantasy”
  3. Sisters of Mercy – “Torch”
  4. David Lee Roth – “Elephant Gun”
  5. Status Quo – “Gerdundula”
  6. Dolly Parton – “Jolene”
  7. Led Zeppelin – “Communication Breakdown”
  8. Public Image Ltd – “The Body”
  9. Therapy? – “Church of Noise”

Songs of the Week 17.07.2016

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This weeks “louder then the rest” tunes:

  1. Fishbone – Change
  2. House of Pain – Jump Around
  3. Wolfmother – California Queen
  4. Queens of the Stone Age – The Lost Art of Keeping a Secret
  5. Dr. John – Jump Sturdy

Songs of the Week 03.07.216

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Presenting a new feature at the Virtual Hot Tub, my Songs of the Week.  Each week, I will pick five songs that I’ve enjoyed listening to over the last seven days, and share them here for your enjoyment.

Now I listen to probably hundreds of songs in any one week, so choosing just five won’t be easy.  Each track will have stood out for some reason or other – perhaps it was poignant, perhaps relating to something going on in my life.  Most likely it will just be a proper banging tune that I’ve loved.

This is intended to be a regular weekly feature, but we’ll see how that goes.  It’s not easy running this Virtual Hot Tub, you know.

Here’s the five for week ending 03/07/2016:

  1. Devo – Gut Feeling
  2. The Donnas – It’s On The Rocks
  3. The Doors – You’re Lost Little Girl
  4. Alice Cooper – Generation Landslide
  5. Cypress Hill – Can’t Get the Best of Me

There you go – five killer tracks.  No explanations necessary.  Unless the multitudes of readers want to know why songs are chosen, then I’ll reconsider.

For now – keep rockin’.

Florence: the Jukebox

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IMG_6327Forget using your super smart, internet enabled portable phone as a means of playing music.  And forget iPods, too – sadly the swines at Apple have decided to sacrifice their master product, in order to concentrate on their vile mutant phone.  My mate Greeny has a much better music playing machine than any of those.

Greeny has a jukebox.

The jukebox is named Florence.  After Florence and the Machine, as she’s a machine, obviously.  Florence stands proudly in the corner of the lounge, neither dominating the room or sitting back like a wall flower.  But Florence has presence: when the lights are on and the tunes are spinning, you will be drawn magnetically to this wondrous device.

He’s been collecting 7 inch singles since he were a lad, has Greeny.  Now Florence is a treasure trove packed full of delightful vinyl gems.  There’s a wild variety of musical genres in Florence, spanning the decades.  She’s regularly re-stocked and/or has the records switched out and replaced with others, keeping the music selection fresh and entrancing.IMG_6330

Florence holds around 84 records.  Don’t forget that there’s a song on side A and B, so that’s a generous amount of music to enjoy.

It’s a lot of fun gathering around the jukebox in Greeny’s front room, with a few beers and spinning some records.  I would love one of my own, one day – though they cost a few hundred quid, so it’s unlikely.  I’m collecting a few cool 7 inch singles just in case, though…

Here’s a list of the records that are currently stocked inside Florence.  Remember Greeny has to rotate the records, as he has far more than this!  Which songs would you choose to play?

And if you’re interested, this jukebox is a Rowe AMI RI-3.

The tracks:

  • AC/DC – a. Dirt Deeds Done Dirt Cheap/Big Balls b. The Jack
  • Billy Paul – a. Me & Mrs Jones b. Your Song
  • Blind Melon – a. No Rain b. No Bidness/I Wonder
  • Blondie – a. Rapture b. Walk Like Me
  • Blue Swede – a. Hooked On a Feeling b. Never My Love
  • Bob Dylan – a. Subterranean Homesick Blues b. She Belongs To Me
  • Bruce Springsteen – a. 57 Channels (And Nothin’ On) b. Part Man, Part Monkey
  • Catatonia – a. Road Rage b. I’m Cured
  • Chris Isaak – a. Wicked Game b. Cool Cat Walk
  • Crash Test Dummies – a. Afternoons & Coffeespoons b. In the Days of the Caveman (Live)
  • Creedence Clearwater Revival – a. Bad Moon Rising b. Lodi
  • DNA feat. Suzanne Vega – a. Tom’s Diner b. Acapella
  • Duran Duran – a. The Wild Boys b. (I’m Looking For) Cracks in the Pavement (1984)
  • Echo & The Bunnymen – a. The Killing Moon b. Do It Clean
  • Elton John – a. Tiny Dancer b. Daniel
  • Elvis Presley – a. Suspicious Minds b. You’ll Think of Me
  • Everything Everything – a. Cough Cough b. A.D.
  • Faith No More – a. I’m Easy b. Be Aggressive
  • Fleetwood Mac – a. Oh Well (Part 1) b. Oh Well (Part 2)
  • Florence & The Machine – a. Rabbit Heart (Raise It Up) b. Are You Hurting
  • Franz Ferdinand – a. Take Me Out b. Truck Stop
  • Glen Campbell – a. Wichita Lineman b. Back in the Race
  • Guns’n’Roses – a. Patience b. Rocket Queen
  • Huey Lewis & The News – a. The Power of Love b. Do You Believe in Love?
  • Ian Dury & The Blockheads – a. Hit Me With Your Rhythm Stick b. There Ain’t Half Been
  • Iggy Pop – a. Lust For Life b. Home
  • Jimi Hendrix – a. Purple Haze b. Foxy Lady
  • Joan Jett – a. I Love Rock’n’Roll b. The French Song
  • Johnny Cash – a. A Boy Named Sue b. Folsom Prison Blues
  • Journey – a. Don’t Stop Believin’ b. Natural Thing
  • Julee Cruise – a. Falling b. Twin Peaks Theme
  • Kate Bush – a. Running Up That Hill b. Under The Ivy
  • Katrina & The Waves – a. Walking On Sunshine b. Going Down to Liverpool
  • Kiss – a. God Gave Rock’n’Roll To You II b. Junior’s Gone WIld
  • Led Zeppelin – a. Rock and Roll b. Four Sticks
  • Lemonheads – a. Mrs. Robinson b. Being Around
  • Lenny Kravitz – a. Always On The Run b. Instrumental
  • Live – a. I Alone b. Pain Lies On The Riverbed
  • Lou Reed – a. Walk On The Wild Side b. Perfect Day
  • Lynyrd Skynyrd – a. Freebird b. Sweet Home Alabama/Double Trouble
  • Magazine – a. Shot By Both Sides b. My Mind Ain’t So Open
  • Neil Young – a. My My, Hey Hey b. Hey Hey, My My
  • Nena – a. 99 Red Balloons b. Ich Bleib Im Bett
  • New Order – a. Blue Monday b. Beach Buggy
  • Norman Greenbaum – a. Spirit in the Sky b. Milk Cow
  • Otis Redding – a. (Sittin’ On) The Dock of the Bay b. Respect/Mr. Pitiful
  • Paul Simon – a. You Can Call Me Al b. Gumboots
  • Powder – a. Afrodisiac b. Shave Me
  • Prince – a. When Doves Cry b. 17 Days
  • Propaganda – a. Duel b. Jewel
  • Queen – a. Don’t Stop Me Now b. In Only Seven Days
  • R.E.M. – a. Crush With Eyeliner b. Instrumental
  • Regina Spektor – a. Fidelity b. Music Box
  • Rob Base & DJ EZ Rock – a. It Takes Two b. Instrumental
  • Rolling Stones – a. Gimme Shelter b. Sympathy for the Devil
  • Roxy Music – a. Virginia Plain b. The Numberer
  • Spitting Image – a. The Chicken Song b. (I’ve Never Met) A Nice South African
  • Stealers Wheel – a. Stuck in the Middle b. Jose
  • Steve Harley & Cockney Rebel – a. Make Me Smile (Come Up and See Me) b. Another Journey
  • Stevie Wonder – a. Superstition b. You’ve Got It Bad Girl
  • Stone Temple Pilots – a. Plush b. Sin
  • Super Furry Animals – a. Northern Lites b. Rabid Dog
  • Supergrass – a. Richard III b. Nothing More’s Gonna Get In My Way
  • Talk Talk – a. It’s My Life b. Does Caroline Know
  • The Babys – a. Isn’t It Time b. Give Me Your Love
  • The Beatles – a. Hey Jude b. Revolution
  • The Breeders – a. Cannonball b. Divine Hammer
  • The Buggles – a. Video Killed the Radio Star b. Kid Dynamo
  • The Doors – a. Alabama Song (Whiskey Bar) c. Take It As It Comes
  • The Housemartins – a. Happy Hour b. The Mighty Ship
  • The Kinks – a. You Really Got Me b. All Day and All of the Night
  • The Knack – a. My Sharona b. Let Me Out
  • The Mamas & The Papas – a. California Dreamin’ b. Somebody Groovy
  • The Smiths – a. How Soon is Now? b. Well I Wonder
  • The Trashmen – a. Surfin’ Bird b. Liar Liar
  • The Undertones – a. Teenage Kicks b. Emergency Cases
  • The Who – a. Who Are You b. Had Enough
  • Tori Amos – a. Cornflake Girl b. Sister Janet
  • T-Rex – a. Jeepster b. Life’s a Gas
  • U2 – a. Stay (Far Away, So Close) b. I’ve Got You Under My Skin
  • Van Halen – a. Why Can’t This Be Love b. Get Up
  • Vic Reeves & Wonderstuff – a. Dizzy b. Oh Mr. Hairdresser
  • Yeah Yeah Yeahs – a. Maps b. Countdown/Miles Away

IMG_6325

Another Random Skateboard Playlist

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Repetitive, moi?

I love lists.  These random playlists serve no purpose other than to remind me of music that’s buried away in my iTunes, waiting to be rediscovered.  One song leads to another; one band creates a ripple effect leading to another needing to be heard again.

I was out on the longboard this time, on a beautiful sunny afternoon.  I didn’t have long, however, before other commitments would tear me away.  Here are a few songs chosen at random by my iPod as the skate soundtrack that day.

  1. King Crimson – “Happy With What You Have to be Happy With”
  2. Senseless Things – “Watching the Pictures Go”
  3. Neck – “The Star of the County Down”
  4. Soul Asylum – “String of Pearls”
  5. Johnny Dowd – “True Love”
  6. Sonic Youth – “Creme Brulee”
  7. Siouxsie & The Banshees – “Christine”
  8. Siouxsie & The Banshees – “Peek-a-Boo”
  9. Nuclear Assault – “Live, Suffer, Die”
  10. Rolling Stones – “19th Nervous Breakdown”
  11. Shirley Bassey – “Reach for the Stars”
  12. Jimmy Eat World – “Cautioners”

Well, two different Siouxsie and the Banshees tracks, from different albums, one after the other.  Most strange.  Great songs, though.

I remember really enjoying the Stones track; the Shirley Bassey number was a bit out of the blue.  But then, random is what this game’s all about.

Till next time, groovers!

Bring Your Own Vinyl Night #7

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Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 26th February 2016

Welcome back to the Queen’s Head in Mold, North Wales!  Get yourself a pint and make yourself comfortable, ‘cos you know what time it is.  That’s right, it’s Bring Your Own Vinyl Night again!

Remember the rules: there’s a fifteen minute slot for each person; play whatever you like, so long as it’s vinyl.

Only Greeny and myself made it this time – Adam and Ben the Swede were both unavailable.  No theme for my set this time, just a few songs I really had a yearning to play…

Ennio Morricone – The Ecstasy of Gold

This song is of course from the soundtrack for the classic Sergio Leone Spaghetti Western, The Good, the Bad and the Ugly.  My version came from an album called “This is Ennio Morricone”.  You don’t need me to tell you how great that film is.  And Morricone’s soundtrack is stylish and ground breaking.  In particular, this track (which plays while Eli Wallach’s character runs frenziedly through a Civil War graveyard) is sheer class.  It builds magnificently and captivates the listener.  A bit over the top, I admit, as the first song in my set – but never let it be said that Platinum Al doesn’t do drama.

Ramones – Surfin’ Bird

If I was going to recommend a Ramones album for a novice to start their education of NYC’s finest, I’d go for “Rocket to Russia”.  I thought that this frenetic cover of the Trashmen’s surf rock gem would be a suitable place to go, after the majesty of the last track.  I love the Ramones and this song was a ton of fun to play.

Soundgarden – Fresh Tendrils

This song, from the simply fantastic “Superunknown” album, is probably my favourite Soundgarden song ever.  And I’m a bit of a Soundgarden nerd – I’ve collected tons of their stuff.  Rather than play a more obvious, well known song, I decided to go with my top tune.  “Fresh Tendrils” has an epic, classic rock sound that I love.  No idea what Chris is singing about, however.  The version I played was from the “Spoonman” 12″ single (on clear vinyl!).

Johnny Cash – Folsom Prison Blues

Originally I was going to play a Stooges song, but then I remembered that 26th February was Johnny Cash’s birthday.  So I decided to play a song by the Man in Black.  “Folsom Prison Blues” is a legendary track, one of Cash’s best.  And I’ve already stated how big a hero this guy was to me.  The album this came from – “Original Golden Hits Volume 1” – was my Gran’s.  After she passed away, it was given to me.  I’d heard a lot from bands I was into how Cash was an inspiration, so I checked the record out.  I loved it, and my Johnny Cash fandom was born.  The first Cash record I heard, but not the last!

That’s my list for the night.  There were may great songs played through out the evening, though.  Budgie!  Hawkwind!  Disposable Heroes of Hiphoprisy!  Anthrax!  Check the link below for the complete list.

Wax is back – get spinning those tracks!  Thanks for a great night!

I’d also like to thank my old mate Graham, who turned up with a couple of Suicidal Tendencies records for me.  You see, I’d sold these two exact albums to Graham some twenty years ago, when I was a broke student.  Although I could’ve tracked the records down on eBay, I decided to message Graham and see if he’d sell them back to me (if he still had them).  The reason being that one album, the awesome “Join the Army”, had been given to me when I was 15 by my friend Kelvin Bedford, who I used to skateboard with every day.  Sadly, Kel passed away a couple of years ago.  So it was cool to get that actual copy back in my record collection, as a nice memory.  It even had the same plastic protective sheet over the album – and the selotape strip I patched up the inner sleeve with many, many years ago!  Graham gave me both records for free – so I bought him a pint or two.  Thank you!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

Attack of Hallowe’en Horror Fest

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Halloween (1978)

This film is perfect for Hallowe’en Horror Fest!  I can’t believe I’ve not reviewed it already.  Here we have the original Halloween from Director John Carpenter, and by golly it’s a beauty.

Michael Myers has been locked up in an institution since the Hallowe’en night when, as young boy, he murdered his sister.  Now Michael has escaped, and returned to his home town to wreak bloody murder on the local teens.  Dr Loomis (Donald Pleasence)  is in pursuit of the deranged killer, but will he be able to stop Myers before Laurie Strode (Jamie Lee Curtis) is his next victim? Halloween_cover

I’m not really a fan of slasher films, but here we have a film that bucks the trend.  Halloween is tense as hell – Carpenter manages to startle the audience time and again.  The viewer is constantly on edge waiting for the next shock.  This film created many of the cliches we are now familiar with in the slasher genre – so it’s to the credit of the Director that the frights still work.  The leads deliver believable performances, too – making this a classic standing head and shoulders over the imitators.

Carpenter also provides the spooky soundtrack, music which can give you a chill even without the visuals!

Recommended.

10/10